Wonderful (The Beach Boys song)

Last updated

Musically, it's entirely different from anything else. and I thought that it was a place, an opportunity, to begin a love song. I remember Brian pressing me about the relationship between the mother and the father and the child. And this is the guy who wrote "When I Grow Up (To Be A Man)", the guy who is becoming a man. I really think that he was thinking about his own personal progression from childhood. Now I thought, once we had gotten "Heroes And Villains" done, we might have seen a boy/girl song emerge, other than "Wonderful". Honestly, I really thought we would do it, but I never found an opportunity to pursue that with the music I was given. [3]

The lyrics tell the story of a girl whose meeting with a boy disrupts her devotion to God and her parents. [4] Wilson commented, "A sweet song all about a girl who just stays in her little world, you know? And then she bumps into a boy, and then she gets her heart broken, then she goes back to her 'Wonderful.'" [5]

Of the songs on Smile, some of which deal with spiritual themes, "Wonderful" is the only one that refers to God explicitly. [1] Music journalist David Zahl wrote that although "The Lord gets a mention in 'Wonderful'", it is "mainly as a somewhat creepy device to deal with adolescent sexuality." [6] Biographer Mark Dillon interpreted the interlude on the Smiley Smile rendition as a musical representation of the female protagonist's sexual awakening. [7]

Parks was not credited for co-writing "Wonderful" when it was first published. He was awarded an official writing credit after broaching the issue with Wilson in 2003. [8]

Recording

Smile sessions

"Wonderful" was one of the first songs attempted for Smile, and according to historian Keith Badman, none of the Smile recordings of "Wonderful" were finished versions of the song. [9] The original is a harpsichord-led arrangement supported by trumpet and the group's backing vocals. [1]

The basic track for the first version was recorded on August 25, 1966 at Western Studio. It took 18 takes to record; Wilson had trouble playing the harpsichord. At one point in the session, he remarked to engineer Chuck Britz, "Some of these notes are fucking up. I swear to God. You push them and they don't go." [10] On October 6, Wilson overdubbed a lead vocal onto the track. Drums and other instruments are also added to the track during the session. Wilson then created a rough mix of the track. [9] Further vocals were recorded for the song on December 15 at Columbia Studio. [11]

On January 9, 1967, the second version (known as the "Rock with Me Henry" version) was recorded at Western. [12] [nb 1] Badman speculated that Wilson "consider[ed] this another potential candidate for the B-side of 'Heroes and Villains'." [13] A third version of the song, with piano as the sole accompaniment, was recorded by the band around April 10 at Armin Steiner's Sound Recorders Studio. [12] On April 29, publicist Derek Taylor reported that a single, "Vegetables" backed with "Wonderful", would soon be released. Regarding "Wonderful", he wrote, "I only heard [it] improvised at the piano with the boys humming the theme for Paul [McCartney]." [14]

Smiley Smile sessions

From June to July 1967, the Beach Boys recorded simplified versions of Smile-period songs, including "Wonderful", for the forthcoming album Smiley Smile. [15] According to Dillon, "Wonderful" had "the most radical reinterpretation". [4] It was recorded in one three-hour session at Wilson's makeshift home studio. Carl Wilson sang the lead vocal with piano and organ as accompaniment. [4]

This version omitted one verse from the original lyrics. Instead, the section consists of a 35-second interlude described by Dillon as "a left turn into a hash den". [4] Dillon believed that, amid the group's giggling and nonsense doo-wop chanting, the phrase "don't think you're God" can be heard in the mass of voices. [16]

"Wonderbill"

In 1972, the Beach Boys performed "Wonderful" at numerous concert dates in medley with the Flames' song "Don't Worry Bill". [17] They nicknamed the medley "Wonderbill". [18]

Recognition

Reviewing the 2001 CD reissue of Smiley Smile for Pitchfork , Spencer Owen praised the song as featuring one of Wilson's best melodies, although he also felt the Smiley Smile rendition did not do it justice, commenting, "the Smiley Smile version is gorgeous enough, but it nearly pales in comparison to the stripped-down harpsichord and heartbreaking harmonies of the original." [19] Dillon characterized the Smile version as "proto-psychedelic chamber pop" and the Smiley Smile rendition as " Beach Boys' Party! on acid." [20] He wrote, "If Smile was indeed shelved in part because any band members found the music too weird, it is inconceivable that they would have seen this as any more accessible." [7]

Mike Love cited "Wonderful" as his favorite song on Smile Mike Love Pet Sounds.jpg
Mike Love cited "Wonderful" as his favorite song on Smile

For his curation of the 2002 compilation Classics Selected by Brian Wilson , Wilson chose the Smiley Smile version of "Wonderful" as one of his favorite songs by the Beach Boys. [1] It is also Mike Love's favorite song from Smile. [21] In a 2011 interview, he commended Parks' "marvelous job" with the lyrics and described the piece as beautiful, sensitive, and possessing the ability to move listeners to tears. [22] In 2012, he added, "'Wonderful' is an amazing, amazing piece of work. Holy shit! Van Dyke and Brian did a great collaboration on that one. It’s a really beautiful song. That’s probably my favorite thing from the Smile project." [21]

Among other musicians, Matthew Sweet praised the Smile version for its baroque feel, although he decreed, the song "gets a little more trivialized on Smiley Smile". [1] Wondermints co-founder Darian Sahanaja said, "I remember around 1984 or ’85 getting one of the first cassettes with Smile bootlegs floating around and hearing this version of 'Wonderful' with Brian playing harpsichord. That pretty much changed my life. It sounded to me like the natural link between Pet Sounds and 'Heroes & Villains.' So amazing. Even now, when I think of Smile I think of that piece." [23]

Release history

"Wonderful"
Song by the Beach Boys
from the album Smiley Smile
ReleasedSeptember 18, 1967 (1967-09-18)
Recorded1967
Length2:21
Label
Songwriter(s)
Producer(s) The Beach Boys
Licensed audio
"Wonderful" on YouTube
"Wonderful"
Brian Wilson Wonderful.jpg
Single by Brian Wilson
from the album Brian Wilson Presents Smile
B-side "Wind Chimes"
ReleasedSeptember 20, 2004
Recorded2004
Length2:01
Label Nonesuch Records
Songwriter(s) Brian Wilson, Van Dyke Parks
Producer(s) Brian Wilson
Brian Wilson singles chronology
"Your Imagination"
(1998)
"Wonderful"
(2004)
"Good Vibrations"
(2004)
Licensed audio
"Wonderful" on YouTube

Personnel

Per band archivist Craig Slowinski, the following credits pertain to the Smile versions. [12]

Version 1 (recorded August 25 – December 15, 1966)

Version 2 – "Rock with Me Henry" (recorded January 9, 1967)

Version 3 (recorded April 10, 1967 [uncertain date])

Cover versions

Notes

  1. Slowinski could not determine when and where the vocals of this version were overdubbed. [12]

Related Research Articles

<i>Smiley Smile</i> 1967 studio album by the Beach Boys

Smiley Smile is the 12th studio album by American rock band the Beach Boys, released on September 18, 1967. Conceived as a simpler and more relaxed version of their unfinished Smile album, Smiley Smile is distinguished for its homespun arrangements, "stoned" aesthetic, and lo-fi production. Critics and fans generally received the album and its lead single, "Heroes and Villains", with confusion and disappointment. The album reached number 9 on UK record charts, but sold poorly in the US, peaking at number 41—the band's lowest chart placement to that point.

<span class="mw-page-title-main">Good Vibrations</span> 1966 single by the Beach Boys

"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966 and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of pop music formula, it was the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era.

<span class="mw-page-title-main">Heroes and Villains</span> 1967 single by the Beach Boys

"Heroes and Villains" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, Wilson envisioned the song as an Old West-themed musical comedy that would surpass the recording and artistic achievements of "Good Vibrations". The single was Brother Records' first release and failed to meet critical and commercial expectations, although it was a hit record, peaking at number 12 in the U.S. and number 8 in the UK.

<span class="mw-page-title-main">Surf's Up (song)</span> Song written by Brian Wilson and Van Dyke Parks for the Beach Boys

"Surf's Up" is a song recorded by the American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally intended for Smile, an unfinished Beach Boys album that was scrapped in 1967. The song was later completed by Brian and Carl Wilson as the closing track of the band's 1971 album Surf's Up.

<span class="mw-page-title-main">Darlin' (The Beach Boys song)</span> 1967 single by the Beach Boys

"Darlin'" is a song by American rock band the Beach Boys from their 1967 album Wild Honey. Written by Brian Wilson and Mike Love, it was inspired by singer Danny Hutton and was originally intended to be recorded by an early version of Three Dog Night. Carl Wilson ultimately sang the lead vocal.

<span class="mw-page-title-main">Cool, Cool Water</span> 1971 single by the Beach Boys

"Cool, Cool Water" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. It was written by Brian Wilson and Mike Love and later issued as an A-sided single in March 1971.

<span class="mw-page-title-main">Cabinessence</span> 1969 song by the Beach Boys

"Cabinessence" is a song by the American rock band the Beach Boys from their 1969 album 20/20 and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, Wilson described the song as a "rock and roll waltz" about railroads, while Parks offered that the pair were attempting to write a song that would end on "a freeze frame of the Union Pacific Railroad". The instrumentation includes banjo, cello, dobro, bouzouki, fuzz-tone bass, trumpet, accordion, and percussion that was arranged to sound like the pounding of rail spikes.

"Wind Chimes" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, it was inspired by wind chimes hanging outside Wilson's home and was one of the first pieces tracked for the Smile sessions.

"Vegetables" is a song by American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, the song was conceived by Wilson as a tongue-in-cheek promotion of organic food. Another reported inspiration for the song was a humorous comment Wilson heard about the effect of marijuana turning him and his friends into a "vegetative" state.

"Fire" is an instrumental by American musician Brian Wilson that he originally composed for the Beach Boys' never-finished album Smile. Named after Catherine O'Leary and the Great Chicago Fire, the track was originally conceptualized as part of "The Elements", a four-part movement based on the four classical elements: Air, Fire, Earth, and Water. Wilson's friends, family, and colleagues later referred to its recording as heralding his period of psychosis and the unraveling of the Smile project.

<i>The Smile Sessions</i> 2011 compilation album and box set by the Beach Boys

The Smile Sessions is a compilation album and box set recorded by American rock band the Beach Boys, released on October 31, 2011 by Capitol Records. The set is the follow-up to The Pet Sounds Sessions (1997), this time focusing on the abandoned recordings from the band's unfinished 1966–1967 album Smile. It features comprehensive session highlights and outtakes, with the first 19 tracks comprising a hypothetical version of the completed Smile album.

<span class="mw-page-title-main">Good Time (American Spring song)</span>

"Good Time" is a song by American pop music duo American Spring from their 1972 album Spring. It was written by Brian Wilson and Al Jardine originally for the Beach Boys' album Sunflower (1970). In 1972, Spring released "Good Time" as their second single, recording their voices atop the Beach Boys' instrumental track. In 1977, the Beach Boys released their original version of the song on the album The Beach Boys Love You.

"Do You Like Worms?" is a song by American rock band the Beach Boys from their unfinished album Smile. Written by Brian Wilson and Van Dyke Parks, the song is about the recolonization of the American continent and contains references to the Sandwich Islands and "Bicycle Rider Back" playing cards. None of the lyrics appear to mention worms; asked about the title, Parks said he could not remember where it came from.

"Look" is an incomplete musical piece that was composed by American musician Brian Wilson for the Beach Boys' aborted Smile album. It is theorized that a missing session tape would have contained a vocal track that he recorded with his bandmates.

"Child Is Father of the Man" is a song by American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally recorded for the band's never-finished album Smile. In 2004, Wilson rerecorded the song for Brian Wilson Presents Smile. In 2011, the Beach Boys' original recording was released on The Smile Sessions.

<i>Smile</i> (The Beach Boys album) Unfinished studio album by the Beach Boys

Smile is an unfinished album by the American rock band the Beach Boys that was intended to follow their 1966 album Pet Sounds. It was to be an LP of twelve tracks assembled from modular fragments, the same editing process used for their "Good Vibrations" single. Instead, after a year of recording, the album was shelved and the group released a downscaled version, Smiley Smile, in September 1967. Over the next four decades, few of the original Smile tracks were officially released, and the project came to be regarded as the most legendary unreleased album in popular music history.

<span class="mw-page-title-main">Guess I'm Dumb</span> 1965 single by Glen Campbell

"Guess I'm Dumb" is a song recorded by American singer Glen Campbell that was released as his seventh single on Capitol Records on June 7, 1965. Written by Brian Wilson and Russ Titelman, it is a love song that describes a man who regrets ending a relationship after he realizes he still harbors deep feelings for his former lover. The single failed to chart.

<span class="mw-page-title-main">I Just Wasn't Made for These Times</span> 1966 song by the Beach Boys

"I Just Wasn't Made for These Times" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, the lyrics describe the disillusionment of someone who struggles to fit into society. Musically, it is distinguished for its melodic bass guitar, layered vocals, and Electro-Theremin solo, marking the first time the instrument was used in popular music and the first time theremin-like sounds were used on a rock record.

<i>Leid in Hawaii</i> Live album (unfinished) by the Beach Boys

Lei'd in Hawaii is an unfinished live album by American rock band the Beach Boys that was produced shortly after the completion of their 1967 studio album Smiley Smile. It was initially planned to include the band's first live concert performances since their tour of Europe in May 1967.

"Holidays" is an instrumental by the American rock band the Beach Boys that was composed by Brian Wilson for their never-finished Smile album. In 2003, it was rewritten with new lyrics by Van Dyke Parks as "On a Holiday" for the project Brian Wilson Presents Smile (2004).

References

  1. 1 2 3 4 5 6 7 Dillon 2012, p. 151.
  2. Badman 2004, p. 148.
  3. 1 2 Priore 2005, p. 71.
  4. 1 2 3 4 Dillon 2012, p. 149.
  5. Lambert 2007, p. 268.
  6. Zahl, David (November 16, 2011). "That Time The Beach Boys Made a Teenage Symphony to God". Mockingbird.
  7. 1 2 Dillon 2012, p. 150.
  8. Priore 2005, p. 170.
  9. 1 2 Badman 2004, p. 150.
  10. Badman 2004, p. 145.
  11. Badman 2004, p. 166.
  12. 1 2 3 4 5 The Smile Sessions (deluxe box set booklet). The Beach Boys. Capitol Records. 2011.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  13. Badman 2004, p. 173.
  14. Badman 2004, p. 182.
  15. Badman 2004, p. 188.
  16. Dillon 2012, pp. 149–150.
  17. Badman 2004, pp. 306, 310, 313, 321, 323.
  18. Badman 2004, p. 306.
  19. "The Beach Boys: Smiley Smile/Wild Honey". Pitchfork. 2001-03-29. Retrieved 2023-05-31.
  20. Dillon 2012, pp. 150–151.
  21. 1 2 Beard, David (January 4, 2012). "Discover the story behind The Beach Boys' 'SMiLE'". Goldmine . Retrieved August 2, 2013.
  22. "The Beach Boys Smile". Mojo Magazine. June 2011.
  23. Roedel, J. (October 12, 2011). "The AD Interview :: Darian Sahanaja (Behind The Smile Sessions)". Aquarium Drunkard. Retrieved 24 July 2013.
  24. Badman 2004, p. 151.
  25. Priore 1995, p. 160.
  26. "Endless Harmony [Soundtrack] - the Beach Boys | Songs, Reviews, Credits | AllMusic". AllMusic .
  27. Erlewine, Stephen Thomas (2012). "Made in California – The Beach Boys". AllMusic .

Bibliography