"Wind Chimes" | |
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Song by the Beach Boys | |
from the album Smiley Smile | |
Released | September 18, 1967 |
Recorded | July 10–11, 1967 |
Studio | Beach Boys Studio, Los Angeles |
Length | 2:36 |
Label | |
Songwriter(s) | Brian Wilson |
Producer(s) | The Beach Boys |
Licensed audio | |
"Wind Chimes" on YouTube | |
Audio sample | |
"Wind Chimes" | |
---|---|
Song by the Beach Boys | |
from the album Good Vibrations:Thirty Years of the Beach Boys | |
Released | July 29, 1993 |
Recorded | August 3 –October 10,1966 |
Studio | Gold Star and Western,Hollywood |
Length | 2:33 |
Label | Capitol |
Songwriter(s) | |
Producer(s) | Brian Wilson |
Licensed audio | |
"Wind Chimes" on YouTube | |
Audio sample | |
"Wind Chimes" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks,it was inspired by wind chimes hanging outside Wilson's home and was one of the first pieces tracked for the Smile sessions.
The original version of "Wind Chimes" was recorded from August to October 1966 and featured a coda that consisted of multiple overdubbed pianos played in counterpoint from each other. In July 1967,the band rerecorded the song with a significantly different arrangement for inclusion on Smiley Smile. The original Smile recordings were later released on the compilations Good Vibrations:Thirty Years of the Beach Boys (1993) and The Smile Sessions (2011).
"Wind Chimes" was written by Brian Wilson and Van Dyke Parks,although Parks was not officially credited as a co-writer when the song was first published. [1] Brian's wife Marilyn said:"We went shopping one day and we brought home some wind chimes. We hung them outside the house and then one day,while Brian was sitting around he sort of watched them out the window and then he wrote the song. I think that’s how it happened. Simple. He does a lot of things that way." [2]
For years,fans had been speculating that "Wind Chimes" was to fulfill the "Air" section of "The Elements" suite that Brian had envisioned for Smile,due to its breezy instrumentation and lyrics referencing the eponymous ornamental—an instrument provoked by wind. However,a preliminary track list from December 1966 indicated "The Elements" and "Wind Chimes" as separate tracks;and that the "Air" section could have alluded more to breathing,as implied through practice sessions performed by Brian and his friends. [3]
"Wind Chimes",in its original form,was first tracked on August 3,1966 at Gold Star Studios. The occasion marked the unofficial start of the Smile sessions. [4] Another version of the track was recorded on October 3,which was later followed by further overdubs on October 5 and 10 at Western Studio. [5] Van Dyke Parks said,
When we got to "Wind Chimes", on the mallet tremolos, I remember at that point Brian asked me to play mallets, but the fellow who really played them was Gary Coleman, the great percussionist, who came down to do a lot of percussion for the album. We discovered that, by recording at half speed, you would come down an octave. So you could play anything at half speed an octave lower, raise the speed to normal speed, and you'd sound like you could play like a son of a bitch, like an expert. It gave you velocity that you didn't really have. [6]
In a March 1967 article for Teen Set, band associate Michael Vosse wrote of a half-hour recording session involving the overdubbing of contrapuntal "music box" piano parts,
"OK, let's hear it." Wilson in the control room, standing close to the center speaker, listens to the playback. He rushes to the board and supervises the throwing of switches and turning of knobs – more echo on the third track, a touch of reverb on the second honky-tonk overdub, this track dry and the other with more highs. Something happens to the sounds; they change, they move around and are transformed into a work of sheer beauty. Everyone in the booth has seen and heard the entire process.
"How did he do it?" they ask one another. Wilson stands at the back of the booth chuckling, he grabs a fire exinguisher off the wall and aims the nozzle at his friend David Anderle. "All right David, this is IT, you've HAD IT!" WOOOOOOOSSSSSHHHHHHHHHH! A blast of air cools David's face. Both men collapse giggling. [7]
Vosse referred to "Wind Chimes" explicitly in a 1969 article for Fusion, again recalling the "music box" tag section, and said, "at that time it [the song] was considered a tentatively finished product." He also wrote,
Brian did something I've never heard anybody do: by recording everybody and doing the song straight through, and going back to the tape and eliminating voices, he had this little section where voices sounded like little percussion instruments — because he took everything out and would only let one little thing come in at a time, so suddenly there was this break and it was funny, but it worked so well that it built up the rhythm and made the change in such a way that all I can say is he found a new way to make musical changes in a song. And I must've heard the thing a hundred times: Anderle and I used to beg him to play that old dub for us. [8]
The Smiley Smile version of "Wind Chimes" was recorded on July 10 and 11, 1967 at Wilson's makeshift home studio. [9] This version differed significantly from its Smile counterpart. In the description of Record Collector's Jamie Atkins, "'Wind Chimes', previously breezy and bucolic, became tense and claustrophobic; the usually angelic harmonies of the Beach Boys sound discordant, even malevolent, until the end of the track when a beautiful a cappella flourish gives way to a barely audible Dennis, Brian and Carl harmony tag." [10] The tag contains a melody that was previously used in Wilson's "Holidays". [11]
Writing in The Wire , Mike Barnes remarked of the Smile version of the song, "'Wind Chimes', with its exquisite tuned percussion, seems certain to have been influenced by Steve Reich's Drumming , but then you realise it was recorded five years before Reich's minimalist masterpiece was even composed." [12]
In July 1967, the bass line from the Smile version of "Wind Chimes" was reworked into another song, "Can't Wait Too Long". [13]
On December 23, 1967, "Wind Chimes" was issued as the B-side of the band's "Wild Honey" single. [14]
In 1994, "Wind Chimes" was sampled by German electronica duo Mouse on Mars in their song "Die Seele von Brian Wilson".
Per band archivist Craig Slowinski, these credits pertain to the Smile version. [5]
The Beach Boys
Guest
Session musicians
Smiley Smile is the twelfth studio album by the American rock band the Beach Boys, released on September 18, 1967. Conceived as a simpler and more relaxed version of their unfinished Smile album, Smiley Smile is distinguished for its homespun arrangements, "stoned" aesthetic, and lo-fi production. Critics and fans generally received the album and its lead single, "Heroes and Villains", with confusion and disappointment. The album reached number 9 on UK record charts, but sold poorly in the U.S., peaking at number 41—the band's lowest chart placement to that point.
Brother Records, Inc. (BRI) is an American holding company and record label established in 1966 that owns the intellectual property rights of the Beach Boys, including "The Beach Boys" trademark. It was founded by brothers Brian, Carl and Dennis Wilson, and their cousin Mike Love. As of 2011, the corporation was equally owned by four shareholders and directors: Brian Wilson, Mike Love, Al Jardine, and the estate of Carl Wilson.
Wild Honey is the thirteenth studio album by the American rock band the Beach Boys, released on December 18, 1967, by Capitol Records. It was the group's first foray into soul music and was heavily influenced by the R&B of Motown and Stax Records. The album was the band's worst-selling at that point, charting at number 24 in the US. Lead single "Wild Honey" peaked at number 31, while its follow-up "Darlin'" reached number 19. In the UK, the album peaked at number seven.
"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966 and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of pop music formula, it was at the time the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era.
"Heroes and Villains" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, Wilson envisioned the song as an Old West-themed musical comedy that would surpass the recording and artistic achievements of "Good Vibrations". The single was Brother Records' first release. While it failed to meet critical and commercial expectations, it was nevertheless a hit record, peaking at number 12 in the U.S. and number 8 in the UK.
"Surf's Up" is a song recorded by the American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally intended for Smile, an unfinished Beach Boys album that was scrapped in 1967. The song was later completed by Brian and Carl Wilson as the closing track of the band's 1971 album Surf's Up.
"Wonderful" is a song by the American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, it was their only collaboration that resulted in a love song, telling the story of a young girl's sexual awakening and its disruption of her devotion to God and her parents.
"Cool, Cool Water" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. It was written by Brian Wilson and Mike Love and later issued as an A-sided single in March 1971.
"Cabinessence" is a song by the American rock band the Beach Boys from their 1969 album 20/20 and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, Wilson described the song as a "rock and roll waltz" about railroads, while Parks offered that the pair were attempting to write a song that would end on "a freeze frame of the Union Pacific Railroad". The instrumentation includes banjo, cello, dobro, bouzouki, fuzz bass, trumpet, accordion, and percussion that was arranged to sound like the pounding of rail spikes.
"Vegetables" is a song by American rock band the Beach Boys from their 1967 album Smiley Smile and their unfinished Smile project. Written by Brian Wilson and Van Dyke Parks, the song was conceived by Wilson as a tongue-in-cheek promotion of organic food. Another reported inspiration for the song was a humorous comment Wilson heard about the effect of marijuana turning him and his friends into a "vegetative" state.
"Can't Wait Too Long" is a song written by Brian Wilson for the American rock band the Beach Boys. The song dates from 1967, and remains unfinished by the group. In 2008, a newly recorded "Can't Wait Too Long" was released for Wilson's solo album That Lucky Old Sun.
"Fire" is an instrumental by American musician Brian Wilson that he originally composed for the Beach Boys' never-finished album Smile. Named after Catherine O'Leary and the Great Chicago Fire, the track was originally conceptualized as part of "The Elements", a four-part movement based on the four classical elements: Air, Fire, Earth, and Water. Wilson's friends, family, and colleagues later referred to its recording as heralding his period of psychosis and the unraveling of the Smile project.
The Smile Sessions is a compilation album and box set recorded by American rock band the Beach Boys, released on October 31, 2011, by Capitol Records. The set is the follow-up to The Pet Sounds Sessions (1997), this time focusing on the abandoned recordings from the band's unfinished 1966–1967 album Smile. It features comprehensive session highlights and outtakes, with the first 19 tracks comprising a hypothetical version of the completed Smile album.
"Do You Like Worms?" is a song by American rock band the Beach Boys from their unfinished album Smile. Written by Brian Wilson and Van Dyke Parks, the song is about the recolonization of the American continent and contains references to the Sandwich Islands and "Bicycle Rider Back" playing cards. None of the lyrics appear to mention worms; asked about the title, Parks said he could not remember where it came from, although in a Reddit AMA, Wilson stated that Parks had come up with it.
"Child Is Father of the Man" is a song by American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally recorded for the band's never-finished album Smile. In 2004, Wilson rerecorded the song for Brian Wilson Presents Smile. In 2011, the Beach Boys' original recording was released on The Smile Sessions.
"Love to Say Dada" is an unfinished song that was written by American musician Brian Wilson for the Beach Boys' Smile project. It referenced the drug LSD in its initials and was one of the last tracks recorded for the album. The song subsequently evolved into "Cool, Cool Water" from Sunflower (1970).
Smile is an unfinished album by the American rock band the Beach Boys that was intended to follow their 1966 album Pet Sounds. It was to be an LP of twelve tracks assembled from modular fragments, the same editing process used for their "Good Vibrations" single. Instead, after a year of recording, the album was shelved and the group released a downscaled version, Smiley Smile, in September 1967. Over the next four decades, few of the original Smile tracks were officially released, and the project came to be regarded as the most legendary unreleased album in popular music history.
Lei'd in Hawaii is an unfinished live album by American rock band the Beach Boys that was produced shortly after the completion of their 1967 studio album Smiley Smile. It was initially planned to include the band's first live concert performances since their tour of Europe in May 1967.
"Holidays" is an instrumental by the American rock band the Beach Boys that was composed by Brian Wilson for their never-finished Smile album. In 2003, it was rewritten with new lyrics by Van Dyke Parks as "On a Holiday" for the project Brian Wilson Presents Smile (2004).
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