Surfer Girl | ||||
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Studio album by | ||||
Released | September 16, 1963 | |||
Recorded | c. May 9 – July 16, 1963 | |||
Studio | Western, Hollywood | |||
Genre | Surf | |||
Length | 25:30 | |||
Label | Capitol | |||
Producer | Brian Wilson | |||
The Beach Boys chronology | ||||
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The Beach Boys UK chronology | ||||
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Singles from Surfer Girl | ||||
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Surfer Girl is the third studio album by the American rock band the Beach Boys,released September 16,1963 on Capitol Records. It is largely a collection of surf songs. The LP reached number 7 in the U.S. and number 13 in the UK. Lead single "Surfer Girl",backed with "Little Deuce Coupe",was also a top 10 hit.
This was the first album that officially credited Brian Wilson with production. It was also the first in which he used a string section (on "The Surfer Moon") and employed Wrecking Crew session musicians (on "Hawaii" and "Our Car Club"). Al Jardine,who had been replaced by David Marks,rejoined the band on this album,creating a six-piece lineup.
Surfer Girl was certified gold by the RIAA in November 1965,indicating over 500,000 copies sold. In 2017,it was ranked the 193rd greatest album of the 1960s by Pitchfork .
The massive success of the Beach Boys' March 1963 album, Surfin' U.S.A. ,granted Brian Wilson the leverage to convince Capitol to allow him full control over the band's productions, [2] [3] an unprecedented move in the music industry. [4] Thanks to the band's hit single,"Surfin' U.S.A.",they had become the preeminent vocal and instrumental group in America. [5] Capitol signed his new girl group,the Honeys,which signaled the label's commitment to surf music. [6]
In addition to the Honeys,Wilson was focused on writing or production work with Jan and Dean and Bob Norberg. [7] Still resistant to touring,he had ex-member Al Jardine rejoin the group as his replacement at the band's concerts,starting in April. [8] Meanwhile,Jan and Dean released Jan &Dean Take Linda Surfing,which featured the Wilson brothers and David Marks as guests on the tracks "Surfin'" and "Surfin' Safari". [9]
Wilson produced Surfer Girl at Western Studio in Hollywood from approximately May 9 to July 16,1963. [10] He recalled some of the sessions lasting up to "nine and ten hours,unheard-of periods of time." [11] The 1990 CD liner notes state that the album's ten songs were recorded in one day,but this is unlikely,and since the American Federation of Musicians contracts have been lost,the exact dates and studios are not definitely known. [12]
"The Surfer Moon" was the first Beach Boys recording with a string section. [13] [14] Having recruited members of the Wrecking Crew to help realize his productions with the Honeys,this album also marked the first occasion that those musicians were enlisted for certain Beach Boys tracks –specifically,on two songs,"Hawaii" and "Our Car Club". [15] Mike Love's sister Maureen played harp on "Hawaii" and "Catch a Wave". [16] Wilson considered the latter to feature his "first big Beach Boy vocal arrangement". [16]
Other songs recorded in the middle of these sessions included the originals "Back Home",which was later remade for their 1976 album 15 Big Ones ,and "Black Wednesday",which was later reworked as "Run-Around Lover" and recorded by the singer Sharon Marie. [10] These were Wilson's first recordings at Gold Star Studios. [17]
Three of the tracks are based on pre-existing compositions. [18] "South Bay Surfer" is a rewrite of the Stephen Foster standard "Swanee River",which Wilson had recorded with the Honeys,as "Surfin' Down the Swanee River",and later rerecorded with the Beach Boys in 1968,as "Old Folks at Home". [19] "Boogie Woodie" is ostensibly based on Rimsky Korsakov's Flight of the Bumblebee . [20] "The Rocking Surfer" is a reworking of the Tri-Fives' 1963 record "Come and Get It",an arrangement of the Czechoslovakian folk song Stodola Pumpa (more popularly known in Southern California as the Good Humor ice cream truck jingle). [20] [21]
Wilson is credited with writing the remaining nine songs on Surfer Girl: two by himself ("Surfer Girl" and "The Surfer Moon"), four in conjunction with Mike Love ("Catch a Wave", "Hawaii", "Surfers Rule", and "Our Car Club"), and three individually co-authored with collaborators Gary Usher ("In My Room"), Roger Christian ("Little Deuce Coupe"), and Bob Norberg ("Your Summer Dream"). [23]
"Your Summer Dream" and "In My Room" are the only songs that do not relate to themes of cars or surfing. [24] The two car songs, "Our Car Club" and "Little Deuce Coupe", were planned to be omitted by Wilson, but this never happened, and so the tracks appeared on both Surfer Girl and their next album, Little Deuce Coupe . [25]
The front cover of the album depicts the five members of the band carrying surfboards at Paradise Cove in Malibu, California. [22] It was taken at the same session that produced the cover photo for their first album, Surfin' Safari (1962). [26]
Lead single "Surfer Girl", backed with "Little Deuce Coupe", was issued in the U.S. on July 22, 1963 and reached number 7 on the Billboard charts. [27] After returning from a six-week tour at the end of August, they completed their next album, Little Deuce Coupe, in short time. [28] The Surfer Girl album followed on September 16 and peaked at number 7 on December 23. [29] Little Deuce Coupe was released on October 7, just three weeks after Surfer Girl. [30]
Surfer Girl was certified gold by the RIAA in November 1965. [31] In the UK, the album was released by EMI Records in April 1967 and reached number 13. [32] It had been held back from release due to the group's lesser popularity in Europe, and was then issued to satisfy increased demand for new Beach Boys product. [33]
In 1990, Capitol reissued the album on CD as a single-disc pairing with Shut Down Volume 2 (1964). [16]
Review scores | |
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Source | Rating |
AllMusic | [34] |
Blender | [35] |
Encyclopedia of Popular Music | [36] |
Rolling Stone | [37] |
The Rolling Stone Album Guide | [38] |
Surfer Girl was ranked number 193 on Pitchfork 's list of the greatest album of the 1960s. Highlighting tracks such as "In My Room" and "Surfer Girl", contributor Quin Moreland wrote in the entry that "Wilson began to probe the wistfulness at his core, hinting at further genius to come." [39]
Reviewing Surfer Girl in AllMusic, Richie Unterberger highlighted "In My Room" as the most significant track and disregarded the remainder of the album as "surprisingly mediocre filler". [34]
Music historian Scott Schinder identified Surfer Girl as an advancement in "Brian's continuing growth as a composer and producer." He cited "Catch a Wave" as Wilson's "most ambitious surf number to date" and "In My Room" as "a startling demonstration of Brian's willingness to confront his fears in song." [40]
No. | Title | Writer(s) | Lead vocal(s) | Length |
---|---|---|---|---|
1. | "Surfer Girl" | Brian Wilson | B. Wilson | 2:26 |
2. | "Catch a Wave" |
| Love and B. Wilson | 2:07 |
3. | "The Surfer Moon" | B. Wilson | B. Wilson | 2:11 |
4. | "South Bay Surfer" |
| Love and B. Wilson | 1:45 |
5. | "The Rocking Surfer" | B. Wilson | instrumental | 2:00 |
6. | "Little Deuce Coupe" |
| Love | 1:38 |
No. | Title | Writer(s) | Lead vocal(s) | Length |
---|---|---|---|---|
1. | "In My Room" |
| B. Wilson | 2:11 |
2. | "Hawaii" |
| Love and B. Wilson | 1:59 |
3. | "Surfer′s Rule" |
| D. Wilson with B. Wilson | 1:54 |
4. | "Our Car Club" |
| Love and B. Wilson | 2:22 |
5. | "Your Summer Dream" |
| B. Wilson | 2:27 |
6. | "Boogie Woodie" | traditional, arranged by B. Wilson | instrumental | 1:56 |
Total length: | 25:30 |
No. | Title | Writer(s) | Lead vocal(s) | Length |
---|---|---|---|---|
13. | "Fun, Fun, Fun" (single version) |
| Love | 2:21 |
14. | "In My Room" (German version) |
| B. Wilson | 2:20 |
15. | "I Do" |
| Love and B. Wilson | 3:06 |
Total length: | 33:17 |
Notes
Year | Chart | Position |
---|---|---|
1963 | US Billboard 200 [23] | 7 |
1967 | UK Record Retailer [33] | 13 |
The Beach Boys are an American rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.
Brian Douglas Wilson is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. Often called a genius for his novel approaches to pop composition, extraordinary musical aptitude, and mastery of recording techniques, he is widely acknowledged as one of the most innovative and significant songwriters of the 20th century. His best-known work is distinguished for its high production values, complex harmonies and orchestrations, layered vocals, and introspective or ingenuous themes. Wilson is also known for his formerly high-ranged singing and for his lifelong struggles with mental illness.
Surf music is a genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys.
David Lee Marks is an American guitarist who was an early member of the Beach Boys. While growing up in Hawthorne, California, Marks was a neighborhood friend of the original band members and was a frequent participant at their family get-togethers. Following his departure from the group, Marks fronted the Marksmen and performed and recorded as a session musician.
Little Deuce Coupe is the fourth album by the American rock band the Beach Boys, released October 7, 1963 on Capitol Records. It reached number 4 in the US during a chart stay of 46 weeks, and was eventually certified platinum by the RIAA. It is considered to be one of the earliest examples of a rock concept album.
Surfin' Safari is the debut studio album by the American rock band the Beach Boys, released October 1, 1962 on Capitol Records. The official production credit went to Nick Venet, though it was Brian Wilson with his father Murry who contributed substantially to the album's production; Brian also wrote or co-wrote nine of its 12 tracks. The album reached number 32 in the US during a chart stay of 37 weeks.
The Beach Boys Today! is the eighth studio album by the American rock band the Beach Boys, released March 8, 1965, by Capitol Records. It signaled a departure from their previous records with its orchestral sound, intimate subject matter, and abandonment of car or surf songs. Side one features an uptempo sound, while side two consists mostly of introspective ballads. Supported by this thematic approach, the record became an early example of a rock concept album and established the group as album artists rather than just a singles band. It has since become regarded as one of the greatest albums of all time.
Surf's Up is the 17th studio album by American rock band the Beach Boys, released on August 30, 1971 on Brother/Reprise. It received largely favorable reviews and reached number 29 on the U.S. record charts, becoming their highest-charting LP of new music in the U.S. since 1967. In the UK, Surf's Up peaked at number 15, continuing a string of top 40 records that had not abated since 1965.
All Summer Long is the sixth album by American rock band the Beach Boys, released July 13, 1964 on Capitol Records. Regarded as their first artistically unified collection of songs, as well as one of the first true concept albums, it marked the Beach Boys' first LP that was not focused on themes of cars or surfing. Instead, the songs are semi-autobiographical and relate to the experiences of a typical Southern Californian teenager, a theme encapsulated by the title track, "All Summer Long", and the often-imitated front cover, a modernist style photo collage depicting the band members fraternizing with young women on a beach.
"Little Deuce Coupe" is a song written by Brian Wilson and Roger Christian. The song first appeared as the B-side to The Beach Boys' 1963 single "Surfer Girl". The car referred to is the 1932 Ford Model 18. "Little Deuce Coupe" became The Beach Boys' highest charting B-side, peaking on September 28, 1963, at No. 15 on the Billboard Hot 100.
The Honeys were an American girl group, formed in Los Angeles in 1958, that initially comprised sisters Marilyn, Diane, and Barbara Rovell. Barbara was later replaced by their cousin, Ginger Blake. After 1962, the Rovell Sisters were rechristened "the Honeys" by the Beach Boys' Brian Wilson, who envisioned the group as a female counterpart to his band. Wilson served as the Honeys' record producer and chief songwriter, and later married Marilyn in late 1964.
"Surfer Girl" is a song by American rock band the Beach Boys from their 1963 album Surfer Girl. Written and sung by Brian Wilson, it was released as a single, backed with "Little Deuce Coupe", on July 22, 1963. The single was the first Beach Boys record to have Brian Wilson officially credited as the producer.
"Surfin'" is a song by American rock band the Beach Boys that was written by Brian Wilson and Mike Love. It was released as the debut record by the Beach Boys in November 1961 on Candix Records and was included on the October 1962 album Surfin' Safari.
"Girls on the Beach" is a song by the American rock band the Beach Boys from their 1964 album All Summer Long. Written by Brian Wilson and Mike Love, the song is in the vein of the band's previous surf ballads and features Four Freshmen-inspired harmonies. The song also served as the title track to the movie The Girls on the Beach.
"County Fair" is a song written by Brian Wilson and Gary Usher for the American rock band The Beach Boys. It was originally released as the second track on their 1962 album Surfin' Safari. On November 26 of that year, it was released as the B-side to The Beach Boys' third single, "Ten Little Indians". The same single was released in the UK in January 1963.
"Chug-A-Lug" is a song written by Brian Wilson, Gary Usher and Mike Love for the American rock band the Beach Boys. It was released on their 1962 album Surfin' Safari.
"Surf City" is a 1963 song recorded by American music duo Jan and Dean about a fictitious surf spot where there are "two girls for every boy". Written by Brian Wilson, Jan Berry and Dean Torrence, it was the first surf song to become a national number-one hit.
The California sound is a popular music aesthetic that originates with American pop and rock recording artists from Southern California in the early 1960s. At first, it was conflated with the California myth, an idyllic setting inspired by the state's beach culture that commonly appeared in the lyrics of commercial pop songs. Later, the sound was expanded outside its initial geography and subject matter and was developed to be more sophisticated, often featuring studio experimentation.