Chinese Roulette | |
---|---|
Directed by | Rainer Werner Fassbinder |
Written by | Rainer Werner Fassbinder |
Produced by | Michael Fengler Barbet Schroeder |
Starring | Margit Carstensen Ulli Lommel Anna Karina Macha Méril Alexander Allerson |
Cinematography | Michael Ballhaus |
Edited by | Ila von Hasperg |
Music by | Peer Raben |
Release dates |
|
Running time | 86 minutes |
Country | West Germany |
Language | German |
Budget | DEM 1.1m (estimated) [1] |
Chinese Roulette (German : Chinesisches Roulette) is a 1976 West German film written and directed by Rainer Werner Fassbinder. It stars Margit Carstensen, Ulli Lommel, and Anna Karina. [2] The film, a bleak psychological drama, climaxes with a truth-guessing game, which gives the film its title. The plot follows a bourgeois married couple whose infidelities are exposed by their disabled child.
Ariane and Gerhard Christ, a wealthy Munich couple, are packing before going off for the weekend, which each intends to spend abroad. While they are away their twelve-year-old daughter Angela, who is disabled and walks with crutches, has to remain home under the care of her mute governess, Traunitz. Actually, the couple have lied about their travel intentions. Convinced that his wife and daughter will be elsewhere, Gerhard takes his longtime mistress Irene Cartis — a French hairdresser — on a weekend tryst to the family's country house.
The Christ family's rural estate is run by a sinister housekeeper named Kast and her sexually ambiguous son, Gabriel. While Kast, a cruel and cranky old woman, is irritated by her employer's visit, her son Gabriel, a pretentious aspiring writer, is hoping to exploit Gerhard's connections to get his work published. Upon entering the house with his lover Irene, Gerhard runs to the living room only to find Ariane on the floor with her lover Kolbe, Gerhard's assistant. The two couples try to overcome the uncomfortable situation and are able to laugh about the absurdity of it. They all have dinner together and, over coffee, Gabriel is allowed to read from the philosophical book he has written. He is interrupted by the arrival of Angela — who secretly planned this encounter out of hate for her parents' lack of affection — along with Traunitz and a small army of grotesque dolls. Ariane is furious with the antics of her daughter and tries to hit her, but Gerhard does not allow it. Angela is defiant; for their part, the two adulterous couples decide to continue as planned.
Angela tells Gabriel that her parents' infidelities started in response to her disability. Eleven years previously, Angela's illness appeared and her father started his relationship with his mistress. When the doctors declared Angela's condition as hopeless, her mother began an affair with Kolbe. She declares that "In their hearts, they blame me for their messed-up lives." However, Kast dismisses the child's allegation as nonsense. The next morning, Angela goes from room to room to say good morning to her parents, and finds them naked with their respective lovers. During the day, as the adulterous Christs come to terms with their respective infidelities, Angela tries to play them and their lovers off each other.
The stage is set for a night of suspenseful revelation when Angela suggests playing Chinese Roulette, a psychological guessing game, over dinner. In Chinese Roulette, one team tries to guess which one of them the other team is thinking of by asking questions. Angela selects the members of each team. On one side are Gerhardt, Angela, Gabriel and Traunitz; on the other are Ariane, Kast, Irene and Kolbe. Ariane's team asks the questions and Angela's team gives the answers. The game has an edge of cruelty, and the results involve everyone in the chateau.
The deadliest and final question posed is, "What would this person have been in the Third Reich?" Angela's response is that she would have been the commandant of a concentration camp. Kast suggests that the subject of the questions is herself, and the others uncertainly agree with her. Angela contradicts this; the subject is in fact her own mother, Ariane. Enraged by this and by Angela's hysterical laughter, Ariane points her husband's pistol at Angela, then turns and shoots Traunitz. However, this turns out to be only a superficial flesh wound. Irritated by Gabriel, Angela tells him that for the last two years she has known that he has plagiarized every word he has written.
The film ends in mystery as a second shot is heard in the darkened house, but the identity of the shooter and the victim is left to the viewer's imagination.
Chinese Roulette was Fassbinder's first international co-production, and his most expensive film up to that point. [1] It was produced by Michael Fengler's Albatros Production, Les Films du Losange and Tango Films. [1] It was shot during seven weeks between April and June 1976. [1] The location for the country house where the story takes place was actually a small castle at Stöckach in Unterfranken that belonged to Fassbinder's cinematographer, Michael Ballhaus. [1]
The cast is centred around actors from Fassbinder's regular troupe: Margit Carstensen, Brigitte Mira, Volker Spengler and Ulli Lommel. [1] Because it was a French co-production Fassbinder used two French stars: Anna Karina and Macha Méril, both of whom had earlier appeared in the films of Jean-Luc Godard. Fassbinder added another German actor, Alexander Allerson. [1] The bitter disabled daughter is played by Andrea Schober, whom Fassbinder cast earlier in The Merchant of Four Seasons (1972), again as the witness of her parents' infidelities. [3]
A sophisticated and stylish cinematic psychological game, Chinese Roulette was coldly received in West Germany. [4] Criticism centered on the cold intellectualism of the film. [4] American critic Andrew Sarris devoted an entire university course to the analysis of Chinese Roulette. [5]
Rainer Werner Fassbinder, sometimes credited as R. W. Fassbinder, was a German filmmaker, dramatist and actor. He is widely regarded as one of the major figures and catalysts of the New German Cinema movement. Versatile and prolific, his over 40 films span a variety of genres, most frequently blending elements of Hollywood melodrama with social criticism and avant-garde techniques. His films, according to him, explored "the exploitability of feelings". His work was deeply rooted in post-war German culture: the aftermath of Nazism, the German economic miracle, and the terror of the Red Army Faction. He worked with a company of actors and technicians who frequently appeared in his projects.
Anna Karina was a Danish-French film actress, director, writer, model, and singer. She was an early collaborator of French New Wave director Jean-Luc Godard, her first husband, performing in several of his films, including The Little Soldier (1960), A Woman Is a Woman (1961), My Life to Live (1962), Bande à part, Pierrot le Fou (1965), and Alphaville (1965). For her performance in A Woman Is a Woman, Karina won the Silver Bear Award for Best Actress at the Berlin Film Festival.
The Bitter Tears of Petra von Kant is a 1972 West German psychological romantic drama film written and directed by Rainer Werner Fassbinder, based on his play of the same name. Featuring an all-female cast, the film takes place entirely in the home of fashion designer Petra von Kant, following the changing dynamics in her relationships with other women. The film was entered into the 22nd Berlin International Film Festival. It is regarded by many as Fassbinder's magnum opus and a classic of New German Cinema.
Brigitte Mira was a German actress. She worked in both theater and film, and on many occasions, with Rainer Werner Fassbinder.
Ulli Lommel was a German actor and director, noted for his many collaborations with Rainer Werner Fassbinder and his association with the New German Cinema movement. Lommel spent time at The Factory and was a creative associate of Andy Warhol, with whom he made several films and works of art. He moved to the United States in 1977, where he wrote, directed and starred in over 50 films.
Michael Ballhaus, A.S.C. was a German cinematographer. He is known for his work with directors including Rainer Werner Fassbinder, Martin Scorsese, Mike Nichols, James L. Brooks, and Wolfgang Petersen. He was a member of both the Academy of Arts, Berlin, and the American Society of Cinematographers.
Mother Küsters' Trip to Heaven is a 1975 German film written and directed by Rainer Werner Fassbinder. It stars Brigitte Mira, Ingrid Caven, Karlheinz Böhm and Margit Carstensen. The film was shot over 20 days between February and March 1975 in Frankfurt am Main. The film drew on both Sirk-style melodramas and Weimar era workers' films to tell a political coming of age story.
Love is Colder Than Death is a 1969 West German black-and-white film directed by Rainer Werner Fassbinder, his first feature film. In the original theater presentation in Berlin the title was first Kälter als der Tod; at the beginning of film production, it was Liebe – kälter als der Tod as on some film posters. The cinematographer Dietrich Lohmann and the cast as an ensemble won an award at the German Film Awards in 1970.
World on a Wire is a 1973 West German science fiction television serial, starring Klaus Löwitsch and directed by Rainer Werner Fassbinder. Shot in 16 mm, it was made for West German television and originally aired in 1973 in ARD as a two-part miniseries. It was based on the 1964 novel Simulacron-3 by Daniel F. Galouye. An adaptation of the Fassbinder version was presented as the play World of Wires, directed by Jay Scheib, in 2012.
The Third Generation is a 1979 West German film, a black comedy about terrorism, written and directed by Rainer Werner Fassbinder. The plot follows an ineffectual cell of underground terrorists who plan to kidnap an industrialist.
Margit Carstensen was a German theatre and film actress, best known outside Germany for roles in the works of film director Rainer Werner Fassbinder. She appeared in films of directors Christoph Schlingensief and Leander Haußmann and on television in Tatort.
Princess Maria-Magdalena Vladimirovna Gagarina, known by her stage name Macha Méril, is a French actress and writer.
Whity is a 1971 West German film, written and directed by Rainer Werner Fassbinder and starring Günther Kaufmann and Hanna Schygulla. Shot in Spain, it is a melodrama in the form of a Spaghetti Western which addresses some of Fassbinder's recurrent themes such as dysfunctional families, sexual diversity and the struggle of the individual to find a place in society. Though entered into the 21st Berlin International Film Festival, it was never distributed theatrically and only much later achieved a DVD release.
Rosalie Helga Lina Zech, known as Rosel Zech, was a German theater and film actress, she is most well known for her works associated with the "Autorenkino" movement, which began in the 1970s.
The Tenderness of Wolves is a 1973 West German crime drama film directed by Ulli Lommel. The story is based on the crimes of German serial killer and cannibal Fritz Haarmann. It was written by Kurt Raab, who also stars in the film, and produced by Rainer Werner Fassbinder. It was entered into the 23rd Berlin International Film Festival.
Martha is a 1974 drama film made for West German television directed by Rainer Werner Fassbinder. It features Margit Carstensen in the title role with Karlheinz Böhm as her abusive husband. It is one of the earliest of Fassbinder's films to be influenced by the American work of Douglas Sirk. The plot was loosely based on the short story For the Rest of Her Life by Cornell Woolrich.
Satan's Brew is a 1976 German film directed by Rainer Werner Fassbinder.
Alexander Allerson is a German film and television actor.
Fear of Fear is a 1975 West German drama film by Rainer Werner Fassbinder starring Margit Carstensen. Fear of Fear is the fifth film by R. W. Fassbinder for the WDR in cooperation with editor Peter Märthesheimer.
Rainer Werner Fassbinder was a German filmmaker.