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Television criticism (also called TV criticism or TV reviewing) is the act of writing or speaking about television programming to subjectively evaluate its worth, meaning, and other aspects. [1] It is often found in newspapers, television programs, radio broadcasts, Internet and specialist periodicals and books.
While originally developed to critique content for children, it has been used to critique how various issues and topics are presented on television, including race and feminity. [2] [3] Relations with audiences and networks are important to critics, but problems can arise with both. [4]
Television criticism originally began as a way to analyze the shows children were watching, and to make sure they were getting quality educational content. Originally being defined as visual literacy , the term changed in the 1990s to media literacy . [2] The purpose of television criticism is to evaluate the content of television and make a judgement about shows' messages and/or quality. Television criticism often includes interpretation and the creation of an argument to support the interpretation given. Television criticism often recommends or condemns programs in critics' writings. [1]
Broadcast networks often provide forums for television criticism. Examples of this include The Review Show on BBC Four in the United Kingdom, which hosts a monthly discussion on the arts, often including a television series. [1] Television criticism is also often spread via the internet and media.
Television can be criticized in a variety of ways, including quality evaluation and content interpretation. [2] [3]
Viewing television from specific viewpoints can impact how it is interpreted. Authors of such perspective-based criticism may feel that such viewpoints are underrepresented in mainstream television criticism. Perspective-based television criticism focuses on viewing programs with the explicit purpose of critiquing by specifically analyzing the perspectives of female characters from a feminist perspective, or by critically analyzing representations of racial diversity from a racially diverse perspective. [2] This [3] may involve analysis of character portrayals, messages/purposes, and themes explored in the program. Perspective-based criticism seeks to discuss issues specific to groups within society. A prominent perspective-based television critic is Herman Grey, who has discussed racially diverse television criticism at length and categorized it at length, including assimilation and multiculturalism.
Television criticism is sometimes regarded as a mode of advertising for television networks. [4] This is because critics can be seen as authorities and their opinions can form audience opinions on programs.
Additionally, critics and networks have sometimes been in conflict over the content of shows. [4]
Most critics admit that they take in industrial factors, such as commercial viability, when reviewing a show, but also consider they may not be the target audience of the show. [4] Critics often take into consideration audience views and balance it with their knowledge of the television industry and their own views. [4]
The rise of the internet has allowed television critics to publish their work in a cheaper manner that is easy to distribute. [4] Multiple websites dedicated to critiquing television have sprung up over the years, with wide diversity in their writing. [4] Some examples of this are the website Television Without Pity providing that provide "more creative and interactive commentary" and FLOW displaying a "more academic, yet still generally accessible discussion of television." [4]
Mass media includes the diverse arrays of media that reach a large audience via mass communication.
In common usage, evaluation is a systematic determination and assessment of a subject's merit, worth and significance, using criteria governed by a set of standards. It can assist an organization, program, design, project or any other intervention or initiative to assess any aim, realisable concept/proposal, or any alternative, to help in decision-making; or to ascertain the degree of achievement or value in regard to the aim and objectives and results of any such action that has been completed.
A critic is a person who communicates an assessment and an opinion of various forms of creative works such as art, literature, music, cinema, theater, fashion, architecture, and food. Critics may also take as their subject social or government policy. Critical judgments, whether derived from critical thinking or not, weigh up a range of factors, including an assessment of the extent to which the item under review achieves its purpose and its creator's intention and a knowledge of its context. They may also include a positive or negative personal response.
Criticism is the construction of a judgement about the negative or positive qualities of someone or something. Criticism can range from impromptu comments to a written detailed response. Criticism falls into several overlapping types including "theoretical, practical, impressionistic, affective, prescriptive, or descriptive".
Media literacy is an expanded conceptualization of literacy that includes the ability to access and analyze media messages as well as create, reflect and take action, using the power of information and communication to make a difference in the world. Media literacy is not restricted to one medium and is understood as a set of competencies that are essential for work, life, and citizenship. Media literacy education is the process used to advance media literacy competencies, and it is intended to promote awareness of media influence and create an active stance towards both consuming and creating media. Media literacy education is part of the curriculum in the United States and some European Union countries, and an interdisciplinary global community of media scholars and educators engages in knowledge and scholarly and professional journals and national membership associations.
Rhetorical criticism analyzes the symbolic artifacts of discourse—the words, phrases, images, gestures, performances, texts, films, etc. that people use to communicate. Rhetorical analysis shows how the artifacts work, how well they work, and how the artifacts, as discourse, inform and instruct, entertain and arouse, and convince and persuade the audience; as such, discourse includes the possibility of morally improving the reader, the viewer, and the listener. Rhetorical criticism studies and analyzes the purpose of the words, sights, and sounds that are the symbolic artifacts used for communications among people.
Visual rhetoric is the art of effective communication through visual elements such as images, typography, and texts. Visual rhetoric encompasses the skill of visual literacy and the ability to analyze images for their form and meaning. Drawing on techniques from semiotics and rhetorical analysis, visual rhetoric expands on visual literacy as it examines the structure of an image with the focus on its persuasive effects on an audience.
A review is an evaluation of a publication, product, service, or company or a critical take on current affairs in literature, politics or culture. In addition to a critical evaluation, the review's author may assign the work a rating to indicate its relative merit.
Alternative media are media sources that differ from established or dominant types of media in terms of their content, production, or distribution. Sometimes the term independent media is used as a synonym, indicating independence from large media corporations, but this term is also used to indicate media enjoying freedom of the press and independence from government control. Alternative media does not refer to a specific format and may be inclusive of print, audio, film/video, online/digital and street art, among others. Some examples include the counter-culture zines of the 1960s, ethnic and indigenous media such as the First People's television network in Canada, and more recently online open publishing journalism sites such as Indymedia.
An audience is a group of people who participate in a show or encounter a work of art, literature, theatre, music, video games, or academics in any medium. Audience members participate in different ways in different kinds of art. Some events invite overt audience participation and others allow only modest clapping and criticism and reception.
Streaming television is the digital distribution of television content, such as television shows and films, as streaming media delivered over the Internet. Streaming television stands in contrast to dedicated terrestrial television delivered by over-the-air aerial systems, cable television, and/or satellite television systems.
Audience measurement measures how many people are in an audience, usually in relation to radio listenership and television viewership, but also in relation to newspaper and magazine readership and, increasingly, web traffic on websites. Sometimes, the term is used as pertaining to practices which help broadcasters and advertisers determine who is listening rather than just how many people are listening. In some parts of the world, the resulting relative numbers are referred to as audience share, while in other places the broader term market share is used. This broader meaning is also called audience research.
Narrowcasting is the dissemination of information to a narrow audience, rather than to the broader public at-large. Related to niche marketing or target marketing, narrowcasting involves aiming media messages at specific segments of the public defined by values, preferences, demographic attributes or subscription. Narrowcasting is based on the postmodern idea that mass audiences do not exist.
Source criticism is the process of evaluating an information source, i.e.: a document, a person, a speech, a fingerprint, a photo, an observation, or anything used in order to obtain knowledge. In relation to a given purpose, a given information source may be more or less valid, reliable or relevant. Broadly, "source criticism" is the interdisciplinary study of how information sources are evaluated for given tasks.
A food critic, food writer, or restaurant critic is a writer who analyzes food or restaurants and then publishes the results of their findings to the public. While these terms are not strictly synonymous they are often used interchangeably, at least in some circumstances. Those who share their opinions via food columns in newspapers and magazines are known as food columnists. They are often experts in the field.
Educational television or learning television is the use of television programs in the field of distance education. It may be in the form of individual television programs or dedicated specialty channels that is often associated with cable television in the United States as Public, educational, and government access (PEG) channel providers. There are also adult education programs for an older audience; many of these are instructional television or "telecourse" services that can be taken for college credit, such as the Open University programs on BBC television in the UK.
Quality television is a term used by television scholars, television critics, and broadcasting advocacy groups to describe a genre or style of television programming that they argue is of higher quality due to its subject matter, style, or content. For several decades after World War II, television that was deemed to be "quality television" was mostly associated with government-funded public television networks; however, with the development of cable TV network specialty channels in the 1980s and 1990s, US cable channels such as HBO made a number of television shows during the turn of the century that some television critics argued were "quality television", such as Angels in America, Sex and the City, The Sopranos, The Wire and Six Feet Under.
Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: journalistic criticism that appears regularly in newspapers, magazines and other popular mass-media outlets; and academic criticism by film scholars who are informed by film theory and are published in academic journals. Academic film criticism rarely takes the form of a review; instead it is more likely to analyse the film and its place in the history of its genre or in the whole of film history.
Social media and television have a number of connections and interrelationships that have led to the phenomenon of Social Television, which is an emerging communication digital technology that centers around real-time interactivity involving digital media displayed on television. The main idea behind Social Television is to make television consumption a more active content experience for audiences. In the 2010s, social media platforms and websites allow for television shows to be accessed online on a range of desktop and mobile computer devices, smartphones and smart TVs that are still evolving today in the 2020s. Alongside this, online users can use social media websites to share digital video clips or excerpts from TV shows with fellow fans or even share an entire show online. Many social media websites enable users to post online comments on the programs—both negative and positive—in a variety of ways. Viewers can actively participate while watching a TV program by posting comments online, and have their interactions viewed and responded to in real time by other viewers. Technologies such as smartphones, tablets, and laptop computers allow viewers to watch downloaded digital files of TV shows or "stream" digital files of TV shows on a range of devices, both in the home and while on the go. In the 2020s, many television producers and broadcasters encourage active social media participation by viewers by posting "hashtags" on the TV screen during shows; these hashtags enable viewers to post online comments about the show, which may either be read by other social media users, or even, in some cases, displayed on the screen during the show.
Television comedy is a category of broadcasting that has been present since the early days of entertainment media. While there are several genres of comedy, some of the first ones aired were variety shows. One of the first United States television programs was the comedy-variety show Texaco Star Theater, which was most prominent in the years that it featured Milton Berle - from 1948 to 1956. The range of television comedy has become broader, with the addition of sitcoms, improvisational comedy, and stand-up comedy, while also adding comedic aspects into other television genres, including drama and news. Television comedy provides opportunities for viewers to relate the content in these shows to society. Some audience members may have similar views about certain comedic aspects of shows, while others will take different perspectives. This also relates to developing new social norms, sometimes acting as the medium that introduces these transitions.
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