Imagination (Brian Wilson album)

Last updated
Imagination
ImaginationCover.jpg
Studio album by
ReleasedJune 16, 1998 (1998-06-16)
RecordedLate 1997 to early 1998
Genre
Length39:09
Label Giant
Producer
Brian Wilson chronology
Orange Crate Art
(1995)
Imagination
(1998)
Live at the Roxy Theatre
(2000)
Singles from Imagination
  1. "Your Imagination"/"Happy Days"
    Released: May 19, 1998
  2. "South American"
    Released: June 16, 1998 [1]

Imagination is the third solo album by American musician Brian Wilson. It was issued in 1998 on Giant Records and distributed by Warner Music Group. The album received mixed reviews upon its release and its commercial performance was relatively weak. Its best-known track is "Your Imagination", a Top 20 hit on adult contemporary radio. The second single, "South American", was co-written by Jimmy Buffett. Wilson dedicated the song "Lay Down Burden" to his brother Carl Wilson, who succumbed to cancer earlier in the year. [2]

Contents

Joe Thomas worked with Wilson as the album's co-producer. He was held responsible by critics for the album's style and production. [3] Shortly after its release, Wilson filed a suit against Thomas, seeking damages and a declaration which freed him to work on his next album without involvement from Thomas. [4] They later reunited for the Beach Boys reunion album That's Why God Made the Radio (2012) and its followup No Pier Pressure (2015).

Background

The album's recording sessions were immediately preceded by plans for a Beach Boys reunion album of new original material. According to Sean O'Hagan of the High Llamas, he was involved at one point, but backed away once it became clear to him that the project was unlikely to happen, also expressing disapproval with the "middle of the road" style that producer and collaborator Joe Thomas was persuading Wilson toward. [5]

Recording

Wilson covered two of his own Beach Boys songs for Imagination: "Keep an Eye on Summer" and "Let Him Run Wild". He had been dissatisfied with the vocal on the latter track, considering it too shrill [6] and had named it his least favorite Beach Boys recording. [7] [8]

In addition, "She Says That She Needs Me" was the result of a lyric re-write by Carole Bayer Sager of an original Wilson composition from the mid-1960s, [9] while the closing song, "Happy Days", featured recycled elements of an unreleased Beach Boys track, "My Solution", from 1970. [10]

I wasn't having that much fun at the time. ... I just thought people were out to kill me. I had a fantasy in my head that people were out to murder me. I just couldn't deal with it. I just sort of flipped out.

—Brian Wilson on the Imagination era, 1999 [11]

Thomas explained the differences between him and Andy Paley: "I think that Andy more comes from that historical perspective than I do. I mean he knows a lot more about the way Brian recorded stuff back in the ‘60s. ... I’ve got my guys that I really like. And the fact is that right now, I also don't like to record with a lot of people in the room at the same time. My reasoning is that I just can’t keep track of what’s going on. I think it’s a different way of recording that Brian likes this time around." [12]

In 2006, biographer Peter Ames Carlin wrote: "Joe took it upon himself to make sure that the new songs sounded as adult contemporary radio as possible. Most were dominated by tinkling keyboards, with plenty of melodic interjections from a gently plucked nylon-string guitar. If Brian tried to use an instrument or an arrangement that might not fit into the soothing blend, Joe would shake his head and slice it out of the picture. And if this bothered Brian, he didn't show it." [3] Brian reportedly stated: "We call it a Brian Wilson album, but it's really a Joe Thomas/Brian Wilson album." [3]

When it came time to arrange Wilson's songs for live performances, backing band member Darian Sahanaja remembers Thomas wanting to turn "Caroline, No" into a "sexy, Sade kind of thing". [13] He added: "When liberties were taken, his [Brian's] response would be, "Uh, cool." Or he wouldn't respond at all, so you'd have to ask, and he'd say, "I think it sounds, uh, good." But as soon as we did a song close to his original arrangement, he'd go nuts: "Wow! Outtasite!" And then he'd want to hear it again. And that made perfect sense to me." [13]

Many outtakes would later be revived for the Beach Boys' 2012 reunion album That's Why God Made the Radio with Thomas' involvement.

Release

Imagination (Giant 24703) hit #88 in the US during a chart stay of 2 weeks. [14] It reached #30 in the UK. [15] On May 9, 1998, to promote the release of Imagination, Wilson performed a live taping for VH-1 at the St. Charles East High School auditorium in St. Charles, Illinois. The live performance included guest performances from Christopher Cross, Beach Boys member Bruce Johnston, and Eagles members Joe Walsh, Timothy B. Schmit and Steve Dahl. [16] The concert, which was later incorporated with additional interviews from Elvis Costello, Eric Clapton, Sean Lennon, Stevie Wonder, and Jimmy Buffett, was released on VHS in 1998 and DVD in 1999 but is currently out-of-print. "Your Imagination" and "Lay Down Burden" were aired as music videos on VH1, with the album audio played over the video, and clips of Brian walking through the woods "thinking" and "day dreaming" and images of him and his brothers on the screen. He supported the album with a tour, beginning with the Late Show with David Letterman on August 14, 1998.[ citation needed ]

A 5.1 channel surround remix of the album in the DTS CD format was also released by DTS Entertainment in 1998 (71021-51018-2-8).[ citation needed ]

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [17]
Chicago Sun-Times Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [18]
Christgau's Consumer Guide C [19]
Entertainment Weekly B [20]
MusicHound Rock Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [21]
NME 6/10 [22]
Rolling Stone Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [23]
The Rolling Stone Album Guide Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [24]
Spin 3/10 [25]

On the subject of fans' reactions, Carlin wrote: "Imagination bore many distressing signs. The real Brian Wilson would never homogenize his music to sound exactly like every other song on the radio, they complained." [26] In an article for Rolling Stone , Jason Fine said the album showed "little evidence of Brian's creative spark. Though he contributes some of his finest vocals — especially on two ballads, 'Cry' and 'Lay Down Burden' — the album's saccharine soft rock doesn't hint at the subtle magic of a classic Brian Wilson production." [27]

Barney Hoskyns reviewed the album for Spin and wrote: "the man's penchant for writing these days in cheery major keys, coupled with the record's horribly sterile sound, turns songs such as 'Sunshine' and 'Your Imagination' into nothing more than goofy retreads of early Beach Boys hits." [25] John Mulvey of NME opined of the record: "if there is one character flaw that has blighted [Wilson']s music over the past 25-odd years, it has been his capacity to be easily led, his need to work with others resulting in a touching but misplaced faith in a host of lesser musical talents who frequently aren't fit to wipe his arse, let alone collaborate with him." [22] Music critic Robert Christgau declared: "Submitting to adult-contempo tycoon Joe Thomas ... [Wilson is] just what you'd fear: a middle-aged pop pro who's proud he's no longer nuts and knows even less about the world than when he was." [19]

In 2000, Wilson said of Imagination, "I don't like the sound. I don't like my voice on it." [28] When Andy Paley was asked to compare his collaborations with Brian to Thomas', Paley responded: "I think that the music is very, very different. Let’s put it this way... what he and I did is not an album. First of all, it’s way more stuff than you can put on an album, it’s probably more like four albums. It was something we enjoyed doing." [12]

Track listing

All tracks written by Brian Wilson, with additional writers noted.

No.TitleWriter(s)Length
1."Your Imagination"3:38
2."She Says That She Needs Me"3:59
3."South American"3:44
4."Where Has Love Been?"2:17
5."Keep an Eye on Summer"2:48
6."Dream Angel"
  • Thomas
  • Jim Peterik
3:21
7."Cry" 4:56
8."Lay Down Burden"
  • Thomas
3:44
9."Let Him Run Wild"
  • Love
2:29
10."Sunshine"
  • Thomas
3:20
11."Happy Days" 4:44

Personnel

Credits adapted from AllMusic. [29]

Additional Musicians

Related Research Articles

<span class="mw-page-title-main">The Beach Boys</span> American rock band

The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by its vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, the band is one of the most influential acts of the rock era. The group drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create its unique sound. Under Brian's direction, it often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.

<i>Brian Wilson Presents Smile</i> 2004 studio album by Brian Wilson

Brian Wilson Presents Smile is the fifth studio album by American musician Brian Wilson, released on September 28, 2004 on Nonesuch. It features all-new recordings of music that he had originally created for Smile, an unfinished album by the Beach Boys that he abandoned in 1967. Revisiting Smile was an intense emotional undertaking for Wilson, as he had been deeply traumatized by the circumstances that had originally surrounded the project.

<i>Sunflower</i> (The Beach Boys album) 1970 studio album by the Beach Boys

Sunflower is the 16th studio album by the American rock band the Beach Boys, released on August 31, 1970 by Reprise Records, their first for the label. It received favorable reviews, but sold poorly, reaching number 151 on the US record charts during a four-week stay and becoming the lowest-charting Beach Boys album to that point. "Add Some Music to Your Day" was the only single that charted in the US, peaking at number 64. In the UK, the album peaked at number 29.

<i>Wild Honey</i> (album) 1967 studio album by the Beach Boys

Wild Honey is the thirteenth studio album by the American rock band the Beach Boys, released on December 18, 1967, by Capitol Records. It was the group's first foray into soul music and was heavily influenced by the R&B of Motown and Stax Records. The album was the band's worst-selling at that point, charting at number 24 in the US. Lead single "Wild Honey" peaked at number 31, while its follow-up "Darlin'" reached number 19. In the UK, the album peaked at number seven.

<i>20/20</i> (The Beach Boys album) 1969 studio album by US band The Beach Boys

20/20 is the 15th studio album by the American rock band the Beach Boys, released February 10, 1969 on Capitol Records. The LP was named for being their 20th overall release when factoring in live albums and compilations. Much of 20/20 consists of outtakes from earlier albums. It reached number 3 on UK record charts and number 68 in the U.S. Brian Wilson was absent during most of the album's recording after admitting himself into a psychiatric hospital, requiring brothers Carl and Dennis to retrieve several outtakes he had recorded years earlier. While Brian does not appear on the front cover, the inner gatefold of the original vinyl release features him alone, behind an eye examination chart.

<i>Gettin In over My Head</i> 2004 studio album by Brian Wilson

Gettin' In over My Head is the fourth studio album by American musician Brian Wilson, released June 2004 on Rhino Records. Many of the songs were reworked versions of tracks recorded for the scrapped album Sweet Insanity and the Andy Paley sessions from the 1990s. The album reached #100 in the US during a 1-week chart stay, and #53 in the UK. Critical reaction was mixed.

<i>Surfs Up</i> (album) 1971 studio album by the Beach Boys

Surf's Up is the 17th studio album by American rock band the Beach Boys, released on August 30, 1971 on Brother/Reprise. It received largely favorable reviews and reached number 29 on the U.S. record charts, becoming their highest-charting LP of new music in the U.S. since 1967. In the UK, Surf's Up peaked at number 15, continuing a string of top 40 records that had not abated since 1965.

<i>15 Big Ones</i> 1976 album by the Beach Boys

15 Big Ones is the 20th studio album by the American rock band the Beach Boys, released July 5, 1976, by Brother/Reprise. It includes a mix of original songs and renditions of rock 'n' roll and R&B standards. The LP was the band's first album with production credited solely to Brian Wilson since Pet Sounds (1966). As such, its release was accompanied by a controversial media campaign that declared his comeback as an active member of the Beach Boys' recording and touring group.

<i>The Beach Boys Love You</i> 1977 studio album by the Beach Boys

The Beach Boys Love You is the 21st studio album by American rock band the Beach Boys, released April 11, 1977, on Brother/Reprise.

<i>M.I.U. Album</i> 1978 album by the Beach Boys

M.I.U. Album is the 22nd studio album by the American rock band the Beach Boys, released on September 25, 1978. Characterized for its easy-listening sound, the album was produced by Al Jardine and touring member Ron Altbach during one of the most acrimonious periods in the band's history. It sold poorly, peaking at number 151 in the U.S, and was met with confused reactions from critics and fans.

<i>Stars and Stripes Vol. 1</i> 1996 studio album by The Beach Boys and various artists

Stars and Stripes Vol. 1 is the twenty-eighth studio album by American rock band the Beach Boys, released on August 19, 1996, by River North Records. Produced by Joe Thomas and Brian Wilson, Stars and Stripes is a collaborative album between the Beach Boys and various country acts.

<i>Orange Crate Art</i> 1995 studio album by Brian Wilson and Van Dyke Parks

Orange Crate Art is the first collaborative studio album by American musicians Brian Wilson and Van Dyke Parks, released in 1995 on Warner Bros. Records. The album consists mostly of songs written and arranged by Parks, with Wilson featured as lead and backing vocalist. Its title refers to the sun-drenched, idealized paintings that grace wooden fruit crates, and its theme is a nostalgic view of the history of California.

<i>Brian Wilson</i> (album) 1988 album by Brian Wilson

Brian Wilson is the first solo album by American musician Brian Wilson of the Beach Boys, released July 12, 1988, by Sire and Reprise Records. Promoted as a spiritual successor to his band's 1966 release Pet Sounds, the album is characterized by its rich, synthesizer-heavy orchestrations. It cost over $1 million to record and was the first album produced by Wilson since The Beach Boys Love You (1977). His former psychologist, Eugene Landy, was credited as "executive producer".

<i>I Just Wasnt Made for These Times</i> (album) 1995 studio album and soundtrack album by Brian Wilson

I Just Wasn't Made for These Times is the second solo album by American musician Brian Wilson and the soundtrack to Don Was' documentary of the same name, released by MCA Records on August 15, 1995. It consists almost entirely of rerecordings of Wilson's past songs. The title is taken from the song of the same name which Wilson wrote in 1966 with collaborator Tony Asher for the Beach Boys' album Pet Sounds.

"Let Him Run Wild" is a song by the American rock band the Beach Boys from their 1965 album Summer Days . Written by Brian Wilson and Mike Love, it was issued as the B-side to "California Girls".

<i>Spring</i> (American Spring album) 1972 studio album by Spring

Spring is the only album by American pop duo Spring, released in July 1972 on United Artists. It contains cover versions of popular songs as well as original material written or co-written by Brian Wilson of the Beach Boys. Although Brian is the album's only credited producer, most of the production was actually handled by his collaborator at the time, David Sandler, alongside engineer Stephen Desper.

<span class="mw-page-title-main">Joe Thomas (producer)</span> American record producer (1956–2024)

Joseph Thomas was an American producer, businessman, multi-instrumentalist, and songwriter based in Illinois. He was known for musical collaborations and subsequent lawsuits pertaining to musician Brian Wilson, co-founder of the Beach Boys. Thomas was producer and director of the PBS music program Soundstage for WTTW.

<i>No Pier Pressure</i> 2015 studio album by Brian Wilson

No Pier Pressure is the tenth studio album by American musician Brian Wilson, released April 7, 2015 on Capitol Records. Originally planned as a follow-up to the Beach Boys' 2012 reunion album That's Why God Made the Radio, No Pier Pressure is the first solo Wilson LP devoted primarily to new and original material since That Lucky Old Sun (2008). It features guest performances by contemporary artists Sebu Simonian of Capital Cities, Kacey Musgraves, She & Him, Nate Ruess of Fun and Peter Hollens. Original Beach Boys members Al Jardine and David Marks also feature alongside former band member Blondie Chaplin.

<span class="mw-page-title-main">Andy Paley sessions</span> Studio album (unreleased) by Brian Wilson & Andy Paley with the Beach Boys

The "Andy Paley sessions" is the unofficial name given to an unfinished recording project by American musicians Brian Wilson and Andy Paley. During the 1990s, the duo planned to record an album that would have comprised original material written and produced by themselves with participation from other members of the Beach Boys. It was the last time Brian worked with his bandmates before Carl Wilson's death in 1998.

"Soul Searchin'" is a song written by American musicians Brian Wilson and Andy Paley for an aborted Beach Boys reunion album in the 1990s. It was later recorded by Solomon Burke and Wilson himself. The Beach Boys' recording was the last to feature lead vocals from Carl Wilson, who died in 1998, and it was ultimately released in 2013.

References

  1. "Amazon.com: South American - Brian Wilson". Amazon.com . Retrieved July 28, 2017.
  2. "... another [song] is dedicated to brother Carl ('Lay Down Burden')." Granata, Charles; Asher, Tony (October 1, 2016). Wouldn't It Be Nice: Brian Wilson and the Making of the Beach Boys' Pet Sounds. ISBN   9781613738405.
  3. 1 2 3 Carlin 2006, p. 292.
  4. "Bad Vibrations: Brian Wilson Sues Collaborator". Rolling Stone. August 24, 1999.
  5. Dillon, Mark (2012). Fifty Sides of the Beach Boys: The Songs That Tell Their Story. ECW Press. pp. 106–07. ISBN   978-1-77090-198-8.
  6. Carlin, Peter Ames. Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson. p. 73.
  7. Sharp, Ken (January 2006). "Christmas with Brian Wilson". Record Collector . United Kingdom: 72–76.
  8. Bolin, Matthew (25 January 2017). "Over the Covers: Ten Artists Who Covered Their Own Songs". PopDose. Retrieved 18 April 2022.
  9. Carlin 2006, p. 290.
  10. "Beach Boys Producers Alan Boyd, Dennis Wolfe, Mark Linett Discuss 'Made in California' (Q&A)". Rock Cellar Magazine. September 4, 2013. Archived from the original on September 30, 2013. Retrieved September 9, 2013.
  11. Valania, Jonathon (August–September 1999). "Bittersweet Symphony". Magnet .
  12. 1 2 Silverstein, Robert (December 1998). "THE SPIRIT OF ROCK AND ROLL an interview with BRIAN WILSON". 20th Century Guitar.
  13. 1 2 Carlin 2006, p. 295.
  14. "Brian Wilson". Billboard. Retrieved 11 June 2024.
  15. "Imagination by Brian Wilson". Official Charts. Retrieved 11 June 2024.
  16. Hess, Scott (May 14, 1998). "Brian Wilson Solo Set Produces Weird Vibrations". Rolling Stone . Archived from the original on February 28, 2009.
  17. Allmusic review
  18. DeRogatis, Jim (May 24, 1998). "Brian Wilson, 'Imagination'". Chicago Sun-Times . Archived from the original on September 24, 2015. Retrieved October 24, 2014.
  19. 1 2 Christgau, Robert (2000-10-15). "Brian Wilson". Christgau's Consumer Guide: Albums of the '90s. Macmillan Publishing. ISBN   9780312245603.
  20. Futterman, Steve. "Imagination". Entertainment Weekly .
  21. Graff, Gary; Durchholz, Daniel, eds. (1999). MusicHound Rock: The Essential Album Guide. Farmington Hills, MI: Visible Ink Press. p.  1233. ISBN   1-57859-061-2.
  22. 1 2 Mulvey, John (1998). "Imagination". NME . Archived from the original on 2000-08-17.
  23. Sheffield, Rob (1998-06-02). "Imagination". Rolling Stone .
  24. Brackett, Nathan; with Hoard, Christian, eds. (2004). The New Rolling Stone Album Guide (4th ed.). New York, NY: Fireside/Simon & Schuster. p.  880. ISBN   0-7432-0169-8.
  25. 1 2 Hoskyns, Barney (August 1998). "Reviews". Spin . SPIN Media LLC. p. 138.
  26. Carlin 2006, p. 293.
  27. Fine, Jason (July 8, 1999). "Brian Wilson's Summer Plans". Rolling Stone . Archived from the original on August 31, 2017. Retrieved September 1, 2017.
  28. Roberts, Michael (September 14, 2000). "Brian's Song: Listening to the Distant Echoes of a Pop-Rock Genius". Westword .
  29. "Imagination - Brian Wilson - Credits". AllMusic . Retrieved July 28, 2017.