Story editor

Last updated

Story editor is a job title in motion picture and television production, also sometimes called "supervising producer". The responsibilities of the story editor vary depending on the production; this article describes the duties the role most commonly has.

Contents

Live action

The story editor has many responsibilities, including finding new script/breakdown writers, developing stories with writers, and ensuring that scripts are suitable for production. The story editor will work closely with the writer on each draft of their story and script, giving the writer feedback on the quality of their work, suggesting improvements that can be made while also ensuring that practical issues, like continuity and correct running time, are adhered to. When a script is past due, multiple people may write an act. Many primetime series have an executive story editor and a story editor.

Marc Abrams of the TV series The Bernie Mac Show said, "As you go from show to show you learn that each has its own temperature and its own etiquette. You recognize your role on that particular show. Certain show runners encourage the lower-level writers to pitch ideas, others don't. Some want ideas well thought out before they are presented, others like to hear the kernel of an idea that could be expanded." [1]

Animation

In American animation on productions under the jurisdiction of IATSE Local 839, the story editor is not a lower-level writer, but rather the head writer of the series who oversees the writers' room, working directly with the showrunner or even serving as a showrunner. Their role involves brainstorming ideas, determining the direction of the show, directing the writing staff in breaking episodes and season arcs, and doing rewrites for the finished scripts. They collaborate with the executive producers and department heads to achieve a shared vision for the series. [2]

Notable story editors

See also

Related Research Articles

Executive producer (EP) is one of the top positions in the making of a commercial entertainment product. Depending on the medium, the executive producer may be concerned with management accounting or associated with legal issues. In films, the executive producer generally contributes to the film's budget and their involvement depends on the project, with some simply securing funds and others being involved in the filmmaking process.

<span class="mw-page-title-main">David Mirkin</span> American film and television writer, director and producer

David Mirkin is an American feature film and television director, writer and producer. Mirkin grew up in Philadelphia and intended to become an electrical engineer, but abandoned this career path in favor of studying film at Loyola Marymount University. After graduating, he became a stand-up comedian, and then moved into television writing. He wrote for the sitcoms Three's Company, It's Garry Shandling's Show and The Larry Sanders Show and served as showrunner on the series Newhart. After an unsuccessful attempt to remake the British series The Young Ones, Mirkin created Get a Life in 1990. The series starred comedian Chris Elliott and ran for two seasons, despite a lack of support from many Fox network executives, who disliked the show's dark and surreal humor. He moved on to create the sketch show The Edge starring his then-partner, actress Julie Brown.

A showrunner is an established writer and the top-level executive producer of a television series production, who outranks other creative personnel, including episode directors, in contrast to feature films, in which the director has creative control over the production, and the executive producer's role is limited to investing. The role of showrunner is not present on all television series, especially outside the US; this article describes the nature of the role where it is present.

A television director is in charge of the activities involved in making a television program or section of a program. They are generally responsible for decisions about the editorial content and creative style of a program, and ensuring the producer's vision is delivered. Their duties may include originating program ideas, finding contributors, writing scripts, planning 'shoots', ensuring safety, leading the crew on location, directing contributors and presenters, and working with an editor to assemble the final product. The work of a television director can vary widely depending on the nature of the program, the practices of the production company, whether the program content is factual or drama, and whether it is live or recorded.

<span class="mw-page-title-main">Josh Weinstein</span> American television writer and producer

Josh Weinstein is an American television writer and producer, known for his work on the animated comedy series The Simpsons. Weinstein and Bill Oakley became best friends and writing partners at St. Albans School; Weinstein then attended Stanford University and was editor-in-chief of the Stanford Chaparral. He worked on several short-term media projects, including writing for the variety show Sunday Best, but was then unemployed for a long period.

A television producer is a person who oversees one or more aspects of video production on a television program. Some producers take more of an executive role, in that they conceive new programs and pitch them to the television networks, but upon acceptance they focus on business matters, such as budgets and contracts. Other producers are more involved with the day-to-day workings, participating in activities such as screenwriting, set design, casting, and directing.

<span class="mw-page-title-main">Al Jean</span> American television writer and producer (born 1961)

Alfred Ernest Jean III is an American screenwriter and producer. Jean is well known for his work on The Simpsons. He was raised near Detroit, Michigan, and graduated from Harvard University in 1981. Jean began his writing career in the 1980s with fellow Harvard alum Mike Reiss. Together, they worked as writers and producers on television shows such as The Tonight Show Starring Johnny Carson, ALF and It's Garry Shandling's Show.

A script editor is a member of the production team of scripted television and radio programmes, usually dramas and comedies. The script editor has many responsibilities including finding new script writers, developing storyline and series ideas with writers, and ensuring that scripts are suitable for production. The script editor will work closely with the writer at each draft of the script, giving the writer feedback on the quality of the work, suggesting improvements that can be made whilst also ensuring that practical issues like show continuity and correct running time are adhered to. Unlike the writers, script editors will usually be full-time members of the production team, working closely with the producer, if the script writer is not a producer.

<span class="mw-page-title-main">Jane Espenson</span> American television writer and producer

Jane Espenson is an American television writer and producer.

<span class="mw-page-title-main">Bill Oakley</span> American writer and producer (born 1966)

William Lloyd Oakley is an American television writer and producer, known for his work on the animated comedy series The Simpsons. Oakley and Josh Weinstein became best friends and writing partners at St. Albans School; Oakley then attended Harvard University and was Vice President of the Harvard Lampoon. He worked on several short-term media projects, including writing for the variety show Sunday Best, but was then unemployed for a long period.

Television crew positions are derived from those of film crew, but with several differences.

<span class="mw-page-title-main">Ira Steven Behr</span> American screen writer and television producer

Ira Steven Behr is an American screenwriter and television producer, best known for his work on Star Trek, especially Star Trek: Deep Space Nine, on which he served as showrunner and executive producer. He was the executive producer and showrunner on Crash, executive producer on Syfy's Alphas and a writer and co-executive producer on Outlander.

<span class="mw-page-title-main">Michael Piller</span> American television producer and scriptwriter (1948–2005)

Michael Piller was an American television scriptwriter and producer, who was best known for his contributions to the Star Trek franchise.

<span class="mw-page-title-main">Carlton Cuse</span> American television producer and screenwriter (born 1959)

Arthur Carlton Cuse is a screenwriter, showrunner, producer and director best known for the American television series Lost, for which he made the Time list of the 100 most influential people in the world in 2010. Cuse is known for his groundbreaking cross-genre storytelling, pioneering work in interactive media, collaborative achievements, and mentorship of many screenwriters who went on to become showrunners of television series.

A head writer is a person who oversees the team of writers on a television or radio series. The title is common in the soap opera genre, as well as with sketch comedies and talk shows that feature monologues and comedy skits. In fictional comedy or drama TV shows, this is generally performed by an executive producer, who is usually also the showrunner.

Chris Collins is an American television writer and producer. He has worked on the HBO dramas The Sopranos and The Wire. He was an executive story editor for the Starz drama series Crash. He is a producer and writer for the FX series Sons of Anarchy.

<span class="mw-page-title-main">Neal Baer</span>

Neal Baer is an American pediatrician and television writer and producer. He is best known for his work on the television shows Designated Survivor, ER and Law & Order: Special Victims Unit.

Meghan McCarthy is an American screenwriter, lyricist, film and television producer, and creative executive best known as the showrunner of the animated television show My Little Pony: Friendship Is Magic. She is also known for her work on Class of 3000 and Fish Hooks. Since June 2015, she has been the Head of Storytelling for the entire My Little Pony and Littlest Pet Shop brands, helping to "create expansive worlds and characters".

<span class="mw-page-title-main">Writers' room</span> Room where script writers gather to work

A writers' room is a space where writers, usually of a television series, gather to write and refine scripts. It is a common method of writing television series in the US, but is much less widespread in countries like the UK.

References

  1. "T. Rafael Cimino". IMDb . Archived from the original on 8 July 2019. Retrieved 19 July 2021.
  2. Mekler, Ben [@benmekler] (24 February 2021). "@GennHutchison Incidentally here's an animation writers room: Staff Writer Story Editor (aka Head Writer, most often runs the writers room) Co-Executive Producer (this is a new one, not many of us) Executive Producer (overall showrunner) The result of the WGA and TAG playing telephone I guess" (Tweet). Archived from the original on 1 June 2021. Retrieved 19 July 2021 via Twitter.