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Carmen Jones | |
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Music | Georges Bizet |
Lyrics | Oscar Hammerstein II |
Book | Oscar Hammerstein II |
Basis | Carmen by Georges Bizet Henri Meilhac Ludovic Halévy Carmen by Prosper Mérimée |
Productions | 1943 Broadway 1945 Broadway 1946 Broadway 1949 Greek Theatre [1] 1954 Film version 1991 Old Vic 2007 Royal Festival Hall 2018 Off-Broadway |
Awards | Laurence Olivier Award for Best New Musical |
Carmen Jones is a 1943 Broadway musical with music by Georges Bizet (orchestrated for Broadway by Robert Russell Bennett) and lyrics and book by Oscar Hammerstein II which was performed at The Broadway Theatre. Conceptually, it is Bizet's opera Carmen updated to a World War II-era, African-American setting. Bizet's opera was, in turn, based on the 1846 novella by Prosper Mérimée. The Broadway musical was produced by Billy Rose, using an all-black cast, and directed by Hassard Short. Robert Shaw prepared the choral portions of the show. [2]
The original Broadway production starred Muriel Smith (alternating with Muriel Rahn) in the title role. The original Broadway cast members were nearly all new to the stage; Kennedy and Muir each wrote that on the first day of rehearsal only one member had ever been on a stage before this musical. [3]
The 1954 film was adapted by Hammerstein and Harry Kleiner. It was directed by Otto Preminger and starred Dorothy Dandridge and Harry Belafonte. [4]
The musical has been revived in London, running for a season in 1991 at Old Vic and most recently in Royal Festival Hall in the Southbank Centre in 2007. [5]
In 2018, it was revived off-Broadway at the Classic Stage Company under the direction of John Doyle and Anika Noni Rose in the title role. [6]
Parachute maker Carmen Jones makes a play for a "fly boy" Air Force man, Joe, who is in love with sweet Cindy Lou and about to marry her on a day pass when Carmen gets into a fight with another woman.
Joe's pass is cancelled in order for him to drive her to the next town to be handed over to the non-military police. Instead, Carmen charms him and escapes, and he is put in the stockade for not delivering her to the authorities.
While Carmen waits for Joe to be released from military prison, she hangs around Billy Pastor's jive cafe where she encounters boxer Husky Miller, who is instantly besotted with Carmen, calling her "heatwave".
Carmen initially is uninterested, but her friends Frankie and Mert know that their invitation from Husky's manager to see him fight in Chicago depends on Carmen's being there, too.
Joe, having been released from the stockade, turns up at the cafe the same evening. At first, his prospects seem to be looking up, as his connections have put Joe back on track for aviator school. Carmen lays down a guilt trip, protesting that a long-distance relationship with Joe 400 miles (640 km) away at school just isn't what she had in mind. He immediately gets into a fight with his sergeant, who is making a move on Carmen, as well as putting pressure on Joe. Starting the fight would have been enough to put Joe back in military prison for years, but the fight goes badly, and the sergeant ends up apparently dead. Carmen makes Joe hide the body because desertion seems better than a lengthy sentence.
The train ticket to Chicago originally given to Carmen offers them a way of avoiding the MPs. After a few days hiding in a seedy hotel with no money and no future with Joe, Carmen pays a visit to her two friends, now covered in diamonds and furs, at Husky's training camp. She only is looking for a loan, but they try to draw her to give up Joe and "go with the money" by staying with Husky.
Later, at Husky's apartment, Frankie reads Carmen's "cards", and reveals the nine of spades - the card of death. In the belief that her days are numbered, Carmen gives in to Husky's advances, abandoning Joe for the luxurious life Husky can offer her.
Cindy Lou comes to look for Joe, but he is still in love with Carmen and spurns Cindy Lou. The night of Husky's title fight, Joe tries to convince Carmen to return to him, but when she rejects him, he kills her, thus making the card's prophecy a reality.
Oscar Hammerstein II heavily adapted the libretto for Georges Bizet's opera Carmen from the original French for his Broadway production. Arts and Entertainment Editor Elisabeth Vincentelli clarifies:
"The music was pretty much left intact, but Hammerstein transferred the action to World War II America. Carmen's tobacco factory became Carmen Jones' parachute factory, bullfighter Escamillo became boxer Husky Miller, and so on. As if this weren't enough, there also was the 'small' detail of casting the show only with African-Americans...many of the show's songs retain a surprising impact. The feverish intensity of 'Beat Out dat Rhythm on a Drum', for instance, hasn't dimmed over the years, and the song's been covered by a wide variety of performers, from Pearl Bailey and Marc Almond to Mandy Patinkin." [7] [8]
The majority of the actors performing the songs in the film Carmen Jones were dubbed. Even singer Harry Belafonte was dubbed by LeVern Hutcherson, and Dorothy Dandridge was dubbed by Marilyn Horne (long before Horne became a well-known opera singer). [9]
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Year | Award | Category | Nominee | Result |
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1992 | Laurence Olivier Award | Best New Musical | Won | |
Best Actor in a Musical | Damon Evans | Nominated | ||
Best Actress in a Musical | Wilhelmenia Fernandez | Won | ||
Sharon Benson | Nominated | |||
Best Performance in a Supporting Role in a Musical | Gregg Baker | Nominated | ||
Karen Parks | Nominated |
Oscar Greeley Clendenning Hammerstein II was an American lyricist, librettist, theatrical producer, and director in musical theater for nearly 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs.
Dorothy Jean Dandridge was an American actress and singer. She was the first African-American film star to be nominated for the Academy Award for Best Actress for Carmen Jones (1954). Dandridge had also performed as a vocalist in venues such as the Cotton Club and the Apollo Theater. During her early career, she performed as a part of the Wonder Children, later the Dandridge Sisters, and appeared in a succession of films, usually in uncredited roles.
Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their musical theater writing partnership has been called the greatest of the 20th century.
Lena Mary Calhoun Horne was an American singer, actress, dancer and civil rights activist. Horne's career spanned more than seventy years and covered film, television and theatre. Horne joined the chorus of the Cotton Club at the age of sixteen and became a nightclub performer before moving on to Hollywood and Broadway.
Marilyn Berneice Horne is an American mezzo-soprano opera singer. She specialized in roles requiring beauty of tone, excellent breath support, and the ability to execute difficult coloratura passages. She is a recipient of the National Medal of Arts and the Kennedy Center Honors, and has won four Grammy Awards.
Carmen: A Hip Hopera is a 2001 American musical romantic drama television film produced by MTV and directed by Robert Townsend. Starring Beyoncé Knowles in her debut acting role along with Mekhi Phifer, Mos Def, Rah Digga, Wyclef Jean, Da Brat, Joy Bryant, Reagan Gomez-Preston, Jermaine Dupri and Lil' Bow Wow, it is based upon the 1875 opera Carmen by Georges Bizet, Ludovic Halévy and Henri Meilhac, but set in modern-day Philadelphia and Los Angeles and featuring a mostly original hip-hop/R&B score in place of Bizet's opera.
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Henry Jay Lewis was an American double-bassist and orchestral conductor whose career extended over four decades. A child prodigy, he joined the Los Angeles Philharmonic at age 16, becoming the first African-American instrumentalist in a major symphony orchestra and, later, the first African-American symphony orchestra conductor in the United States. As musical director of the Seventh Army Symphony Orchestra, he supported America's cultural diplomacy initiatives in Europe after World War II.
Juanita Hall was an American musical theatre and film actress. She is remembered for her roles in the original stage and screen versions of the Rodgers and Hammerstein musicals South Pacific as Bloody Mary – a role that garnered her the Tony Award – and Flower Drum Song as Madame Liang.
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Carmen Jones is a 1954 American musical film featuring an African American cast starring Harry Belafonte, Dorothy Dandridge, and Pearl Bailey and produced and directed by Otto Preminger. The screenplay by Harry Kleiner is based on the lyrics and book by Oscar Hammerstein II, from the 1943 stage musical of the same name, set to the music of Georges Bizet's 1875 opera Carmen. The opera was an adaptation of the 1845 Prosper Mérimée novella Carmen by Henri Meilhac and Ludovic Halévy.
Flower Drum Song is a 1961 American musical film directed by Henry Koster, adapted from the 1958 Broadway musical Flower Drum Song, written by the composer Richard Rodgers and the lyricist/librettist Oscar Hammerstein II, in turn based on the 1957 novel of the same name by the Chinese American author Chin Yang Lee. The film stars Nancy Kwan, James Shigeta, Miyoshi Umeki, Jack Soo, Benson Fong and Juanita Hall. It was nominated for five Academy Awards and two Golden Globe Awards, including Best Motion Picture – Musical or Comedy.
Muriel Burrell Smith was an American singer. In the 1940s and 1950s, she was a star of musical theater and opera, and was also the off-film ghost singer in several hit movies. She is perhaps best known in the UK for her 1953 #3 hit single, "Hold Me, Thrill Me, Kiss Me", which was first covered in 1965 by Mel Carter and later in 1994 by Gloria Estefan.
Marguerite Sylva was a Belgian born mezzo-soprano who achieved fame in opera, operetta, and musical theatre. She was particularly known for her performances in the title role of Bizet's Carmen, which she sang over 300 times in the course of her career. Sylva was a pioneering recording artist for Edison Records and made many recordings for the company from 1910 to 1912.
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