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The Kid | |
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Directed by | Charlie Chaplin |
Written by | Charlie Chaplin |
Produced by | Charlie Chaplin |
Starring |
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Cinematography | R. H. Totheroh |
Edited by | Charlie Chaplin |
Music by | Charlie Chaplin (1972 re-release) |
Production company | Charles Chaplin Productions |
Distributed by | First National |
Release dates |
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Running time | |
Country | United States |
Languages |
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Budget | $250,000 |
Box office | $5.45 milion [3] |
The Kid is a 1921 American silent comedy-drama film written, produced, directed by and starring Charlie Chaplin, and features Jackie Coogan [4] as his foundling baby, adopted son and sidekick. This was Chaplin's first full-length film as a director. It was a huge success and was the second-highest-grossing film in 1921. [5] Now considered one of the greatest films of the silent era, [6] it was selected for preservation in the United States National Film Registry by the Library of Congress in 2011. [7] [8]
With much anguish, an unwed Mother abandons her child, placing him in an expensive automobile with a handwritten note: "Please love and care for this orphan child". Two thieves steal the car and leave the baby in an alley, where he is found by The Tramp. After some attempts to hand off the child on to various passers-by, he finds the note and his heart melts. He takes the boy home, names him John and adjusts his household furniture for him. Meanwhile, the Mother has a change of heart and returns for her baby; when she learns that the car has been stolen, she faints.
Five years pass. The Kid and the Tramp live in the same tiny room; they have little money but much love. They support themselves in a minor scheme: the Kid throws stones to break windows so that the Tramp, working as a glazier, can be paid to repair them. Meanwhile, the Mother has become a wealthy actress and does charity by giving presents to poor children. By chance, as she does so, the Mother and the Kid unknowingly cross paths.
The Kid later gets into a fight with another local boy as people in the area gather to watch the spectacle. The Kid wins, drawing the ire of the other boy's older brother, who attacks the Tramp as a result. The Mother breaks up the fight, but it starts again after she leaves and the Tramp keeps beating the "Big Brother" over the head with a brick between swings until he totters away.
Shortly afterward, the Mother advises the Tramp to call a doctor after the Kid falls ill. The doctor discovers that the Tramp is not the Kid's father and notifies authorities. Two men come to take the boy to an orphanage, but after a fight and a chase, the Tramp and the boy remain side by side. When the Mother comes back to see how the boy is doing she encounters the doctor, who shows her the note (which he had taken from the Tramp); she recognizes it as the one she left with her baby years ago.
Now fugitives, the Tramp and the boy spend the night in a flophouse. Its proprietor learns of a $1,000 reward offered by the authorities and takes the Kid to the police station, while the Tramp is asleep. As the tearful Mother is reunited with her long-lost child, the Tramp searches frantically for the missing boy. Unsuccessful, he returns to the doorway of their humble lodgings, where he falls asleep, entering a "Dreamland" where his neighbors have turned into angels and devils. A policeman awakes him and drives him off to a mansion. There the door is opened by the Mother and the Kid, who jumps into the Tramp's arms, and he is welcomed in.
Chaplin wrote, produced, directed, edited and starred in The Kid, and later composed a score. Innovative in its combination of comedic and dramatic elements, [11] the film is considered one of the greatest of the silent era. [12] Chaplin biographer Jeffrey Vance maintains that, with its "perfect blend of comedy and drama, [it] is arguably Chaplin's most personal and autobiographical work.” [13]
The film made Coogan, then a vaudeville performer, into the first major child star of the movies. It has been speculated that the depth of the relationship portrayed in the film may have been connected with the death of Chaplin's firstborn infant son just ten days before the production began. [14]
First National wanted to release the film as 3 two reel comedies, not a seven reel feature. [15] Chaplin wanted the film released as a complete work. Releasing it as 3 separate short films also meant First National owed Chaplin a much smaller salary. [15] After production was completed in 1920, the film was caught up in the divorce actions of Chaplin's first wife Mildred Harris, who sought to attach Chaplin's assets. Chaplin and his associates smuggled the raw negative to Salt Lake City and edited it in a room at the Hotel Utah. [16] To release the complete film and avoid it being part of his divorce proceedings, Chaplin showed First National executives a cut of the film. He used this screening to re-negotiate his contract. [15] Before releasing the film, Chaplin negotiated to receive an enhanced financial deal based on the success of the final film. This included 50% of the box-office once First National's budget of $1.5 Million had been reached and full ownership returned to Chaplin after 5 years. [15]
Chaplin eventually removed scenes he believed too sentimental for modern audiences and composed and recorded a new musical score for the film's theatrical reissue. This re-edited version of The Kid had its world premiere as the Film Society of Lincoln Center gala tribute to Chaplin held on April 4, 1972, at Philharmonic Hall, New York City, with Chaplin in attendance. [17]
The Kid premiered on January 21, 1921, at Carnegie Hall in New York City as a benefit for the Children's Fund of the National Board of Review of Motion Pictures. [13]
The Kid was acclaimed by film critics upon its release. [18] The February 5, 1921 issue of Exhibitor's Herald, contained a full-spread advertisement for the film playing at the Randolph Theatre. The advertisement from First National Pictures featured high praise from Chicago-based newspapers including this review from The Chicago Herald and Examiner:
The Kid settles once and for all the question as to who is the greatest theatrical artist in the world. Chaplin does some of the finest, most delicately shaded acting you ever saw anywhere, and for every slapstick furore in it there is a classic, exquisite scene. His action are riotous, convulsive, irresistible. The gentlest grandmother will bust a midriff. He's the best Hamlet alive today. Jackie Coogan is the best child actor you ever saw. Women wept just to see him. The Kid is two fisted. It's right glove is packed with the pearls of tears, its left with the horseshoe of laughter. The picture is perfection. Six reels that seem like one; six reels that are funnier than the work of any other human being; six reels that are sadder and simpler than anything in pictures; six reels that will atone for anything the movies have ever done. [19]
A reviewer from Theatre Magazine glowingly wrote: "[Chaplin's] new picture, The Kid, certainly outdoes in humor and the special brand of Chaplin pathos anything this popular film star has yet produced. There are almost as many tears as laughs in the new First National release--which proves the contention that Chaplin is almost as good a tragedian as he is a comedian. The Kid may be counted as a screen masterpiece."
The reviewer for The New York Times gave more of a mixed reception to the film, writing: "Charlie Chaplin is himself again - at his best, in some ways better than his previous best, and also, it is to be regretted, at his worst, only not with so much of his worst as has spoiled some of his earlier pictures." The reviewer praises the plot, the comedy, the characters, and the "balance of sadness" with Chaplin being "more of a comedian than a clown", but lamented elements of "vulgarity, or coarseness". [20]
Chaplin biographer Jeffrey Vance writes of the legacy of Chaplin's The Kid: "The Kid remains an important contribution to the art of film, not only because of Chaplin's innovative use of dramatic sequences within a feature-length comedy, but also because of the revelations The Kid provides about its creator. Undoubtedly, when Chaplin penned the preface to The Kid, "A picture with a smile—and perhaps, a tear", he had his own artistic credo—and life—in mind." [21] Mary Pickford said of the film, "The Kid is one of the finest examples of the screen language, depending upon its actions rather than upon subtitles". [22]
In December 2011, The Kid was chosen to be preserved in the Library of Congress' National Film Registry. [23] The registry stated that the film is "an artful melding of touching drama, social commentary and inventive comedy" and praised Chaplin's ability to "sustain his artistry beyond the length of his usual short subjects and could deftly elicit a variety of emotions from his audiences by skillfully blending slapstick and pathos." [23]
In 2016, the Dallas Chamber Symphony commissioned an original film score for The Kid from composer Craig Safan. [24] [25] The score premiered during a concert screening on February 21, 2017 at Moody Performance Hall with Richard McKay conducting. [26]
As of January 2021, The Kid has earned a 100% rating on Rotten Tomatoes, based on 50 reviews, with a weighted average of 8.6/10. The website's critical consensus says: "Charles Chaplin's irascible Tramp is given able support from Jackie Coogan as The Kid in this slapstick masterpiece, balancing the guffaws with moments of disarming poignancy". [27]
Sir Charles Spencer Chaplin was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, the Tramp, and is considered one of the film industry's most important figures. His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977, and encompassed both accolade and controversy.
The Great Dictator is a 1940 American political satire black comedy film written, directed, produced by, and starring, British filmmaker Charlie Chaplin. Having been the only Hollywood filmmaker to continue to make silent films well into the period of sound films, Chaplin made this his first true sound film.
City Lights is a 1931 American synchronized sound romantic comedy-drama film written, produced, directed by, and starring Charlie Chaplin. While the film has no audible dialog, it was released with a synchronized musical score with sound effects. The story follows the misadventures of Chaplin's Tramp as he falls in love with a blind girl and develops a turbulent friendship with an alcoholic millionaire.
The Gold Rush is a 1925 American silent comedy film written, produced, and directed by Charlie Chaplin. The film also stars Chaplin in his Little Tramp persona, Georgia Hale, Mack Swain, Tom Murray, Henry Bergman and Malcolm Waite.
The Immigrant is a 1917 American silent romantic comedy short written and directed by Charlie Chaplin. The film stars Chaplin's Tramp character as an immigrant coming to the United States who is accused of theft on the voyage across the Atlantic Ocean and falls in love with a beautiful young woman along the way. It also stars Edna Purviance and Eric Campbell.
Modern Times is a 1936 American part-talkie comedy film produced, written and directed by Charlie Chaplin. In Chaplin's last performance as the iconic Little Tramp, his character struggles to survive in the modern, industrialized world. The film also stars Paulette Goddard, Henry Bergman, Tiny Sandford and Chester Conklin.
Chaplin is a 1992 biographical comedy-drama film about the life of English comic actor and filmmaker Charlie Chaplin. It was produced and directed by Richard Attenborough and stars Robert Downey Jr., Marisa Tomei, Dan Aykroyd, Penelope Ann Miller and Kevin Kline. It also features Charlie Chaplin's own daughter, Geraldine Chaplin, in the role of his mother, Hannah Chaplin.
John Leslie Coogan was an American actor and comedian who began his film career as a child actor in silent films. Coogan's role in Charlie Chaplin's film The Kid (1921) made him one of the first child stars in the history of Hollywood.
The Tramp, also known as the Little Tramp, was English actor Charlie Chaplin's most memorable on-screen character and an icon in world cinema during the era of silent film. The Tramp is also the title of a silent film starring Chaplin, which Chaplin wrote and directed in 1915.
Making a Living is the first film starring Charlie Chaplin. A one-reel comedy short, it was completed in three days at Keystone Studios in Los Angeles, California and was released for distribution on February 2, 1914. In it Chaplin portrays a charming swindler who runs afoul of a news reporter and a Keystone Cop. In addition to co-writing the "scenario" and directing the production, Henry Lehrman performs as the principal supporting character.
Kid Auto Races at Venice is a 1914 American film starring Charles Chaplin. It is the first film in which his "Little Tramp" character makes an appearance before the public. The first film to be produced that featured the character was actually Mabel's Strange Predicament; it was shot a few days before Kid Auto Races but released two days after it; this film, meanwhile, was released only five days after the first film in which Chaplin appeared, Making a Living. Kid Auto Races was inducted into the National Film Registry by the Library of Congress on December 14, 2020.
The Floorwalker is a 1916 American silent comedy film, Charlie Chaplin's first Mutual Film Corporation film. The film stars Chaplin, in his traditional Tramp persona, as a customer who creates chaos in a department store and becomes inadvertently entangled in the nefarious scheme of the store manager, played by Eric Campbell, and the store's floorwalker, played by Lloyd Bacon, to embezzle money from the establishment.
A Day's Pleasure (1919) is Charlie Chaplin's fourth film for First National Films. It was created at the Chaplin Studio. It was a quickly made two-reeler to help fill a gap while working on his first feature The Kid. It is about a day outing with his wife and the kids and things do not go smoothly. Edna Purviance plays Chaplin's wife and Jackie Coogan one of the kids. The first scene shows the Chaplin Studio corner office in the background while Chaplin tries to get his car started.
The Idle Class is a 1921 American silent comedy film written and directed by Charlie Chaplin for First National Pictures.
Triple Trouble is a two-reel American silent comedy film that was released in 1918. It stars Charlie Chaplin, Edna Purviance, and Leo White. This film was not an official Chaplin film, even though it has many Chaplin-directed scenes; after he left the studio, Essanay edited it together using outtakes and newly shot footage directed by White. It had already been established in court that Chaplin had no legal control over the films made during his time with Essanay and could not prevent its release. In his 1967 autobiography, Chaplin included "Triple Trouble" in his filmography.
Billy West was a silent film actor, producer, and director. Active during the silent film era, he is best known as the premier Charlie Chaplin impersonator. He was a star in his own right, appearing in more than 100 films for nine different companies. Beyond acting, he also directed short comedies in the 1910s and '20s, and produced films. West retired as an actor in 1935, but remained in the employ of Columbia Pictures into the 1950s.
(Sir) Charlie Chaplin (KBE) (1889–1977) was an English internationally renowned Academy Award-winning actor, comedian, filmmaker and composer who was best known for his career in Hollywood motion pictures from his debut in 1914 until 1952, he however subsequently appeared in two films in his native England. During his early years in the era of silent film, he rose to prominence as a worldwide cinematic idol renowned for his tramp persona. In the 1910s and 1920s, he was considered the most famous person on the planet.
Little Sunset is a 1915 American comedy silent film directed by Hobart Bosworth and written by Charles Emmett Van Loan. The film stars Hobart Bosworth, Gordon Griffith, Rhea Haines, Joe Ray and Marshall Stedman. The film was released on May 6, 1915, by Paramount Pictures.
My Boy is a 1921 American silent comedy-drama film directed by Victor Heerman and Albert Austin, and starring child actor Jackie Coogan.
Jackie Coogan was an American actor whose career spanned decades, and included numerous feature films and television series. The child of vaudeville performers, Coogan began his career as a child actor, and had his first major role in Charlie Chaplin's The Kid (1921). He went on to appear in numerous films throughout his childhood and adolescence, and had a career as a television actor in his later life, appearing as Uncle Fester on The Addams Family (1964–1966), as well as numerous other guest-starring roles. Coogan's final film credit was the slasher film The Prey (1984), which was filmed several years prior and released shortly after his death in 1984.
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