Musique Canada | |
Abbreviation | MC |
---|---|
Formation | 9 April 1963 |
Type | Licensing and royalties, technical standards |
Headquarters | Toronto, Ontario |
Website | musiccanada |
Music Canada is a non-profit trade organization that was founded 9 April 1963 in Toronto to represent the interests of companies that record, manufacture, produce, and distribute music in Canada. It also offers benefits to some of Canada's leading independent record labels and distributors. [1] It was known as the Canadian Record Manufacturer's Association (French : Association canadienne des fabricants de disques) until 1972 and the Canadian Recording Industry Association (CRIA) (French : Association de l'industrie canadienne de l'enregistrement) until 2011.
Originally formed as the 10-member Canadian Record Manufacturer's Association, the association changed its name to Canadian Recording Industry Association (CRIA) in 1972 and opened membership to other record industry companies. [2]
In 2006, a number of smaller labels resigned their memberships, complaining that the organization was not representing their interests. [3] On 7 July 2011, the CRIA changed its name to Music Canada, and began offering special benefits to some of the leading independent labels and distributors. [4]
Music Canada is governed by a board of directors who are elected annually by association members. To be eligible for election a candidate for the board must be among the executive officers of the member companies. Patrick Rogers (formerly the Vice President, Corporate Affairs) was named Chief Executive Officer, effective 11 January 2021. [5] Graham Henderson had been president from 15 November 2004 to 28 May 2020; Brian Robertson previously held the position from 1974.
Music Canada is responsible for the distribution of ISRC registrant codes within Canada, and also works with the IFPI and RIAA to try to prevent copyright infringement of artists' work.
Historically, Music Canada has represented all record labels in the country. However, some labels and other industry groups have publicly disagreed with Music Canada and stated that it no longer represents them. In 2006, six well-known "indie" labels including Nettwerk left Music Canada in a dispute over Canadian content rules. They claimed the association was only protecting the interests of "the four major foreign multi-national labels", [7] referring to EMI, Universal, Sony BMG, and Warner. Other points of contention include Music Canada's stance against the blank media tax, their support for digital locks on music, [8] and positions against copyright reform. [9] In 2007, a group of musicians formed the Canadian Music Creators Coalition, claiming "legislative proposals that would facilitate lawsuits against our fans or increase the labels' control over the enjoyment of music are made not in our names, but on behalf of the labels' foreign parent companies."
On 16 February 2004, Music Canada applied to the Federal Court to force five major Canadian Internet service providers – Shaw Communications Inc., Telus Corp., Rogers Cable, Bell Canada's Sympatico service and Vidéotron – to release the names of 29 people accused of copyright infringement through peer-to-peer file sharing. In April 2005, Vidéotron indicated its willingness to supply customer information to Music Canada. [10]
On 31 March 2004, in the case of BMG v. John Doe , Justice Konrad von Finckenstein of the Federal Court of Canada ruled that making music available for download over the Internet was not equivalent to distribution and was thus noninfringing. The Justice compared the peer-to-peer filesharing activities to "having a photocopier in a library room full of copyrighted material" and wrote that there was no evidence of unauthorized distribution presented. [11] The Federal Court of Appeal upheld the lower courts ruling denying the disclosure of the customers' identities, but, in reference to "what would or would not constitute infringement of copyright", stated: "such conclusions should not have been made in the very preliminary stages of this action, since they would require a consideration of the evidence as well as the law applicable to such evidence after it has been properly adduced, and could be damaging to the parties if a trial takes place." [12] The Copyright Board of Canada earlier that year had included downloading music in the list of "private copying" activities for which tariffs on blank media applied. (Private copying is the act of copying music for personal use from a noninfringing source, and is itself noninfringing.) [13] [ relevant? ] In 2008, the operators of the isoHunt website filed a motion with the Supreme Court of British Columbia seeking a declaratory judgment affirming the legality of their operation. The motion was denied, and the court ruled a full trial was needed. This decision was appealed by the operators of isoHunt; the appeal was also denied. In late 2009, isoHunt filed a formal suit against Music Canada and the four "major" record labels seeking "declaratory relief to clarify its legal rights." [14]
Additionally, in October 2008, the four main members of Music Canada were sued by the estate of Chet Baker and several other artists for copyright infringement. The major claims in this lawsuit are as follows:
As the standard punitive damages for each act of infringement is set at $20,000, and there are three hundred thousand works on the "pending lists", Music Canada could have faced punitive damages of a minimum of $6 billion. [15] On 8 November 2011, the suit was settled out of court for over $45 million. [16]
Certification | Releases before 1 May 2008 [17] | Releases after 1 May 2008 [17] |
---|---|---|
Gold | 50,000 | 40,000 |
Platinum | 100,000 | 80,000 |
Diamond | 1,000,000 | 800,000 |
Prior to 12 September 2016, Music Canada had different certification levels for physical singles and digital downloads singles. [18] On that date, the digital downloads singles award was discontinued and the singles award consisted of sales numbers for digital downloads and physical singles alike. It also includes streams, where 150 on-demand audio streams from a subscription service equals 1 unit towards certification. [17]
Certification | Certifications after 12 Sep 2016 |
---|---|
Gold | 40,000 |
Platinum | 80,000 |
Diamond | 800,000 |
Physical singles | |||
---|---|---|---|
Certification | Releases before 1 Feb 1982 [19] | Releases before Sep 2002 [19] | Releases after Sep 2002 [A] |
Gold | 75,000 | 50,000 | 5,000 |
Platinum | 150,000 | 100,000 | 10,000 |
Diamond | 1,500,000 | 1,000,000 | 100,000 |
Digital downloads | |||
Certification | Certifications before 1 Jan 2007 [B] [20] | Certifications until Apr 2010 [C] [21] [22] | Certifications after 1 May 2010 [22] (Discontinued 12 Sep 2016) |
Gold | 10,000 | 20,000 | 40,000 |
Platinum | 20,000 | 40,000 | 80,000 |
Diamond | 200,000 | 400,000 | 800,000 |
Ringtone (singles) certifications and Music DVD certifications were retired on 1 April 2021. [17]
Certification | For all RingTone releases [17] | For all Video releases [17] |
---|---|---|
Gold | 20,000 | 5,000 |
Platinum | 40,000 | 10,000 |
Diamond | 400,000 | 100,000 |
In the United States, the Recording Industry Association of America (RIAA) operates an awards program based on the certified number of albums and singles sold through retail and other ancillary markets. Other countries have similar awards. Certification is not automatic; for an award to be made, the record label must first request certification. The audit is conducted against net shipments after returns, which includes albums sold directly to retailers and one-stops, direct-to-consumer sales and other outlets.
Music recording certification is a system of certifying that a music recording has shipped, sold, or streamed a certain number of units. The threshold quantity varies by type and by nation or territory.
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licences and royalties.
A music download is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment. Music downloads are typically encoded with modified discrete cosine transform (MDCT) audio data compression, particularly the Advanced Audio Coding (AAC) format used by iTunes as well as the MP3 audio coding format.
A remix album is an album consisting of remixes or rerecorded versions of an artist's earlier released material. The first act who employed the format was American singer-songwriter Harry Nilsson. As of 2007, the best-selling remix album of all time is Michael Jackson's Blood on the Dance Floor: HIStory in the Mix (1997).
The Philippine Association of the Record Industry is a non-profit and private trade organization, that represents the recording industry distributors in the Philippines.
British Phonographic Industry (BPI) is the British recorded music industry's trade association. It runs the BRIT Awards; is home to the Mercury Prize; co-owns the Official Charts Company with the Entertainment Retailers Association; and awards UK music sales through the BRIT Certified Awards.
The Recording Industry Association of Japan (RIAJ) is an industry trade group composed of Japanese corporations involved in the music industry. It was founded in 1942 as the Japan Phonogram Record Cultural Association, and adopted its current name in 1969.
The Argentine Chamber of Phonograms and Videograms Producers is an Argentine organization member of the IFPI, which represents the music industry in the country. It is a nonprofit organization integrated by multinational and independent record labels.
File sharing in Canada relates to the distribution of digital media in that country. Canada had the greatest number of file sharers by percentage of population in the world according to a 2004 report by the OECD. In 2009 however it was found that Canada had only the tenth greatest number of copyright infringements in the world according to a report by BayTSP, a U.S. anti-piracy company.
The discography of Brad Paisley, an American country music singer, consists of 12 studio albums, three compilation albums, and 46 singles. All but two of Paisley's singles have hit the Top 20 of the Billboard Hot Country Songs charts, with all but six reaching the top ten. He has 21 number ones, including a streak of ten consecutive, starting with the 2005–06 Dolly Parton duet "When I Get Where I'm Going". When "Waitin' on a Woman", reached number 1 in late 2008, Paisley set a new record for the most consecutive number ones (10) by any country artist since the inception of Nielsen SoundScan in 1990. This streak lasted until mid-2009's number 2 single "Welcome to the Future".
English singer Leona Lewis has released five studio albums, twenty-eight singles, one live video album, one extended play and twenty-six music videos. After winning the third series of British television talent show, The X Factor in 2006, Lewis released "A Moment Like This" in the United Kingdom and Ireland, which became the fastest selling single ever by a female artist in the UK. Her follow-up single, "Bleeding Love" reached number one in 35 countries, and was the biggest-selling single of 2008 worldwide. The song has had over two billion streams. Lewis's first studio album, Spirit was released to follow the single; it became the fastest-selling debut album of all time in the UK and Ireland, and the first debut album by a British solo artist to debut at number one on the Billboard 200. As of April 2012, Spirit is the 20th biggest-selling album of all time in the UK. The next single, "Better in Time", was also successful worldwide, reaching the top ten in many countries. Subsequent singles "Forgive Me" and "Run" were released across Europe and Australia; "Forgive Me" went on to moderate success, while "Run" became Lewis's third number one in the UK, and also reached the top spot in Austria and Ireland. "I Will Be" was released as the final single in North America.
International Federation of the Phonographic Industry Greece, or simply IFPI Greece, is the Greek branch of the International Federation of the Phonographic Industry (IFPI) and is the official charts provider and recording sales certification body for Greece. The association compiles and publishes a Top 75 album sales chart. The chart is sponsored by Cyta Hellas.
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C.
Pro-Música Brasil (PMB), previously Associação Brasileira dos Produtores de Discos (ABPD), is an official representative body of the record labels in the Brazilian phonographic market.
Recording Industry of South Africa (RiSA) is a trade association representing the interests of major and independent record labels of South Africa. Located in Randburg, RiSA is responsible for running the annual South African Music Awards (SAMAs) and for music recording certification in South Africa. It also runs The Official South African Charts (TOSAC).
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BMG Canada Inc. v. Doe, 2004 FC 488 aff'd 2005 FCA 193, is an important Canadian copyright law, file-sharing, and privacy case, where both the Federal Court of Canada and the Federal Court of Appeal refused to allow the Canadian Recording Industry Association (CRIA) and several major record labels to obtain the subscriber information of Internet service provider (ISP) customers alleged to have been infringing copyright.