Geoffrey Norris

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Geoffrey Norris
Born (1947-09-19) September 19, 1947 (age 77)
London, England, UK
Alma mater
Occupations
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Geoffrey Norris (born 19 September 1947) is an English musicologist and music critic. His scholarship focuses on Russian composers; in particular, Norris is a leading scholar on the life and music of Sergei Rachmaninoff, about whom he has written in numerous articles and a 1976 book-length study. He was chief classical music critic of The Daily Telegraph from 1995 to 2009.

Contents

Life and career

Geoffrey Norris was born in London, England in 19 September 1947. [1] [2] An enthusiast for Russian culture since his youth, Norris attended the University of Durham where his undergraduate dissertation was on The Five, a leading group of 19th-century Russian composers. [3] He continued his studies of Russian music at the Russian State Institute of Performing Arts. [3] From 1995 to 2009, he was chief classical music critic of The Daily Telegraph . [1] Norris has been a lecturer at the Royal Northern College of Music, Goldsmiths University of London and elsewhere, as well as a jury member for piano competitions. [3] Norris is Emeritus Professor of the Rachmaninoff Music Academy, Tambov, and from 2013 until 2022 lectured at the Gnesin Music Academy, Moscow. [4]

Norris' scholarship focuses on Russian composers, and in particular, Sergei Rachmaninoff. [3] He has written numerous articles, [5] [6] [7] [8] and a book-length study on Rachmaninoff, [9] whose works he catalogued in a 1982 publication with Robert Threlfall. [10] He has also compiled and edited an anthology of interviews that Rachmaninoff gave to the press, Sergei Rachmaninoff In His Own Words (2024).

Selected writings

Books

Articles

Related Research Articles

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<i>Isle of the Dead</i> (Rachmaninoff) Symphonic poem by Sergei Rachmaninoff

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The Bells, Op. 35, is a choral symphony by Sergei Rachmaninoff, written in 1913 and premiered in St Petersburg on 30 November that year under the composer's baton. The words are from the poem The Bells by Edgar Allan Poe, very freely translated into Russian by the symbolist poet Konstantin Balmont. The traditional Gregorian melody Dies Irae is used frequently throughout the work. It was one of Rachmaninoff's two favorite compositions, along with his All-Night Vigil, and is considered by some to be his secular choral masterpiece. Rachmaninoff called the work both a choral symphony and (unofficially) his Third Symphony shortly after writing it; however, he would later write a purely instrumental Third Symphony at his new villa in Switzerland. Rachmaninoff dedicated The Bells to Dutch conductor Willem Mengelberg and the Concertgebouw Orchestra. The US Premiere of the work was given by Leopold Stokowski and the Philadelphia Orchestra and Chorus on 6 February 1920 and the UK Premiere by Sir Henry Wood and the Liverpool Philharmonic and Chorus on 15 March 1921.

<span class="mw-page-title-main">Preludes, Op. 23 (Rachmaninoff)</span>

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<span class="mw-page-title-main">Piano Sonata No. 1 (Rachmaninoff)</span> Composition for piano by Sergei Rachmaninoff

Piano Sonata No. 1 in D minor, Op. 28, is a piano sonata by Sergei Rachmaninoff, completed in 1908. It is the first of three "Dresden pieces", along with the Symphony No. 2 and part of an opera, which were composed in the quiet city of Dresden, Germany. It was originally inspired by Goethe's tragic play Faust; although Rachmaninoff abandoned the idea soon after beginning composition, traces of this influence can still be found. After numerous revisions and substantial cuts made at the advice of his colleagues, he completed it on April 11, 1908. Konstantin Igumnov gave the premiere in Moscow on October 17, 1908. It received a lukewarm response there, and remains one of the least performed of Rachmaninoff's works.

<i>Caprice bohémien</i> Symphonic poem by Sergei Rachmaninoff

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<i>Études-Tableaux</i>, Op. 33 1911 set of piano études by Sergei Rachmaninoff

The Études-Tableaux, Op. 33, is the first of two sets of piano études composed by Sergei Rachmaninoff. They were intended to be "picture pieces", essentially "musical evocations of external visual stimuli". But Rachmaninoff did not disclose what inspired each one, stating: "I do not believe in the artist that discloses too much of his images. Let [the listener] paint for themselves what it most suggests." However, he willingly shared sources for a few of these études with the Italian composer Ottorino Respighi when Respighi orchestrated them in 1930.

References

  1. 1 2 Kennedy, Michael; Kennedy, Joyce Bourne, eds. (2013) [2007]. "Geoffrey Norris" . The Concise Oxford Dictionary of Music. Oxford: Oxford University Press. ISBN   978-0-19-920383-3 . Retrieved 7 September 2022.
  2. "Norris, Geoffrey, (born 19 Sept. 1947), Chief Music Critic, Daily Telegraph, 1995–2009" . Who's Who & Who Was Who . Oxford: Oxford University Press. 2024 [2007]. Retrieved 30 December 2024.
  3. 1 2 3 4 "Meet The Lecturers: Geoffrey Norris". Miami International Piano Festival. Retrieved 6 September 2022. Original from MiamiPianoFest (Archived)
  4. "Professor Geoffrey Norris". Martin Randall Travel. Archived from the original on 7 September 2022. Retrieved 6 September 2022.
  5. Norris 1973a.
  6. Norris 1973b.
  7. Norris 1983.
  8. Norris 2001.
  9. Norris 1976.
  10. Norris & Threlfall 1982.