"Rio Grande" | |
---|---|
Song by Brian Wilson | |
from the album Brian Wilson | |
Released | July 12, 1988 |
Recorded | 1987–1988 |
Genre | Progressive pop [1] |
Length | 8:12 |
Label | Sire/Reprise |
Songwriter(s) | Brian Wilson, Andy Paley |
Producer(s) | Brian Wilson, Andy Paley, Lenny Waronker |
Audio sample | |
"Rio Grande" is a song by American musician Brian Wilson from his 1988 album Brian Wilson . It was written and produced by Wilson and Andy Paley, and co-produced by Lenny Waronker. Its modular set of movements hearkened back to the style that Brian Wilson used during the "Good Vibrations"/ Smile era with musique concrète. "Rio Grande" was evidence that he could still create brilliant, pictorial landscapes of music similar to Smile whenever he had the freedom, confidence, and courage to do so. [2] [ according to whom? ] It is the longest piece of music in the Brian Wilson catalogue at eight minutes and 12 seconds.
This section needs additional citations for verification .(March 2022) |
Waronker and Seymour Stein, the President of Sire Records, encouraged Wilson to make an impressionistic collage that had made Smile an interesting listening experience. Eugene Landy suggested to Brian to make a suite about the development of an individual. However, it was Lenny Waronker who insinuated to Brian to undertake a more complex, revealing, and provisional composition with an Old West theme [3] inspired by the Howard Hawks film Red River and also the movie Rio Grande . A Hawaiian theme was also being considered at the time but was dropped in favor of a Western theme.[ citation needed ] According to Wilson, "He wanted me to get a little bit into that kind of Smile bag, and I did. Some of it took on characteristics of the Smile album, but that’s all, just characteristics. It wasn’t directly influenced by Smile, just the vibes of it, the basic feeling of it." [4]
Work on "Rio Grande" began on October 1, 1987, which happened at the same time as a major Los Angeles earthquake that resulted in eight deaths and $350 million in property damage. Paley remarked, "Both Brian and the tremors took some adjusting to." [5] A similar concept being worked on during the same period involved "Saturday Morning in the City" and "Saturday Evening in the City" about describing an ordinary Californian suburban weekend but was soon dropped. Early titles before "Rio Grande" was chosen included 'Baby, Child, Adult,' 'Child, Adult, and Parent,' and "Life's Suite." The lyrics of "Life's Suite" (pun intended), written by Landy, were brought in at the last moment and were rejected out of hand by Waronker.[ citation needed ]
"Rio Grande" presents a series of episodic music segments meant to illustrate a trip across an American frontier. [6] According to Paley, "Brian was really into writing this as a survival thing, the idea of a little man against the big men and making it on your own … the misunderstandings that must have happened between travelers on the same trail and how scary that must have been." [7]
Wilson's favorite part of the song was the "Take Me Home" section. [7] He explained that the narrator of the song "has so many obstacles that he just wants to go home. He wants to run away from all that stuff and go back to his home, wherever that might be, [like] in the sky. That’s symbolism, right? God cannot be conceived of, so therefore we give him a literal meaning that he’s in the sky, so that people can understand what is being said." [8]
Landy acknowledged, "'Rio Grande' is 20% of the album, and it isn't something you can dance to. Lenny should be congratulated for pushing Brian in that direction." [7]
In her review of Brian Wilson, critic Deborah Wilker highlighted "Rio Grande" as "the kind of immensely fulfilling progressive pop with which art-rock bands such as Yes and Genesis formerly toyed, but rarely brought to satisfying completion." [1]
The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by its vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, the band is one of the most influential acts of the rock era. The group drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create its unique sound. Under Brian's direction, it often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.
Brian Douglas Wilson is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. Often called a genius for his novel approaches to pop composition, extraordinary musical aptitude, and mastery of recording techniques, he is widely acknowledged as one of the most innovative and significant songwriters of the 20th century. His best-known work is distinguished for its high production values, complex harmonies and orchestrations, layered vocals, and introspective or ingenuous themes. Wilson is also known for his formerly high-ranged singing and for his lifelong struggles with mental illness.
Brian Wilson Presents Smile is the fifth studio album by American musician Brian Wilson, released on September 28, 2004 on Nonesuch. It features all-new recordings of music that he had originally created for Smile, an unfinished album by the Beach Boys that he abandoned in 1967. Revisiting Smile was an intense emotional undertaking for Wilson, as he had been deeply traumatized by the circumstances that had originally surrounded the project.
Smiley Smile is the twelfth studio album by the American rock band the Beach Boys, released on September 18, 1967. Conceived as a simpler and more relaxed version of their unfinished Smile album, Smiley Smile is distinguished for its homespun arrangements, "stoned" aesthetic, and lo-fi production. Critics and fans generally received the album and its lead single, "Heroes and Villains", with confusion and disappointment. The album reached number 9 on UK record charts, but sold poorly in the U.S., peaking at number 41—the band's lowest chart placement to that point.
Sunflower is the 16th studio album by the American rock band the Beach Boys, released on August 31, 1970 on Reprise Records, their first for the label. It received favorable reviews, but sold poorly, reaching number 151 on the US record charts during a four-week stay and becoming the lowest-charting Beach Boys album to that point. "Add Some Music to Your Day" was the only single that charted in the US, peaking at number 64. In the UK, the album peaked at number 29.
20/20 is the 15th studio album by the American rock band the Beach Boys, released February 10, 1969 on Capitol Records. The LP was named for being their 20th overall release when factoring in live albums and compilations. Much of 20/20 consists of outtakes from earlier albums. It reached number 3 on UK record charts and number 68 in the U.S. Brian Wilson was absent during most of the album's recording after admitting himself into a psychiatric hospital, requiring brothers Carl and Dennis to retrieve several outtakes he had recorded years earlier. While Brian does not appear on the front cover, the inner gatefold of the original vinyl release features him alone, behind an eye examination chart.
15 Big Ones is the 20th studio album by the American rock band the Beach Boys, released July 5, 1976, by Brother/Reprise. It includes a mix of original songs and renditions of rock 'n' roll and R&B standards. The LP was the band's first album with production credited solely to Brian Wilson since Pet Sounds (1966). As such, its release was accompanied by a controversial media campaign that declared his comeback as an active member of the Beach Boys' recording and touring group.
The Beach Boys Love You is the 21st studio album by American rock band the Beach Boys, released April 11, 1977, on Brother/Reprise.
Eugene Ellsworth Landy was an American psychologist known for his controversial 24-hour therapy program and treatment of celebrity clients. Landy's regimen involved supervising and micromanaging his client's life with a team of counselors and doctors. His most notable patient was the Beach Boys' Brian Wilson, with whom he formed a business and creative partnership in the 1980s.
"Heroes and Villains" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, Wilson envisioned the song as an Old West-themed musical comedy that would surpass the recording and artistic achievements of "Good Vibrations". The single was Brother Records' first release. While it failed to meet critical and commercial expectations, it was nevertheless a hit record, peaking at number 12 in the U.S. and number 8 in the UK.
Brian Wilson is the first solo album by American musician Brian Wilson of the Beach Boys, released July 12, 1988, by Sire and Reprise Records. Promoted as a spiritual successor to his band's 1966 release Pet Sounds, the album is characterized by its rich, synthesizer-heavy orchestrations. It cost over $1 million to record and was the first album produced by Wilson since The Beach Boys Love You (1977). His former psychologist, Eugene Landy, was credited as "executive producer".
Marilyn Wilson-Rutherford is an American singer who is best known as the first wife of Beach Boys co-founder Brian Wilson. She was also a member of two girl groups, the Honeys in the 1960s and American Spring in the 1970s.
"Cool, Cool Water" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. It was written by Brian Wilson and Mike Love and later issued as an A-sided single in March 1971.
"Cabinessence" is a song by the American rock band the Beach Boys from their 1969 album 20/20 and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, Wilson described the song as a "rock and roll waltz" about railroads, while Parks offered that the pair were attempting to write a song that would end on "a freeze frame of the Union Pacific Railroad". The instrumentation includes banjo, cello, dobro, bouzouki, fuzz bass, trumpet, accordion, and percussion that was arranged to sound like the pounding of rail spikes.
"Love and Mercy" is a song by American musician Brian Wilson and the opening track from his 1988 album Brian Wilson. Co-produced by Russ Titelman, the song was released as a single on July 1, 1988, but failed to chart. Psychologist Eugene Landy and his girlfriend Alexandra Morgan were formerly listed as co-writers. Wilson characterized "Love and Mercy" as a semi-autobiographical song that exemplifies his own "Jesus Christ complex," or in other words, his compulsion to "give love to people". The song was influenced by the 1965 hit "What the World Needs Now Is Love."
Sweet Insanity is an unofficial album by American musician Brian Wilson that was produced in 1990 as the follow-up to his first solo album, Brian Wilson (1988). It was largely written and produced by Wilson alongside his former psychologist, Eugene Landy.
Smile is an unfinished album by the American rock band the Beach Boys that was intended to follow their 1966 album Pet Sounds. It was to be an LP of twelve tracks assembled from modular fragments, the same editing process used for their "Good Vibrations" single. Instead, after a year of recording, the album was shelved and the group released a downscaled version, Smiley Smile, in September 1967. Over the next four decades, few of the original Smile tracks were officially released, and the project came to be regarded as the most legendary unreleased album in popular music history.
Adult/Child is an unreleased studio album by the American rock band the Beach Boys that was produced in early 1977. Similar to the release it was meant to follow, The Beach Boys Love You, the album is essentially a semi-autobiographical solo effort by the band's chief songwriter and producer, Brian Wilson. The title refers to a theory that one's personality can be split into "adult" and "child" modes of thinking.
Many recordings and performances by the Beach Boys have attained some level of public circulation without being available as a legal release, and several albums by the band or its members were fully assembled or near completion, before being shelved, rejected, or revised as an entirely new project. Since the early 1980s, numerous rarities compilations and album reissues have been released with studio outtakes included as bonus tracks.
The "Andy Paley sessions" is the unofficial name given to an unfinished recording project by American musicians Brian Wilson and Andy Paley. During the 1990s, the duo planned to record an album that would have comprised original material written and produced by themselves with participation from other members of the Beach Boys. It was the last time Brian worked with his bandmates before Carl Wilson's death in 1998.