Michael Edward Mills (born December 17, 1958) is an American multi-instrumentalist, singer, and composer who was a founding member of the alternative rock band R.E.M.[2] Though known primarily as the bass guitarist and backing vocalist of R.E.M., his musical repertoire also includes keyboards, guitar and occasional lead vocals. He contributed to a majority of the band's musical compositions and is the only member to have had formal musical training.
Michael Edward Mills was born to Frank and Adora Mills in Orange County, California, where his father was stationed in the Marines. While his father was away, six-month-old Mills, with his mother and grandmother, moved to Atlanta, Georgia, where he lived for around ten years. The family moved to Macon, Georgia, in 1971.[3] It was there that Mills met future R.E.M. bandmate Bill Berry when they attended high school.[4][5] The duo started out in bands together. Early projects included the band Shadowfax, later called The Back Door Band.[5] Berry kept his drum kit in the basement of Mills's parents' house, and Mills dabbled with it. "We had a turntable next to it, so we would put it on," explained Mills. "I only had three records at that point. I had A Night at the Opera by Queen, Tres Hombres by ZZ Top, and I don't remember the third one." At high school, he began playing bass because he enjoyed experiencing the wooden bleachers vibrate from the sound of the bass in the school's jazz band. He borrowed two bass guitars from his mother's chiropractor, one being a Fender and the other a Gibson EB-2. After giving those back, he used the school's jazz bass for a long time. He played in the school's jazz band, which meant (per the school's rules) that he also had to play in the school's classical band and their marching band.[6]
Records Mills regularly listened to during high school include Suitable for Framing by Three Dog Night (his favorite band for a long time), Summer Breeze by Seals and Crofts and You Don't Mess Around with Jim by Jim Croce. Via his transistor radio, he listened to WNEX-FM, the only top-40 station available in Macon. "Loved it. I listened to everything because they would play everything. You'd get Motown, you'd get the Beach Boys, you'd get British Invasion." Being in the American South, he was also exposed to white gospel music on Sunday-morning television's SouthernGospel Jubilee. "You'd get the white gospel, and you could find some black gospel. Country music was everywhere. My parents were into classical music, and my dad was into jazz. So I was just surrounded by everything." Mills's mother played acoustic guitar.[7]
Mills and Berry sold most of their musical equipment and moved to Athens, Georgia, together. Upon arriving, they bought their equipment back, having been turned onto punk music by Ian Copeland,[8] who Berry worked with at Paragon Booking Agency in Macon.[9] Mills attended the University of Georgia, where R.E.M. was formed.[10]
Mills has written and performed with friends on various projects during his time with the band and since.[13] In 1990 he wrote music for Howard Libov's short film Men Will Be Boys.[14] That same year, he recorded with Warren Zevon together with Buck and Berry as the Hindu Love Gods.[14]
Mills performs as part of singer-songwriter Joseph Arthur's band.[17] On April 3, 2014, while performing with Arthur, Mills broke the news that David Letterman would be retiring in 2015.[18] Nine years later, Mills said: "I spoke to Dave about it later and he said, 'No, it was fine. If somebody was going to do it, I'd rather it be you.' And I said, 'Well, thank you.' It was quite a moment to hear him say that sitting there in the dressing room."[19] Mills took a band self-portrait that he posted to Instagram[20] and did a short interview about "breaking" the story.[21]
Since 2010, Mills has played with a rotating group of musicians for a series of concerts built around Big Star's album Third/Sister Lovers. Known as Big Star's Third, the concerts have taken place in London, Sydney, Chicago, Seattle, Los Angeles, and New York.[22] A longtime Big Star fan, Mills wrote the liner notes for the 2014 reissue of the band's first two releases, 1972's #1 Record and 1974's Radio City.[23]
In 2016, he toured to support a Concerto for Violin, Rock Band, and String Orchestra with childhood friend Robert McDuffie,[24] along with guitar players William Tonks and John Neff.[25] The tour resumed in 2022.[26]
In 2023, a mushroom species of the genus Pluteus, Pluteus millsii Justo, Borovička, Grootmyers, Kalichman and S.D. Russell, was named in his honor.[27]
Musical style
Mills' melodic approach to bass playing is inspired by Paul McCartney of the Beatles and Chris Squire of Yes; Mills has said, "I always played a melodic bass, like a piano bass in some ways ... I never wanted to play the traditional locked into the kick drum, root note bass work."[28] Mills has more musical training than his bandmates, which he has said "made it easier to turn abstract musical ideas into reality."[29] He began taking piano lessons at age 14.[30]
During R.E.M.'s career, Mills often harmonized with Michael Stipe in songs; in the chorus for "Stand", Mills and Stipe alternate singing lyrics, creating a dialogue.[31] "My voice is the culmination of a lifetime of enjoying harmony," Mills explained in 2023. "When I was a kid singing in the church choir, I was always finding harmony. I usually got the tenor part. I grew up around music. There was always music in the house. So when R.E.M. started playing, I sang. Our approach was that my voice and Michael's voice were extra instruments. It wasn't about a lead vocal and a backing vocal and a harmony vocal. It was just more melody and more instrumentation to add to the mix."[32]
Equipment
Regarding his best bass sound in R.E.M.'s catalog, Mills said: "I'm not a gearhead, and I don't always think about it in those terms. The Rick I had for the first couple of records was cool; it sounded alright. The trouble with the Rick was that when the pickups went out, the replacement pickups sucked. Rickenbacker's replacement pickups all sucked, so I had to quit playing their bass. I went through this series of Ibanez and various different things. I ended up with a Guild Pilot for the '89 tour. Which sounded fine; it was cool. It might even be on [Green]; I can't remember. I finally broke down. I didn't want to play a [ Fender Precision] bass because everybody played one, but then I thought, 'There's a reason everybody plays one.' They're the best basses, especially for bigger halls."[33]
1984– Hindu Love Gods– "Gonna Have a Good Time Tonight"/"Narrator".
1985– Full Time Men– Full Time Men, organ on "One More Time"
1987– Warren Zevon– Sentimental Hygiene on "Sentimental Hygiene", "Boom Boom Mancini", "The Factory", "Trouble Waiting to Happen", "Detox Mansion", "Bad Karma", "Even a Dog Can Shake Hands", and "The Heartache"
Mills is an avid fantasy sports player, with interest in NFL, NBA, and PGA teams, among others.[39] He is also a fan of his alma mater's football team, the Georgia Bulldogs.
Murmur is the debut studio album by American alternative rock band R.E.M., released on April 12, 1983, by I.R.S. Records. The album was recorded at Reflection Studios in Charlotte, North Carolina, with musicians Don Dixon and Mitch Easter serving as producers. Murmur drew critical acclaim upon its release for its unusual sound, defined by lead singer Michael Stipe's cryptic lyrics, guitarist Peter Buck's jangly guitar style, and bass guitarist Mike Mills's melodic basslines. In 2003, the album was ranked number 197 in Rolling Stone magazine's list of the "500 Greatest Albums of All Time". It retained the position in the 2012 list and was raised to number 165 in the 2020 revision.
William Thomas Berry is an American musician who was the drummer for the alternative rock band R.E.M. Although best known for his economical drumming style, Berry also played other instruments, including guitar, bass guitar and piano, both for songwriting and on R.E.M. albums. In 1995, Berry suffered a cerebral aneurysm onstage and collapsed. After a successful recovery he left the music industry two years later to become a farmer, and has since maintained a low profile, making sporadic reunions with R.E.M. and appearing on other artists' recordings. His departure made him the only member of the band to not remain with them during their entire run. Berry eventually returned to the industry in 2022.
Automatic for the People is the eighth studio album by American alternative rock band R.E.M., released on October5, 1992, in the United Kingdom and Europe, and on the following day in the United States, by Warner Bros. Records. R.E.M. began production on the album while their previous album, Out of Time (1991), was still ascending charts and achieving global success. Aided by strings arranged by John Paul Jones and conducted by George Hanson, Automatic for the People features ruminations on mortality, loss, mourning, and nostalgia.
"Losing My Religion" is a song by the American alternative rock band R.E.M., released in February 1991 by Warner Bros. as the first single from their seventh album, Out of Time (1991). It developed from a mandolin riff improvised by the guitarist, Peter Buck, with lyrics about unrequited love.
Monster is the ninth studio album by American rock band R.E.M., released by Warner Bros. Records in the UK on September 26, 1994, and in the US the following day. It was produced by the band and Scott Litt and recorded at four studios. The album was an intentional shift from the style of their previous two albums, Out of Time (1991) and Automatic for the People (1992), by introducing loud, distorted guitar tones and simple lyrics.
Reckoning is the second studio album by American alternative rock band R.E.M., released on April 9, 1984, by I.R.S. Records. Produced by Mitch Easter and Don Dixon, the album was recorded at Reflection Sound Studio in Charlotte, North Carolina, over 16 days in December 1983 and January 1984. Dixon and Easter intended to capture the sound of R.E.M.'s live performances, and used binaural recording on several tracks. Lead singer Michael Stipe dealt with darker subject matter in his lyrics, with water-related imagery being a recurring theme on the album.
Up is the eleventh studio album by American rock band R.E.M. It was released on October 26, 1998, through Warner Bros. Records. The album was the band's first without drummer and founding member Bill Berry, who retired from the band in October 1997. In his place, R.E.M. used session drummers such as Joey Waronker and Barrett Martin while also utilizing drum machines. The album was produced by Pat McCarthy, making it R.E.M.'s first album since Lifes Rich Pageant (1986) not to be produced by Scott Litt.
Around the Sun is the thirteenth studio album by American alternative rock band R.E.M., released on October 5, 2004 on Warner Bros. Records. The album was supported by several singles and a world tour. It was commercially successful but received mixed reception and is often considered the weakest in the band's catalogue.
"Nightswimming" is a song by American alternative rock band R.E.M., released in July 1993 by Warner Bros. as the fifth single from the band's eighth album, Automatic for the People (1992). The song is a ballad featuring singer Michael Stipe accompanied only by bassist Mike Mills on piano, a string arrangement by former Led Zeppelin bassist John Paul Jones, and oboe by Deborah Workman in the latter part of the piece. Mills wrote the music and Stipe the lyrics of the song, but it is credited to the entire band. Stipe sings about a group of friends who go skinny dipping at night, which draws from similar experiences in the band's early days. The music video for the song was directed by Jem Cohen.
"Shiny Happy People" is a song by the American rock band R.E.M., released as the second single from their seventh studio album, Out of Time (1991). It features guest vocals by Kate Pierson of the B-52's, who also appears in the music video.
"Electrolite" is a song by American rock band R.E.M., released as the closing track from their tenth studio album, New Adventures in Hi-Fi (1996), and as the album's third single later that year. The song is a piano-based ballad dedicated to Hollywood and the closing twentieth century. Frontman Michael Stipe initially objected to including the song on the album, but was convinced by his bandmates Peter Buck and Mike Mills.
"Radio Free Europe" is the debut single by American alternative rock band R.E.M., released in 1981 on the short-lived independent record label Hib-Tone. The song features "what were to become the trademark unintelligible lyrics which [sic] have distinguished R.E.M.'s work ever since." The single received critical acclaim, and its success earned the band a record deal with I.R.S. Records. R.E.M. re-recorded the song for their 1983 debut album Murmur. The re-recording for I.R.S. became the group's first charting single, peaking at number 78 on the Billboard Hot 100 chart. The song is ranked number 389 in Rolling Stone's 500 Greatest Songs of All Time. In 2009, it was added to the Library of Congress's National Recording Registry for setting "the pattern for later indie rock releases by breaking through on college radio in the face of mainstream radio's general indifference."
"Near Wild Heaven" is a song by American rock band R.E.M., released in August 1991 as the third single from their seventh studio album, Out of Time (1991). The song was also the first single released by the band to have had its lyrics both co-written and sung by bassist Mike Mills. According to a quote from Peter Buck in R.E.M. Inside Out: The Stories Behind Every Song by Craig Rosen, the lyrics are a collaboration between Mills and lead singer Michael Stipe. It peaked at No. 27 on the UK Singles Chart but the single was not released in the United States. Mike Mills had written the lyrics to the single "(Don't Go Back To) Rockville", and he had sung the cover song "Superman", but he had not sung his own work on a released-as-a-single recording.
"Texarkana" is a song from R.E.M.'s studio album Out of Time. Though not released as an official single, it managed to chart at number 4 on the Modern Rock Tracks chart and number 6 on the Mainstream Rock Tracks chart. This song was written, musically and lyrically, by bassist Mike Mills, as vocalist Michael Stipe had been having problems for weeks trying to come up with lyrics for it. As a result, Mills also sang lead vocals.
Athens Andover is a collaborative album between the Troggs and what was then three-quarters of R.E.M. Released in March 1992, the name of the album is derived from the hometowns of the two bands: Andover, Hampshire, in England, and Athens, Georgia, in the United States.
R.E.M. was an American alternative rock band formed in Athens, Georgia, in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style; Stipe's distinctive vocal quality, unique stage presence, and obscure lyrics; Mills's melodic bass lines and backing vocals; and Berry's tight, economical drumming style. In the early 1990s, other alternative rock acts such as Nirvana, Pixies and Pavement viewed R.E.M. as a pioneer of the genre. After Berry left in 1997, the band continued with mixed critical and commercial success. The band broke up amicably in 2011, having sold more than 90 million albums worldwide and becoming one of the world's best-selling music acts.
Unplugged: The Complete 1991 and 2001 Sessions is a 2014 live album from alternative rock band R.E.M., released initially on vinyl recordings through Rhino Records for Record Store Day, and later made available on compact disc and digitally. The album is composed of two performances that the band made on the U.S. television show MTV Unplugged. Among the album's 33 tracks are 11 performances which were not aired on either broadcast. To promote the album, Mike Mills signed copies at independent record store Bull Moose in Scarborough, Maine. Video of the concerts was released later that year on REMTV.
Green is the sixth studio album by American rock band R.E.M., released on November 7, 1988, by Warner Bros. Records. The second album to be produced by the band and Scott Litt, it continued to explore political issues both in its lyrics and packaging. The band experimented on the album, writing major-key rock songs and incorporating new instruments into their sound including the mandolin, as well as switching their original instruments on other songs.
Live at the Borderline 1991 is a 2019 live album released for Record Store Day on April13. The recording features alternative rock band R.E.M. performing under the pseudonym Bingo Hand Job at a 1991 surprise gig around the release of Out of Time.
Paragon Booking Agency was a musical talent management company based in Macon, Georgia, United States. It was one of the largest booking agencies in the Southeast. In the late 1970s, Ian Copeland, a music promoter, and Bill Berry, future member of R.E.M., worked for the company.
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