Istanbul #2461 | |
---|---|
Material | terracotta |
Size | 10.7 x 6 x 3.1 cm [1] |
Writing | Sumerian language in cuneiform script [1] |
Created | 2037–2029 BC (long chronology) 1972–1964 BC (short chronology) |
Discovered | late 1880s Nippur |
Present location | Istanbul Museum of the Ancient Orient |
Istanbul #2461 (also Ni 2461, [1] L.2461) is an ancient Sumerian cuneiform tablet which is believed to contain the oldest love poem ever found. [2] [3] It is on display at the Istanbul Museum of the Ancient Orient (Mesopotamia Hall). [3]
It is an erotic poem addressed to king Shu-Sin (reigned 20th or 21st century BC) by an unnamed female speaker. It is thought that the poem may be connected to a "sacred marriage" between the king and a priestess of Inanna.
The tablet was unearthed at Nippur, in lower Mesopotamia (modern day Iraq). It was one of several thousand Sumerian tablets found by archeologists during excavations between 1889 and 1900. [1]
The tablet was identified among 74000 others and translated by Samuel Noah Kramer in 1951, during his years of studies in the Istanbul Museum. [3] Kramer was deciding what works to translate next when he found the tablet in the museum drawer. He describes the moment in his book History Begins at Sumer: [4]
The little tablet numbered 2461 was lying in one of the drawers, surrounded by a number of other pieces. When I first laid eyes on it, its most attractive feature was its state of preservation. I soon realized that I was reading a poem, divided into a number of stanzas, which celebrated beauty and love, a joyous bride and a king named Shu-Sin … As I read it again and yet again, there was no mistaking its content. What I held in my hand was one of the oldest love songs written down by the hand of man.
The tablet contains a balbale (a kind of Sumerian poem) which is known by the titles "Bridegroom, Spend the Night in Our House Till Dawn" or "A Love Song of Shu-Suen (Shu-Suen B)". Composed of 29 lines, [5] this poem is a monologue directed to king Shu-Sin (ruled 1972–1964 BC, short chronology, or 2037–2029 BC, long chronology [4] ). In erotic language, the female speaker in the poem expresses her ardent desires and longings for Shu-Sin, drawing heavily on imagery related to honey and sweetness. [1] [6]
The following is the start of the poem (in Kramer's translation): [4]
Bridegroom, dear to my heart,
Goodly is your beauty, honeysweet,
Lion, dear to my heart,
Goodly is your beauty, honeysweet.
The last three lines of the poem seem to contain an invitation to a sexual encounter, but in language not adequately clear to us. [1] [7]
The text is one of the oldest known lyric poems. [8]
It is believed that the poem is a script for the yearly "sacred marriage", a rite in which the king would symbolically marry the goddess Inanna, mate with her, and ensure fertility and prosperity for the coming year. A priestess would probably represent Inanna, the Sumerian goddess of fertility, and the king Shu-Sin would represent Dumuzi, the god of shepherds, on the eve of their union. [4] [3]
Variants of the poem may have been sung during ritual ceremonies commemorating the divine marriage between the two gods all over the ancient Near East, particularly in Egypt. [9] [4] The translation of this tablet shed light on the Song of Solomon in the Old Testament, because some phrases are similar to the poems sung during such fertility feasts, as well as Sumerian weddings. [3]
Gilgamesh was a hero in ancient Mesopotamian mythology and the protagonist of the Epic of Gilgamesh, an epic poem written in Akkadian during the late 2nd millennium BC. He was possibly a historical king of the Sumerian city-state of Uruk, who was posthumously deified. His rule probably would have taken place sometime in the beginning of the Early Dynastic Period (Mesopotamia), c. 2900 – 2350 BC, though he became a major figure in Sumerian legend during the Third Dynasty of Ur.
Inanna is an ancient Mesopotamian goddess associated with love, beauty, sex, war, justice and political power. She was originally worshiped in Sumer under the name "Inanna", and was later worshipped by the Akkadians, Babylonians, and Assyrians under the name Ishtar. She was known as the "Queen of Heaven" and was the patron goddess of the Eanna temple at the city of Uruk, which was her main cult center. She was associated with the planet Venus and her most prominent symbols included the lion and the eight-pointed star. Her husband was the god Dumuzid and her sukkal, or personal attendant, was the goddess Ninshubur.
Enheduanna is the earliest known poet and composer whose name has been recorded. She was the High Priestess of the goddess Inanna and the moon god Nanna (Sīn). She lived in the Sumerian city-state of Ur.
Adab or Udab was an ancient Sumerian city between Telloh and Nippur. It was located at the site of modern Bismaya or Bismya in the Wasit Province of Iraq.
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The Lament for Ur, or Lamentation over the city of Ur is a Sumerian lament composed around the time of the fall of Ur to the Elamites and the end of the city's third dynasty.
Ibbi-Sin, son of Shu-Sin, was king of Sumer and Akkad and last king of the Ur III dynasty, and reigned c. 2028–2004 BCE or possibly c. 1964–1940 BCE. During his reign, the Sumerian empire was attacked repeatedly by Amorites. As faith in Ibbi-Sin's leadership failed, Elam declared its independence and began to raid as well.
Shu-Sin, also Šu-Suen was king of Sumer and Akkad, and was the penultimate king of the Ur III dynasty. He succeeded his brother Amar-Sin, and reigned c. 1973–1964 BC.
The Dynasty of Isin refers to the final ruling dynasty listed on the Sumerian King List (SKL). The list of the Kings Isin with the length of their reigns, also appears on a cuneiform document listing the kings of Ur and Isin, the List of Reigns of Kings of Ur and Isin.
Dumuzid or Dumuzi, later known by the alternative form Tammuz, is an ancient Mesopotamian god associated with shepherds, who was also the primary consort of the goddess Inanna. In Sumerian mythology, Dumuzid's sister was Geshtinanna, the goddess of agriculture, fertility, and dream interpretation. In the Sumerian King List, Dumuzid is listed as an antediluvian king of the city of Bad-tibira and also an early king of the city of Uruk.
Queen of Heaven was a title given to a number of ancient sky goddesses worshipped throughout the ancient Mediterranean and the ancient Near East. Goddesses known to have been referred to by the title include Inanna, Anat, Isis, Nut, Astarte, and possibly Asherah. In Greco-Roman times, Hera and Juno bore this title. Forms and content of worship varied.
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Sumerian religion was the religion practiced and adhered to by the people of Sumer, the first literate civilization of ancient Mesopotamia. The Sumerians regarded their divinities as responsible for all matters pertaining to the natural and social orders.
Balbale ; is a Sumerian form of poem, a kind of changing songs. Most of Tammuz and Enkimdu consists of changes like this. There’s a reference to balbale in the colophon of the poem, though it also may refer to the dialogue form of the writing. All hymns signed as balbales contain changing repetitions. It is the most important feature of balbale. Dialogues referred to as balbale also consist of changing and unchanged periods.
The Debate between Winter and Summer or Myth of Emesh and Enten is a Sumerian creation myth, written on clay tablets in the mid to late 3rd millennium BC.
The Song of the hoe or the Creation of the pickax is a Sumerian creation myth, written on clay tablets from the last century of the 3rd millennium BCE.
Lipit-Enlil, written dli-pí-itden.líl, where the Sumerian King List and the Ur-Isin king list match on his name and reign, was the 8th king of the 1st dynasty of Isin and ruled for five years, ca. 1810 BC – 1806 BC or 1873–1869 BC. He was the son of Būr-Sîn.
Iddin-Dagan, fl.c. 1910 BC — c. 1890 BC by the short chronology of the ancient Near East or c. 1975 BC — c. 1954 BC by the middle chronology) was the 3rd king of the dynasty of Isin. Iddin-Dagan was preceded by his father Shu-Ilishu. Išme-Dagān then succeeded Iddin-Dagan. Iddin-Dagan reigned for 21 years He is best known for his participation in the sacred marriage rite and the risqué hymn that described it.
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