Holland Cotter | |
|---|---|
| Born | 1947 (age 77–78) Connecticut, U.S. |
| Alma mater | Harvard College; City University of New York; Columbia University |
| Occupation(s) | Writer and art critic |
| Notable credit | The New York Times |
| Awards | Pulitzer Prize for Criticism |
Holland Cotter (born 1947), is an American writer and co-chief art critic with The New York Times . In 2009, he won the Pulitzer Prize for Criticism.
Cotter was born in Connecticut, United States, and grew up in Boston, Massachusetts. [1] He earned his A.B. in 1970 from Harvard College, where he studied English literature under poet Robert Lowell and was an editor of the Harvard Advocate literary magazine. [1] [2] His first art course was an anthropology course on primitive art, which led to his first of many visits to Harvard's Peabody Museum of Archaeology and Ethnology. [2]
Cotter earned an MA in American modernism from the City University of New York in 1990 and a M. Phil in early Indian Buddhist art from Columbia University in 1992, where he also taught Indian art and Islamic art. [1] [3] He has been a writer and editor for the New York Arts Journal, Art in America , and Art News . [1]
Cotter was a freelance writer for The New York Times from 1992 to 1997, before being hired as a full-time art critic in 1998. [1] Specifically hired for his expertise in Asian art, [4] he is credited with exposing contemporary Indian and Chinese art to a Western audience. Among his Pulitzer-winning pieces were ones written as a result of a trip to China prompted by the 2008 Summer Olympics, including an examination of the Chinese museum scene and an account of art at the Mogao Caves near Dunhuang. [4] In 2009, he won the Pulitzer Prize for Criticism. [5]