Reboot (fiction)

Last updated

The Godzilla film franchise, which began in 1954, has been rebooted numerous times. Pictured here is a promotional still for Godzilla Raids Again (1955). Godzilla Raids Again (1955) Godzilla vs Anguirus.jpg
The Godzilla film franchise, which began in 1954, has been rebooted numerous times. Pictured here is a promotional still for Godzilla Raids Again (1955).

In serial fiction, the term "reboot" signifies a new start to an established fictional universe, work, or series. A reboot discards continuity to re-create its characters, plotlines and backstory from the beginning. [1] [2] It has been described as a way to "rebrand" [3] or "restart an entertainment universe that has already been established". [1]

Contents

Another definition of a reboot is a remake which is part of an established film series or other media franchise. [4] The term has been criticized for being a vague and "confusing" [5] "buzzword", [6] and a neologism for remake, [7] [8] a concept which has been losing popularity since the 2010s. [9] [10] William Proctor proposes that there is a distinction between reboots, remakes and retcons. [11]

Origin

The term is thought to originate from the computing term reboot , meaning to restart a computer system. [1] [2] There is a change in meaning: the computing term refers to restarting the same program unaltered, while the term discussed here refers to revising a narrative from the beginning. [12] The first known use of reboot applied to an entertainment franchise was in a 1994 Usenet posting. [13]

Types

Say you've had 187 issues of 'The Incredible Hulk' and you decide you're going to introduce a new Issue 1. You pretend like those first 187 issues never happened, and you start the story from the beginning and the slate is wiped clean, and no one blinks. One of the reasons they do that is after 10 years of telling the same story, it gets stale and times change. So we did the cinematic equivalent of a reboot, and by doing that, setting it at the beginning, you're instantly distancing yourself from anything that's come before.

Reboots cut out non-essential elements associated with a pre-established franchise and start it anew, distilling it down to the core elements that made the source material popular. [15] For audiences, reboots allow easier entry for newcomers unfamiliar with earlier titles in a series. [15]

Comic books

In comic books, a long-running title may have its continuity erased to start over from the beginning, enabling writers to redefine characters and open up new story opportunities, allowing the title to bring in new readers. [1] [16] Comic books sometimes use an in-universe explanation for a reboot, such as merging parallel worlds and timelines together, or destroying a fictional universe and recreating it from the beginning. [17] [18] [19]

Film

With reboots, filmmakers revamp and reinvigorate a film series to attract new fans and stimulate revenue. [2] [14] A reboot can renew interest in a series that has grown stale. [20] Reboots act as a safe project for a studio, since a reboot with an established fanbase is less risky (in terms of expected profit) than an entirely original work, while at the same time allowing the studio to explore new demographics.

Television

A television series can return to production after cancellation or a long hiatus. [21] [22] Whereas a reboot disregards the previous continuity of a work, the term has also been used as a "catch all" phrase to categorize sequel series or general remakes due to the rise of such productions in the late 2010s. [23] [24]

A related concept is retooling, which is used to substantially change the premise of a series while keeping some of the core characters. Retools are usually part of an effort to forestall cancellation of a still running production. [25]

Video games

Reboots and remakes are common in the video game industry. [15] Remakes in video games are used to refresh the storyline and elements of the game and to take advantage of technology and features not available at the time of earlier entries. [15]

Soft reboot

A soft reboot is a reboot that shares some continuity with the original series, but that changes the style, tone, or intent. [26] It usually serves to allow writers more creative freedom while mostly maintaining the same setting the audience has grown accustomed to. [27]

See also

Related Research Articles

<i>Tomb Raider</i> Video game franchise

Tomb Raider, known as Lara Croft: Tomb Raider from 2001 to 2008, is a media franchise that originated with an action-adventure video game series created by British video game developer Core Design. The franchise is currently owned by CDE Entertainment; it was formerly owned by Eidos Interactive, then by Square Enix Europe after Square Enix's acquisition of Eidos in 2009 until Embracer Group purchased the intellectual property alongside Eidos in 2022. The franchise focuses on the fictional British archaeologist Lara Croft, who travels around the world searching for lost artefacts and infiltrating dangerous tombs and ruins. Gameplay generally focuses on exploration, solving puzzles, navigating hostile environments filled with traps, and fighting enemies. Additional media has been developed for the franchise in the form of film adaptations, comics and novels.

A prequel is a literary, dramatic or cinematic work whose story precedes that of a previous work, by focusing on events that occur before the original narrative. A prequel is a work that forms part of a backstory to the preceding work.

<span class="mw-page-title-main">Sequel</span> Part of a linear narrative that continues the story of a previous work

A sequel is a work of literature, film, theater, television, music, or video game that continues the story of, or expands upon, some earlier work. In the common context of a narrative work of fiction, a sequel portrays events set in the same fictional universe as an earlier work, usually chronologically following the events of that work.

<span class="mw-page-title-main">Canon (fiction)</span> Concept of continuity between different fictional works

The canon of a work of fiction is "the body of works taking place in a particular fictional world that are widely considered to be official or authoritative; [especially] those created by the original author or developer of the world". Canon is contrasted with, or used as the basis for, works of fan fiction and other derivative works.

Transformers is a media franchise produced by American toy company Hasbro and Japanese toy company Takara Tomy. It primarily follows the heroic Autobots and the villainous Decepticons, two alien robot factions at war that can transform into other forms, such as vehicles and animals. The franchise encompasses toys, animation, comic books, video games and films. As of 2011, it generated more than ¥2 trillion in revenue, making it one of the highest-grossing media franchises of all time.

<span class="mw-page-title-main">Superhero film</span> Film genre

A superhero film is a film that focuses on superheroes and their actions. Superheroes are individuals who usually possess superhuman abilities and are dedicated to protecting the public. These films typically feature action, adventure, fantasy, or science fiction elements. The first film about a particular character often focuses on the hero's origin story. It also frequently introduces the hero's nemesis.

<span class="mw-page-title-main">James Wan</span> Australian filmmaker

James Wan is an Australian filmmaker. He has primarily worked in the horror genre as the co-creator of the Saw and Insidious franchises and the creator of The Conjuring Universe. The lattermost is the highest-grossing horror franchise at over $2 billion. Wan is also the founder of film and television production company Atomic Monster.

Stephen Norrington is an English filmmaker and special effects artist known for his work in the horror and action genres. Beginning his career as a sculptor and makeup artist, he worked under Dick Smith, Rick Baker, and Stan Winston on a number of well-known, effects-driven films of the 1980s and 90s. His directorial credits include the cult sci-fi horror film Death Machine and the comic book adaptations Blade and The League of Extraordinary Gentlemen. He portrayed Michael Morbius in the alternate ending to Blade.

<i>Blade</i> (franchise) American media franchise

Blade is a superhero film and television franchise based on the Marvel Comics character of the same name, starring Wesley Snipes as Blade in the original trilogy, and Sticky Fingaz in the television series. The original trilogy was directed by Stephen Norrington, Guillermo del Toro and David S. Goyer, the latter of whom also wrote the films and served as a co-writer for the first and last two episodes of the television series. The original films and television series were distributed by New Line Cinema from 1998 to 2006.

Prince of Persia is a video game franchise created by Jordan Mechner. It is centered around a series of action-adventure games focused on various incarnations of the eponymous Prince, set in ancient and medieval Persia.

A shared universe or shared world is a fictional universe from a set of creative works where one or more writers independently contribute works that can stand alone but fits into the joint development of the storyline, characters, or world of the overall project. It is common in genres like science fiction. It differs from collaborative writing in which multiple artists are working together on the same work and from crossovers where the works and characters are independent except for a single meeting.

<i>The Mummy</i> (2017 film) Film by Alex Kurtzman

The Mummy is a 2017 American fantasy action-adventure film directed by Alex Kurtzman and written by David Koepp, Christopher McQuarrie, and Dylan Kussman, with a story by Kurtzman, Jon Spaihts, and Jenny Lumet. A reboot of the Mummy franchise as part of Universal's scrapped Dark Universe, it stars Tom Cruise as U.S. Army Sergeant Nick Morton, a soldier of fortune who accidentally unearths the ancient tomb of entrapped Egyptian princess Ahmanet. Annabelle Wallis, Jake Johnson, Courtney B. Vance, and Russell Crowe also star.

<i>Ghostbusters</i> (2016 film) 2016 film by Paul Feig

Ghostbusters is a 2016 American supernatural comedy film directed by Paul Feig, who co-wrote it with Katie Dippold. Starring Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Neil Casey, Andy García, Cecily Strong, Charles Dance, Michael K. Williams, Matt Walsh, and Chris Hemsworth, it is a reboot of the 1984 film of the same name and the third film in the Ghostbusters franchise. The story focuses on four eccentric women who start a ghost-catching business in New York City after a paranormal encounter.

<span class="mw-page-title-main">DC Extended Universe</span> Shared fictional universe

The DC Extended Universe (DCEU) is an American media franchise and shared universe centered on a series of superhero films produced by DC Studios and distributed by Warner Bros. Pictures. It is based on characters that appear in American comic books published by DC Comics. The DCEU also includes comic books, short films, novels, and video games. Like the original DC Universe in comic books, the DCEU is established by crossing over common plot elements, settings, cast, and characters.

<i>Halloween</i> (2018 film) American slasher film

Halloween is a 2018 American slasher film directed by David Gordon Green and co-written by Green, Jeff Fradley and Danny McBride. It is the eleventh installment in the Halloween film series and a sequel to the 1978 film of the same name, while disregarding all previous sequels. The film stars Jamie Lee Curtis who reprises her role as Laurie Strode. James Jude Courtney portrays Michael Myers, with Nick Castle returning to the role for a cameo. Halloween also stars Judy Greer, Andi Matichak, Will Patton, Haluk Bilginer, and Virginia Gardner. Its plot follows a post-traumatic Laurie Strode who prepares to face Michael Myers in a final showdown on Halloween night, forty years after she survived his killing spree.

Star Trek 4 is the working title of an American science fiction film in development at Paramount Pictures based on the television series Star Trek by Gene Roddenberry. It is intended to be the 15th feature film in the Star Trek film franchise and the 5th of the franchise's reboot films. There have been several different iterations of the film in development since 2015.

<i>The Strangers: Chapter 1</i> Upcoming film by Renny Harlin

The Strangers: Chapter 1 is an upcoming American horror thriller film directed by Renny Harlin, with a screenplay by Alan R. Cohen and Alan Freeland, from a story by Bryan Bertino. Madelaine Petsch and Froy Gutierrez star as a couple who come into contact with the three psychopathic masked strangers while on a roadtrip.

References

  1. 1 2 3 4 Willits, Thomas R. (13 July 2009). "To Reboot Or Not To Reboot: What is the Solution?". Bewildering Stories. Archived from the original on 6 December 2012. Retrieved 20 August 2013.
  2. 1 2 3 Parfitt, Orlando (25 August 2009). "Top 12 Forthcoming Franchise Reboots". IGN . Archived from the original on 20 May 2014. Retrieved 20 August 2013.
  3. Alexander, Julia (15 March 2017). "The Matrix reboot isn't a remake: Here's the difference between the two". Polygon . Retrieved 19 July 2018.
  4. McKittrick, Christopher (6 March 2018). "Film Franchises: The Differences Between Sequels, Reboots and Spinoffs". ThoughtCo . Archived from the original on 19 July 2018. Retrieved 19 July 2018. In a lot of ways, a remake and a reboot are similar concepts. They are both brand-new versions of previous movies. However, "reboot" is more commonly used for film franchises, while "remake" is more often used for stand-alone movies.
  5. "Hollywood's 10 Best Reboots". IGN . 21 September 2012. Archived from the original on 19 July 2018. Retrieved 19 July 2018.
  6. Peters, Ian; et al. (6 August 2012). "Reboots, Remakes, and Adaptations". In media res. Archived from the original on 19 July 2018. Retrieved 19 July 2018.
  7. Child, Ben (24 August 2016). "Don't call it a reboot: how 'remake' became a dirty word in Hollywood". The Guardian . Archived from the original on 19 July 2018. Retrieved 19 July 2018.
  8. Patches, Matt (9 August 2012). "The Reboot Glossary: Which Hollywood Buzzword Fits the Bill?". Hollywood.com . Archived from the original on 19 July 2018. Retrieved 19 July 2018.
  9. Faughnder, Ryan (24 August 2016). "Hollywood's summer problem? Reboots people don't want". Los Angeles Times . Archived from the original on 19 July 2018. Retrieved 19 July 2018.
  10. Desta, Yohana (9 October 2014). "Why Hollywood Is Producing So Many Damn Remakes". Mashable . Archived from the original on 19 July 2018. Retrieved 19 July 2018.
  11. Proctor, William (7 April 2017). "Reboots and Retroactive continuity". The Routledge Companion to Imaginary Worlds: 230–231. Retrieved 9 December 2019.
  12. "Does This Common Computer Term Actually Reference Shoes?". Merriam-Webster . Retrieved 12 February 2021.
  13. "MISC: The origin of "reboot" found!". Google Groups . 1 April 1996. Retrieved 20 January 2023.(registration required)
  14. 1 2 Greenberg, James (8 May 2005). "Rescuing Batman". Los Angeles Times . p. E-10. Archived from the original on 2 December 2008. Retrieved 11 May 2019.
  15. 1 2 3 4 Norris, Erik (7 March 2013). "Why Franchise Reboots Can Be A Good Thing". Mandatory. CraveOnline. Archived from the original on 8 June 2018. Retrieved 6 June 2018.
  16. Lorendiac (16 March 2009). "Lorendiac's Lists: The DC Reboots Since Crisis on Infinite Earths". Comic Book Resources . Archived from the original on 9 October 2016. Retrieved 20 August 2013.
  17. Crisis on Infinite Earths #1-12 (April 1985 – March 1986)
  18. Flashpoint #1-5 (May – September 2011)
  19. Zero Hour: Crisis in Time #4-0 (Sept. 1994)
  20. Vasquez, Zach (23 October 2018). "Beyond the grave: what's next for the horror reboot?". The Guardian . Archived from the original on 25 October 2018. Retrieved 25 October 2018.
  21. Francis, James Jr. (11 June 2018). "Why did the television reboot become all the rage?". The Conversation . Archived from the original on 19 July 2018. Retrieved 19 July 2018.
  22. Husser, Amy (27 February 2016). "Reboot overload? Fuller House only latest in line of nostalgia-inspired TV revivals". CBC News . Archived from the original on 11 August 2018. Retrieved 19 July 2018.
  23. Swarts, Jessica (12 April 2016). "'The Twilight Zone' Remake Episodes That Are Actually Pretty Good". Inverse . Archived from the original on 19 July 2018. Retrieved 19 July 2018.
  24. Otterson, Joe (6 December 2017). "'Twilight Zone' Reboot From Jordan Peele, Simon Kinberg, Marco Ramirez Greenlit at CBS All Access". Variety . Archived from the original on 19 July 2018. Retrieved 19 July 2018.
  25. VanDerWerff, Emily Todd (12 February 2014). "How the second season of Newhart proves sitcoms need time to learn". The A.V. Club . Archived from the original on 23 November 2019. Retrieved 24 November 2019. Newhart is that rare beast in the TV world: a show where all of the retooling paid off because the producers were keenly attuned to what was and wasn't working on their show.
  26. Keatis, D L (9 April 2019). "The 5 Best Soft Reboots in Cinematic History". Superman on Film.
  27. Agar, C (11 February 2016). "Why Soft Reboots Are the Ideal Compromise Between Remakes & Sequels". Screen Rant.