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Philip Kennicott is the chief Art and Architecture Critic of The Washington Post. [1]
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Philip Kennicott is the chief Art and Architecture Critic of The Washington Post. [1]
Kennicott was raised in Schenectady, New York, where he studied piano with composer and pianist Joseph Fennimore. In 1983, he attended Deep Springs College, before transferring to Yale in 1986. Kennicott graduated summa cum laude with a degree in philosophy in 1988. [2]
Kennicott is the author of Counterpoint: A Memoir of Bach and Mourning (Norton 2020). [3] Kennicott won the 2013 Pulitzer Prize for Criticism. [4] He had twice been a Pulitzer Prize finalist before: in 2012, he was a runner-up for the criticism prize, and in 2000, he was also a finalist for the Pulitzer Prize for Editorial Writing for a series on gun control in the St. Louis Post-Dispatch . In 2015, he was a National Magazine Award [5] finalist in the Essays and Criticism category for an essay he contributed to Virginia Quarterly Review ; that piece, "Smuggler," [6] was also selected for the 2015 volume Best American Essays. In 2006, he was an Emmy Award nominee for a Web-based video journal about democracy and oil money in Azerbaijan.
Kennicott served as an editor of several classical music publications in New York City from 1988–95, including Senior Editor of Musical America and Editor of Chamber Music Magazine. [7] He became classical music critic of the Detroit News in 1995, and later Chief Classical Music Critic of the St. Louis Post-Dispatch . In 1999, he joined the Washington Post as Chief Classical Music Critic, before becoming Culture Critic in 2001, and Art and Architecture Critic in 2011. Kennicott is also a former contributing editor at The New Republic , where he wrote articles on classical music, and has served as a reviewer and columnist for Gramophone .
Kennicott's critically acclaimed first book, Counterpoint: A Memoir of Bach and Mourning, [8] was praised by the Wall Street Journal as "a book full of arresting insights about the way music permeates our lives, as well as heartbreaking reflections on the wounds a parent can inflict on a child." [9] He has also contributed introductions to Richard Giannone's Music in Willa Cather's Fiction and Renato Mirraco's Oscar Wilde's Italian Dream 1875-1900.
Kennicott is a frequent participant in national and international symposia, including the Aspen Ideas Festival, [10] the CATO Institute, [11] and the World Justice Forum IV [12] in the Hague.
The Pulitzer Prize for Criticism has been presented since 1970 to a newspaper writer in the United States who has demonstrated 'distinguished criticism'. Recipients of the award are chosen by an independent board and officially administered by Columbia University. The Pulitzer Committee issues an official citation explaining the reasons for the award.
Paul Moravec is an American composer and a University Professor at Adelphi University on Long Island, New York and also a member of the composition department of the Mannes School of Music. Already a prolific composer, he has been described as a "new tonalist." He is best known for his work Tempest Fantasy, which received the 2004 Pulitzer Prize for Music. Among his compositions are two operas: The Letter (2009) and The Shining (2016).
Alex Ross is an American music critic and author who specializes in classical music. Ross has been a staff member of The New Yorker magazine since 1996. His extensive writings include performance and record reviews, industry updates, cultural commentary, and historical narratives in the realm of classical music. He has written three well-received books: The Rest Is Noise: Listening to the Twentieth Century (2007), Listen to This (2011), and Wagnerism: Art and Politics in the Shadow of Music (2020).
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Jonathan Gold was an American food critic and music critic. He was for many years the chief food critic for the Los Angeles Times and also wrote for LA Weekly and Gourmet, in addition to serving as a regular contributor on KCRW's Good Food radio program. Gold often chose small, traditional immigrant restaurants for his reviews, although he covered all types of cuisine. In 2007, while writing for the LA Weekly, he became the first food critic to win the Pulitzer Prize for Criticism.
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