New Adventures in Hi-Fi | ||||
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Studio album by | ||||
Released | September 9, 1996 | |||
Recorded | 1995–1996 | |||
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Length | 65:33 | |||
Label | Warner Bros. | |||
Producer |
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R.E.M. chronology | ||||
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Singles from New Adventures in Hi-Fi | ||||
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Special Edition | ||||
New Adventures in Hi-Fi is the tenth studio album by the American alternative rock band R.E.M. It was their fifth major-label release for Warner Bros. Records,released on September 9,1996,in Europe and Australia,and the following day in the United States. New Adventures in Hi-Fi was the band's final album recorded with founding drummer Bill Berry (who left the band amicably the following year),original manager Jefferson Holt,and long-time producer Scott Litt. The members of R.E.M. consider the recorded album representative of the band at their peak, [4] and fans generally regard it as the band's last great record before a perceived artistic decline during the late 1990s and early 2000s. [5] It has sold around seven million units,growing in cult status years after its release,with several retrospectives ranking it among the best of the band's recorded catalogue. [6]
The album was recorded during and after the 1995 tour in support of Monster . The material on the album mixed the acoustic,country rock feel of much of Out of Time and Automatic for the People with the rock sound of Monster and Lifes Rich Pageant . [7] The band has cited Neil Young's 1973 album Time Fades Away as a source of inspiration. [8] The album has been labeled as "folk rock-jangle" by critic Robert Christgau. [9]
In an interview with Mojo ,bassist Mike Mills said:
We got into the studio feeling very happy and relieved that everyone was okay, especially [drummer] Bill. It brought us all much closer and made us realize how important we are to each other. Once we'd been through a crisis like that [Berry's collapse from a brain aneurysm on tour], making a record was a piece of cake. We discussed making an album of on-the-road stuff a year and a half before we went on the Monster tour. We wanted to get some of the looseness and spontaneity of a soundcheck, live show or dressing room. We used all the good songs. 'Revolution' – a song we did live – didn't make it onto this record, just like it didn't make it onto Monster [the song instead appeared on 1997's Batman & Robin soundtrack]... It usually takes a good few years for me to decide where an album stands in the pantheon of recorded work we've done. This one may be third behind Murmur and Automatic for the People . [5]
The band noted that they borrowed the recording process for the album from Radiohead, who had recorded some of the basic tracks for The Bends while on tour and who supported the band in 1994 and 1995. R.E.M. took eight-track recorders to capture their live performances, and used the recordings as the base elements for the album. As such, the band's touring musicians Nathan December and Scott McCaughey are featured throughout, with Andy Carlson contributing violin to "Electrolite".
After the tour was over, the band went into Seattle's Bad Animals Studio and recorded four additional tracks: "How the West Was Won and Where It Got Us", "E-Bow the Letter", "Be Mine" and "New Test Leper". Patti Smith came to the sessions and contributed vocals on "E-Bow the Letter". Audio mixing was finished at John Keane Studio in Athens and Louie's Clubhouse in Los Angeles with mastering by Bob Ludwig at Gateway Mastering in Portland, Maine.
In part due to the nature of the recording process, several of the songs are about travel and motion—including "Departure", "Leave" and "Low Desert". The album's liner notes contain pictures from the road and the deluxe edition of the album is a hardcover book in a slipcase featuring more photographs of R.E.M.'s tour.
Review scores | |
---|---|
Source | Rating |
AllMusic | [10] |
Christgau's Consumer Guide | A− [9] |
Entertainment Weekly | A [11] |
The Guardian | [12] |
Los Angeles Times | [13] |
NME | 8/10 [14] |
Pitchfork | 9.5/10 [15] |
Q | [16] |
Rolling Stone | [17] |
Spin | 6/10 [18] |
Critical reaction to the album was mostly extremely positive. Several publications lauded the album for its rich diversity, including Rolling Stone , which said "The sequence of songs and the range of emotions on New Adventures convey a narrative that has all the dynamics and contradictions of life itself." [17] Q and Mojo also gave positive reviews. At the same time, however, Melody Maker criticized the album's empty and flat sound caused by recording in arenas and soundchecks. [19]
Stephen Thomas Erlewine of AllMusic said, "New Adventures in Hi-Fi feels like it was recorded on the road. Not only are all of Michael Stipe's lyrics on the album about moving or travel, the sound is ragged and varied, pieced together from tapes recorded at shows, soundtracks, and studios, giving it a loose, careening charm." and concluded "In its multifaceted sprawl, [R.E.M.] wound up with one of their best records of the '90s." [10] In a 2017 retrospective on the band, Consequence of Sound ranked it third out of R.E.M.'s 15 full-length studio albums. [6]
New Adventures in Hi-Fi is frontman Michael Stipe's favorite R.E.M. album, and he considers it the band at their peak. [4] Radiohead singer Thom Yorke, who has cited R.E.M. as a major influence, called it his favorite R.E.M. album and "Electrolite" the band's greatest song. [20] Jeremy Bifras of BrooklynVegan called the album "an experimental masterpiece." [21]
New Adventures in Hi-Fi has since appeared on several lists compiling the best albums of the 1990s or all time: Magnet listed the album at #20 on its list of the "Top 60 Albums 1993–2003", [22] and Mojo also listed the album at #20 on a list of "The 100 Greatest Albums of Our Lifetime 1993–2006".
It was voted #186 in Colin Larkin's All Time Top 1000 Albums (3rd Edition, 2000). [23] It was also featured on several year-end best-of lists for 1996:
All songs written by Bill Berry, Peter Buck, Mike Mills and Michael Stipe.
The Hi Side
The Fi Side
Unlike most R.E.M. albums, this vinyl release did not have custom side names; instead, it was released as a double album. Record one has tracks 1–6 (three songs per side) and record two has tracks 7–14 (four songs per side). The tape release maintained the custom side names: the first side was called the "Hi-side" and the second side was called the "Fi-side."
"How the West Was Won and Where It Got Us"
"The Wake-Up Bomb"
"New Test Leper"
"Undertow"
"E-Bow the Letter"
"Leave"
"Departure"
"Bittersweet Me"
"Be Mine"
"Binky the Doormat"
"Zither"
"So Fast, So Numb"
"Electrolite"
Technical personnel
While New Adventures in Hi-Fi began the band's sales decline in the United States, it topped the charts in over a dozen countries and reached #1 on the Top European Albums for five consecutive weeks. [24] The album peaked at #2 on the U.S. Billboard 200 and spent 22 weeks on chart. According to Nielsen SoundScan, it has sold 994,000 units in the U.S. as of March 2007. [25] [26] [27] The first single, "E-Bow the Letter", received only modest radio airplay in the U.S. and peaked at #49 on its charts. [28] In the UK, however, the single became the band's biggest hit at that point, reaching #4.
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Austria (IFPI Austria) [62] | Gold | 25,000* |
Belgium (BEA) [63] | Gold | 25,000* |
Canada (Music Canada) [64] | 2× Platinum | 200,000^ |
Germany (BVMI) [65] | Gold | 250,000^ |
New Zealand (RMNZ) [66] | Platinum | 15,000^ |
Norway (IFPI Norway) [67] | Gold | 25,000* |
Spain (PROMUSICAE) [68] | Gold | 50,000^ |
Sweden (GLF) [69] | Gold | 40,000^ |
Switzerland (IFPI Switzerland) [70] | Gold | 25,000^ |
United Kingdom (BPI) [71] | Platinum | 350,000 [72] |
United States (RIAA) [73] | Platinum | 994,000 [27] |
Summaries | ||
Europe (IFPI) [74] | Platinum | 1,000,000* |
* Sales figures based on certification alone. |
Like all R.E.M. albums since 1988's Green , New Adventures in Hi-Fi was released in a limited-edition packaging. This one contained a 64-page hardcover book designed by Chris Bilheimer and featuring photos from the Monster tour. In 2005, Warner Brothers Records issued an expanded two-disc edition of the album which included a CD, a DVD-Audio disc containing a new audio mix of the album (in 5.1-channel surround sound, high resolution, AC3, Dolby Stereo, and DTS 5.1) done by Elliot Scheiner and the original CD booklet with expanded liner notes. In addition, the DVD includes a video documentary, lyrics, and a photo gallery.
As with the prior albums, a 25th-anniversary edition was announced in August 2021 for an October release date. The edition includes a remastered album, B-sides from the album and a Blu-ray with previously unreleased promotional materials. [75] Due to issues related to the 2021 global supply chain crisis, all CD variations of the remastered reissue were delayed to mid-November 2021. [76]
Region | Date | Label | Format | Catalog |
---|---|---|---|---|
Worldwide | September 9, 1996 | Warner Bros. | Compact disc, cassette tape, double LP | 46320 |
United States | September 10, 1996 | Warner Bros. | Compact disc, cassette, 2LP | 46320 |
United States | September 10, 1996 | Warner Bros. | Limited-edition compact disc | 46321 |
Worldwide | March 1, 2005 | Warner Bros. | Compact disc and DVD-Audio | 73950 |
Worldwide | October 29, 2021 | Craft Recordings | 2LP | CR00438 |
November 5, 2021 | 2CD | CR00440 | ||
November 12, 2021 | 2CD/1 Blu-ray/book | CR00439 |
Automatic for the People is the eighth studio album by the American alternative rock band R.E.M., released on October 5, 1992, in the United Kingdom and Europe, and on the following day in the United States, by Warner Bros. Records. R.E.M. began production on the album while their previous album, Out of Time (1991), was still ascending charts and achieving global success. Aided by strings arranged by John Paul Jones and conducted by George Hanson, Automatic for the People features ruminations on mortality, loss, mourning, and nostalgia.
Monster is the ninth studio album by American rock band R.E.M., released by Warner Bros. Records in the UK on September 26, 1994, and in the US the following day. It was produced by the band and Scott Litt and recorded at four studios. The album was an intentional shift from the style of their previous two albums, Out of Time (1991) and Automatic for the People (1992), by introducing loud, distorted guitar tones and simple lyrics.
In Time: The Best of R.E.M. 1988–2003 is the second official compilation album released by R.E.M. Issued in 2003, it includes tracks from their Warner Bros. Records era, from 1988's Green to 2001's Reveal, as well as two new recordings and two songs from movie soundtracks. The album was the tenth-best-selling album of 2003 in the UK, and the 50th-best-selling album of the 2000s in the UK.
Up is the eleventh studio album by American rock band R.E.M. It was released on October 26, 1998, through Warner Bros. Records. The album was the band's first without drummer and founding member Bill Berry, who retired from the band in October 1997. In his place, R.E.M. used session drummers such as Joey Waronker and Barrett Martin while also utilizing drum machines. The album was produced by Pat McCarthy, making it R.E.M.'s first album since Lifes Rich Pageant (1986) not to be produced by Scott Litt.
Reveal is the twelfth studio album by American rock band R.E.M. It was released on May 14, 2001, through Warner Bros. Records and was the second of three albums by the band to be produced with Pat McCarthy. It was also R.E.M.'s second album as a three-piece following the departure of drummer Bill Berry, and includes contributions from the band's touring members Joey Waronker, Scott McCaughey and Ken Stringfellow. The band recorded the album in various locations, including in Dublin, Miami, Vancouver, and their hometown of Athens, Georgia. The album saw R.E.M. continue to experiment with electronic music as they had on their previous album Up (1998), utilizing keyboards and drum machines, while also retaining elements of their earlier sound.
Around the Sun is the thirteenth studio album by American alternative rock band R.E.M., released on October 5, 2004 on Warner Bros. Records. The album was supported by several singles and a world tour. It was commercially successful but received mixed reception and is often considered the weakest in the band's catalogue.
"Electrolite" is a song by American rock band R.E.M., released as the closing track from their tenth studio album, New Adventures in Hi-Fi (1996), and as the album's third single later that year. The song is a piano-based ballad dedicated to Hollywood and the closing twentieth century. Frontman Michael Stipe initially objected to including the song on the album, but was convinced by his bandmates Peter Buck and Mike Mills.
Road Movie is a documentary-style film by rock group R.E.M., released on both VHS and DVD, charting the conclusion of the band's 1995 worldwide tour in support of Monster, their album released the previous year. Directed by Peter Care, the ninety-minute-long footage features nineteen songs performed over the final three nights of the tour, at The Omni in Atlanta, Georgia. The set-list reads very much like a complete R.E.M. show—gigs on the Monster tour were opened by either "I Took Your Name" or "What's the Frequency, Kenneth?", while the last song of the night was invariably "It's the End of the World as We Know It ". The film is a companion piece to the Tourfilm documentary, which chronicles the band's 1989 tour on the back of the previous year's album Green.
"How the West Was Won and Where It Got Us" is a song by R.E.M. released as the fourth and final single from their tenth studio album New Adventures in Hi-Fi in 1997. It was released in Germany and Japan was the final R.E.M. single and music video to feature Bill Berry until "#9 Dream" in 2007.
"Bittersweet Me" is a song by American rock band R.E.M., released as the second single from their 10th studio album, New Adventures in Hi-Fi (1996). Like much of the album, the song originated while the band were on the road for the Monster tour, although the song was only ever soundchecked and has never been played live as part of a concert. The song was a bigger hit in the United States than the first single from the album, "E-Bow the Letter", except on the Modern Rock Tracks chart, where the first single's number-two peak bested the number-six peak of "Bittersweet Me".
Accelerate is the fourteenth studio album by American alternative rock band R.E.M., released on March 31, 2008, in Europe, and on April 1 in North America. Produced with Jacknife Lee, Accelerate was intended as a departure from the 2004 album Around the Sun. R.E.M. previewed most of the album's tracks during a five-night residency at the Olympia Theatre in Dublin, Ireland, and recorded the album in a nine-week schedule.
R.E.M. Live is a live album from R.E.M., recorded at the Point Theatre, Dublin, Republic of Ireland, on February 26 and 27, 2005, the closing nights of the winter European leg of the Around the World Tour in support of their thirteenth studio album Around the Sun, released in late 2004. It was released in the United Kingdom on October 15, 2007, and in the United States a day later as a two-CD audio set and a DVD, then released in February 2008 as a triple vinyl set. The performance was filmed by Blue Leach, who also directed Depeche Mode's Touring the Angel: Live in Milan.
Live from London is a live EP by R.E.M. that was recorded on March 26, 2008 and released exclusively on iTunes on July 1, 2008. It is one of several releases in the Live from London series.
R.E.M. was an American alternative rock band formed in Athens, Georgia in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style; Stipe's distinctive vocal quality, unique stage presence, and obscure lyrics; Mills's melodic bass lines and backing vocals; and Berry's tight, economical drumming style. In the early 1990s, other alternative rock acts such as Nirvana, Pixies and Pavement viewed R.E.M. as a pioneer of the genre. After Berry left in 1997, the band continued with mixed critical and commercial success. The band broke up amicably in 2011, having sold more than 90 million albums worldwide and becoming one of the world's best-selling music acts.
Live at the Olympia is a live album by American alternative rock band R.E.M. It was recorded during the band's five-night residency at the Olympia Theatre, Dublin, between June 30 and July 5, 2007, and released on October 27, 2009. In this series of "working rehearsals" the songs on Accelerate were debuted, with many still works in progress. Every song from "Accelerate" appear on the album with the exception of "Hollow Man" and "Sing for the Submarine". The album is a two-CD release, and contains a total of 39 songs. In addition, a DVD with a documentary titled This Is Not a Show directed by Vincent Moon is included. A special edition box set containing the album on four LPs as well as the two CDs and the DVD is also available.
Live from Austin, TX is a 2010 video album by R.E.M. recorded on March 13, 2008 for the television series Austin City Limits. The television broadcast aired on PBS starting March 24, 2008.
Collapse into Now is the fifteenth and final studio album by American alternative rock band R.E.M., released on March 7, 2011, on Warner Bros. Produced by Jacknife Lee, who previously worked with the band on Accelerate (2008), the album was preceded by the singles "It Happened Today", "Mine Smell Like Honey", "Überlin" and "Oh My Heart".
Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011 is a 2011 greatest hits album from alternative rock band R.E.M. Intended as a coda on their career, this is the first compilation album that features both their early work on independent record label I.R.S. Records in addition to their 10 studio releases through Warner Bros. Records. The double-disc retrospective was released through Warner Bros. on November 11, 2011, and was compiled by the band members; the existence of the compilation was revealed simultaneously with the group's announcement that they were disbanding on September 21, 2011.
Unplugged: The Complete 1991 and 2001 Sessions is a 2014 live album from alternative rock band R.E.M., released initially on vinyl recordings through Rhino Records for Record Store Day, and later made available on compact disc and digitally. The album is composed of two performances that the band made on the U.S. television show MTV Unplugged. Among the album's 33 tracks are 11 performances which were not aired on either broadcast. To promote the album, Mike Mills signed copies at independent record store Bull Moose in Scarborough, Maine. Video of the concerts was released later that year on REMTV.
R.E.M. at the BBC is a 2018 live album box set by American alternative rock band R.E.M. released on October 19, 2018. The eight-disc compilation features sessions recorded between 1984 and 2008, including a bonus DVD of videos. Additionally, a two-disc best-of collection was released on the same day.
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