|Hill Street Blues|
|Theme music composer||Mike Post|
|Country of origin||United States|
|No. of seasons||7|
|No. of episodes||146 (list of episodes)|
|Production locations||Republic Studios, Los Angeles, California|
|Running time||49 minutes|
|Production company||MTM Enterprises|
|Distributor||MTM Television Distribution Group|
|Original release||January 15, 1981 –|
May 12, 1987
|Followed by||Beverly Hills Buntz|
Hill Street Blues is an American serial police procedural television series that aired on NBC in prime-time from January 15, 1981, to May 12, 1987, for 146 episodes.The show chronicles the lives of the staff of a single police station located on Hill Street in an unnamed large city. The "blues" are the police officers in their blue uniforms. The show received critical acclaim and its production innovations influenced many subsequent dramatic television series produced in the United States and Canada. In its debut season, the series won eight Emmy Awards, a debut season record later surpassed only by The West Wing . The show won a total of 26 Emmy Awards (out of 98 Emmy Award nominations) during its run, including four consecutive wins for Outstanding Drama Series.
MTM Enterprises developed the series on behalf of NBC, appointing Steven Bochco and Michael Kozoll as series writers. The writers were allowed freedom to create a series that brought together a number of fresh ideas in TV drama. Each episode featured intertwined storylines, some of which were resolved within the episode, with others developing throughout a season. The conflicts between the work lives and private lives of the characters were also significant.
The series featured a strong focus on the workplace struggle between what is right and what works. Almost every episode began with a pre-credit sequence (or teaser) consisting of (mission) briefing and roll call to start the day shift. From season three on, a "Previously on..." montage of clips of up to six episodes preceded the roll call.
Almost all episodes took place over the course of a single day, many concluding with Capt. Frank Furillo (Daniel J. Travanti) and public defender Joyce Davenport (Veronica Hamel) in a domestic situation, often in bed, discussing how their respective days went. The series dealt with real-life issues and employed professional jargon and slang to a greater extent than had been seen before on television.
Each week after roll call, from Season 1 until Michael Conrad's death, partway through Season 4, Sgt. Phil Esterhaus would say, "Let's be careful out there."Sgt. Lucille Bates continued the tradition through the end of Season 4, as a tribute to Michael Conrad. From Season 5 until the show's end, Sgt. Stan Jablonski concluded his roll calls with, "Let's go out there and do it to them before they do it to us."
Hill Street Blues employed what was, at that time, a unique style of camera usage for weeknight television productions, such as filming close in with action cuts rapidly between stories. Rather than studio (floor) cameras, handhelds were used to enhance this style. [ citation needed ]Overheard, off-screen dialogue aurally-augmented the "documentary" feel with respect to the filmed action of a scene.
Although filmed in Los Angeles (both on location and at CBS Studio Center in Studio City), the series is set in a generic unnamed inner-city location with a feel of a U.S. urban center in the Midwest or Northeast. Bochco reportedly intended this fictional city to be a hybrid of Chicago, Buffalo, and Pittsburgh.
The program's focus on failure and those at the bottom of the social scale is pronounced, in contrast to Bochco's later project L.A. Law . Inspired by police procedural detective novels such as Ed McBain's 1956 Cop Hater , the show has been described as Barney Miller out of doors. The focus on the bitter realities of 1980s urban living was revolutionary for its time.
The theme music for "Hill Street Blues" was written by Mike Post, featuring Larry Carlton on guitar. It was released as a single and became a major US hit, reaching #10 on the US Billboard Hot 100 in November 1981. It was also an Adult Contemporary hit in the US and Canada. The tune has no lyrics.
This section relies largely or entirely on a single source .(June 2018)
Pilot: Brandon Tartikoff commissioned a series from MTM Productions, which assigned Bochco and Kozoll to the project. The pilot was produced in 1980, but was held back as a mid-season replacement so as not to get lost among the other programs debuting in the fall of 1980. Barbara Bosson, who was married to Bochco, had the idea to fashion the series into four- or five-episode story "arcs". Robert Butler directed the pilot and developed a look and style inspired by the 1977 documentary The Police Tapes , in which filmmakers used handheld cameras to follow police officers in the South Bronx.
Butler went on to direct the first four episodes of the series, and Bosson had hoped he would stay on permanently. However, he felt he was not being amply recognized for his contributions to the show's look and style and left to pursue other projects. He would return to direct just one further episode, "The Second Oldest Profession" in season two.[ citation needed ]
Season 1: The pilot aired on Thursday, January 15, 1981, at 10:00 pm, which would be the show's time slot for nearly its entire run. The second episode aired two nights later; the next week followed a similar pattern (episode 3 on Thursday, episode 4 on Saturday). NBC had ordered 13 episodes and the season was supposed to end on May 25 with a minor cliffhanger (the resolution of Sgt. Esterhaus' wedding). Instead, growing critical acclaim prompted NBC to order an additional four episodes to air during the May sweeps. Bochco and Kozoll quickly fashioned this into a new story arc, which aired as two two-hour episodes to close the season. In the first season's original ending, Officer Joe Coffey (Ed Marinaro) is shot dead during a vehicle stop. However, later on the producers decided that Coffey should remain, so the scene was edited to show him being seriously wounded and taken to hospital. (The character would eventually be killed in the sixth season.) This echoes the shooting and resurrection of Renko and Hill at the beginning of the season, providing unintentional thematic bookends to the first season.
In early episodes, the opening theme had several clearly audible edits; this was replaced by a longer, unedited version partway through the second season. The end credits for the pilot differed from the rest of the series in that the background still shot of the station house was completely different; it was also copyrighted 1980 instead of 1981. Ranking 87th out of 96 shows, it became the lowest-rated program ever renewed for a second season at the time. However, it was only renewed for ten episodes. A full order was picked up partway through the season.[ citation needed ]
Season 2: A writers strike pushed the start of the season forward to October 29, meaning that only 18 episodes were completed that year. Kozoll was now listed as a consultant, signifying his diminished role in the show. He later stated he was already feeling burnt out, and in fact was relying more on car chases and action to fill the scripts. A less muted version of the closing theme was played over the end credits.
Season 3: Kozoll left the show at the end of season two, replaced for the most part by Anthony Yerkovich (who later created Miami Vice after leaving Hill Street Blues at the end of this season) and David Milch. This was the show's most popular in terms of viewership, as it finished at #21. This was also the birth of "Must See TV", as the show was joined by Cheers , Taxi and Fame . The network promoted Thursdays as "the best night of television on television." Michael Conrad was increasingly absent from the show due to his ongoing, and ultimately unsuccessful, battle with cancer.[ citation needed ]
Season 4: Following his death on November 22, 1983, Michael Conrad's final appearance was broadcast halfway through the season in February 1984 in a memorable send-off episode, "Grace Under Pressure". Det. Harry Garibaldi (Ken Olin) was introduced at the end of the season as a temporary replacement for Det. J.D. LaRue (Kiel Martin) who was supposedly suffering from mononucleosis. The show won its fourth and final Emmy for Outstanding Drama Series this season.[ citation needed ]
Season 5: The show changed drastically this season, entering a somewhat "soap opera-ish" period according to Bochco. New characters included Sgt. Stanislaus Jablonski (Robert Prosky) and Det. Patsy Mayo (Mimi Kuzyk). Det. Garibaldi was now a regular, while Fay Furillo became a full-time member of the squad room as a victim's advocate. Bochco was dismissed at season's end by then-MTM President Arthur Price. The firing was due to Bochco's cost overruns, coupled with the fact that the show had achieved the 100-episode milestone needed to successfully syndicate it.[ citation needed ]
Betty Thomas won an Emmy for Outstanding Supporting Actress in a Drama Series this season. However, at the awards ceremony, Barry Bremen, aka "The Great Imposter", rushed the stage ahead of Thomas and claimed she was unable to attend. He then claimed the award and left the stage, confusing viewers and robbing Thomas of her moment in the sun, although she returned and spoke after the ad break. Presenter Peter Graves suggested that the imposter was "on his way to the cooler."[ citation needed ]
Season 6: Major changes occurred as Det. Mayo, Det. Garibaldi, Lt. Ray Calletano (René Enríquez), Fay Furillo (Barbara Bosson) and Officer Leo Schnitz (Robert Hirschfeld) were all phased out at the start of the season, and Joe Coffey left near the end. The sole addition was Lt. Norman Buntz, played by Dennis Franz, who had played a different character, the corrupt "bad guy" Detective Sal Benedetto, in several season 3 episodes. Buntz and Benedetto were doppelgängers. Peter Jurasik played a new recurring character ("Sid the Snitch"), who often teamed with Buntz. In a 1991 interview on Later with Bob Costas , Ken Olin claimed these characters were removed so the new show-runners would receive royalties.[ further explanation needed ] Bosson's departure, however, was voluntary. She left after a salary conflict with the new executive producer who, according to the actress, had also wanted her character, Fay, to go back to being a shrewish "thorn in her ex-husband's side".
The season premiere opened with a roll call filled with officers never before seen on the show, briefly fooling viewers into thinking the entire cast had been replaced. It was then revealed that this was, in fact, the night shift. The action then cut to the day shift pursuing their after-work activities. Another unique episode from this season explained through flashbacks how Furillo and Davenport met and fell in love. This was the first season that Travanti and Hamel were not nominated for the Emmy for Outstanding Lead Actor/Actress in a Drama Series.[ citation needed ]
Season 7: Up until now, each episode of the series started with the morning roll call. Episodes from season 7 break away from tradition, showing characters at home or working. The roll call becomes a minor part of the beginning. Some episodes don't show roll call at all.
Officer Patrick Flaherty (Robert Clohessy) and Officer Tina Russo (Megan Gallagher) joined this season in an attempt to rekindle the Bates/Coffey relationship of years past. Stan Jablonski became a secondary character part way through this season, and when Travanti announced he would not return the next year, the producers decided to end the show in 1987. The program was also moved to Tuesday nights almost midway through the season after nearly six years to make way for L.A. Law on Thursdays.[ citation needed ] During this season the show featured the first lesbian recurring character on a major network; the character was a police officer called Kate McBride, played by Lindsay Crouse.
This was the only season that Bruce Weitz (Det. Mick Belker) was not nominated for the Emmy for Outstanding Supporting Actor in a Drama Series. Only Betty Thomas was nominated, making her the sole member of the cast to be nominated all seasons. This was the only season for which the show was not nominated for Outstanding Drama Series.[ citation needed ]
|1 (1980–1981)||Thursdays at 10:00 p.m. (January 15–22, 1981)|
Saturdays at 10:00 p.m. (January 17 – March 21, 1981)
Tuesdays at 9:00 p.m. (May 19–26, 1981)
|2 (1981–1982)||Thursdays at 10:00 p.m.||#27|
|7 (1986–1987)||Thursdays at 10:00 p.m. (October 2 – November 27, 1986)|
Tuesdays at 9:00 p.m. (December 2, 1986 – February 10, 1987)
Tuesdays at 10:00 p.m. (March 3 – May 12, 1987)
The series later aired in reruns on TV Land, Bravo, AmericanLife TV, and NuvoTV. It has been running since September 2015 on Heroes & Icons network. Seasons one through seven can also be viewed on Hulu and Star. Season three can be viewed as streaming video on commercial sites and is also available in many countries from Channel 4 on YouTube.[ citation needed ]
Series producers deliberately left the exact city in which the series was set vague and a variety of methods are employed to imply different general locations. The call letters of local TV stations were usually obscured to avoid showing whether they began with "W" (the Federal Communications Commission designation for stations east of the Mississippi River) or "K" (signifying a station west of the Mississippi River). An episode in season three specifically mentions a radio station of WDPD, suggesting a city east of the Mississippi. However, in bar scenes throughout the series, characters are frequently shown drinking bottles of beer that strongly resemble Coors Beer. Coors did not obtain national distribution until 1986, and as a result of national distribution laws was not available east of the Mississippi until that year, implying the location is west of the Mississippi.
Though most of the series' scenes were filmed in Los Angeles (on location and at CBS Studio Center in Studio City),the series' introduction shows exterior shots entirely of Chicago and Cutaway shots from Chicago were used in production, with police cars painted to resemble the color schemes of Chicago Police Department patrol vehicles. Chicago's 7th District Police Station is frequently shown in cutaway shots and also during the closing credits. (This station was closed by the Chicago Police in 1998 and later repurposed as the headquarters for the University of Illinois at Chicago police.)
The first episode of season three shows both a TV camera labeled "WREQ", and a shot of a Regional Transportation Authority Highliner train arriving at the Chicago and North Western Terminal. However, in the penultimate episode of season 2, a street sign for Los Angeles Street – a major thoroughfare in downtown LA – is visible outside the fictitious Hotel Doane.
There are several mentions through the series of characters going down to "the shore", which implies a lake or oceanfront setting. One indication of setting within the show was given by the Southern-accented character Officer Andy Renko when he stated in the season one episode "Politics as Usual": "Just drop that cowboy stuff. I was born in New Jersey, never been west of Chicago in my life." In Season 1 episode 12, Captain Frank Furillo informs Lieutenant Howard Hunter that the armored vehicle he was test driving has been found "in the East River", implying New York. In Season 2, Episode 3, Sergeant Phil Esterhaus references guarding "the national guard armory in Newark", implying a location in or near New Jersey. Season 2 episode 18 shows an elevated train on which "CTA" can clearly be seen, suggesting Chicago. Throughout the series, characters occasionally mention well-known Chicago street names, such as Michigan Avenue, or other Chicago-related landmarks, such as the Blue Line subway and Mercy Hospital. Both of the characters played by Dennis Franz employ a heavy "Chicago midwestern" accent, also employed by Dan Aykroyd in The Blues Brothers, a film set in Chicago.
In a Season 5 episode, during an undercover detail, Detective Belker is knocked unconscious by a criminal and stashed in the luggage compartment of an interstate bus. A package labeled "Springfield ILL" (using the old three-letter Postal Service state abbreviation) is next to him. When he is finally freed from the compartment and told he is in Springfield, it is still daytime and after he rides a bus back to his origin, it is now early evening and the other detective at his detail is not alarmed when Belker explains his absence as "following a tail", implying the distance was not very great (Springfield is roughly 3 hours drive from Chicago via I-55).
Show writer Steven Bochco attended college at the Carnegie Institute of Technology (now Carnegie Mellon University) in Pittsburgh. The run-down, shabby, drug-ridden impression of Pittsburgh's Hill District that Bochco acquired was apparently part of the inspiration for the show.He intended the setting to resemble several cities, including Chicago, Pittsburgh, and Buffalo.
Although the city is never named, the state flag for Illinois is visible over the judge's left shoulder in the courtroom scenes in Season 2, Episode 5 "Fruits of the Poisonous Tree", suggesting the location is Chicago.
Hill Street Blues refers to the blue uniforms worn by many police officers in the United States and, by extension, the depressing nature of inner-city police work. The phrase is uttered only once in the series, apart from introductions such as "Previously on Hill Street Blues." It is spoken by Detective Emil Schneider (Dolph Sweet) in the first-season episode "Gator Bait."Schneider says it in a slightly mocking tone, in reference to officers Hill and Renko, who he feels are out of their league at a particular crime scene. The precinct bowling team is the "Hill Street Blue Ballers".
Officers are listed by the rank they held at first appearance on the program; some officers later held higher ranks.
Hill Street Blues featured many guest actors who were cementing their careers in TV & Film. It also occasionally featured well-known character actors. Notable guest actors include:
Initially, Hill Street Blues received rave reviews from critics alongside dismal Nielsen ratings. Early schedule switching did not help: the show was broadcast once weekly on four different nights during its first season alone but gradually settled into a Thursday night time slot. The NBC Broadcast Standards Unit deemed it "too violent, too sexy, too grim." The producers described the show as "an hour drama with 13 continuing characters living through a Gordian knot of personal and professional relationships." John J. O'Connor in a May 1981 review charted its growing popularity and called it "a comfortable balance between comedy and drama".
The choice to include African-Americans as mainstays in the core ensemble cast and to feature several inter-racial and inter-ethnic cop partnerships drew notice and praise, as did the overlapping plots and examinations of moral conundrums such as police corruption, racism, alcoholism and both interpersonal and institutional forgiveness.
The show was very influential, with many others imitating its use of handheld cameras, ensemble casts and multiple overlapping story lines lasting for several episodes, set in urban decay. Alan Sepinwall wrote in 2014 that it "is on the short list of the most influential TV shows ever made. Whether through shared actors, writers, directors or through stylistic and thematic complexity, its DNA can be found in nearly every great drama produced in the 30-plus years since it debuted". He compared Hill Street Blues to Casablanca , which was so influential on other films that "if you come to see it for the first time after a lifetime of watching the copies, it could be at risk of playing like a bundle of clichés—even though it invented those clichés".
In 1993, TV Guide named the series The All-Time Best Cop Show in its issue celebrating 40 years of television. 's 100 Greatest Episodes of All Time. When the list was revised in 2009, "Freedom's Last Stand" was ranked number 57. In 2002, Hill Street Blues was ranked number 14 on TV Guide's 50 Greatest TV Shows of All Time, and in 2013 TV Guide ranked it #1 in its list of The 60 Greatest Dramas of All Time and #23 of the 60 Best Series.In 1997, the episode "Grace Under Pressure" was ranked number 49 on TV Guide
20th Century Fox released the first two seasons of Hill Street Blues on DVD in Region 1 in 2006.Both releases contain special features including gag reel, deleted scenes, commentary tracks, and featurettes.
On December 5, 2013, it was announced that Shout! Factory had acquired the rights to the series in Region 1. They subsequently released Hill Street Blues: The Complete Series on DVD on April 29, 2014.
In late 2014, they began releasing season sets; they have subsequently released seasons 3–7.
In Region 2, Channel 4 DVD released the first two seasons on DVD in the UK in 2006.
In Region 4, Shock Records released the first three seasons on DVD in Australia on December 4, 2013,and the remaining four seasons on April 30, 2014.
On December 4, 2013, Shock Records also released a complete series set.
|Region 1||Region 2||Region 4|
|The Complete 1st Season||17||January 31, 2006||March 25, 2013||December 4, 2013|
|The Complete 2nd Season||18||May 16, 2006|
|The Complete 3rd Season||22||November 4, 2014||–|
|The Complete 4th Season||22||March 3, 2015||April 30, 2014|
|The Complete 5th Season||23||May 26, 2015|
|The Complete 6th Season||22||September 8, 2015|
|The Complete 7th Season||22||January 12, 2016|
|The Complete Series||146||April 29, 2014||–||December 4, 2013|
Beverly Hills Buntz aired on NBC from November 5, 1987 to April 22, 1988. It was a half-hour comedy, a hybrid between light private eye fare and a sitcom. The main character, Norman Buntz (Dennis Franz) quit Hill Street, moved to Beverly Hills with Sid "The Snitch" Thurston (Peter Jurasik), and became a private investigator. 13 episodes were filmed, of which only nine were broadcast.
Hill Street Blues has inspired parodies, storylines, characters, and cultural references in numerous media vehicles.
In 1991, Krisalis Software (developed by Simeon Pashley and Rob Hill) released the computer game Hill Street Blues, based on the TV show. The game runs on the Amiga, Atari ST, and DOS platformsand places the player in charge of Hill Street Station and its surrounding neighborhood, with the aim of promptly dispatching officers to reported crimes, apprehending criminals, and making them testify at court. If certain areas have less serious crimes unresolved, such as bag-snatching, they soon escalate to more serious ones, such as murder in broad daylight. The game is still available for download at computer game sites and outlets, and has received mixed reviews.
Cop Rock is an American police procedural musical television series that first aired on ABC in 1990. The show was co-created by Steven Bochco, who also served as executive producer. This mixture of musical performances with comedy and serious drama was a critical and commercial failure when it originally aired.
NYPD Blue is an American police procedural drama television series set in New York City, exploring the struggles of the fictional 15th Precinct detective squad in Manhattan. Each episode typically intertwines several plots involving an ensemble cast.
Steven Ronald Bochco was an American television writer and producer. He developed a number of television series, including Hill Street Blues, L.A. Law, Doogie Howser, M.D., Cop Rock, and NYPD Blue.
L.A. Law was an American legal drama television series that ran for eight seasons on NBC, from September 15, 1986 to May 19, 1994.
Dennis Franz Schlachta, known professionally as Dennis Franz, is a retired American actor best known for his role as NYPD Detective Andy Sipowicz in the ABC television series NYPD Blue (1993–2005), a role that earned him a Golden Globe Award, three Screen Actors Guild Awards and four Primetime Emmy Awards. He also portrayed two different characters on the similar NBC series Hill Street Blues and its short-lived spinoff, Beverly Hills Buntz (1987–1988).
David Sanford Milch is an American writer and producer of television series. He has created several television shows, including NYPD Blue and Deadwood.
Daniel J. Travanti is an American actor. He is best known for playing police captain Frank Furillo in the television drama series Hill Street Blues (1981–1987), for which he received a Golden Globe Award and two consecutive Primetime Emmy Awards from many nominations.
Veronica Hamel is an American actress and model. She was nominated five times for an Emmy Award for her role as attorney Joyce Davenport in the TV police drama Hill Street Blues.
Barbara Babcock is an American character actress. She is perhaps best known for her role as Grace Gardner on Hill Street Blues, for which she won an Emmy Award for Outstanding Lead Actress—Drama Series in 1981, and her role as Dorothy Jennings on Dr. Quinn, Medicine Woman, for which she was nominated for an Emmy Award in 1993.
Barbara Bosson is a retired American actress. Her most notable role came in the television series Hill Street Blues (1981–1987), for which she was consecutively nominated for five Primetime Emmy Awards.
Beverly Hills Buntz is an American comedy-drama television series and a spin-off of the acclaimed police drama Hill Street Blues. Beverly Hills Buntz aired on NBC from November 5, 1987, to April 22, 1988.
Charles Maurice Haid III is an American actor and television director, with notable work in both movies and television. He is best known for his portrayal of Officer Andy Renko in Hill Street Blues.
Brooklyn South is an American ensemble police drama television series that aired on CBS for one season from September 22, 1997, to April 27, 1998. It was aired during the 1997–98 television season. The series was co-created by Steven Bochco, Bill Clark, David Milch, and William M. Finkelstein.
Michael Conrad was an American actor perhaps best known for his portrayal of veteran cop Sgt. Phil Esterhaus on Hill Street Blues, in which he ended the introductory roll call to each week's show with "Let's be careful out there". He won two Emmy Awards for Outstanding Supporting Actor in a Drama Series for Hill Street Blues in 1981 and 1982.
Michael Wagner was an American television writer and producer who worked on several television shows between 1975 and 1992, and won an Emmy Award in 1982 for Outstanding Writing in a Drama Series for his work on the television show Hill Street Blues. He co-created, produced and wrote several episodes for the one-season ABC series Probe.
Delvecchio is an American drama television series that aired Sundays at 10:00 pm (EST) on CBS from September 9, 1976, to March 13, 1977. It starred Judd Hirsch as the title character, Dominick Delvecchio, an Italian-American detective who worked for the LAPD and also studied to become a lawyer.
"Hill Street Station" is the first episode of the first season of the American serial police drama Hill Street Blues. "Hill Street Station" originally aired in the United States on NBC on Thursday January 15, 1981, at 10:00 pm Eastern Time as part of a two-week five-episode limited-run pilot airing on Thursdays and Saturdays. The episode won numerous Primetime Emmy Awards, a Directors Guild of America Award, a Writers Guild of America Award, and an Edgar Award as well as Emmy Award nominations for film editing, music composition, and art direction. The episode was directed by Robert Butler and written by Michael Kozoll and Steven Bochco.
Jesse John Bochco is an American television director and producer. He is the son of television producer/writer Steven Bochco and actress Barbara Bosson.
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