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A cold open (also called a teaser sequence) [1] is a narrative technique used in television and films. It is the practice of jumping directly into a story at the beginning of the show before the title sequence or opening credits are shown. In North American television, this is often done on the theory that involving the audience in the plot as soon as possible will reduce the likelihood of their switching from a show during the opening commercial. [2] A cold open may also be used to recap events in previous episodes or storylines that will be revisited during the current episode.
The cold open technique is sometimes used in films. There, "cold opening" still refers to the opening moments or scenes, but not necessarily to the full duration before the title card, as the title card might appear well after the start.
In the early 1960s, few American series used cold opens, and half-hour situation comedies almost never made use of them prior to 1965. Many American series that ran from the early 1960s through the middle years of the decade (even sitcoms) adopted cold opens in later seasons. However, beginning in the late '50s, several dramatic series, notably such Warner Bros. shows as 77 Sunset Strip , would cold-open with an attention-grabbing scene from the middle of the episode, which would repeat when the story arrived at that point.
Cold opens became widespread on American television by the mid-1960s. Their use was an economical way of setting up a plot without having to introduce the regular characters, or even the series synopsis, which would typically be outlined in the title sequence itself.
British producer Lew Grade's many attempts to break into the American market meant that various shows he was involved with incorporated the cold open. Later, many British action-adventure series employed the format, such as The New Avengers (1976–1977) and The Professionals (1977–1981).
During the 1960s and 1970s, daytime soap operas became the main users of cold opens, with most American soaps employing the format.
In the late 1970s and early 1980s, some shows began with highlights from the previous episode. Also throughout the 1970s and 1980s, many traditional multi-camera sitcoms usually launched straight into the opening theme song, although this has changed in modern use. Today, between the 2000s and 2010s, most multi-camera and single-camera American sitcoms usually use cold opens for each episode, that last for at least 1–2 minutes (and 3–4 minutes at the most) before transitioning into the opening title sequence or theme song of the show.
Documentaries do not use cold openings as frequently as fictional shows. The World at War (1973–1974) is one famous exception, wherein a few short minutes an especially poignant moment is featured; after the title sequence, the events that explain the episode are outlined more fully.
Most American news shows, including on channels providing 24-hour news coverage, use cold opens to introduce a summary of the stories covered in that edition.
Cold opens are common in science fiction dramas and crime dramas. In the U.S., TV shows will occasionally forgo a standard cold open at the midway point of a two-part episode, or during a "special" episode. Vince Gilligan has been declared "Undisputed Master of the Cold Open" in multiple reviews, [3] [4] detailing particular episodes of Better Call Saul and Breaking Bad . The Australian drama series, McLeod's Daughters used a cold open at the beginning of episodes for the majority of its run, before being phased out for its eighth and final season.
While several soaps experimented with regular opens in the early 2000s, all U.S. daytime dramas are currently using cold opens.[ citation needed ] Typically, a soap opera cold open begins where the last scene of the previous episode ended, sometimes replaying the entire last scene. After several scenes – usually, to set up which storylines will be featured in the episode – the opening credits are shown. By contrast, most British soap operas typically begin with regular opens. In Australia, soap opera Home and Away briefly used a cold open for a few episodes in 2006.
One of the most well-known users of the technique, Saturday Night Live has regularly used a cold-open sketch since its start in 1975. Many modern American sitcoms use or used cold opens, such as Malcolm in the Middle , The Office , Home Improvement , The Big Bang Theory , Two and a Half Men , Modern Family , Cheers , and Parks and Recreation . Another well-known use of a cold open in comedy is in the NBC show Brooklyn Nine-Nine , which starred SNL alum Andy Samberg. Many other comedy formats also use cold opens, including late-night talk shows and satirical 'news' shows. British show You’ve Been Framed! most notably used this in the Jeremy Beadle , Lisa Riley and Harry Hill eras. Sitcom cold opens often present a joke that has no relation to the episode's plot.
Several American children's shows use cold opens, such as Animaniacs , The Upside Down Show , Pokémon , and Wallykazam! for example, uses the technique to set up the main conflict or plot of the episode.
The UFC plays a cold open before a PPV main card, to build up anticipation for the fights that will follow.
In film production, the section of the film before the opening credits is called the pre-credits, and they are sometimes crafted as a cold open. A classic example is the series of James Bond movies, which traditionally start with a cold open showing a dramatic conflict or chase scene after the usual gun barrel sequence and before the title sequence.
In some films, the title card does not appear until the end. In such cases, one cannot refer to the entire film as the "opening", and the term "cold open" in these instances refers to the opening moments or scenes.
Likewise, in films with excessively long pre-credits sequences, the "cold open" does not necessarily refer to the entire pre-credits sequence.
Cold opens are occasionally used in the beginning of Podcasts and the reason for its utilization may change depending on the genre or theme of each respective Podcast and its frequency can vary. Some podcasts such as TrueAnon use a cold open at the start of every episode which may include either a skit or off-topic conversation between its two main hosts and producer before going into the intro of the podcast. Since early 2022, the weekly Nobody Listens to Paula Poundstone regularly employs cold opens, which often include the cast self-reflexively discussing the use and effectiveness of cold opens and "grabbers."
Cold opens were also an occasional device in radio. Jack Benny's weekly program would usually begin with Don Wilson reading standard copy announcing the name of the program and introducing the stars. Sometimes, however, particularly for a show at the start of a new season, the actors would launch into the material without any announcement and perform a sketch written to give the audience the impression they were eavesdropping on the stars' off-microphone lives. That would be followed by the more standard Don Wilson introductions and the show would proceed as usual after that.
Many video games have included cold opens. These either begin with a lengthy opening sequence or include an entire level before the titles. It is common in Japanese RPGs, with the original Final Fantasy an early example.
Cold opens sometimes employ a segment known as a "teaser" or "tease". A memorandum was written by Gene Roddenberry on May 2, 1966, as a supplement to the Writer-Director Information Guide for the original Star Trek series, describing the format of a typical episode. This quotation refers to a cold open, commonly known as a teaser:
a. Teaser, preferably three pages or less. Captain Kirk's voice-over opens the show, briefly setting where we are and what's going on. This is usually followed by a short playing scene which ends with the Teaser "hook". [5]
The "hook" of the teaser was some unexplained plot element that was alluded to in the teaser, or cold open, which was intended to keep audiences interested enough in the show to dissuade them from changing stations while the titles and opening commercial roll.
In television series, a similar technique called a cliffhanger is often employed before commercial breaks, to keep the audience from switching channels during the break.
A closing scene at the end of a show, after end credits, is known as the "tag".
In fiction, continuity is the consistency of the characteristics of people, plot, objects, and places seen by the audience over some period of time. It is relevant to many genres and forms of storytelling, especially if it is long-running.
A soap opera, daytime drama, or soap for short, is typically a long-running radio or television serial, frequently characterized by melodrama, ensemble casts, and sentimentality. The term "soap opera" originated from radio dramas originally being sponsored by soap manufacturers. The term was preceded by "horse opera", a derogatory term for low-budget Westerns.
The Electric Company is an American educational children's television series produced by the Children's Television Workshop. It was co-created by Paul Dooley, Joan Ganz Cooney, and Lloyd Morrisett. The series aired on PBS for 780 episodes over the course of its six seasons from October 25, 1971, to April 15, 1977. The program continued in reruns until October 4, 1985. The Electric Company later reran on Noggin, a channel co-founded by the CTW, from 1999 to 2003. Noggin also produced a compilation special for the show.
A cliffhanger or cliffhanger ending is a plot device in fiction which features a main character in a precarious or difficult dilemma or confronted with a shocking revelation at the end of an episode or a film of serialized fiction. A cliffhanger is hoped to incentivize the audience to return to see how the characters resolve the dilemma.
The reset button technique is a plot device for interrupting continuity in works of fiction. The reset button device is used to return all characters and situations to the statusquo prior to some major change. It can be employed in the middle of a program to negate some portion of what came before. It is often used in science fiction television series, animated series, soap operas, and comic books. The reset button technique accommodates dramatic changes to characters and the fictional universe that might otherwise invalidate the show's premise with respect to future episodes or other plot details. For example, writers may use the device to improve the audience's experience of the lead character's death, which is usually impossible without effectively ending the work or significantly altering its course.
'Allo 'Allo! is a British sitcom television series, created by David Croft and Jeremy Lloyd, starring Gorden Kaye, Carmen Silvera, Guy Siner and Richard Gibson. Originally broadcast on BBC1, the series focuses on the life of a French café owner in the town of Nouvion, during the German occupation of France in World War II, in which he deals with problems from a dishonest German officer, local French Resistance, the handling of a stolen painting and a pair of trapped British airmen, all while concealing from his wife the affairs he is having with his waitresses.
A title sequence is the method by which films or television programmes present their title and key production and cast members, utilizing conceptual visuals and sound. It typically includes the text of the opening credits, and helps establish the setting and tone of the program. It may consist of live action, animation, music, still images, and/or graphics. In some films, the title sequence is preceded by a cold open.
In a motion picture, television program or video game, the opening credits or opening titles are shown at the very beginning and list the most important members of the production. They are now usually shown as text superimposed on a blank screen or static pictures, or sometimes on top of action in the show. There may or may not be accompanying music. When opening credits are built into a separate sequence of their own, the correct term is a title sequence.
A story arc is the chronological construction of a plot in a novel or story. It can also mean an extended or continuing storyline in episodic storytelling media such as television, comic books, comic strips, board games, video games, and films with each episode following a dramatic arc. On a television program, for example, the story would unfold over many episodes. In television, the use of the story arc is common in sitcoms, and even more so in soap operas. In a traditional Hollywood film, the story arc usually follows a three-act structure. Webcomics are more likely to use story arcs than newspaper comics, as most webcomics have readable archives online that a newcomer to the strip can read in order to understand what is going on. Although story arcs have existed for decades, one of the first appearances of the term was in 1973 by Time Magazine for a synopsis of the movie The Friends of Eddie Coyle: "He accomplishes this with no sacrifice to the pacing of his action sequences or the suspenseful development of his story's arc."
The Champions is a British espionage thriller/science fiction/occult detective fiction adventure television series. It was produced by Lew Grade's ITC Entertainment production company, and consists of 30 episodes broadcast in the UK on ITV during 1968–1969. The series was broadcast in the US on NBC, starting in summer 1968.
Screenwriting or scriptwriting is the art and craft of writing scripts for mass media such as feature films, television productions or video games. It is often a freelance profession.
A recap sequence is a narrative device used by many television series to bring the viewer up to date with the current events of the stories' plot. It is usually a short montage of important scenes cut directly from previous episodes, usually short bursts of dialogue, which serve to lay the background for the following episode.
A flashback, more formally known as analepsis, is an interjected scene that takes the narrative back in time from the current point in the story. Flashbacks are often used to recount events that happened before the story's primary sequence of events to fill in crucial backstory. In the opposite direction, a flashforward reveals events that will occur in the future. Both flashback and flashforward are used to cohere a story, develop a character, or add structure to the narrative. In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started.
The "Theme from Star Trek" is an instrumental musical piece composed by Alexander Courage for Star Trek, the science fiction television series created by Gene Roddenberry that originally aired between September 8, 1966, and June 3, 1969.
In filmmaking, television production and video production, the single-camera setup or single-camera mode of production is a method in which all of the various shots and camera angles are taken using the same camera.
The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking, television production and video production. Several cameras—either film or professional video cameras—are employed on the set and simultaneously record or broadcast a scene. It is often contrasted with a single-camera setup, which uses one camera.
In film and video, a freeze frame is when a single frame of content shows repeatedly on the screen—"freezing" the action. This can be done in the content itself, by printing or recording multiple copies of the same source frame. This produces a static shot that resembles a still photograph.
A post-credits scene is a short teaser clip that appears after the closing credits have rolled and sometimes after a production logo of a film, TV series, or video game has run. It is usually included to reward the audience for having the patience to watch through the credits sequence; it may be a scene written for humour or to set up a sequel.
In film production, the pre-credit is the section of the film which is shown before the opening or closing credits are shown.
The Outer Limits is an American television series that was broadcast on ABC from September 16, 1963, to January 16, 1965, at 7:30 PM Eastern Time on Mondays. It is often compared to The Twilight Zone, but with a greater emphasis on science fiction stories. It is an anthology of self-contained episodes, sometimes with plot twists at their ends.