WKRP in Cincinnati | |
---|---|
Genre | Sitcom |
Created by | Hugh Wilson |
Starring | Gary Sandy Gordon Jump Loni Anderson Richard Sanders Tim Reid Frank Bonner Jan Smithers Howard Hesseman |
Theme music composer | Tom Wells Hugh Wilson |
Country of origin | United States |
Original language | English |
No. of seasons | 4 |
No. of episodes | 90 (list of episodes) |
Production | |
Executive producer | Hugh Wilson |
Producers | Rod Daniel Bill Dial Blake Hunter Steven Kampmann Peter Torokvei Hugh Wilson |
Camera setup | Multi-camera |
Running time | 24–25 minutes |
Production company | MTM Enterprises |
Original release | |
Network | CBS |
Release | September 18, 1978 – April 21, 1982 |
Related | |
WKRP in Cincinnati is an American sitcom television series about the misadventures of the staff of a struggling fictional AM [1] radio station in Cincinnati, Ohio. The show was created by Hugh Wilson and was based upon his experiences working in advertising sales at Top 40 radio station WQXI in Atlanta, including many of the characters. [2] Wilson once told The Cincinnati Enquirer that he selected WKRP as the call sign to stand for C-R-A-P. [3]
The ensemble cast consists of Gary Sandy (as Andy Travis), Howard Hesseman (Dr. Johnny Fever), Gordon Jump (Arthur Carlson), Loni Anderson (Jennifer Marlowe), Tim Reid (Venus Flytrap), Jan Smithers (Bailey Quarters), Richard Sanders (Les Nessman) and Frank Bonner (Herb Tarlek). [4]
The series won a Humanitas Prize [5] and received 10 Emmy Award nominations, including three for Outstanding Comedy Series. Andy Ackerman won an Emmy Award for Videotape Editing in Season 3. [6]
WKRP premiered on September 18, 1978, on the CBS television network and aired for four seasons and 90 episodes, ending on April 21, 1982. Starting in the middle of the second season, CBS repeatedly moved the show around its schedule, contributing to lower ratings and its eventual cancellation. When WKRP went into syndication, it became an unexpected success. For the next decade, it was one of the most popular sitcoms in syndication, outperforming many programs that had been more successful in prime time, including all the other MTM Enterprises sitcoms. [7]
Jump, Sanders, and Bonner reprised their roles as regular characters in a sequel series, The New WKRP in Cincinnati , which ran from 1991 to 1993 in syndication. Hesseman, Reid, and Anderson also reprised their roles as guest stars.
The station's new program director, Andy Travis, tries to turn around struggling radio station WKRP by switching its format from dated easy-listening music to rock and roll, despite the well-meaning efforts of the mostly incompetent staff: bumbling station manager Arthur Carlson, greasy sales manager Herb Tarlek and clueless news director Les Nessman. To help bolster ratings, Travis hires a new disc jockey, New Orleans native Gordon Sims (with the on-air persona of Venus Flytrap) and allows spaced-out former major-market DJ John Caravella (with the on-air persona of Dr. Johnny Fever), already doing mornings in the easy-listening format, to be himself on-air. Rounding out the cast are "bombshell" receptionist Jennifer Marlowe and junior employee Bailey Quarters. Ruthless business tycoon Lillian Carlson appears periodically as the station's owner and the mother of Arthur Carlson.
Throughout its run WKRP featured appearances by several high-profile guest stars, including Colleen Camp, Sparky Anderson, Hoyt Axton and Michael Des Barres. Hamilton Camp, Craig T. Nelson, and Robert Ridgely also appeared in supporting roles.
WKRP in Cincinnati debuted in 1978 in CBS's Monday 8 p.m. timeslot, competing against ABC's Welcome Back, Kotter and NBC's top-20 show Little House on the Prairie. The show initially earned poor ratings, and WKRP was put on hiatus after only eight episodes, even though they included some of the most famous of the series, including "Turkeys Away." But owing to good reviews and positive fan reaction, especially from disc jockeys, who immediately hailed it as the first show that realistically portrayed the radio business, CBS brought WKRP back without any cast changes.
WKRP was given a new timeslot, one of the best on the network, following M*A*S*H . This allowed creator Hugh Wilson to move away from the farcical radio-based stories that CBS wanted and to start telling stories that, while not necessarily dramatic, were more low-key and character-based. To allow the ensemble cast to mingle more, the set was expanded. A previously unseen communal office area ("the bullpen") was added to accommodate scenes with the entire cast.
Partway through the second season, the show was moved back to its original earlier time. CBS executives wanted to free up the prized post-M*A*S*H slot for House Calls (with former M*A*S*H star Wayne Rogers). They also felt that the rock and roll music and the sex appeal of Loni Anderson were better suited to the earlier slot, which was mostly aimed at young people. The mid-season timeslot change did not affect the show's success; WKRP finished at No. 22 in the ratings for its second year. For the next two seasons, the writers and producers often fought with CBS over the show's content in the so-called family hour.
Starting with the second season, CBS moved WKRP around repeatedly, and the show lost nearly 2.5 million viewers on average for each of four timeslot changes in the 1979–80 season. [11]
At the end of the fourth season, the network canceled WKRP. The final first-run episode of WKRP aired on April 21, 1982, and ranked No. 7 in the weekly Nielsen ratings, though the series had already been canceled.
WKRP was videotaped in Hollywood before a live studio audience at KTLA's Goldenwest Videotape Division, later moving to the CBS Studio Center lot in Studio City. [12]
Year | Award | Category | Work | Result | Ref. |
---|---|---|---|---|---|
1979 | Golden Globe Awards | Best Supporting Actress – Series, Miniseries or Television Film | Loni Anderson | Nominated | [13] |
1980 | Best Actress in a Television Series – Musical or Comedy | Nominated | |||
1981 | Nominated | ||||
1981 | Humanitas Prize | 30 Minute Network or Syndicated Television | Hugh Wilson (for "God Talks to Johnny") | Nominated | [14] |
1982 | Hugh Wilson (for "Venus and the Man") | Won | |||
1980 | Primetime Emmy Awards | Outstanding Comedy Series | Hugh Wilson and Rod Daniel | Nominated | [15] |
Outstanding Supporting Actor in a Comedy or Variety or Music Series | Howard Hesseman | Nominated | |||
Outstanding Supporting Actress in a Comedy or Variety or Music Series | Loni Anderson | Nominated | |||
1981 | Outstanding Comedy Series | Hugh Wilson, Rod Daniel, Blake Hunter, Steven Kampmann, and PJ Torokvei | Nominated | ||
Outstanding Supporting Actor in a Comedy or Variety or Music Series | Howard Hesseman | Nominated | |||
Outstanding Supporting Actress in a Comedy or Variety or Music Series | Loni Anderson | Nominated | |||
Outstanding Directing for a Comedy Series | Rod Daniel (for "Venus and the Man") | Nominated | |||
Outstanding Video Tape Editing for a Series | Andy Ackerman (for "Bah, Humbug") | Won | |||
1982 | Outstanding Comedy Series | Hugh Wilson, Blake Hunter, PJ Torokvei, Dan Guntzelman, and Steve Marshall | Nominated | ||
Outstanding Video Tape Editing for a Series | Andy Ackerman (for "Fire") | Nominated | |||
2005 | TV Land Awards | Classic TV Broadcaster of the Year | Tim Reid | Nominated | |
2006 | Broadcaster of the Year | Howard Hesseman | Nominated | ||
2008 | Broadcaster(s) of the Year | Richard Sanders | Nominated |
While Andy Travis received his name and some personality elements from a cousin of creator Hugh Wilson, [16] he was based primarily on innovative program director Mikel Herrington, [17] who also was the inspiration for the character Jeff Dugan in the 1978 film FM , written by Ezra Sacks, who had worked at KMET. [18] [19] Dr. Johnny Fever was based on a DJ named "Skinny" Bobby Harper at WQXI/790 in Atlanta, Georgia in 1968. WKRP writer Bill Dial worked with Harper at WQXI, which is considered Dial's inspiration for the show. [20] Coincidentally, Harper had previously worked at Cincinnati AM Top 40 powerhouse WSAI in 1964, before moving to 11 other stations, including seven in Atlanta. [20] In 1997, Bobby Harper told WSB's Condace Pressley, "He went on record as pointing out which ones, including myself, that he based the characters on. [That recognition] was a nice little thing. You know? That was nice. I appreciated that." [20] The Carlsons were a pastiche of Jerry Blum, WQXI's longtime general manager. Mrs. Carlson inherited Blum's brashness while Arthur borrowed his nickname "Big Guy," sense of style, and some of his unorthodox promotions (including the turkey drop). [21]
Although the show aired on CBS, the self-supporting transmission tower seen at the beginning of WKRP in Cincinnati actually belongs to Cincinnati's NBC affiliate, WLWT. [22]
In the show, WKRP's offices and studios are in the Osgood R. Flimm Building, an art deco office building. The building shown during the show's opening credits is actually the Cincinnati Enquirer Building at 617 Vine Street in downtown Cincinnati. [23]
Cincinnati has two radio stations with call letters similar to WKRP. WKRC, an AM station that had a "middle of the road" music format when the series debuted, did not object to the use of WKRP, saying that it was the best publicity that they had ever had, and it was free; [24] it currently brands itself (as it did during the show's run) as "55KRC". [25] WKRQ is an FM station with a similar "contemporary hit radio" format; its primary branding is "Q102." [26]
Other stations have adopted similar branding in reference to the series. In 1986, a Salt Lake City FM station (now KUMT) changed its calls letters to KRPN, and branded itself as WKRP, using the similarity of the spoken letter "N" to the word "in" for a sound-alike station identification: "W KRPN Salt Lake City". [27] [28] [29] In 2008, Cincinnati television station WBQC-LD promoted its conversion to digital broadcasting by rebranding itself "WKRP-TV". [30] In 2015, a low-power FM station in Raleigh, North Carolina began broadcasting as WKRP-LP. [31]
WKRP had two musical themes, one opening and the other closing the show.
The opening theme, a soft rock/pop number called "WKRP in Cincinnati Main Theme," was composed by Tom Wells, with lyrics by series creator Hugh Wilson, and was performed by Steve Carlisle. [32] [33] [34] An urban legend circulated at the time that Richard Sanders (who had comparable vocal characteristics to those of Carlisle) had recorded the song. Wilson stated in the commentary for the first season's DVD set that this was not true. Sanders would later "sing" the lyrics in a promo spot on VH1 for The New WKRP in Cincinnati that parodied the U2 song "Numb."
The closing theme was a different song with more of a hard rock sound performed by Atlanta musician Jim Ellis, played over scenes from the episodes followed by a still photo of the Cincinnati skyline. [35] [36] Ellis recorded the song as a demonstration for Wilson, and as he had not yet written lyrics for it, Ellis mumbled nonsense words. Wilson chose to use the demo version because he found the gibberish lyrics funny and a satire on the unintelligible lyrics of many rock songs. [37]
A longer version of the original theme song was released in 1979 on a 45-rpm vinyl single on the MCA Records label. It peaked at 65 on the Billboard Hot 100 chart in 1981 [38] and at 29 on the Adult Contemporary chart in 1982. [39]
The show's use of Blondie's "Heart of Glass" was widely credited with helping the song become a major U.S. hit, and the band's record label Chrysalis Records presented the producers with a gold record award for the song's album Parallel Lines . The gold record can be seen hanging on the wall in the "bullpen" set in many episodes.
The songs were often tied into episode plots, and some pieces of music were even used as running gags. For example, the doorbell at Jennifer's penthouse apartment played "Fly Me to the Moon" (which was later replaced by "Beautiful Dreamer" for copyright reasons).
Wilson has commented that WKRP was videotaped rather than filmed because at the time, music-licensing fees were lower for videotaped programs, a loophole that was intended to accommodate variety shows. [40] [41] Music licensing deals that were cut at the time of production covered only a limited number of years, [42] but when the show entered syndication shortly after its 1982 cancellation, most of the original music remained intact because the licensing deals were still active. [43] After the licenses had expired, later syndicated versions of the show did not feature the music as first broadcast, with stock production music inserted in place of the original songs to avoid paying additional royalties. In some cases (such as during scenes with dialogue over background music), some of the characters' lines were dubbed by soundalike actors, a practice evident in all prints of the show issued since the early 1990s, including those used for its late-1990s run on Nick at Nite. [42] [43]
The expense of procuring licenses for the original music delayed release of a DVD set for years. [44] When a Season 1 set was finally released, much of the music was again replaced and the soundalike vocal dubs were present. Some scenes were shortened or cut entirely, [45] but some deleted scenes that had not been included in the original broadcast were added.[ citation needed ]
20th Century Fox Home Entertainment released the first season of WKRP on DVD in region 1 in 2007, with a number of music replacements. Sales of the set were poor, and Fox released no further seasons.
In 2014, Shout! Factory acquired rights to the series for DVD release. [46] Shout! had planned to include all of the copyrighted music that originally aired on the show, [47] and obtained the rights to include what they called "the vast majority of the music", but explained, "In a few cases, it was simply impossible to get the rights." [48] Most of the dialogue dubs done for the 1990s syndication airings were removed, and the original dialogue restored. [49] [50] [51] This release presented the second-season episode "Filthy Pictures" and the third-season episode "Dr. Fever and Mr. Tide" in their original hour-long formats instead of the syndicated two-part versions, bringing the episode count from 90 episodes to 88 episodes. [52]
Dr. Johnny Fever is a fictional character on the American television sitcom WKRP in Cincinnati. He was inspired by Skinny Bobby Harper, who previously had been a DJ in Atlanta and on Cincinnati's Top 40 station WSAI. The character was portrayed by Howard Hesseman.
Alexander Gordon Jump was an American actor best known for playing Arthur "Big Guy" Carlson in the series WKRP in Cincinnati (1978–1982); he reprised the role in its spinoff The New WKRP in Cincinnati (1991–1993). He also played Chief Tinkler in the sitcom Soap (1977–1978) and Mr. Horton on a two-part episode of the sitcom Diff'rent Strokes (1983). He appeared in Maytag commercials as the "Maytag repairman" from 1989 until he retired in 2003.
Howard Hesseman was an American actor known for his television roles as burned-out disc jockey Dr. Johnny Fever on WKRP in Cincinnati and the lead role of history teacher Charlie Moore on Head of the Class. He appeared regularly on television and in film from the 1970s to 2010s, with his other noteworthy roles including Sam Royer in the last two seasons of One Day at a Time and a supporting role as Captain Pete Lassard in the film Police Academy 2: Their First Assignment.
Frank Bonner was an American actor and television director widely known for his role as sales manager Herb Tarlek on the television sitcom WKRP in Cincinnati.
Richard Sanders is a retired American actor and screenwriter. He played quirky news anchorman Les Nessman on the CBS sitcom WKRP in Cincinnati (1978–1982). Most of his acting career has been on television.
WQXI is an AM radio station licensed to Atlanta, Georgia. The station has a power of 28,000 watts in the daytime, and 1,000 watts at night. WQXI's signal is non-directional during the daytime, and directional at night. As of 2009, the station broadcast in the IBiquity HD Radio AM hybrid digital mode during daytime hours.
Bailey Quarters is a character on the television sitcom WKRP in Cincinnati. She was played by actress Jan Smithers, and was based on creator Hugh Wilson's wife.
The New WKRP in Cincinnati is an American sitcom television series that aired in first-run syndication from September 7, 1991, to May 22, 1993, as a sequel to the original CBS sitcom WKRP in Cincinnati (1978–1982). As with the original WKRP, MTM Enterprises produced the show.
Bert Parks was an American actor, singer, and radio and television announcer, best known for hosting the annual Miss America telecast from 1955 to 1979.
Linda Carlson was an American actress.
WKRC is a commercial AM radio station licensed to Cincinnati, Ohio. The station airs a talk radio format, under the branding "55KRC". The station's offices and studios are on Montgomery Road off Interstate 71 in Cincinnati.
Herbert Ruggles Tarlek, Jr. is a character on the television situation comedy WKRP in Cincinnati (1978–1982). He was played by actor Frank Bonner, who reprised the role for the sequel series The New WKRP in Cincinnati.
Jennifer Elizabeth Marlowe is a character on the CBS sitcom WKRP in Cincinnati (1978–82). She was played by actress Loni Anderson, who received three Golden Globe Award and two Emmy Award nominations for playing the character.
Lester "Les" Nessman Jr. is a fictional character on the television situation comedy WKRP in Cincinnati (1978–82) played by Richard Sanders. He reprised his role in the sequel series, The New WKRP in Cincinnati.
Andy Travis is a fictional character on the television situation comedy WKRP in Cincinnati (1978–82). He was played by Gary Sandy.
Venus Flytrap is a character on the television situation comedy WKRP in Cincinnati (1978–82), played by Tim Reid. He is the evening and early night-time disc jockey at WKRP, and during the course of the series he also becomes the assistant program director.
Arthur Carlson, aka "The Big Guy" is a fictional character on the television situation comedy WKRP in Cincinnati (1978–82), the general manager of the low-rated Cincinnati radio station WKRP. The character was also a regular on the "revival" series, The New WKRP in Cincinnati (1991–93), still working as general manager of WKRP. He was played by Gordon Jump in both shows.
"Turkeys Away" is the seventh episode of the first season of the American sitcom television series WKRP in Cincinnati. It aired on October 30, 1978 and was co-written by story editor Bill Dial and series creator Hugh Wilson. In the episode, station manager Arthur Carlson attempts to pull off the greatest Thanksgiving promotion in radio history: dropping live turkeys from a helicopter.
"In Concert" is a very special episode of the television series WKRP in Cincinnati. Airing as the 19th episode of the second season, it was first broadcast in the United States on February 11, 1980 on CBS, and the concept for the episode was described as "admirably ambitious" by William Beamon, writing in the St. Petersburg Evening Independent before he had viewed the episode.
Block began plotting the change two years ago, tied to TV stations' transition nationwide from analog to digital broadcasting scheduled for Feb. 17. Although low-power stations aren't required by law to switch to digital next year, Block made the investment so viewers here with digital TV converter boxes could continue to see his stations next year.
Of course there were no lyrics and I was just sort of scatting gibberish. Well Hugh [Wilson] and Tom [Wells] thought that was funny and that it made a joke about the general unintelligibility of rock lyrics.
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