"Do You Like Worms" | |
---|---|
Song by the Beach Boys | |
from the album Good Vibrations: Thirty Years of the Beach Boys | |
Released | July 29, 1993 |
Recorded | October 18, 1966 –January 5, 1967 |
Studio | Western and Columbia, Hollywood |
Length | 4:00 |
Label | Capitol |
Songwriter(s) | |
Producer(s) | Brian Wilson |
Licensed audio | |
"Do You Like Worms" on YouTube | |
Audio sample | |
"Do You Like Worms?" (sometimes erroneously referred to as "Do You Dig Worms?") [1] is a song by American rock band the Beach Boys from their unfinished album Smile . Written by Brian Wilson and Van Dyke Parks,the song is about the recolonization of the American continent and contains references to the Sandwich Islands and "Bicycle Rider Back" playing cards. None of the lyrics appear to mention worms;asked about the title,Parks said he could not remember where it came from,although in a Reddit AMA,Wilson stated that Parks had come up with it. [2]
The keyboard break melody was later reworked into the chorus of "Heroes and Villains" (1967). Wilson rerecorded "Do You Like Worms" as "Roll Plymouth Rock" for his solo album Brian Wilson Presents Smile (2004). The Beach Boys' original recording of "Do You Like Worms?" was released on the compilations Good Vibrations:Thirty Years of the Beach Boys (1993) and The Smile Sessions (2011). Cover versions have been recorded by the Olivia Tremor Control and Secret Chiefs 3.
In the May 1967 issue of Crawdaddy! ,editor Paul Williams reported that the upcoming Beach Boys album Smile would include "something about going in the yard to eat worms." [3] Asked about the song in 2004,co-writer Van Dyke Parks could not remember where the title had originated from,speculating,"I have a feeling it was maybe an engineer,or maybe Brian,maybe Mike Love. There aren't any other words in the song that relate to that title." [4]
Biographer Byron Preiss wrote that the melodic figure in the "Bicycle Rider" portion of the song was an outlet for Wilson's "obsession with the sound of 'light' wheels—the gentle clicking of a coasting bicycle". [5] In April 1969,former band associate Michael Vosse penned an article for Fusion magazine in which he discussed the Smile album. In the article,he mentioned that a song called "Bicycle Rider" "was to be integrated" with another song,"Home on the Range",that later evolved into "Cabinessence". [6]
Commenting on the release of The Smile Sessions (2011),Al Jardine stated:"I kept yelling at people over at Capitol that there’s not one goddamn lyric about worms on this track. It’s called 'Roll Plymouth Rock'. I defy you to find anything about worms on there. But they wanted to name it 'Do You Like Worms'. ... I’m sure that there was a song that Brian and Van Dyke did do called 'Do You Like Worms' that they didn't even play for us." [7]
"Do You Like Worms?" is about the recolonization of the American continent. [8] In Parks' words,"It's about bringing this Euro-sensibility into the taming of the American continent,from Plymouth Rock to Waikiki." [9] The "bicycle rider" mentioned in the lyric is a reference to "Bicycle Rider Back" playing cards printed by the United States Playing Card Company during the 19th century. Parks commented,"A lot of people misinterpreted that,but that's OK;it's OK not to be told what to think,if you're an audience." [10]
Artist Frank Holmes,who designed the Smile cover artwork,created an illustration that was inspired by the song's lyrics:"Do You Like Worms". Along with several other drawings,it was planned to be included within a booklet packaged with the Smile LP. [11] Holmes shared a summary of his design choices in Priore's 2005 book Smile:The Story of Brian Wilson's Lost Masterpiece:
The image for this one was of a civilisation steaming on the Sandwich Isles. I used tea kettles and a bacon-and-tomato sandwich – a joke about the Sandwich Isles.
The blankets and the fishing hooks are a reference to my childhood. I used to go to church socials, where they had a game called ‘fish’ where you’d put a little fishing pole over a blanket, and there’d be someone on the other side that would hang a little toy or a gift onto that. Then you’d pull back and you’d have this treat. So, I had this as Indians selling Manhattan Island for $28 worth of beads.
Then there’s the can of worms. I took that from the lyric ‘Do you like worms’, but then, what do you do with that? You show someone enjoying a worm.
The Rhode Island Red thing is a reference to Plymouth Rock, which is a type of chicken, like a Rhode Island Red. I used that as loose poultry connection. You had Rhode Island and Plymouth Rock, then you’ve got a couple of Indians behind the rock and people smoking a pipe there. [12]
One of the lyrics written for the song was "And as we returned to the East or West Indies / We always got them confused". [13] Holmes explained more about the song in a 1997 issue of the Endless Summer Quarterly fanzine:
And then there's a piece called "Ribbon of concrete, see what you done done", which became "Bicycle rider, see what you done done". It came from the old standard "CC Rider, see what you done done". I remember it went on, "See what you done done, to the church of the American Indian..." And there was a last part on there that went something like: 'Having returned to the East or West Indies - we always got them confused...' It had to do with the white man's advancement. [13]
According to journalist Domenic Priore, the line about the "ribbon of concrete" symbolized a negative variant of the lyric "that ribbon of highway" from the American folk song "This Land Is Your Land", while the tag lyric, "mahala lu lei", refers to a Hawaiian Thanksgiving prayer. [10]
Most of "Do You Like Worms?" was recorded at one session held on October 18, 1966 at Western Studio. [14] During the tracking, Wilson struggled with getting the right sound from bassist Carol Kaye before finally instructing her to strum softer. He then said, "I knew I'd find it, if I really searched and reached out." [15] In his review of The Smile Sessions for Rolling Stone , David Fricke remarked that this exchange was the "moment in this five-CD ocean of music when you agree with its creator ... that the greatest pop album ever made is still within reach." [15]
The group overdubbed vocals onto the track on December 21 at Columbia Studio. [14] At some point, Wilson began considering the "Bicycle Rider" theme for inclusion in the structure of "Heroes and Villains". [16] Further overdubs to the "Bicycle Rider" section were recorded on January 5, 1967. The latter session was logged as "Heroes and Villains: Part 2". [14] According to historian Keith Badman, the lyrics about the "Sandwich Isles" and "ribbon of concrete" were "apparently not recorded". [17]
When the Beach Boys performed "Heroes and Villains" at their concerts in the 1970s, they incorporated the "Bicycle Rider" lyrics from "Do You Like Worms?". [18] In 1978, Bruce Johnston told biographer David Leaf that the band's manager James William Guercio had insisted on opening L.A. (Light Album) with a Smile track titled "Rock Plymouth Rock/Roll". [19]
In 2004, Wilson rerecorded "Do You Like Worms" as "Roll Plymouth Rock" for his album Brian Wilson Presents Smile . Asked about the title change, Wilson explained, "Because we wanted something a little more appropriate, you know? Something that sounded more appropriate." [20]
Per band archivist Craig Slowinski. [14]
The Beach Boys
Guest
Session musicians
Brian Wilson Presents Smile is the fifth studio album by American musician Brian Wilson, released on September 28, 2004 on Nonesuch. It features all-new recordings of music that he had originally created for Smile, an unfinished album by the Beach Boys that he abandoned in 1967. Revisiting Smile was an intense emotional undertaking for Wilson, as he had been deeply traumatized by the circumstances that had originally surrounded the project.
Smiley Smile is the twelfth studio album by the American rock band the Beach Boys, released on September 18, 1967. Conceived as a simpler and more relaxed version of their unfinished Smile album, Smiley Smile is distinguished for its homespun arrangements, "stoned" aesthetic, and lo-fi production. Critics and fans generally received the album and its lead single, "Heroes and Villains", with confusion and disappointment. The album reached number 9 on UK record charts, but sold poorly in the U.S., peaking at number 41—the band's lowest chart placement to that point.
Brother Records, Inc. (BRI) is an American holding company and record label established in 1966 that owns the intellectual property rights of the Beach Boys, including "The Beach Boys" trademark. It was founded by brothers Brian, Carl and Dennis Wilson, and their cousin Mike Love. As of 2011, the corporation was equally owned by four shareholders and directors: Brian Wilson, Mike Love, Al Jardine, and the estate of Carl Wilson.
"Heroes and Villains" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, Wilson envisioned the song as an Old West-themed musical comedy that would surpass the recording and artistic achievements of "Good Vibrations". The single was Brother Records' first release. While it failed to meet critical and commercial expectations, it was nevertheless a hit record, peaking at number 12 in the U.S. and number 8 in the UK.
"Sail On, Sailor" is a song by American rock band the Beach Boys from their 1973 album Holland. It was written primarily by Van Dyke Parks and Brian Wilson with Ray Kennedy, Tandyn Almer, and Jack Rieley. The lead singer on the song is Blondie Chaplin, making this one of the band's few well-known songs not sung by Mike Love, Brian Wilson or Carl Wilson. The song was released as a single in 1973, backed with "Only with You", and peaked at No. 79 on the Billboard singles chart. A 1975 reissue charted higher, at No. 49.
"Surf's Up" is a song recorded by the American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally intended for Smile, an unfinished Beach Boys album that was scrapped in 1967. The song was later completed by Brian and Carl Wilson as the closing track of the band's 1971 album Surf's Up.
"Wonderful" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, it was their only collaboration that resulted in a love song, telling the story of a young girl's sexual awakening and its disruption of her devotion to God and her parents.
"Darlin'" is a song by American rock band the Beach Boys from their 1967 album Wild Honey. Written by Brian Wilson and Mike Love, it was inspired by singer Danny Hutton and was originally intended to be recorded by an early version of Three Dog Night. Carl Wilson ultimately sang the lead vocal.
"Cabinessence" is a song by the American rock band the Beach Boys from their 1969 album 20/20 and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, Wilson described the song as a "rock and roll waltz" about railroads, while Parks offered that the pair were attempting to write a song that would end on "a freeze frame of the Union Pacific Railroad". The instrumentation includes banjo, cello, dobro, bouzouki, fuzz bass, trumpet, accordion, and percussion that was arranged to sound like the pounding of rail spikes.
"Wind Chimes" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, it was inspired by wind chimes hanging outside Wilson's home and was one of the first pieces tracked for the Smile sessions.
"Vegetables" is a song by American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, the song was conceived by Wilson as a tongue-in-cheek promotion of organic food. Another reported inspiration for the song was a humorous comment Wilson heard about the effect of marijuana turning him and his friends into a "vegetative" state.
"Fire" is an instrumental by American musician Brian Wilson that he originally composed for the Beach Boys' never-finished album Smile. Named after Catherine O'Leary and the Great Chicago Fire, the track was originally conceptualized as part of "The Elements", a four-part movement based on the four classical elements: Air, Fire, Earth, and Water. Wilson's friends, family, and colleagues later referred to its recording as heralding his period of psychosis and the unraveling of the Smile project.
The Smile Sessions is a compilation album and box set recorded by American rock band the Beach Boys, released on October 31, 2011, by Capitol Records. The set is the follow-up to The Pet Sounds Sessions (1997), this time focusing on the abandoned recordings from the band's unfinished 1966–1967 album Smile. It features comprehensive session highlights and outtakes, with the first 19 tracks comprising a hypothetical version of the completed Smile album.
"Child Is Father of the Man" is a song by American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally recorded for the band's never-finished album Smile. In 2004, Wilson rerecorded the song for Brian Wilson Presents Smile. In 2011, the Beach Boys' original recording was released on The Smile Sessions.
Smile is an unfinished album by the American rock band the Beach Boys that was intended to follow their 1966 album Pet Sounds. It was to be an LP of twelve tracks assembled from modular fragments, the same editing process used for their "Good Vibrations" single. Instead, after a year of recording, the album was shelved and the group released a downscaled version, Smiley Smile, in September 1967. Over the next four decades, few of the original Smile tracks were officially released, and the project came to be regarded as the most legendary unreleased album in popular music history.
Michael Vosse was an American journalist and A&M Records publicist. He is best known as assistant to Brian Wilson during the formation of the Beach Boys' Brother Records and the recording of the album Smile (1966–67). His work also included limited time serving as a television producer, and narrator.
Lei'd in Hawaii is an unfinished live album by American rock band the Beach Boys that was produced shortly after the completion of their 1967 studio album Smiley Smile. It was initially planned to include the band's first live concert performances since their tour of Europe in May 1967.
The Radiant Radish was a health food store located at the corner of Melrose Avenue and San Vicente Boulevard in West Hollywood, California, from 1969 to 1971. It was managed by Brian Wilson of the Beach Boys, his cousin Steve Korthoff, and friend Arny Geller.
"Holidays" is an instrumental by the American rock band the Beach Boys that was composed by Brian Wilson for their never-finished Smile album. In 2003, it was rewritten with new lyrics by Van Dyke Parks as "On a Holiday" for the project Brian Wilson Presents Smile (2004).
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