A Burlesque on Carmen | |
---|---|
Directed by | Charlie Chaplin |
Written by | Prosper Mérimée Charlie Chaplin |
Produced by | Jess Robbins George K. Spoor |
Starring | Charlie Chaplin Jack Henderson Edna Purviance Leo White |
Cinematography | Roland Totheroh |
Edited by | Charlie Chaplin |
Music by | Hugo Riesenfeld |
Production company | |
Distributed by | General Film Company |
Release date |
|
Running time | 31 minutes (1915) 44 minutes (1928 sound reissue) |
Country | United States |
Languages | Silent (English intertitles) |
A Burlesque on Carmen is Charlie Chaplin's thirteenth film for Essanay Studios, originally released as Carmen on December 18, 1915. Chaplin played the leading man and Edna Purviance played Carmen. The film is a parody of Cecil B. DeMille's Carmen 1915, which was itself an interpretation of the popular novella Carmen by Prosper Mérimée. [1]
Chaplin's original version was a tightly paced two-reeler, but in 1916 after he had moved to Mutual, Essanay reworked the film into a four-reel version called A Burlesque on Carmen, or Charlie Chaplin's Burlesque on Carmen, adding discarded footage and new scenes involving a subplot about a gypsy character played by Ben Turpin. [1] This longer version was deeply flawed in pacing and continuity, and not representative of Chaplin's initial conception. Chaplin sued Essanay but failed to stop the distribution of the longer version; Essanay's tampering with this and other of his films contributed significantly to Chaplin's bitterness about his time there. The presence of Essanay's badly redone version is likely the reason that A Burlesque on Carmen is among the least known of Chaplin's early works. Historian Ted Okuda calls the two-reel original version the best film of Chaplin's Essanay period, but derides the longer version as the worst. [2]
Further reissues followed, for instance a synchronized sound version in 1928 by Quality Amusement Corporation. It was re-edited from the 1916 Essanay reissue, with a newly shot introduction written by newspaper columnist Duke Bakrak. This version, with rewritten title cards, poor sequencing, and "fuzzy" in appearance from generation loss, can be found today on some budget home video releases. [1] Film preservationist David Shepard studied Chaplin's court transcripts and other evidence to more closely reproduce the original Chaplin cut. [2] This version was released on DVD by Image Entertainment in 1999 [3] and has since been restored a second time in HD. [4]
The story of Carmen was very popular in the 1910s, and two films under this title were released earlier in 1915. One was directed by Raoul Walsh, in which stage actress Theda Bara played Carmen, and the other by Cecil B. DeMille, in which the part was played by opera star Geraldine Farrar. [1] DeMille's film received positive reviews [5] but Chaplin thought it was ripe for parody.
Carmen, a gypsy seductress is sent to convince Darn Hosiery, the goofy officer in charge of guarding one of the entrances to the city of Sevilla, to allow a smuggling run. She first tries to bribe him but he takes the money and refused to let the smuggled goods in.
She then invites him to Lillas Pastia's inn where she seduces him. After a fight at the tobacco factory where Carmen works, he has to arrest her but later lets her escape. At Lillas Pastia's inn, he kills an officer who is also in love with her and has to go into hiding and he joins the gang of smugglers.
Carmen meets the famous toreador Escamillo and falls in love with him. She accompanies him to a bullfight but Darn Hosiery waits for her and when she tells him that she no longer loves him, he stabs her to death. But it is not for real, Chaplin shows that the knife was fake and both smile at the camera.
In reviewing the four-reel version of this film that Essanay released in April 1916, four months after Chaplin's contract had expired with the studio, Julian Johnson of Photoplay panned the lengthy re-release of this comedy. Johnson declared, "In two reels this would be a characteristic Chaplin uproar. Four reels is watering the cream."
In his sequencing, Chaplin followed closely the structure of the DeMille production, using very similar sets and costumes, and he used Riesenfeld's music. At the end, Chaplin indulges in an early example of breaking the fourth wall, turning to the camera to show laughingly that his character had not really killed Carmen. [6] The film was released as a two-reeler at the end of 1915, when Chaplin's contract with Essanay Studios was up. After he had left, the studio added two reels' worth of non-Chaplin material and re-released the film in 1916. [1]
David Shepard's 1999 restoration was released with a Robert Israel score, based on Bizet's music. A score was commissioned from Timothy Brock by Teatro de la Zarzuela de Madrid, and released in 2013 by the Cineteca di Bologna and Lobster Films for their Chaplin Essanay Project restoration. Brock also based his score on the opera by Bizet, but performed in a 1920s style. Both versions have been released numerous times on home video. [3] [4]
Carmen is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" and "Seguidilla" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias.
The Essanay Film Manufacturing Company was an early American motion picture studio. The studio was founded in 1907 in Chicago, and later developed an additional film lot in Niles Canyon, California. Its various stars included Francis X. Bushman, Gloria Swanson and studio co-owner, actor and director, Broncho Billy Anderson. It is probably best known today for its series of Charlie Chaplin comedies from 1915-1916. In late 1916, it merged distribution with other studios and stopped issuing films in the fall of 1918. According to film historian Steve Massa, Essanay is one of the important early studios, with comedies as a particular strength. Its founders, George Kirke Spoor and Anderson, were subsequently awarded special Academy Awards for pioneering contributions to film.
Olga Edna Purviance(October 21, 1895 – January 13, 1958) was an American actress of the silent film era. She was the leading lady in many of Charlie Chaplin's early films and in a span of eight years, she appeared in over 30 films with him. Her name was pronounced "pur-VIE-unce" as verified by Chaplin in his spoken narration of one of his films.
George Kirke Spoor was an early film pioneer who, with Gilbert M. "Broncho Billy" Anderson, founded Essanay Studios in Chicago in 1907. He was a founding partner of V-L-S-E, Incorporated, a film distribution firm, in 1915.
A Woman was Charlie Chaplin's ninth film for Essanay Films. It was made in Los Angeles at the Majestic Studio and released in 1915.
By the Sea is a 1915 American silent comedy film Charlie Chaplin made while waiting for a studio to work in Los Angeles. He had just left Niles Essanay Studio after doing five films at that location. By the Sea was filmed all on location in Santa Monica on the beach near Ocean Park Pier and on Crystal Pier in April 1915. The story centers on Charlie's Little Tramp character and how he gets into trouble trying to grab the attention of women on the beach. Edna Purviance plays one of the wives in whom he shows interest. It is said to be the first film to incorporate the classic gag of a man slipping on a banana skin.
The Tramp is the sixth film directed by Charlie Chaplin for Essanay Studios, released in 1915. It was Chaplin's fifth and final film produced at Essanay's Niles, California studio. The Tramp marked the emergence of The Tramp character, a role Chaplin had played in earlier films but with a more emotional depth, showing a caring side towards others. The film also stars Edna Purviance as the farmer's daughter and Ernest Van Pelt as Edna's father. The outdoor scenes were filmed on location near Niles.
In the Park is Charlie Chaplin's fourth film released in 1915 by Essanay Films. It was his third film while at the Niles Essanay Studio. It was one of several films Charlie Chaplin created in a park setting. The film co-starred Edna Purviance, Leo White, Lloyd Bacon, and Bud Jamison.
Leo White, was a German-born British-American film and stage actor who appeared as a character actor in many Charlie Chaplin films.
The Vagabond is a 1916 American silent romantic comedy film by Charlie Chaplin and his third film with Mutual Films. Released to theaters on July 10, 1916, it co-starred Edna Purviance, Eric Campbell, Leo White and Lloyd Bacon. This film echoed Chaplin's work on The Tramp, with more drama and pathos mixed in with the comedy.
The Bank is a silent slapstick comedy. It was Charlie Chaplin's tenth film for Essanay Films.
Triple Trouble is a two-reel American silent comedy film that was released in 1918. It stars Charlie Chaplin, Edna Purviance, and Leo White. This film was not an official Chaplin film, even though it has many Chaplin-directed scenes; after he left the studio, Essanay edited it together using outtakes and newly shot footage directed by Leo White. It had already been established in court that Chaplin had no legal control over the films made during his time with Essanay and could not prevent its release.
The Champion is a 1915 American silent comedy film released by Essanay Studios, starring Charlie Chaplin alongside Edna Purviance and Leo White. Essanay co-owner and star, Broncho Billy Anderson can be seen as an enthusiastic audience member in the boxing match scene.
Carmen is a novella by Prosper Mérimée, written and first published in 1845. It has been adapted into a number of dramatic works, including the famous opera of the same name by Georges Bizet.
Carmen is a 1915 American silent drama film directed by Cecil B. DeMille. The film is based on the novella Carmen by Prosper Mérimée. The existing versions of this film appear to be from the re-edited 1918 re-release.
Paddy McGuire was an Irish actor and comedian.
Frank John Coleman was an American silent film actor.
Carmen on Ice is a 1990 dance film with a choreography for figure skaters made in Germany. The music is based on the opera Carmen by Georges Bizet in an orchestral version arranged especially for this film. In contrast to figure skating movies of former times, Carmen on Ice is a film without spoken dialogue, which is an innovation in the history of figure skating.
May White was an American silent film actress. She worked as an actress with Essanay Studios in Niles, California, before leaving with Charlie Chaplin for Los Angeles.
David John Henderson was an American silent film actor.