Architecture criticism is the critique of architecture. Everyday criticism relates to published or broadcast critiques of buildings, whether completed or not, both in terms of news and other criteria. In many cases, criticism amounts to an assessment of the architect's success in meeting his or her own aims and objectives and those of others. The assessment may consider the subject from the perspective of some wider context, which may involve planning, social or aesthetic issues. It may also take a polemical position reflecting the critic's own values. At the most accessible extreme, architectural criticism is a branch of lifestyle journalism, especially in the case of high-end residential projects.
Most major national newspapers in developed countries cover the arts in some form. Architectural criticism may be included as a part of their arts coverage, in a real estate section or a Home & Style supplement. [1] In the US, reviews are published in specialist magazines ranging from the popular (e.g. Architectural Digest , Wallpaper ) to specialist magazines for design professionals (e.g. Architectural Review , DETAIL ). As with other forms of criticism, technical language is used to a varying extent to convey impressions and views precisely. The rapidly changing media environment means that much criticism is now published in online journals and publications, and critics write for a range of publications rather than being employed full-time by newspapers.
Lewis Mumford wrote extensively on architecture in the nineteen thirties, forties and fifties at The New Yorker . [1] Ada Louise Huxtable was the first full-time architecture critic working for an American daily newspaper when The New York Times gave her the role in 1963. [1] John Betjeman, a co-founder of the Victorian Society, wrote and broadcast from the 1950s to 1970s, principally covering historical rather than new buildings, but contributing to a trend for criticism to expand into radio and then television. Charles, Prince of Wales, is outspoken in his criticism of modern architecture, memorably describing a proposed extension to the National Gallery in London as a "monstrous carbuncle on the face of a much-loved friend".
In 2017, the New Architecture Writers program was established in London to address the underrepresentation of black and minority ethnic writers in architecture and design criticism and curation. [2] The free program was initiated by Phineas Harper and Tom WiIkinson and aims to develop the journalistic skill, editorial connections and critical voice of its participants. It is supported by the Architectural Review, The Architecture Foundation, the Royal College of Art and the RIBA Journal . [3] [4] Inaugural participants were Josh Fenton, Shukri Sultan, Thomas Aquilina, Aoi Phillips, Nile Bridgeman, Samson Famusan, Siufan Adey, Tara Okeke, and Marwa El Mubark. [5]
The rapidly changing media landscape has impacted on architectural criticism and shifted both modes of criticism and the media in which it is published. Recent books that explore these issues include Writing About Architecture: Mastering the Language of Buildings and Cities by Alexandra Lange (2012) and Semi-detached: Writing, representation and criticism in architecture, edited by Naomi Stead (2012). [6] [7] [8]
A number of essays also reflect on the contemporary state of architectural criticism, the changing media and contexts of production, and the futures of criticism. These include:
The critic's task is to assess how successful the architect and others involved with the project have been in meeting both the criteria the project set out to meet and those that the critic himself feels to be important. Specific criteria include:
Some large newspapers have permanent architecture critics, however many critics now write for multiple publications and many new online venues are emerging. Contemporary critics writing for major newspapers, journals and online publications include:
Herbert Mitchell Muschamp was an American architecture critic.
The Serpentine Galleries are two contemporary art galleries in Kensington Gardens, Westminster, Greater London. Recently rebranded to just Serpentine, the organisation is split across Serpentine South, previously known as the Serpentine Gallery, and Serpentine North, previously known as the Sackler Gallery. The gallery spaces are within five minutes' walk of each other, linked by the bridge over the Serpentine Lake from which the galleries get their names. Their exhibitions, architecture, education and public programmes attract up to 1.2 million visitors a year. Admission to both galleries is free. The CEO is Bettina Korek, and the artistic director Hans Ulrich Obrist.
Jonathan Glancey, is an architectural critic and writer who was the architecture and design editor at The Guardian, a position he held from 1997 to February 2012. He previously held the same post at The Independent. He also has been involved with the architecture magazines Building Design, Architectural Review, The Architect and Blueprint. He is an honorary fellow of the Royal Institute of British Architects, RIBA.
Justine Clark is an architectural editor, writer, speaker and researcher, based in Melbourne, Australia. She is the editor of Parlour, a former editor of Architecture Australia, and co-author of Looking for the Local: Architecture and the New Zealand Modern.
Blueprint was an architecture and design magazine that has been published in the UK between 1983 and 2020.
Alejandro Zaera Polo is a Spanish architect, theorist and founder of Alejandro Zaera-Polo & Maider Llaguno Architecture (AZPML). He was formerly dean of the Princeton University School of Architecture and of the Berlage Institute in Rotterdam.
Design Observer is a website devoted to a range of design topics including graphic design, social innovation, urbanism, popular culture, and criticism. The content of the site includes essays, articles, reviews, blog posts, and peer reviewed scholarship. It is the host of the architecture and urban design publication Places and the podcast Design Matters with Debbie Millman.
Hugh Geoffrey Pearman is a London-based architectural writer, editor and consultant.
Aline Bernstein Saarinen was an American art and architecture critic, author and television journalist.
The RIBA Journal is an architecture magazine and website published by the Royal Institute of British Architects, based in London. It has the largest circulation of any UK-originating architecture magazine. Alongside the monthly publication in print, the online edition is updated daily and has additional content.
Philip Kennicott is the chief Art and Architecture Critic of The Washington Post.
Laura Harding is an Australian architectural practitioner and critic. Harding works across architecture and urban design, with a particular focus on the public realm. She is also an architectural critic and an active participant in the public culture of architecture. Harding regularly contributes to architectural education as a visiting critic at the University of New South Wales and the University of Sydney. From 2006 to 2012, she taught with Glenn Murcutt in the third year design program at the University of New South Wales.
Sandra Kaji-O'Grady is an Australian architectural academic and educator based in Brisbane. She was Professor of Architecture, Dean and Head of the School of Architecture at the University of Queensland until 2018.
Architecture Australia is a national magazine covering the practice and works of architects and architecture in Australia. It is published bi-monthly by Architecture Media, and is the journal of the Australian Institute of Architects.
Karen Burns is an Australian architectural historian and theorist. She is currently a senior lecturer in architecture at the Melbourne School of Design, University of Melbourne.
Gill (Gillian) Matthewson is a New Zealand-Australian architect, scholar and educator. Since 2016, she has been based at Monash University in Melbourne, Australia.
Naomi Stead is an architectural academic, scholar and critic, based in Melbourne, Australia. She is currently the Director of the Design and Creative Practice Enabling Capability Platform at RMIT University, Australia.
Despina Stratigakos is a Canadian-born architectural historian, writer, former vice provost, and professor of architecture at the University at Buffalo.
Alexandra Lange is an American architecture and design critic and author based in New York. The author of a series of critically acclaimed books, Lange is the architecture critic for Curbed. She has bylines published in The New Yorker, The New York Times, The Atlantic, Metropolis, Architect magazine, Architectural Digest; Architectural Record, The Architect's Newspaper, Cite; Domus; Domino; Dwell; GOOD; Icon, The Nation, New York magazine, Places Journal, Print and Slate. Lange is a Loeb Fellow, and her work has been recognized through a number of awards, including the 2019 Steven Heller Prize for Cultural Commentary.
Christine Murray is a Canadian-born architecture writer, critic and former editor of The Architectural Review and Architects' Journal, and a contributor to Dezeen and The Guardian. She is founder and editor of The Developer magazine.
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