Behind the Screen

Last updated
Behind the Screen
Behind the Screen.jpg
Theatrical poster to Behind the Screen
Directed by Charlie Chaplin
Edward Brewer (technical director)
Written byCharlie Chaplin
Vincent Bryan
Maverick Terrell
Produced by Henry P. Caulfield
StarringCharlie Chaplin
Edna Purviance
Eric Campbell
Cinematography Roland Totheroh
George C. Zalibra
Edited byCharlie Chaplin
Distributed by Mutual Film Corporation
Release date
  • November 13, 1916 (1916-11-13)
Running time
23 minutes
CountryUnited States
LanguageSilent (English intertitles)
Behind the Screen

Behind the Screen is a 1916 American silent short comedy film written by, directed by, and starring Charlie Chaplin, and also starring Eric Campbell and Edna Purviance. The film is in the public domain.

Contents

Plot

The film takes place in a silent movie studio. Charlie Chaplin plays stagehand named David who has an enormous supervisor named Goliath (Eric Campbell). David is overworked but is still labelled as a loafer by the lazy Goliath and his supervisor. A country girl (Edna Purviance) arrives at the studio in hopes of becoming an actress, but is quickly turned away by Goliath. Most of the other stagehands go on wildcat strike to protest their sleep being interrupted during their lunch break. Only David and Goliath remain on the job. The girl returns and stealthily dresses in one of the striking stagehand's work clothes. Disguised as a man, she gets a job as a stagehand too. David discovers that the new stagehand is actually a female. When he gives her a series of quick kisses, the action is seen by Goliath who makes effeminate gestures at David. Edna overhears the strikers' plans to blow up the studio with dynamite and helps thwart their villainous plot.

Much of the film is slapstick comedy involving Chaplin manhandling large props, mishandling the control to a trap door, and engaging in a raucous pie-throwing fight which spills over into another studio where a period drama is being shot. In one scene Chaplin deftly carries 11 chairs over his back in his left hand and lifts a piano in his right hand.

Cast

Chaplin and Purviance in the final scene of the film Happy Ending.JPEG
Chaplin and Purviance in the final scene of the film

Production

Behind the Screen was the last of Chaplin's comedies to use a movie studio as a backdrop. Earlier Chaplin films, such as A Film Johnnie , His New Job , and The Masquerader had also been set, at least partly, in a silent movie studio. In Behind the Screen, Chaplin pokes gentle fun at Keystone Studios where he broke into the movies in 1914 and worked under contract for Mack Sennett for a year. The pie-throwing sequence is an obvious allusion to the Keystone style of slapstick comedies where such skirmishes were overly common. One intertitle humorously refers to the pie-throwing gimmick as "a new idea."

References in documentaries

The 1983 documentary series Unknown Chaplin revealed previously unseen footage from this movie, including an alternate take where Purviance's character is shown playing a harp; an outtake in which Edna, playing the guitar, starts laughing (the documentary supports the belief that Purviance and Chaplin were romantically involved at the time); and several takes of a sequence in which Chaplin's character narrowly misses having his feet chopped off by an axe (accomplished by filming the scene backwards) - this sequence was never used in the final film.

The 1995 documentary The Celluloid Closet draws attention to the scene where Chaplin's character - after learning that Purviance's character is really a woman - kisses her while on the set; at this point, a male stagehand enters and, thinking that Chaplin has kissed a man, starts acting in an overtly effeminate way until Chaplin kicks him. [1]

Review

A reviewer for Variety penned, "The latest Charlie Chaplin release is a two-reeler that is to be classed with one of the best laugh-producers that the world's champion high-priced film comic has done for Mutual. Most of the stunts might be classed with the earlier and most successful type of work pulled by Chaplin. Yet not once does he have possession of the bamboo cane nor does he wear that humpty-dumpty derby. The action, which in no case drags, takes place presumably on the floor of a film studio with a large chance for fun with the numerous props."

Sound version

In 1932, Amedee Van Beuren of Van Beuren Studios, purchased Chaplin's Mutual comedies for $10,000 each, added music by Gene Rodemich and Winston Sharples and sound effects, and re-released them through RKO Radio Pictures. Chaplin had no legal recourse to stop the RKO release. [2]

See also

Related Research Articles

<span class="mw-page-title-main">Slapstick</span> Style of comedy

Slapstick is a style of humor involving exaggerated physical activity that exceeds the boundaries of normal physical comedy. Slapstick may involve both intentional violence and violence by mishap, often resulting from inept use of props such as saws and ladders.

<i>The Immigrant</i> (1917 film) 1917 film by Charlie Chaplin

The Immigrant is a 1917 American silent romantic comedy short written and directed by Charlie Chaplin. The film stars Chaplin's Tramp character as an immigrant coming to the United States who is accused of theft on the voyage across the Atlantic Ocean and falls in love with a beautiful young woman along the way. It also stars Edna Purviance and Eric Campbell.

<span class="mw-page-title-main">Edna Purviance</span> American actress (1895–1958)

Olga Edna Purviance was an American actress of the silent film era. She was the leading lady in many of Charlie Chaplin's early films and in a span of eight years, she appeared in over 30 films with him.

The Van Beuren Corporation was a New York City-based animation studio that produced theatrical cartoons as well as live-action short-subjects from the 1920s to 1936.

<span class="mw-page-title-main">Silent comedy</span> Genre of silent film

Silent comedy is a style of film, related to but distinct from mime, invented to bring comedy into the medium of film in the silent film era (1900s–1920s) before a synchronized soundtrack which could include talking was technologically available for the majority of films. Silent comedy is still practiced, albeit much less frequently, and it has influenced comedy in modern media as well.

<i>The Pawnshop</i> 1916 film by Charlie Chaplin

The Pawnshop was Charlie Chaplin's sixth film for Mutual Film Corporation. Released on October 2, 1916, it stars Chaplin in the role of assistant to the pawnshop owner, played by Henry Bergman. Edna Purviance plays the owner's daughter, while Albert Austin appears as an alarm clock owner who watches Chaplin in dismay as he dismantles the clock; the massive Eric Campbell's character attempts to rob the shop.

<i>The Floorwalker</i> 1916 short film directed by Charlie Chaplin

The Floorwalker is a 1916 American silent comedy film, Charlie Chaplin's first Mutual Film Corporation film. The film stars Chaplin, in his traditional Tramp persona, as a customer who creates chaos in a department store and becomes inadvertently entangled in the nefarious scheme of the store manager, played by Eric Campbell, and the store's floorwalker, played by Lloyd Bacon, to embezzle money from the establishment.

<i>By the Sea</i> (1915 film) 1915 American film

By the Sea is a 1915 American silent comedy film Charlie Chaplin made while waiting for a studio to work in Los Angeles. He had just left Niles Essanay Studio after doing five films at that location. By the Sea was filmed all on location in Santa Monica on the beach near Ocean Park Pier and on Crystal Pier in April 1915. The story centers on Charlie's Little Tramp character and how he gets into trouble trying to grab the attention of women on the beach. Edna Purviance plays one of the wives in whom he shows interest. It is said to be the first film to incorporate the classic gag of a man slipping on a banana skin.

<i>A Jitney Elopement</i> 1915 film by Charlie Chaplin

A Jitney Elopement was Charlie Chaplin's fifth film for Essanay Films. It starred Chaplin and Edna Purviance as lovers, with Purviance wanting Chaplin to take her away from an arranged marriage her father had planned for her. Chaplin does take her away in a jitney, a type of share taxi popular in the US between 1914 and 1916. Most of the film was made in San Francisco and includes scenes of San Francisco's Golden Gate Park and the large windmills still on the park's west side.

<i>The Pilgrim</i> (1923 film) 1923 film by Charlie Chaplin

The Pilgrim is a 1923 American silent film made by Charlie Chaplin for the First National Film Company, starring Chaplin and Edna Purviance.

<i>The Tramp</i> (film) 1915 film directed by Charlie Chaplin

The Tramp is the sixth film directed by Charlie Chaplin for Essanay Studios, released in 1915. It was Chaplin's fifth and final film produced at Essanay's Niles, California studio. The Tramp marked the emergence of The Tramp character, a role Chaplin had played in earlier films but with a more emotional depth, showing a caring side towards others. The film also stars Edna Purviance as the farmer's daughter and Ernest Van Pelt as Edna's father. The outdoor scenes were filmed on location near Niles.

<i>The Count</i> (film) 1916 short film by Charlie Chaplin

The Count is Charlie Chaplin's fifth film for Mutual Film Corporation in 1916. Released on September 4, it co-starred Eric Campbell and Edna Purviance.

<i>The Rink</i> (film) 1916 film by Charlie Chaplin

The Rink, a silent film from 1916, was Charlie Chaplin's eighth film for Mutual Films. The film co-starred Edna Purviance, Eric Campbell, Henry Bergman, and Albert Austin, and is best known for showcasing Chaplin's roller skating skills. Chaplin's obvious skill on roller skates surprised many of his fans, but Charlie was an experienced performer. As a touring vaudevillian with Fred Karno's pantomime troupe, Chaplin appeared in a roller-skating skit in which he displayed a talent for comedic falls—and the ability to cause other skaters to topple.

<i>The Vagabond</i> (1916 film) 1916 film by Charlie Chaplin

The Vagabond is a 1916 American silent romantic comedy film by Charlie Chaplin and his third film with Mutual Films. Released to theaters on July 10, 1916, it co-starred Edna Purviance, Eric Campbell, Leo White and Lloyd Bacon. This film echoed Chaplin's work on The Tramp, with more drama and pathos mixed in with the comedy.

<i>The Bank</i> (1915 film) 1915 film by Charlie Chaplin

The Bank is a silent slapstick comedy. It was Charlie Chaplin's tenth film for Essanay Films.

<i>Easy Street</i> (1917 film) 1917 film directed by Charlie Chaplin

Easy Street is a 1917 short action-comedy film starring and directed by Charlie Chaplin.

<i>The Adventurer</i> (1917 film) 1917 film by Charlie Chaplin

The Adventurer is an American short comedy film made in 1917 written and directed by Charlie Chaplin, and is the last of the twelve films made under contract for the Mutual Film Corporation.

<i>The Champion</i> (1915 film) 1915 film by Charlie Chaplin

The Champion is a 1915 American silent comedy film released by Essanay Studios, starring Charlie Chaplin alongside Edna Purviance and Leo White. Essanay co-owner and star, Broncho Billy Anderson can be seen as an enthusiastic audience member in the boxing match scene.

<i>The Fireman</i> (1916 film) 1916 film directed by Charlie Chaplin

The Fireman is the second film Charlie Chaplin distributed by the Mutual Film Corporation in 1916. Released on June 12, it starred Chaplin as the fireman and Edna Purviance as the daughter to Lloyd Bacon.

<i>The Cure</i> (1917 film) 1917 film by Charlie Chaplin

The Cure is a 1917 short comedy film written and directed by Charlie Chaplin. The plot revolves around alcohol, being made just prior to prohibition but during a period where the politicians were debating the evils of alcohol.

References

  1. The Celluloid Closet, DVD documentary (1995); Kenneth S. Lynn, Chaplin: His Life and Times (2003).
  2. SilentComedians entry Archived 2014-01-12 at the Wayback Machine