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An electric sitar is a type of electric string instrument designed to mimic the sound of the sitar, a traditional musical instrument of India. Depending on the manufacturer and model, these instruments bear varying degrees of resemblance to the traditional sitar. Most resemble the electric guitar in the style of the body and headstock, though some have a body shaped to resemble that of the sitar (such as a model made by Danelectro).
The instrument was developed in the early 1960s by session guitarist Vinnie Bell in partnership with Danelectro and released under the brandname Coral™ in 1967. [3] At the time, many western musical groups began to use the sitar, which is generally considered a difficult instrument to learn. [4] By contrast, the electric sitar, with its standard guitar fretboard and tuning, is a more familiar fret arrangement for a guitarist to play. The twangy sitar-like tone comes from a carefully designed and contoured bridge surface adding the necessary buzz to the guitar strings.
In addition to the six playing strings, most electric sitars have sympathetic strings, typically located on the left side of the instrument (though some do not have these). These strings have their own pickups (typically lipstick pickups are used for both sets of strings), and are usually tuned with a harp wrench (a difficult process). A unique type of bridge, a "buzz bridge", developed by Vinnie Bell, helps give the instrument its distinctive sound. Some electric sitars have drone strings in lieu of sympathetic strings. A few models, such as the Jerry Jones "Baby" sitar, lack both sympathetic and drone strings, while still retaining the distinctive buzz bridge.
The "sympathetic" strings on most electric sitars do not resonate strongly enough to match the effect of an acoustic sitar. There are resonant chambers in the solid-body instruments that have Masonite tops, however it is not enough to excite the 13 strings into true sympathy. The strings are tensioned over two rosewood bridges with fret material as saddles so the sound is more like an autoharp than a sitar.
Versions of the electric sitar were also developed mainly in India. These are smaller-sized sitars that resemble a traditional sitar, and are tuned the same way.
Because the tonal quality and playing technique differ significantly from that of the sitar, it is typically used in rock, jazz, and fusion styles. Notable early hit singles featuring electric sitar include Eric Burdon and the Animals' "Monterey", Joe South's "Games People Play", the Supremes' "No Matter What Sign You Are" (on which the electric sitar was played by Eddie Willis), Stevie Wonder's "Signed, Sealed, Delivered", B. J. Thomas' "Hooked on a Feeling" (played by Reggie Young), the Spinners' "It's a Shame", and the Box Tops' "Cry Like a Baby", as well as some sides by the Stylistics and the Delfonics.
Other artists who have featured the electric sitar in their recordings include:[ citation needed ]
Although George Harrison is generally credited with introducing the sitar into popular Western music, there is no evidence that he ever played an electric sitar.
On his award-winning 1969 instrumental rendition of the Joe South tune "Games People Play", saxophonist King Curtis teamed with guitarist Duane Allman on the electric sitar (Allman also played slide guitar). This recording was included on the Allman compilation An Anthology .
The 1971 album Somethin' Else recorded by Danny Davis and the Nashville Brass prominently featured an electric sitar, a first for the country music industry. The instrument provided accompaniment on such songs as "Snowbird", "Rose Garden", "Are You from Dixie?", and others.
Harry Chapin's original version of "Cat's in the Cradle" features the electric sitar.
On ABBA's 1979 recording of "I Have A Dream" the refrain is played on an electric sitar. However the recording for the 2008 movie version of "Mamma Mia" featured a bouzouki. [8]
The 1992 album Bloody Kisses by Type O Negative used a J.K. Sengupta concert sitar in the song "Can't Lose You" played by Paul Bento from the band Carnivore.
Brian Wilson's Imagination features electric sitar on "Sunshine" and "Happy Days" and played by Brent Rowan.
Glass Hammer guitarist Kamran Alan Shikoh performed electric sitar in the band's song from 2009 to his departure in 2018.
In 2010, MGMT released their album Congratulations , where the electric sitar was played on many tracks by lead singer and guitarist Andrew VanWyngarden.
Blues musician Buddy Guy played, among other guitars, a Coral electric sitar in shows on his 2010 tour. He used an electric sitar on two songs off his 2008 album Skin Deep , the Playing for Change re-recording of the title track [9] and the Beatles cover "I've Got a Feeling" from his 2022 studio album The Blues Don't Lie .
The 2014 album Black Messiah by American neo-soul singer D'Angelo and backing band The Vanguard, features use of the electric sitar on tracks such as "Another Life" and "The Charade".
The 2015 song "Multi-Love" by Unknown Mortal Orchestra makes use of the electric sitar.
The bass guitar, electric bass or simply bass is the lowest-pitched member of the guitar family. It is a plucked string instrument similar in appearance and construction to an electric or acoustic guitar, but with a longer neck and scale length. The bass guitar most commonly has four strings, though five- and six-stringed models are also relatively popular, and bass guitars with even more strings or courses have been built. Since the mid-1950s, the bass guitar has largely come to replace the double bass in popular music due to its lighter weight, the inclusion of frets in most models, and, most importantly, its design for electric amplification. This is also because the double bass is acoustically compromised for its range in that it is scaled down from the optimal size that would be appropriate for those low notes.
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle, giving rise to the term bottleneck guitar to describe this type of playing. The strings are typically plucked while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar.
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The sitar is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th-century figure of the Mughal Empire has been identified by modern scholarship as the inventor of the sitar. According to most historians, he developed the sitar from the setar, an Iranian instrument of Abbasid or Safavid origin.
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A twelve-string guitar is a steel-string guitar with 12 strings in six courses, which produces a thicker, more ringing tone than a standard six-string guitar. Typically, the strings of the lower four courses are tuned in octaves, with those of the upper two courses tuned in unison. The gap between the strings within each dual-string course is narrow, and the strings of each course are fretted and plucked as a single unit. The neck is wider, to accommodate the extra strings, and is similar to the width of a classical guitar neck. The sound, particularly on acoustic instruments, is fuller and more harmonically resonant than six-string instruments. The 12-string guitar can be played like a 6-string guitar as players still use the same notes, chords and guitar techniques like a standard 6-string guitar, but advanced techniques can be challenging as players need to play or pluck two strings simultaneously.
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"Little Martha" was the only Allman Brothers Band track written solely by group leader and partial namesake Duane Allman. The song first appeared as the final studio track on the Allman Brothers Band's fourth album, Eat a Peach, released in 1972. The track was recorded in October 1971, a few weeks before Duane Allman's death in a motorcycle accident.
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While the sitar had earlier been used in jazz and Indian film music, it was from the 1960s onwards that various pop artists in the Western world began to experiment with incorporating the sitar, a classical Indian stringed instrument, within their compositions.
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