"First We Take Manhattan" | ||||
---|---|---|---|---|
Single by Jennifer Warnes | ||||
from the album Famous Blue Raincoat | ||||
B-side | "Famous Blue Raincoat" | |||
Released | 1987 | |||
Recorded | Spring 1986 | |||
Genre | Folk rock | |||
Length | 3:32 | |||
Label | ||||
Songwriter(s) | Leonard Cohen | |||
Producer(s) |
| |||
Jennifer Warnes singles chronology | ||||
|
"First We Take Manhattan" is a song written by Canadian singer-songwriter Leonard Cohen. It was originally recorded by American singer Jennifer Warnes on her 1986 Cohen tribute album Famous Blue Raincoat , which consisted entirely of songs written or co-written by Cohen.
The song's oblique lyrics are suggestive of religious and end time themes, with references to prayer, meaningful birthmarks and signs in the sky. Writing for The Guardian in 2015, Ben Hewitt drew attention to the lyrics' apocalyptic nature, imagining Cohen "greedily eyeing world domination like a Bond villain". [1] Rolling Stone magazine's Mikal Gilmore similarly described the song as a threatening vision of "social collapse and a terrorist's revenge". [2] The Daily Telegraph 's Robert Sandall likewise observed the prophetic character of the song, but emphasized the song's political statement, placing it in the context of the last days of the Soviet Union. [3]
Cohen explained himself in a backstage interview at 1988: [4] "I think it means exactly what it says. It is a terrorist song. I think it's a response to terrorism. There's something about terrorism that I've always admired. The fact that there are no alibis or no compromises. That position is always very attractive. I don't like it when it's manifested on the physical plane – I don't really enjoy the terrorist activities – but Psychic Terrorism. I remember there was a great poem by Irving Layton that I once read, I'll give you a paraphrase of it. It was 'well, you guys blow up an occasional airline and kill a few children here and there', he says. 'But our terrorists, Jesus, Freud, Marx, Einstein. The whole world is still quaking.'"
Cohen may have been referring to this stanza from "The Search" by Irving Layton. [5]
Warnes' original recording is notable for the distinctive driving lead guitar played by Stevie Ray Vaughan. Producer Roscoe Beck was from Austin, Texas and friends with Vaughan. In late February 1986, at the annual Grammy Awards in Los Angeles, Beck asked Vaughan to record the guitar for the song. In a 2007 interview, Beck recalls that Vaughan did not have his guitar or amp with him, and used one of Beck's old Strats instead. After working on a few technical problems, the finished recording was achieved after two or three takes. [6] According to Jennifer Warnes' official site, Vaughan finished recording his takes at 4:00 a.m. [7]
The music video for Warnes' version of "First We Take Manhattan" was directed by Paula Walker. Filmed in New York City, the video features Stevie Ray Vaughan playing his weathered "Number One" guitar (with its distinctive "SRV" logo) on the Brooklyn Bridge. Cohen also appears with Warnes in the video. The 20th anniversary edition of the music video contains a German intro about the West Berlin discotheque bombing. [8]
The album version of the song is 3:47 in length, whereas the single is 3:32 long. A promotional 12-inch single version, entitled "Jennifer Warnes — First We Take Manhattan, Radio Remix — featuring Stevie Ray Vaughan", contained extended and edited versions.
"First We Take Manhattan" | ||||
---|---|---|---|---|
Single by Leonard Cohen | ||||
from the album I'm Your Man | ||||
Released | February 1988 | |||
Recorded | 1987 | |||
Genre | Synth-pop | |||
Length | 5:56 | |||
Label | Columbia | |||
Songwriter(s) | Leonard Cohen | |||
Producer(s) | Leonard Cohen | |||
Leonard Cohen singles chronology | ||||
| ||||
Music video | ||||
"First We Take Manhattan" on YouTube |
Leonard Cohen's own synth-pop [9] version of "First We Take Manhattan" (with additional verses) was released in 1988 as the first track on his eighth studio album I'm Your Man . Cohen's then-girlfriend, Dominique Issermann, shot a black and white promotional video for Cohen's version of the track.
On his 1988 tour, instead of the original, Euro-disco-influenced arrangement of his studio version, Cohen introduced the new, funk-influenced arrangement, suggested by his backing singers Perla Batalla and Julie Christensen. He continued to perform the song this way in 1993, 2008 and 2009 tours.
Cohen's studio recording plays over the closing credits of the 2009 film Watchmen .
The song has been covered dozens of times. Most notably, R.E.M. contributed a cover for the Cohen tribute album I'm Your Fan (1991). Their presence on the compilation led to a re-arranging of the I'm Your Fan track list. In the US release of the tribute, R.E.M.'s cover appeared as the first track, rather than House of Love's "Who by Fire" which was the starting track in all other countries. The song also appeared as a B-side on some versions of the single "Drive".
Joe Cocker covered "First We Take Manhattan" on his 1999 album No Ordinary World .
Chart (1987) | Peak position |
---|---|
Australia (Kent Music Report) [10] | 32 |
Canadian Hot 100 | 43 |
Canadian Hot Adult Contemporary Tracks | 6 |
UK Singles Chart [11] | 74 |
US Billboard Hot Adult Contemporary Tracks | 29 |
Chart (1992) | Peak position |
---|---|
US Billboard Alternative Songs [12] | 11 |
Jennifer Jean Warnes is an American singer and songwriter who has performed as a vocalist on a number of film soundtracks. She has won two Grammy Awards, in 1983 for the Joe Cocker duet "Up Where We Belong" and in 1987 for the Bill Medley duet "(I've Had) The Time of My Life". Warnes also collaborated closely with Leonard Cohen.
Stephen Ray Vaughan was an American musician, best known as the guitarist and frontman of the blues rock trio Stevie Ray Vaughan and Double Trouble. Although his mainstream career spanned only seven years, he is regarded as one of the most influential musicians in the history of blues music, and one of the greatest guitarists of all time. He was the younger brother of guitarist Jimmie Vaughan.
Texas Flood is the debut studio album by the American blues rock band Stevie Ray Vaughan and Double Trouble, released on June 13, 1983, by Epic Records. The album was named after a cover song featured on the album, "Texas Flood", which was first recorded by blues singer Larry Davis in 1958. Produced by the band and recording engineer Richard Mullen, Texas Flood was recorded in the space of three days at Jackson Browne's personal recording studio in Los Angeles. Vaughan wrote six of the album's ten tracks.
In Step is the fourth studio album by Stevie Ray Vaughan and Double Trouble, released in 1989. The title In Step can be seen as referring to Vaughan's new-found sobriety, following the years of drug and alcohol use that eventually led Vaughan into rehabilitation. It was also Vaughan's final album with Double Trouble and the last album to be released during his lifetime. In 1990, he recorded an album with his brother, Jimmie Vaughan, called Family Style; later that same year, Stevie Ray Vaughan died in a helicopter crash.
Soul to Soul is the third studio album by American blues rock band Stevie Ray Vaughan and Double Trouble released on September 30, 1985, by Epic Records. Recording sessions took place between March and May 1985 at the Dallas Sound Lab in Dallas, Texas. Vaughan wrote four of Soul to Soul's ten tracks; two songs were released as singles. The album went to #34 on the Billboard 200 chart and the music video for "Change It" received regular rotation on MTV. In 1999, a reissue of the album was released, which includes an audio interview segment and two studio outtakes.
Dear Heather is the 11th studio album by Canadian singer-songwriter Leonard Cohen, released by Columbia Records in 2004. It was dedicated "in memory of Jack McClelland 1922-2004."
Recent Songs is the sixth studio album by Leonard Cohen, released in 1979. Produced by Cohen alongside Henry Lewy, it was a return to his normal acoustic folk music sound after the Phil Spector-driven experimentation of Death of a Ladies' Man, but now with many jazz and Oriental influences.
I'm Your Man is the eighth studio album by Canadian singer Leonard Cohen, released on February 2, 1988, by Columbia Records. The album marked Cohen's further move to a more modern sound, with many songs having a synthesizer-oriented production. It soon became the most successful studio album which Cohen had released in the US, and it reached number one in several European countries, transforming Cohen into a best-selling artist.
I'm Your Fan: The Songs of Leonard Cohen is a tribute album to Leonard Cohen, released in 1991, produced by the French music magazine Les Inrockuptibles. The album features Cohen's songs interpreted by some of the most respected rock acts of the time. Its name is a play on the title of Cohen's album I'm Your Man.
Field Commander Cohen: Tour of 1979 is a live album by Leonard Cohen, released in 2001. Songs were recorded live at the Hammersmith Odeon, London, on 4, 5, and December 6, 1979, and at the Dome Theatre, Brighton, on December 15, 1979. Cohen considered it his "best tour ever".
Famous Blue Raincoat: The Songs of Leonard Cohen is the sixth studio album recorded by the American singer Jennifer Warnes. It debuted on the Billboard 200 on February 14, 1987, and peaked at No. 72 in the US Billboard chart, No.33 in the UK albums chart, and No.8 in Canada. Originally released by Cypress Records, it was reissued by Private Music after Cypress went out of business. It is the only Jennifer Warnes album to make the UK albums chart.
"Love Struck Baby" is a blues rock song performed by Stevie Ray Vaughan and Double Trouble. Vaughan wrote the song about the night that he moved in with his then-wife, Lenny. The track was produced by Vaughan for the band's debut album Texas Flood, recorded in Los Angeles. "Love Struck Baby" was the first single from Texas Flood, released by Epic Records in the United States and United Kingdom. In the song's accompanying music video, bassist Tommy Shannon and drummer Chris Layton are shown relaxing at a bar before Vaughan enters and starts performing the song for a crowd. "Love Struck Baby" was a concert favorite for fans of the band; Vaughan would frequently play the guitar behind his head for part of the solo.
"Pride and Joy" is a song by American singer, guitarist and songwriter Stevie Ray Vaughan and his backing band Double Trouble, released in late 1983 by Epic Records. It lists Vaughan as the writer, but actually it is rewritten from a 1962 record called "I Go Into Orbit" by Johnny Acey. The song was released on Stevie's debut studio album Texas Flood (1983). "Pride and Joy" was released as Vaughan's debut single and has become one of his most popular songs.
The Sky Is Crying is the fifth and final studio album by Stevie Ray Vaughan and Double Trouble, compiling songs recorded throughout most of their career. Released 14 months after Vaughan's death in 1990, the album features ten previously unreleased tracks recorded between 1984 and 1989. Only one title, "Empty Arms", appeared on any of the group's previous albums. The tracks were compiled by Vaughan's brother, Jimmie Vaughan, and was Vaughan's highest charting album at number 10.
"Hide Away" or "Hideaway" is a blues guitar instrumental that has become "a standard for countless blues and rock musicians performing today". First recorded in 1960 by Freddie King, the song became a hit on the record charts. It has been interpreted and recorded by numerous blues and other musicians and has been recognized by the Rock and Roll Hall of Fame and the Grammy Hall of Fame.
Charles Roscoe Beck is an American bassist with a reputation as "a solid bottom-liner". Beck has played with artists like Robben Ford, Eric Johnson, Leonard Cohen, and The Dixie Chicks. He is also a successful record producer with two Grammy Award nominations.
Stevie Ray Vaughan was an American blues rock guitarist, singer, and songwriter, and the frontman for the band Double Trouble. He is often regarded as one of the greatest guitarists and blues musicians of all time. During his career, he released four studio albums, one live album, and several singles.
The Fire Meets the Fury Tour is a 1989 concert tour co-headlined by Stevie Ray Vaughan and Jeff Beck. Epic Records paired the two guitarists together for a 29-day concert tour starting in Minneapolis, Minnesota. This tour was the third leg of the Stevie Ray Vaughan and Double Trouble In Step Tour. In addition to being one of the highest-grossing concert tours of 1989, The Fire Meets the Fury Tour won the Pollstar magazine award for most creative tour package of the year.
Live at Montreux 1982 & 1985 is the fourth live album of American blues musician Stevie Ray Vaughan and his band Double Trouble, recorded at the Montreux Jazz Festival on July 17, 1982 and July 15, 1985, and released November 20, 2001 on Epic Records. Neither are complete concerts.
Thanks for the Dance is the fifteenth and final studio album by Canadian singer-songwriter Leonard Cohen, released posthumously through Columbia Records and Legacy Recordings on November 22, 2019. It is the first release following Cohen's death in November 2016, and includes contributions from various musicians, such as Daniel Lanois, Beck, Jennifer Warnes, Damien Rice and Leslie Feist. The song "The Goal" was released with the announcement of the album, on September 20, 2019.