Pacific Ocean Blue | ||||
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Studio album by | ||||
Released | August 22, 1977 | |||
Recorded |
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Studio | Brother Studios, Santa Monica, CA | |||
Genre | ||||
Length | 37:15 | |||
Label | Caribou | |||
Producer | Dennis Wilson, Gregg Jakobson | |||
Dennis Wilson chronology | ||||
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Singles from Pacific Ocean Blue | ||||
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Pacific Ocean Blue is the only studio album by American musician Dennis Wilson, co-founder of the Beach Boys. [3] When released in August 1977, it was warmly received critically, [4] and noted for outselling the Beach Boys' contemporary efforts. [5] Two singles were issued from the album, "River Song" and "You and I", which did not chart.
The album remains a focal point of Wilson's legacy, [6] being referred to as a "classic". [3] It was voted number 838 in Colin Larkin's All Time Top 1000 Albums . [7] Wilson intended to record a follow-up, entitled Bambu , but the album was left unfinished at the time of his death in December 1983. [6] [8]
After several attempts, starting in 1970, to realize his own project, some of which made it to the finished album, Wilson recorded the bulk of Pacific Ocean Blue in the months spanning the fall of 1976 to the following spring, at the Beach Boys' own Brother Studios. At the time of recording, Dennis' hard living had begun affecting his looks and more importantly his singing voice, which now delivered grainy and rough, yet still deeply soulful, vocals. [4] [9]
Recalling the time Wilson spent working on the album, co-producer Gregg Jakobson said, "This was when he fully accepted himself as an artist. Brian had shown him chords on the piano, but as he'd become more proficient the music that came forth was not derivative of that. Having his own studio helped tremendously. With a little encouragement, and the right tools, Dennis took off." [10]
Review scores | |
---|---|
Source | Rating |
Allmusic | [2] |
Bloomberg L.P. | [11] |
PopMatters | [12] |
Pitchfork Media | 8.5/10 (reissue) [13] |
The A.V. Club | A- [14] |
Uncut | [15] |
Rolling Stone | [16] |
Spin | [17] |
MusicHound | 3/5 [18] |
Released in August 1977, Pacific Ocean Blue received mixed reviews upon release, but in subsequent years has been re-evaluated by critics and is now widely praised. [4] It has appeared on "Best-of" lists including Robert Dimery's "1001 Albums You Must Hear Before You Die," [19] and Mojo's "Lost Albums You Must Own" [20] and "70 of the Greatest Albums of the 70s" lists.[ citation needed ] In 2005, it was ranked No. 18 in GQ's "The 100 Coolest Albums in the World Right Now!" list. [21] [ deprecated source ] He did occasionally perform his solo material on the 1977 Beach Boys tour. [22] [ better source needed ]Pacific Ocean Blue later developed a status as a cult item. [23] In December 2018, under the name Chewing, Nik Ewing of Local Natives along with Cults, Nico Segal and Pop Etc covered Dennis Wilson's album in its entirety. [24]
At the time of its initial release, the album didn't do well commercially: Despite a significant promotional campaign, the album peaked at No. 96 during a short 12-week Billboard chart run. [25] [26] The disappointing performance of the record, combined with Wilson's increasingly unreliable professional behavior, led his record label to pull support for a modest West Coast tour that had been scheduled to promote the album. [27]
In a 1977 interview, Brian reported that his reaction when Dennis played him early mixes of the album was "Dennis, that's funky! That's funky!" [28] Dennis remembered,
When my record was finished, Brian was the first to hear it. In the middle of some tracks he'd say, "I can't stand this" and walk out of the room. Sometimes he'd laugh. Sometimes he'd cry. I guess he was thinking that he'd seen me grow up as a musician. [29]
In a 2008 interview, Brian said that he had never heard the album. [8] [30] He clarified in his 2016 memoir:
After Dennis died, people used to ask me all the time what I thought about his solo record, Pacific Ocean Blue. I have said that I never heard it, that I won't listen to it, that it’s too many sad memories and too much for me. That’s sort of true, but not really. I know the music on it. I was around for much of the time in the mid-'70s when Dennis was cutting the record. I loved what he was doing. My favorite song that he ever made was ["You and I"]. ... I love that cut. But I haven't ever put the record on and listened through it the way I have with other records, or the way that other people have with that record. [31]
The Beach Boys' Al Jardine retrospectively said of the album:
"...I like [Dennis'] music better than some of our stuff. When I listen to his music now it's like, "God, that's better than anything we've ever done." ... [Pacific Ocean Blue]'s strong, original and melodic. Great production." [32]
Issued by Caribou/CBS Records on CD in 1991, Pacific Ocean Blue went out of print within a year [4] due to ongoing disagreements over copyright ownership; the album was virtually unavailable for more than fifteen years. Before it was reissued in 2008, copies of the extremely rare 1991 CD sold for over $200. [33] [34]
Legacy Recordings released a special 30th anniversary, 2-disc edition of Pacific Ocean Blue on June 17, 2008. [35] It includes material from the Bambu sessions. [36] [37] A limited edition 180-gram vinyl multi-LP box set was also released on the Sundazed label. [33] [38]
Notable on the reissue is the inclusion of the song "Holy Man", recorded for Pacific Ocean Blue in 1977, in two versions. Wilson had completed work on the instrumental backing track but never finished a satisfactory vocal, erasing an original attempt.[ citation needed ] For the reissue, Taylor Hawkins of the Foo Fighters was recruited to record a vocal version in Wilson's style given their similarities. The song's original lyricist, Gregg Jakobson, was tapped to help recall the song's original melody and to write lyrics for the song. Queen guitarist Brian May and drummer Roger Taylor also recorded backing vocals for the track, along with guitar by May, although their contributions went unused until the version featuring them was released as part of Record Store Day 2019.
Despite missing the UK Album Chart on its original 1977 release, the expanded reissue of Pacific Ocean Blue entered the UK album chart at No. 16, also reaching No. 5 on the Norway album chart. In addition, the package managed to reach No. 8 on Billboard's Top Pop Catalog Albums chart.
No. | Title | Writer(s) | Length |
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1. | "River Song" | Dennis Wilson, Carl Wilson | 3:44 |
2. | "What's Wrong" | D. Wilson, Gregg Jakobson, Michael Horn | 2:22 |
3. | "Moonshine" | D. Wilson, Jakobson | 2:27 |
4. | "Friday Night" | D. Wilson, Jakobson | 3:09 |
5. | "Dreamer" | D. Wilson, Jakobson | 4:22 |
6. | "Thoughts of You" | D. Wilson, Jim Dutch | 3:02 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Time" | D. Wilson, Karen Lamm-Wilson | 3:31 |
2. | "You and I" | D. Wilson, Lamm-Wilson, Jakobson | 3:25 |
3. | "Pacific Ocean Blues" | D. Wilson, Mike Love | 2:39 |
4. | "Farewell My Friend" | D. Wilson | 2:26 |
5. | "Rainbows" | D. Wilson, C. Wilson, Stephen Kalinich | 2:55 |
6. | "End of the Show" | D. Wilson, Jakobson | 2:55 |
Total length: | 37:15 |
No. | Title | Writer(s) | Length |
---|---|---|---|
13. | "Tug of Love" | D. Wilson, Jakobson | 3:44 |
14. | "Only with You" | D. Wilson, Love | 3:57 |
15. | "Holy Man" (instrumental) | D. Wilson | 3:57 |
16. | "Mexico" | D. Wilson | 5:31 |
No. | Title | Writer(s) | Length |
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1. | "Under the Moonlight" | Carli Muñoz | 3:55 |
2. | "It's Not Too Late" | Muñoz | 4:22 |
3. | "School Girl" | D. Wilson, Gregg Jakobson | 2:31 |
4. | "Love Remember Me" | D. Wilson, Jakobson, Stephen Kalinich | 4:04 |
5. | "Love Surrounds Me" | D. Wilson, Geoffrey Cushing-Murray | 3:40 |
6. | "Wild Situation" | D. Wilson, Jakobson | 2:41 |
7. | "Common" | D. Wilson | 3:34 |
8. | "Are You Real" | D. Wilson, Jakobson | 3:38 |
9. | "He's a Bum" | D. Wilson, Jakobson | 2:50 |
10. | "Cocktails" | D. Wilson, Jakobson, John Hanlon | 3:00 |
11. | "I Love You" | D. Wilson, Jakobson | 2:02 |
12. | "Constant Companion" | Muñoz, Rags Baker | 3:22 |
13. | "Time for Bed" | D. Wilson, Jakobson | 3:07 |
14. | "Album Tag Song" | D. Wilson | 3:45 |
15. | "All Alone" (previously released on Endless Harmony Soundtrack ) | Muñoz | 3:44 |
16. | "Piano Variations on "Thoughts of You"" | D. Wilson | 3:03 |
17. | "Holy Man" (Taylor Hawkins version) | D. Wilson, Jakobson, Taylor Hawkins | 4:25 |
Dennis Carl Wilson was an American musician who co-founded the Beach Boys. He was their drummer and the middle brother of bandmates Brian and Carl Wilson. Dennis was the only true surfer in the Beach Boys, and his personal life exemplified the "California Myth" that the band's early songs often celebrated. He was also known for his association with the Manson Family and for co-starring in the 1971 film Two-Lane Blacktop.
Carl Dean Wilson was an American musician who co-founded the Beach Boys. He was their lead guitarist, the youngest sibling of bandmates Brian and Dennis, and the group's de facto leader in the early to mid-1970s. He was also the band's musical director on stage from 1965 until his death.
Imagination is the third solo album by American musician Brian Wilson. It was issued in 1998 on Giant Records and distributed by Warner Music Group. The album received mixed reviews upon its release and its commercial performance was relatively weak. Its best-known track is "Your Imagination", a Top 20 hit on adult contemporary radio. The second single, "South American", was co-written by Jimmy Buffett. Wilson dedicated the song "Lay Down Burden" to his brother Carl Wilson, who succumbed to cancer earlier in the year.
Surf's Up is the 17th studio album by American rock band the Beach Boys, released on August 30, 1971 on Brother/Reprise. It received largely favorable reviews and reached number 29 on the U.S. record charts, becoming their highest-charting LP of new music in the U.S. since 1967. In the UK, Surf's Up peaked at number 15, continuing a string of top 40 records that had not abated since 1965.
L.A. is the 23rd studio album by the American rock band the Beach Boys, released on March 16, 1979, and their first issued through CBS Records. Recorded during a period of acrimony between the band members, it was a critical and commercial failure, peaking at number 100 in the U.S. and number 32 in the UK.
M.I.U. Album is the 22nd studio album by the American rock band the Beach Boys, released on September 25, 1978. Characterized for its easy-listening sound, the album was produced by Al Jardine and touring member Ron Altbach during one of the most acrimonious periods in the band's history. It sold poorly, peaking at number 151 in the U.S, and was met with confused reactions from critics and fans.
Ten Years of Harmony is an official double album compilation album released by the Beach Boys in 1981, and spanning their entire Brother Records-era up to that point (1970–80), including some unreleased or rare material. Although the song "Darlin'" had originally been recorded in 1967 while the group was signed to Capitol Records, the version on Ten Years of Harmony was recorded live in 1973 for the album The Beach Boys in Concert.
"Wouldn't It Be Nice" is a song by the American rock band the Beach Boys and the opening track from their 1966 album Pet Sounds. Written by Brian Wilson, Tony Asher, and Mike Love, it is distinguished for its sophisticated Wall of Sound-style arrangement and refined vocal performances, and is regarded among the band's finest songs. With its juxtaposition of joyous-sounding music and melancholic lyrics, it is considered a formative work of power pop, and with respect to musical innovation, progressive pop.
"Good Timin'" is a song by the American rock band the Beach Boys and the second single from their 1979 album L.A. . It is one of the few songs jointly credited to Brian and Carl Wilson.
"Slip On Through" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. Written by Dennis Wilson and Gregg Jakobson, it was issued as a single with the B-side "This Whole World". It did not chart.
"Had to Phone Ya" is a song by the American rock band the Beach Boys from their 1976 album 15 Big Ones. It was written by Brian Wilson, his sister-in-law Diane Rovell, and Mike Love. The song was issued as the B-side to their single "It's O.K.". An earlier recording by the group American Spring was included as a bonus track on a later reissue of the album Spring (1972).
"River Song" is a song written by Dennis Wilson and his younger brother Carl Wilson. It served as the opening track for Dennis Wilson's 1977 debut solo album Pacific Ocean Blue. The song is Wilson's debut solo single after his 1970 collaboration with Daryl Dragon, "Sound of Free". "River Song" was released in Europe with the B-side being "Farewell My Friend". The single however, failed to chart. The track, as with the rest of the album, was credited as being produced by Dennis Wilson and his close friend Gregg Jakobson. Wilson sings the lead vocals on this and every other track on the album.
"You and I" is a song written by Dennis Wilson, his former wife Karen Lamm-Wilson and close friend Gregg Jakobson. It was released as the eighth track on Dennis Wilson's 1977 debut solo album Pacific Ocean Blue. The song was released as a single in the United States, with the B-side being "Friday Night". The single failed to chart. The track, as with the rest of the album, was credited as being produced by Dennis Wilson and his close friend Gregg Jakobson.
"Pacific Ocean Blues" is a song written by Dennis Wilson and his cousin Mike Love. It was released as the ninth track on Dennis Wilson's 1977 first solo album Pacific Ocean Blue. The track, as with the rest of the album, was credited as having been produced by Wilson and his close friend Gregg Jakobson.
"Lady" is a song written by Dennis Wilson, recorded by him with Daryl Dragon and released under the name "Dennis Wilson & Rumbo" in the United Kingdom on 4 December 1970, on Stateside Records. The song served as the B-side of the "Sound of Free" single. The single was not issued in the United States.
Summer Days is the ninth studio album by the American rock band the Beach Boys, released on July 5, 1965, by Capitol Records. The band's previous album, The Beach Boys Today!, represented a departure for the group through its abandonment of themes related to surfing, cars, and teenage love, but it sold below Capitol's expectations. In response, the label pressured the group to produce bigger hits. Summer Days thus returned the band's music to simpler themes for one last album, with Brian Wilson combining Capitol's commercial demands with his artistic calling.
Brian Wilson Reimagines Gershwin is the eighth studio album by Brian Wilson, released on August 17, 2010 by Walt Disney Records as part of the Disney Pearl Series. The album consists of covers of ten George and Ira Gershwin songs, bookended by passages from Rhapsody in Blue, along with two new songs completed from unfinished Gershwin fragments by Wilson and band member Scott Bennett.
"I Just Wasn't Made for These Times" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, the lyrics describe the disillusionment of someone who struggles to fit into society. Musically, it is distinguished for its melodic bass guitar, layered vocals, and Electro-Theremin solo, marking the first time the instrument was used in popular music and the first time theremin-like sounds were used on a rock record.
No Pier Pressure is the tenth studio album by American musician Brian Wilson, released April 7, 2015 on Capitol Records. Originally planned as a follow-up to the Beach Boys' 2012 reunion album That's Why God Made the Radio, No Pier Pressure is the first solo Wilson LP devoted primarily to new and original material since That Lucky Old Sun (2008). It features guest performances by contemporary artists Sebu Simonian of Capital Cities, Kacey Musgraves, She & Him, Nate Ruess of Fun and Peter Hollens. Original Beach Boys members Al Jardine and David Marks also feature alongside former band member Blondie Chaplin.
Bambu is an unfinished studio album by American songwriter-musician and Beach Boys co-founder Dennis Wilson and American songwriter-musician Carli Muñoz, intended as the follow-up to his debut Pacific Ocean Blue. In 2008, recordings from the album were compiled as bonus tracks for the first CD issue of Pacific Ocean Blue. In 2017, the same track selection was given a dedicated release, titled Bambu (The Caribou Sessions).