A comedy film is a category of film that emphasizes humor. These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending, with dark comedy being an exception to this rule. Comedy is one of the oldest genres in film, and it is derived from classical comedy in theatre. Some of the earliest silent films were comedies such as slapstick comedy, which often relies on visual depictions, such as sight gags and pratfalls, so they can be enjoyed without requiring sound. To provide drama and excitement to silent movies, live music was played in sync with the action on the screen, on pianos, organs, and other instruments. When sound films became more prevalent during the 1920s, comedy films grew in popularity, as laughter could result from both burlesque situations but also from humorous dialogue.
A clown is a person who performs comedy and arts in a state of open-mindedness using physical comedy, typically while wearing distinct makeup or costuming and reversing folkway-norms. Clowns have a varied tradition with significant variations in costume and performance. The most recognisable clowns are those that commonly perform in the circus, characterized by colorful wigs, red noses, and oversized shoes. However, clowns have also played roles in theater and folklore, like the court jesters of the Middle Ages and the jesters and ritual clowns of various indigenous cultures. Their performances can elicit a range of emotions, from humor and laughter to fear and discomfort, reflecting complex societal and psychological dimensions. Through the centuries, clowns have continued to play significant roles in society, evolving alongside changing cultural norms and artistic expressions.
A pun, also rarely known as paronomasia, is a form of word play that exploits multiple meanings of a term, or of similar-sounding words, for an intended humorous or rhetorical effect. These ambiguities can arise from the intentional use of homophonic, homographic, metonymic, or figurative language. A pun differs from a malapropism in that a malapropism is an incorrect variation on a correct expression, while a pun involves expressions with multiple interpretations. Puns may be regarded as in-jokes or idiomatic constructions, especially as their usage and meaning are usually specific to a particular language or its culture.
Fibber McGee and Molly (1935–1959) was a longtime husband-and-wife team radio comedy program.
Stand-up comedy is a comedic performance to a live audience in which the performer addresses the audience from the stage. The performer is known as a comedian, comic, or stand-up. It is usually a rhetorical performance, but many comics employ crowd interaction as part of their routine.
Fozzie Bear is a Muppet character from the sketch comedy television series The Muppet Show, best known as the insecure and comedically fruitless stand-up comic. Fozzie is an orange-brown bear who often wears a brown pork pie hat and a pink and white polka dot necktie. The character debuted on The Muppet Show, as the series' resident comedian, a role where he uses the catchphrase "Wocka wocka!" to indicate that he'd completed a joke. He was often the target of ridicule, particularly from balcony hecklers Statler and Waldorf. Fozzie was performed by Frank Oz until 2001, after which Eric Jacobson became the character's principal performer.
John Florence Sullivan, known professionally as Fred Allen, was an American comedian. His absurdist topically-pointed radio program The Fred Allen Show (1932–1949) made him one of the most popular and forward-looking humorists in the Golden Age of American radio.
A catchphrase is a phrase or expression recognized by its repeated utterance. Such phrases often originate in popular culture and in the arts, and typically spread through word of mouth and a variety of mass media. Some become the de facto or literal "trademark" or "signature" of the person or character with whom they originated, and can be instrumental in the typecasting of a particular actor. Catchphrases are often humorous, but are never long enough or structured enough to be jokes in themselves. However, a catchphrase can be the punch line of a joke, or a callback reminder of a previous joke.
Self-referential humor, also known as self-reflexive humor, self-aware humor, or meta humor, is a type of comedic expression that—either directed toward some other subject, or openly directed toward itself—is self-referential in some way, intentionally alluding to the very person who is expressing the humor in a comedic fashion, or to some specific aspect of that same comedic expression. Here, meta is used to describe that the joke explicitly talks about other jokes, a usage similar to the words metadata, metatheatrics and metafiction. Self-referential humor expressed discreetly and surrealistically is a form of bathos. In general, self-referential humor often uses hypocrisy, oxymoron, or paradox to create a contradictory or otherwise absurd situation that is humorous to the audience.
The Jack Benny Program, starring Jack Benny, is a radio and television comedy series, which ran for more than three decades and is generally regarded as a high-water mark in 20th-century American comedy. He played one role throughout his radio and television career, a caricature of himself as a minimally talented musician and penny-pincher who was the butt of all the jokes. The show's producer, Hilliard Marks, was the brother of Benny's wife, Mary Livingstone.
Silent comedy is a style of film, related to but distinct from mime, invented to bring comedy into the medium of film in the silent film era (1900s–1920s) before a synchronized soundtrack which could include talking was technologically available for the majority of films. Silent comedy is still practiced, albeit much less frequently, and it has influenced comedy in modern media as well.
Surreal humour is a form of humour predicated on deliberate violations of causal reasoning, thus producing events and behaviors that are obviously illogical. Portrayals of surreal humour tend to involve bizarre juxtapositions, incongruity, non-sequiturs, irrational or absurd situations, and expressions of nonsense.
In comedy, a visual gag or sight gag is anything which conveys its humour visually, often without words being used at all. The gag may involve a physical impossibility or an unexpected occurrence. The humor is caused by alternative interpretations of the goings-on. Visual gags are used in magic, plays, and acting on television or movies.
Anti-humor is a type of indirect and alternative humor that involves the joke-teller's delivering something that is intentionally not funny, or lacking in intrinsic meaning. The practice relies on the expectation on the part of the audience of something humorous, and when this does not happen, the irony itself is of comedic value — humor can be, and often is, about unexpected contrast (see Theories of humor § Incongruous juxtaposition theory). Anti-humor is also the basis of various types of pranks and hoaxes.
Although humor is a phenomenon experienced by most humans, its exact cause is a topic of heavy debate. There are many theories of humor which attempt to explain what it is, what social functions it serves, and what would be considered humorous. Although various classical theories of humor and laughter may be found, in contemporary academic literature, three theories of humor appear repeatedly: relief theory, superiority theory, and incongruity theory. These theories are used as building blocks for the rest of the theories. Among current humor researchers, there has yet to be a consensus about which of these three theories of humor is most viable. Proponents of each theory originally claimed that theirs explained all cases of humor, and that it was the only one capable of doing so. However, they now acknowledge that although each theory generally covers its area of focus, many instances of humor can be explained by more than one theory. Similarly, one view holds that theories have a combinative effect; Jeroen Vandaele claims that incongruity and superiority theories describe complementary mechanisms that together create humor.
Bacall to Arms is a 1946 Warner Bros. Merrie Melodies series short planned by Bob Clampett and finished by Arthur Davis, in his second-to-last cartoon at Warner Bros. The short was released on August 3, 1946.
A sitcom is a genre of comedy centred on a fixed set of characters who mostly carry over from episode to episode. Sitcoms can be contrasted with sketch comedy, where a troupe may use new characters in each sketch, and stand-up comedy, where a comedian tells jokes and stories to an audience. Sitcoms originated in radio, but today are found mostly on television as one of its dominant narrative forms.
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: In Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which engender dramatic irony, which provokes laughter.
Animaniacs is an American animated comedy musical television series created by Tom Ruegger for Fox's Fox Kids block in 1993, before moving to The WB in 1995, as part of its Kids' WB afternoon programming block, until the series ended on November 14, 1998. It is the second animated series produced by Steven Spielberg's Amblin Entertainment in association with Warner Bros. Animation, after Tiny Toon Adventures. It initially ran a total of 99 episodes, along with a feature-length film, Wakko's Wish. Reruns later aired on Cartoon Network from 1997 to 2001, Nickelodeon from 2001 to 2003, Nicktoons from 2003 to 2005, and Discovery Family from 2012 to 2014.
Jack Benny and the Golden Age of American Radio Comedy is a 2017 book that documents the pre-television years of American comedian Jack Benny, when he crafted his fictional alter ego on radio's The Jack Benny Program and built a supporting cast of characters and running gags that segued to his later career in television. Author Kathryn H. Fuller-Seeley is a professor and graduate advisor at the University of Texas Moody College of Communication in Austin, specializing in Media Studies.
