Beware of a Holy Whore

Last updated
Beware of a Holy Whore
Beware of a Holy Whore.jpg
Theatrical release poster
Directed by Rainer Werner Fassbinder
Written by Rainer Werner Fassbinder
Cinematography Michael Ballhaus
Edited byThea Eymèsz
Franz Walsch
Music by Peer Raben
Release dates
Running time
103 minutes
Country West Germany
LanguagesGerman, English, French, Spanish

Beware of a Holy Whore (German : Warnung vor einer heiligen Nutte) is a 1971 West German drama film written and directed by Rainer Werner Fassbinder that features Lou Castel, Eddie Constantine, Hanna Schygulla and Fassbinder himself. Fassbinder considered this to be his favorite of his own films. [2]

Contents

While in a hotel with too much drink, drugs and time, the cast and crew of a film are gradually unravelling as they await the arrival of their director. Semi-autobiographical, the film was influenced by the shooting of the director's earlier Whity in Spain. The film features music from Leonard Cohen's first album Songs of Leonard Cohen and from Spooky Two by Spooky Tooth, among others.

Plot

Beware of a Holy Whore opens with a soliloquy (delivered by Werner Schroeter) about the synopsis of a Disney story featuring Goofy, the dog. Goofy cross-dresses in his aunt's clothes to teach a kindergarten class and, after being ridiculed by the class, takes a "poor orphan girl" into his home. The little girl is actually a dwarf gangster, Wee Willy, and he fools Goofy into caring for him by wearing the clothes that Goofy discarded after being ridiculed by the school children. That night Goofy's house is raided by police and Wee Willy is arrested, revealing the "poor orphan girl's" true identity to Goofy. When Willy's true identity is revealed the confused Goofy says, "What a shock that must have been for the poor little girl when she discovered that she is a crook". In both instances—attempting to teach the kindergarten class and caring for Wee Willy—Goofy is beaten by those for whom he only sought to care. This opening soliloquy alludes to the film's underlying themes of violence, self-blindness, and same-sex and bisexual relationships. [3] The action of the movie then moves to a coastal hotel in Spain where the cast of the film's meta-film "Patria O Muerte" are waiting for production money and the director (Lou Castel) and the star (Eddie Constantine, as himself) to arrive. While waiting for everything the cast engages in sexual intrigues (both same-sex and opposite-sex), slander, and challenging power dynamics amongst themselves. The director then arrives by helicopter and inserts himself in the mix of cast interactions in a draconian manner, flaring the already discordant interactions among the cast. The remainder of the production depicts the mayhem of a movie production wrought with vicissitude and conflicting power dynamics. [4] Fassbinder described the production as “a film about why living and working together as a group doesn’t function, even with people who want it to and for whom the group is life itself”. [5]

Cast

Related Research Articles

<span class="mw-page-title-main">Rainer Werner Fassbinder</span> German filmmaker (1945–1982)

Rainer Werner Fassbinder, sometimes credited as R. W. Fassbinder, was a German filmmaker, dramatist and actor. He is widely regarded as one of the major figures and catalysts of the New German Cinema movement. Versatile and prolific, his over 40 films span a variety of genres, most frequently blending elements of Hollywood melodrama with social criticism and avant-garde techniques. His films, according to him, explored "the exploitability of feelings". His work was deeply rooted in post-war German culture: the aftermath of Nazism, the German economic miracle, and the terror of the Red Army Faction. He worked with a company of actors and technicians who frequently appeared in his projects.

<span class="mw-page-title-main">Romy Schneider</span> Austrian-French actress (1938–1982)

Rosemarie Magdalena Albach, known professionally as Romy Schneider, was a German-French actress. She is regarded as one of the greatest screen actresses of all time and became a cult figure due to her role as Empress Elisabeth of Austria in the Sissi trilogy in the mid-1950s. She later reprised the role in a more mature version in Luchino Visconti's Ludwig (1973). She began her career in the German Heimatfilm genre in the early 1950s when she was 15. Schneider moved to France, where she made successful and critically acclaimed films with some of the most notable film directors of that era. Her performance in That Most Important Thing: Love is regarded as one of the greatest in the history of cinema. Coco Chanel called Romy “the ultimate incarnation of the ideal woman.” Bertrand Tavernier remarked: “Sautet is talking about Mozart with regard to Romy. Me, I want to talk of Verdi, Mahler…”

<i>Irma Vep</i> 1996 film by Olivier Assayas

Irma Vep is a 1996 French comedy-drama film written and directed by Olivier Assayas. Hong Kong actress Maggie Cheung plays a fictionalised version of herself, as disasters result when an unstable French film director attempts to remake Louis Feuillade's classic silent film serial Les Vampires (1915–16). Taking place largely through the eyes of a foreigner (Cheung), it is also a meditation on the state of the French film industry.

<i>The Bitter Tears of Petra von Kant</i> 1972 West German New Wave psychological romantic drama by Rainer Werner Fassbinder

The Bitter Tears of Petra von Kant is a 1972 West German psychological romantic drama film written and directed by Rainer Werner Fassbinder, based on his play of the same name. Featuring an all-female cast, the film takes place entirely in the home of narcissistic fashion designer Petra von Kant, following the changing dynamics in her relationships with other women. The film was entered into the 22nd Berlin International Film Festival. The movie is regarded by many as Fassbinder's magnum opus and a classic of New German Cinema.

Kurt Raab was a West German stage and film actor, as well as a screenwriter and playwright. Raab is best remembered for his work with German film director Rainer Werner Fassbinder, with whom he collaborated on 31 film projects.

<span class="mw-page-title-main">Candy Darling</span> American actress (1944–1974)

Candy Darling was an American transgender actress, best known as a Warhol superstar. She starred in Andy Warhol's films Flesh (1968) and Women in Revolt (1971), and was a muse of the Velvet Underground.

<span class="mw-page-title-main">Eddie Constantine</span> American singer and actor (1913–1993)

Eddie Constantine was an American singer, actor and entertainer who spent most of his career in France. He became well-known to film audiences for his portrayal of secret agent Lemmy Caution and other, similar pulp heroes in French B-movies of the 1950s and 1960s.

<span class="mw-page-title-main">Hanna Schygulla</span> German actress and chanson singer (born 1943)

Hanna Schygulla is a German actress and chanson singer associated with the theater and film director Rainer Werner Fassbinder. She first worked for Fassbinder in 1965 and became an active participant in the New German Cinema. Schygulla won the 1979 Berlin Silver Bear for Best Actress for Fassbinder's The Marriage of Maria Braun, and the 1983 Cannes Film Festival Award for Best Actress for the Marco Ferreri film The Story of Piera.

<span class="mw-page-title-main">Ulli Lommel</span> German actor, film director and screenwriter

Ulli Lommel was a German actor and director, noted for his many collaborations with Rainer Werner Fassbinder and his association with the New German Cinema movement. Lommel spent time at The Factory and was a creative associate of Andy Warhol, with whom he made several films and works of art. He moved to the United States in 1977, where he wrote, directed and starred in over 50 films.

<i>The Marriage of Maria Braun</i> 1979 film by Rainer Werner Fassbinder

The Marriage of Maria Braun is a 1978 West German drama film directed by Rainer Werner Fassbinder. The film stars Hanna Schygulla as Maria, whose marriage to the soldier Hermann remains unfulfilled due to World War II and his post-war imprisonment. Maria adapts to the realities of post-war Germany and becomes the wealthy mistress of an industrialist, all that while staying true to her love for Hermann.

<span class="mw-page-title-main">Werner Schroeter</span> German film director and screenwriter (1945–2010)

Werner Schroeter was a German film director, screenwriter, and opera director known for his stylistic excess. Schroeter was cited by Rainer Werner Fassbinder as an influence both on his own work and on German cinema at large.

<i>Love Is Colder Than Death</i> (film) 1969 film

Love is Colder Than Death is a 1969 West German black-and-white film directed by Rainer Werner Fassbinder, his first feature film. In the original theater presentation in Berlin the title was first Kälter als der Tod; at the beginning of film production, it was Liebe – kälter als der Tod as on some film posters. The cinematographer Dietrich Lohmann and the cast as an ensemble won an award at the German Film Awards in 1970.

<i>Berlin Alexanderplatz</i> (miniseries) German television miniseries

Berlin Alexanderplatz, originally broadcast in 1980, is a 14-part West German crime television miniseries, set in 1920s Berlin and adapted and directed by Rainer Werner Fassbinder from Alfred Döblin's 1929 novel of the same name. It stars Günter Lamprecht, Hanna Schygulla, Barbara Sukowa, Elisabeth Trissenaar and Gottfried John. The complete series is 15 hours.

Supergirl – Das Mädchen von den Sternen is 1971 German TV film directed by Rudolf Thome and written by Max Zihlmann. It has no connection with the comic book character Supergirl. The music was written and played by Patrick Moraz.

<i>The Third Generation</i> (1979 film) 1979 film

The Third Generation is a 1979 West German film, a black comedy about terrorism, written and directed by Rainer Werner Fassbinder. The plot follows an ineffectual cell of underground terrorists who plan to kidnap an industrialist.

<span class="mw-page-title-main">Lou Castel</span> Swedish actor

Lou Castel is a Colombian-born Swedish actor who became internationally known through his work in Italian films, in particular for his costarring role in A Bullet for the General (1967).

<i>Lili Marleen</i> (film) 1980 film

Lili Marleen is a 1981 West German drama film directed by Rainer Werner Fassbinder that stars Hanna Schygulla, Giancarlo Giannini, and Mel Ferrer. Set in the time of the Third Reich, the film recounts the love affair between a German singer who becomes the darling of the nation, based on Lale Andersen, and a Swiss conductor, based on Rolf Liebermann, who is active in saving his fellow Jews. Though the screenplay uses the autobiographical novel Der Himmel hat viele Farben by Lale Andersen, her last husband, Arthur Beul, said the film bears little relation to her real life.

<i>Effi Briest</i> (1974 film) 1974 film

Effi Briest is a 1974 West German black-and-white historical drama film directed, written and narrated by Rainer Werner Fassbinder, and produced by Juliane Lorenz. Fassbinder adapted the screenplay from German author Theodor Fontane's 1894 novel of the same name about a young 19th century woman whose affair with a charismatic womanizer has long-term effects on her marriage to an older man. The film uses Fontane's words in dialogue, narration and text of letters.

Harry Baer is a German actor, producer and author, best known for his work with director Rainer Werner Fassbinder. He has also been credited as Harry Bär.

<i>Gods of the Plague</i> 1970 film

Gods of the Plague is a 1970 West German black-and-white drama film directed by Rainer Werner Fassbinder.

References

  1. "Warnung vor einer heiligen Nutte". Filmportal.de . Retrieved 29 February 2016.
  2. The Anarchy of the Imagination: Interviews, Essays, Notes. Johns Hopkins University Press. October 1992. ISBN   978-0801843693.
  3. "Jim's Reviews - Fassbinder's Beware of a Holy Whore". Jclarkmedia.com. Archived from the original on 6 July 2019. Retrieved 3 September 2018.
  4. Elsaesser, Thomas (3 September 1996). Fassbinder's Germany: History, Identity, Subject. Amsterdam University Press. ISBN   9789053560594 . Retrieved 3 September 2018 via Google Books.
  5. "Fassbinder Diary #3: Beware a Holy Whore - Film Comment". Filmcomment.com. 26 May 2014. Retrieved 3 September 2018.