Logo of NME since April 2010
|Editor||Charlotte Gunn (March 2018 – present)|
|Categories||Music website and formerly magazine|
|Circulation||289,432 (ABC Jul – Dec 2017) |
|First issue||7 March 1952|
|Final issue||9 March 2018 (Print)|
|Based in||Southwark, London, England|
New Musical Express (NME) is a British music journalism website and former magazine that has been published since 1952. It was the first British paper to include a singles chart, in the edition of 14 November 1952. In the 1970s, it became the best-selling British music newspaper. From 1972 to 1976, it was particularly associated with gonzo journalism, then became closely associated with punk rock through the writings of Julie Burchill, Paul Morley, and Tony Parsons. It started as a music newspaper, and gradually moved toward a magazine format during the 1980s and 1990s, changing from newsprint in 1998.
Music journalism is media criticism and reporting about music topics, including popular music, classical music and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events.
Gonzo journalism is a style of journalism that is written without claims of objectivity, often including the reporter as part of the story via a first-person narrative. The word "gonzo" is believed to have been first used in 1970 to describe an article by Hunter S. Thompson, who later popularized the style. It is an energetic first-person participatory writing style in which the author is a protagonist, and it draws its power from a combination of social critique and self-satire. It has since been applied to other subjective artistic endeavors.
Punk rock is a rock music genre that emerged in the mid-1970s in the United States, United Kingdom, and Australia. Rooted in 1960s garage rock and other forms of what is now known as "proto-punk" music, punk rock bands rejected perceived excesses of mainstream 1970s rock. They typically produced short, fast-paced songs with hard-edged melodies and singing styles, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record labels.
The magazine's website NME.com was launched in 1996, and became the world's biggest standalone music site, with over sixteen million users per month.[ citation needed ] With newsstand sales falling across the UK magazine sector, the magazine's paid circulation in the first half of 2014 was 15,830. In 2013, its list of the "500 Greatest Albums of All Time" and the way it was conceived was criticized by the media.
"The 500 Greatest Albums of All Time" is a 2013 special issue of British magazine NME, available digitally or in newsstands on October 23. The list presented was compiled based on votes from current and past NME journalists. The list and writer's choices voting several times for the same act, were criticized by several papers including The Guardian.
In September 2015, the NME magazine was relaunched to be distributed nationally as a free publication.The first average circulation published in February 2016 of 307,217 copies per week was the highest in the brand's history, beating the previous best of 306,881, recorded in 1964 at the height of the Beatles' fame. By December 2017, according to the Audit Bureau of Circulations, average distribution of NME had fallen to 289,432 copies a week, although its then-publisher Time Inc. UK claimed to have more than 13 million global unique users per month, including 3 million in the UK. In March 2018, the publisher announced that the print edition of NME would cease publication after 66 years and become an online-only publication.
The Beatles were an English rock band formed in Liverpool in 1960. With a line-up comprising John Lennon, Paul McCartney, George Harrison and Ringo Starr, they are often regarded as the most influential band of all time. The group were integral to the evolution of pop music into an art form and to the development of the counterculture of the 1960s. Their sound, rooted in skiffle, beat and 1950s rock and roll, incorporated elements of classical music and traditional pop in innovative ways. They also pioneered recording techniques and explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As they continued to draw influences from a variety of cultural sources, their musical and lyrical sophistication grew, and they came to be seen as embodying the era's socio-cultural movements.
International Federation of Audit Bureaux of Circulations (IFABC) is an international federation of bureaux comprising member organisations in various countries. When discussed in the context of each country, the bureau may refer to:
NME's headquarters are in Southwark, London, England. The brand's current editor is Charlotte Gunn, replacing Mike Williams, who stepped down in February 2018.
Southwark is a district of Central London and is the north-west of the London Borough of Southwark. Centred 1 1⁄2 miles (2.4 km) east of Charing Cross, it fronts the River Thames and the City of London to the north. It was at the lowest bridging point of the Thames in Roman Britain, providing a crossing from Londinium, and for centuries had the only Thames bridge in the area, until a bridge was built upstream more than 10 miles (16 km) to the west. It was a 1295-enfranchised borough in the county of Surrey, apparently created a burh in 886, containing various parishes by the high medieval period, lightly succumbing to City attempts to constrain its free trade and entertainment. Its entertainment district, in its heyday at the time of Shakespare's Globe Theatre has revived in the form of the Southbank which overspills imperceptibly into the ancient boundaries of Lambeth and commences at the post-1997 reinvention of the original theatre, Shakespeare's Globe, incorporating other smaller theatre spaces, an exhibition about Shakespeare's life and work and which neighbours Vinopolis and the London Dungeon.
Mike Williams is a British journalist and editor, currently Editor in Chief of Sight & Sound. Williams was previously the Editor in Chief of the NME.
The paper was established in 1952.The Accordion Times and Musical Express was bought by London music promoter Maurice Kinn for £1,000, just 15 minutes before it was due to be officially closed. It was relaunched as the New Musical Express, and was initially published in a non-glossy tabloid format on standard newsprint. On 14 November 1952, taking its cue from the US magazine Billboard , it created the first UK Singles Chart, a list of the Top Twelve best-selling singles. The first of these was, in contrast to more recent charts, a top twelve sourced by the magazine itself from sales in regional stores around the UK. The first number one was "Here in My Heart" by Al Martino.
A tabloid is a newspaper with a compact page size smaller than broadsheet. There is no standard size for this newspaper format.
Newsprint is a low-cost, non-archival paper consisting mainly of wood pulp and most commonly used to print newspapers and other publications and advertising material. Invented in 1844 by Charles Fenerty of Nova Scotia, Canada, it usually has an off white cast and distinctive feel. It is designed for use in printing presses that employ a long web of paper rather than individual sheets of paper.
Billboard is an American entertainment media brand owned by the Billboard-Hollywood Reporter Media Group, a division of Eldridge Industries. It publishes pieces involving news, video, opinion, reviews, events, and style, and is also known for its music charts, including the Hot 100 and Billboard 200, tracking the most popular songs and albums in different genres. It also hosts events, owns a publishing firm, and operates several TV shows.
During the 1960s, the paper championed the new British groups emerging at the time. The NME circulation peaked under Andy Gray (editor 1957–1972) with a figure of 306,881 for the period from January to June 1964.The Beatles and the Rolling Stones were frequently featured on the front cover. These and other artists also appeared at the NME Poll Winners' Concert, an awards event that featured artists voted as most popular by the paper's readers. The concert also featured a ceremony where the poll winners would collect their awards. The NME Poll Winners' Concerts took place between 1959 and 1972. From 1964 onwards, they were filmed, edited, and transmitted on British television a few weeks after they had taken place.
The Rolling Stones are an English rock band formed in London in 1962. The first stable line-up consisted of bandleader Brian Jones, Mick Jagger, Keith Richards, Bill Wyman (bass), Charlie Watts (drums), and Ian Stewart (piano). Stewart was removed from the official line-up in 1963 but continued to work with the band as a contracted musician until his death in 1985. The band's primary songwriters, Jagger and Richards, assumed leadership after Andrew Loog Oldham became the group's manager. Jones left the band less than a month before his death in 1969, having already been replaced by Mick Taylor, who remained until 1974. After Taylor left the band, Ronnie Wood took his place in 1975 and continues on guitar in tandem with Richards. Since Wyman's departure in 1993, Darryl Jones has served as touring bassist. The Stones have not had an official keyboardist since 1963, but have employed several musicians in that role, including Jack Nitzsche (1965–1971), Nicky Hopkins (1967–1982), Billy Preston (1971–1981), Ian McLagan (1978–1981), and Chuck Leavell (1982–present).
In the mid-1960s, the NME was primarily dedicated to pop while its older rival, Melody Maker , was known for its more serious coverage of music. Other competing titles included Record Mirror , which led the way in championing American rhythm and blues, and Disc , which focused on chart news.The latter part of the decade the paper charted the rise of psychedelia and the continued dominance of British groups of the time. During this period some sections of pop music began to be designated as rock. The paper became engaged in a sometimes tense rivalry with Melody Maker; however, NME sales were healthy, with the paper selling as many as 200,000 issues per week, making it one of the UK's biggest sellers at the time.
By the early 1970s, NME had lost ground to Melody Maker, as its coverage of music had failed to keep place with the development of rock music, particularly during the early years of psychedelia and progressive rock. In early 1972, the paper was on the verge of closure by its owner IPC (which had bought the paper from Kinn in 1963).According to Nick Kent (soon to play a prominent part in the paper's revival):
After sales had plummeted to 60,000 and a review of guitar instrumentalist Duane Eddy had been printed which began with the words "On this, his 35th album, we find Duane in as good as voice as ever," the NME had been told to rethink its policies or die on the vine.
Alan Smith was made editor in 1972, and was told by IPC to turn things around quickly or face closure. [ citation needed ] According to The Economist , the New Musical Express "started to champion underground, up-and-coming music....NME became the gateway to a more rebellious world. First came glamrock, and bands such as T. Rex, and then came punk....by 1977 it had become the place to keep in touch with a cultural revolution that was enthralling the nation's listless youth. Bands such as Sex Pistols, X-Ray Spex and Generation X were regular cover stars, eulogised by writers such as Julie Burchill and Tony Parsons, whose nihilistic tone narrated the punk years perfectly." By the time Smith handed the editor's chair to Logan in mid-1973, the paper was selling nearly 300,000 copies per week and was outstripping Melody Maker, Disc, Record Mirror and Sounds .[ citation needed ]To achieve this, Smith and his assistant editor Nick Logan raided the underground press for writers such as Charles Shaar Murray and Nick Kent, and recruited other writers such as Tony Tyler, Ian MacDonald and Californian Danny Holloway.
According to MacDonald:
I think all the other papers knew by 1974 that NME had become the best music paper in Britain. We had most of the best writers and photographers, the best layouts, that sense of style of humour and a feeling of real adventure. We also set out to beat Melody Maker on its strong suit: being the serious, responsible journal of record. We did Looking Back and Consumer Guide features that beat the competition out of sight, and we did this not just to surpass our rivals but because we reckoned that rock had finished its first wind around 1969/70 and deserved to be treated as history, as a canon of work. We wanted to see where we'd got to, sort out this huge amount of stuff that had poured out since the mid '60s. Everyone on the paper was into this.
Led Zeppelin topped the "NME Pop Poll" for three consecutive years (1974–76) under the category of the best "Vocal Group".
In 1976, NME lambasted German pioneer electronic band Kraftwerk with this title: "This is what your fathers fought to save you from ..." The article said that the "electronic melodies flowed as slowly as a piece of garbage floating down the polluted Rhine".1976 also saw punk rock arrive on what some people perceived to be a stagnant music scene. The NME gave the Sex Pistols their first music press coverage in a live review of their performance at the Marquee in February that year, but overall it was slow to cover this new phenomenon in comparison to Sounds and Melody Maker, where Jonh Ingham and Caroline Coon respectively were early champions of punk. Although articles by the likes of Mick Farren (whose article "The Titanic Sails at Dawn" called for a new street-led rock movement in response to stadium rock) were published by the NME that summer, it was felt that younger writing was needed to credibly cover the emerging punk movement, and the paper advertised for a pair of "hip young gunslingers" to join their editorial staff. This resulted in the recruitment of Tony Parsons and Julie Burchill. The pair rapidly became champions of the punk scene and created a new tone for the paper. Parsons' time at NME is reflected in his 2005 novel Stories We Could Tell, about the misadventures of three young music-paper journalists on the night of 16 August 1977 – the night Elvis Presley died.
In 1978, Logan moved on, and his deputy Neil Spencer was made editor. One of his earliest tasks was to oversee a redesign of the paper by Barney Bubbles, which included the logo still used on the paper's masthead today (albeit in a modified form) – this made its first appearance towards the end of 1978. Spencer's time as editor also coincided with the emergence of post-punk acts such as Joy Division and Gang of Four. This development was reflected in the writing of Ian Penman and Paul Morley. Danny Baker, who began as an NME writer around this time, had a more straightforward and populist style.
The paper also became more openly political during the time of punk. Its cover would sometimes feature youth-orientated issues rather than a musical act. It took an editorial stance against political parties like the National Front. With the election of Margaret Thatcher in 1979, the paper took a broadly socialist stance for much of the following decade.
This section needs additional citations for verification . (July 2015) (Learn how and when to remove this template message)
In the 1980s, the NME became the most important music paper in the country.It released the influential C81 in 1981, in conjunction with Rough Trade Records, available to readers by mail order at a low price. The tape featured a number of then up-and-coming bands, including Aztec Camera, Orange Juice, Linx, and Scritti Politti, as well as a number of more established artists such as Robert Wyatt, Pere Ubu, the Buzzcocks and Ian Dury. A second tape titled C86 was released in 1986.
The NME responded to the Thatcher era by espousing socialism through movements such as Red Wedge.[ citation needed ] In the week of the 1987 election, the paper featured an interview with the leader of the Labour Party, Neil Kinnock, who appeared on the paper's cover. He had appeared on the cover once two years before, in April 1985.
Writers at this time included Mat Snow, Chris Bohn (known in his later years at the paper as 'Biba Kopf'), Barney Hoskyns, Paolo Hewitt, Don Watson, Danny Kelly, Steven Wells, and David Quantick.
However, sales were dropping, and by the mid-1980s, NME had hit a rough patch and was in danger of closing. During this period (now under the editorship of Ian Pye, who replaced Neil Spencer in 1985), they were split between those who wanted to write about hip hop, a genre that was relatively new to the UK, and those who wanted to stick to rock music. Sales were apparently lower when photos of hip hop artists appeared on the front and this led to the paper suffering as the lack of direction became even more apparent to readers. A number of features entirely unrelated to music appeared on the cover in this era, including a piece by William Leith on computer crime and articles by Stuart Cosgrove on such subjects as the politics of sport and the presence of American troops in Britain, with Elvis Presley appearing on the cover not for musical reasons but as a political symbol.
The NME was generally thought to be rudderless at this time, with staff pulling simultaneously in a number of directions in what came to be known as the "hip-hop wars". It was haemorrhaging readers who were deserting NME in favour of Nick Logan's two creations The Face and Smash Hits . This was brought to a head when the paper was about to publish a poster of an insert contained in the Dead Kennedys' album Frankenchrist , consisting of a painting by H.R. Giger called Penis Landscape, then a subject of an obscenity lawsuit in the US. In the summer and autumn of 1987, three senior editorial staff were sacked, including Pye, media editor Stuart Cosgrove, and art editor Joe Ewart. Former Sounds editor Alan Lewis was brought in to rescue the paper, mirroring Alan Smith's revival a decade and a half before.
Some commented at this time that the NME had become less intellectual in its writing style and less inventive musically. Initially, NME writers themselves were ill at ease with the new regime, with most signing a letter of no confidence in Lewis shortly after he took over. However, this new direction for the NME proved to be a commercial success and the paper brought in new writers such as Andrew Collins, Stuart Maconie, Mary Anne Hobbs and Steve Lamacq to give it a stronger identity and sense of direction. Lewis prioritised readership over editorial independence, and Mark Sinker left in 1988 after Lewis refused to print his unfavourable review of U2's Rattle and Hum ("the worst album by a major band in years"), replacing it with a glowing Stuart Baillie review intended to be more acceptable to readers.Initially many of the bands on the C86 tape were championed as well as the rise of gothic rock bands but new bands such as the Happy Mondays and the Stone Roses were coming out of Manchester. One scene over these years was Acid House which spawned "Madchester" which helped give the paper a new lease of life. By the end of the decade, Danny Kelly had replaced Lewis as editor.
This section needs additional citations for verification . (July 2015) (Learn how and when to remove this template message)
By the end of 1990, the Madchester scene was dying off, and NME had started to report on new bands coming from the US, mainly from Seattle. These bands would form a new movement called grunge, and by far the most popular bands were Nirvana and Pearl Jam. The NME took to grunge very slowly ("Sounds" was the first British music paper to write about grunge with John Robb being the first to interview Nirvana.Melody Maker was more enthusiastic early on, largely through the efforts of Everett True, who had previously written for NME under the name "The Legend!"). For the most part, NME only became interested in grunge after Nevermind became popular. Although it still supported new British bands, the paper was dominated by American bands, as was the music scene in general.
Although the period from 1991 to 1993 was dominated by American bands like Nirvana, British bands were not ignored. The NME still covered the indie scene and was involved with a war of words with a new band called Manic Street Preachers, who were criticising the NME for what they saw as an elitist view of bands they would champion. This came to a head in 1991, when, during an interview with Steve Lamacq, Richey Edwards would confirm the band's position by carving "4real" into his arm with a razor blade.
By 1992, the Madchester scene had died and along with the Manics, some new British bands were beginning to appear. Suede were quickly hailed by the paper as an alternative to the heavy grunge sound and hailed as the start of a new British music scene. Grunge, however, was still the dominant force, but the rise of new British bands would become something the paper would focus on more and more.
In 1992, the NME also had a very public dispute with Morrissey due to allegations that he had used racist lyrics and imagery. This erupted after a concert at Finsbury Park where Morrissey was seen to drape himself in a Union Flag. The series of articles which followed in the next edition of NMEsoured Morrissey's relationship with the paper, and this led to Morrissey not speaking to the paper again for over a decade.
Later in 1992, Steve Sutherland, previously an assistant editor of Melody Maker , was brought in as the NME's editor to replace Danny Kelly. Andrew Collins, Stuart Maconie, Steve Lamacq, and Mary Anne Hobbs all left the NME in protest, and moved to Select ; Collins, Maconie and Lamacq would all also write for Q , while Lamacq would join Melody Maker in 1997. Kelly, Collins, Maconie, Lamacq and Hobbs would all subsequently become prominent broadcasters with BBC Radio 1 as it reinvented itself under Matthew Bannister.
In April 1994, Nirvana frontman Kurt Cobain was found dead, a story which affected not only his fans and readers of the NME, but would see a massive change in British music. Grunge was about to be replaced by Britpop, [ citation needed ] after the band Blur released their album Parklife in the month of Cobain's death. Britpop began to fill the musical and cultural void left after Cobain's demise, and with Blur's success and the rise of a new group from Manchester called Oasis, Britpop would continue its rise for the rest of 1994. By the end of the year, Blur and Oasis were the two biggest bands in the UK, and sales of the NME were increasing thanks to the Britpop effect. In 1995, NME covered these new bands, many of whom played the NME Stage at that year's Glastonbury Festival, where the paper had been sponsoring the second stage at the festival since 1993. This would be its last year sponsoring the stage; subsequently, the stage would be known as the 'Other Stage'.a new genre influenced by 1960s British music and culture. The term was coined by NME
In August 1995, Blur and Oasis planned to release singles on the same day in a mass of media publicity. Steve Sutherland put the story on the front page of the paper, and was criticised for playing up the duel between the bands. Blur won the "race" for the top of the charts, and the resulting fallout from the publicity led to the paper enjoying increased sales during the 1990s as Britpop became the dominant genre. After this peak, the paper experienced a slow decline as Britpop burned itself out fairly rapidly over the next few years. This left the paper directionless again, and attempts to embrace the rise of DJ culture in the late 1990s only led to the paper being criticised for not supporting rock or indie music. The paper did attempt to return to its highly politicised 1980s incarnation by running a cover story in March 1998 condemning Tony Blair, who had previously associated himself with Britpop bands such as Oasis, and this received a certain level of attention in the wider media.[ citation needed ]
Sutherland did attempt to cover newer bands, but a 1999 cover feature on the Canadian post-rock band Godspeed You! Black Emperor saw the paper dip to a sales low, and Sutherland later stated in his weekly editorial that he regretted putting them on the cover. For many, this was seen as an affront to the principles of the paper, and sales reached a low point at the turn of the millennium. From the issue of 21 March 1998, the paper was no longer printed on newsprint, and more recently, it has shifted to tabloid size with glossy colour covers.
In 2000, Steve Sutherland left to become brand director of the NME, and was replaced as editor by 26-year-old Melody Maker writer Ben Knowles. In the same year, Melody Maker officially merged with the NME, and many speculated the NME would be next to close, as the weekly music-magazine market was shrinking - the monthly magazine Select , which had thrived especially during the Britpop era, was closed down within a week of Melody Maker. In the early 2000s, the NME also attempted somewhat to broaden its coverage again, running cover stories on hip-hop acts such as Jay-Z and Missy Elliott, electronic musician Aphex Twin, Popstars winners Hear'say, and R&B groups such as Destiny's Child. However, as in the 1980s, these proved unpopular with much of the paper's readership, and were soon dropped. In 2001, the NME reasserted its position as an influence in new music, and helped to introduce bands including the Strokes, the Vines, and the White Stripes.
In 2002, Conor McNicholas was appointed editor, with a new wave of photographers including Dean Chalkley, Andrew Kendall, James Looker, and Pieter Van Hattem, and a high turnover of young writers. It focused on new British bands such as the Libertines, Franz Ferdinand, Bloc Party, and the Kaiser Chiefs, which had emerged as indie music continued to grow in commercial success. Later, Arctic Monkeys became the standard-bearers of the post-Libertines crop of indie bands, being both successfully championed by the NME and receiving widespread commercial and critical success.
In December 2005, accusations were made that the NME end-of-year poll had been edited for commercial and political reasons.These criticisms were rebutted by McNicholas, who claimed that webzine Londonist.com had got hold of an early draft of the poll.
In October 2006, NME launched an Irish version of the magazine called NME Ireland.This coincided with the launch of Club NME in Dublin. Dublin-based band Humanzi was first to appear on the cover of NME Ireland. The Irish edition of the magazine could not compete with local competitors such as Hot Press therefore it was discontinued after its fourth issue in February 2007.
After the 2008 NME Award nominations, Caroline Sullivan of The Guardian criticised the magazine's lack of diversity, saying:
"NME bands" fall within very narrow parameters. In the 80s, the paper prided itself on its coverage of hip hop, R&B and the emerging dance scene which it took seriously and featured prominently – alongside the usual Peel-endorsed indie fare. Now, though, its range of approved bands has dramatically shrunk to a strand embodied by the [Arctic] Monkeys, Babyshambles and Muse – bands who you don't need specialist knowledge to write about and who are just "indie" enough to make readers feel they're part of a club. Like everything else in publishing, this particular direction must be in response to reader demand, but it doesn't half make for a self-limiting magazine.
In May 2008, the magazine received a redesign aimed at an older readership with a more authoritative tone. The first issue of the redesign featured a free seven-inch Coldplay vinyl single.
Krissi Murison was appointed editor in June 2009, launching a new redesigned NME in April 2010. The issue had 10 different covers, highlighting the broader range of music the magazine would cover, and featured Jack White, Florence and the Machine, LCD Soundsystem, Rihanna, Kasabian, Laura Marling, Foals, M.I.A., Biffy Clyro and Magnetic Man.
Murison was replaced as editor in July 2012 by Mike Williams, who had previously been the magazine's deputy.Williams is now Editor in Chief, with full responsibility for NME's cross platform output. Under Williams, NME has launched the NME Daily app, a new career focussed event called Lifehacks, and successfully relaunched both NME magazine and NME's website, NME.com.
In 2013, NME's The 500 Greatest Albums of All Time was criticized by the media. The Guardian pointed that Features Editor Laura Snapes included, in her top 5 "greatest albums of all time", four albums from the same band which was The National.Consequence of Sound similarly observed that "if Laura Snapes had her wish, the top four would all be The National albums".
In February 2015, it was reported that the NME was in discussions about removing the cover price and becoming a free publication.This was confirmed in July 2015.
The free NME launched on 18 September 2015, with Rihanna on the cover.Distributed nationwide via universities, retail stores and the transport network, the first circulation numbers published in February 2016 of 307, 217 copies per week were the highest in the brand's history. Since relaunch the magazine has featured a number of high-profile international pop stars on the cover such as Coldplay, Taylor Swift, Lana Del Rey, Kanye West and Green Day alongside emerging talent like Zara Larsson, Years & Years, Lady Leshurr and Christine and the Queens.
The free, pop-oriented NME magazine has been praised for reconnecting NME with its target audience,and was awarded a silver at the 2016 Professional Publishers Association Awards for its historic first-ever cover as a free title, featuring Rihanna. Editor in Chief Mike Williams received the Editor Of The Year Award at the BSME Awards 2016, the judges stating that under Williams' leadership, NME had "bounced back from an uncertain future and established itself confidently and creatively in a new market."
In March 2018, the Guardian announcedthat the NME was to cease publication in print after 66 years. The online publication would continue.
In 2019, TI Media, the successor to IPC, sold NME and Uncut to Singaporean company BandLab Technologies.
This section needs additional citations for verification . (August 2009) (Learn how and when to remove this template message)
In 1996, the NME launched its website NME.com under the stewardship of editor Steve Sutherland and publisher Robert Tame. Its first editor was Brendan Fitzgerald. Later, Anthony Thornton redesigned the site, focusing on music news. In November 1999, the site hosted the UK's first webcast, of Suede "Live in Japan". In 2001, the site gave away a free MP3 of the Strokes' single "Last Nite" a week before its release.
The website was awarded Online Magazine of the Year in 1999 and 2001; Anthony Thornton was awarded Website Editor of the Year on three occasions – 2001 and 2002 (British Society of Magazine Editors) and 2002 (Periodical Publishers Association).
In 2004, Ben Perreau joined NME.com as the website's third editor. He relaunched and redeveloped the title in September 2005 and the focus was migrated towards video, audio and the wider music community. It was awarded Best Music Website at the Record of the Day awards in October 2005. In 2006, it was awarded the BT Digital Music Award for Best Music Magazine and the first chairman's Award from the Association of Online Publishers awarded by the chairman Simon Waldman in recognition of its pioneering role in its 10-year history.
In 2007, NME.com was launched in the US with additional staff.
In October 2007, David Moynihan joined as the website's fourth editor. In 2008, the site won the BT Digital Music Award for Best Music Magazine, plus the Association of Online Publishers' Best Editorial Team Award, the British Society of Magazine Editors Website Editor of the Year and the Record of the Day Award for Best Music Website. In June 2009, NME.com won the Periodical Publishers Association (PPA) award for Interactive Consumer Magazine of the Year. In 2010, it won both the AOP and PPA website of the year award. That same year, NME.com expanded its coverage to include movies and TV as well as music.
Luke Lewis took over as editor of NME.com in March 2011, bringing a new focus on video content and user engagement, bringing comments to the fore and introducing user ratings on reviews. In 2011, NME.com had over 7 million monthly unique users (source: Omniture SiteCatalyst, 2011).
In May 2011, NME.com launched NMEVideo.com, a sister site dedicated to video,and released the NME Festivals smartphone app. Sponsored by BlackBerry, it featured line-ups, stage times, photo galleries and backstage video interviews, and was downloaded 30,000 times. The following month, NME launched its first iPad app, dedicated to Jack White.
In September 2011, NME.com organised and live-blogged a real-time Twitter listening party of Nirvana's 1991 album Nevermindto mark that album's 20th anniversary. The site also launched a new series of self-produced band documentary films, entitled The Ultimate Guide.
In October 2011, the site celebrated its 15th birthdayby publishing a list of the 150 best tracks of NME.com's lifetime. The number one song was Radiohead's "Paranoid Android".
In 2015, NME appointed Charlotte Gunn as digital editor,replacing Greg Cochrane. Under Gunn, NME.com doubled in size and with a focus on social and video built a sustainable future as an online only brand. Gunn was appointed Editor in March 2018, after the closure of the weekly print magazine.
NME Awards is an awards show held every year to celebrate the best new music of the past year. The nominations and eventual winners are voted for by the readers of the magazine.
NME sponsors a tour of the United Kingdom by up-and-coming bands each year.
In 2002, the NME started publishing a series of themed magazines reprinting vintage articles, interviews and reviews from its archives. The magazine special editions were called NME Originals , with some featuring articles from other music titles owned by IPC, including Melody Maker , Rave and Uncut magazines. Notable issues so far have featured Arctic Monkeys, Radiohead, the Beatles, punk rock, gothic rock, Britpop, the Rolling Stones, mod, Nirvana, and the solo years of the Beatles. The series has had several editors, the most prominent of whom have been Steve Sutherland and Chris Hunt. The most recent issue of NME Originals was published in 2005.
Nirvana was an American rock band formed in Aberdeen, Washington, in 1987. It was founded by lead singer and guitarist Kurt Cobain and bassist Krist Novoselic. Nirvana went through a succession of drummers, the longest-lasting and best-known being Dave Grohl, who joined in 1990. Though the band dissolved in 1994 after the death of Cobain, their music maintains a popular following and continues to influence modern rock and roll culture.
Britpop was a mid-1990s music movement in which British pop musicians emphasised their heritage and produced brighter, catchier alternative rock. The movement was partly in reaction to the popularity of the darker lyrical themes of American-led grunge music and to Britain's own shoegazing music scene. Although it is sometimes referred to as a musical genre, Britpop also encompassed fashion, art, and politics. Its timespan is generally considered to be 1993–1997, and its peak years to be 1994–1995.
Krist Anthony Novoselic (; is an American musician and political activist, best known as the bassist and a founding member of the grunge band Nirvana. Nirvana achieved massive success, earning multiple gold and platinum awards and touring around the world at sold-out shows.
Indie rock is a genre of rock music that originated in the United States and United Kingdom in the 1970s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock. As grunge and punk revival bands in the US and Britpop bands in the UK broke into the mainstream in the 1990s, it came to be used to identify those acts that retained an outsider and underground perspective. In the 2000s, as a result of changes in the music industry and the growing importance of the Internet, some indie rock acts began to enjoy commercial success, leading to questions about its meaningfulness as a term.
Alternative rock is a style of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1980s. In this instance, the word "alternative" refers to the genre's distinction from mainstream rock music. The term's original meaning was broader, referring to a generation of musicians unified by their collective debt to either the musical style or simply the independent, DIY ethos of punk rock, which in the late 1970s laid the groundwork for alternative music. At times, "alternative" has been used as a catch-all description for music from underground rock artists that receives mainstream recognition, or for any music, whether rock or not, that is seen to be descended from punk rock. Although the genre evolved in the late 1970s and 1980s, music anticipating the sound of the genre can be found as early as the 1960s, with bands such as the Velvet Underground and artists such as Syd Barrett.
Suede are an English rock band formed in London in 1989. The band is composed of singer Brett Anderson, guitarist Richard Oakes, bass player Mat Osman, drummer Simon Gilbert and keyboardist/rhythm guitarist Neil Codling.
Shoegazing is a subgenre of indie and alternative rock that emerged in the United Kingdom in the late 1980s. It is characterized by its ethereal-sounding mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume. The term shoegazing was coined by the British music press to describe the stage presence of a wave of neo-psychedelic groups who stood still during live performances in a detached, introspective, non-confrontational state with their heads down. This was because the heavy use of effects pedals meant the performers were often looking down at the readouts on their pedals during concerts.
Melody Maker was a British weekly music magazine, one of the world's earliest music weeklies, and—according to its publisher IPC Media—the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In 2000 it was merged into "long-standing rival" New Musical Express.
Different Class is the fifth studio album by English rock band Pulp, released on 30 October 1995 by Island Records. The album was a critical and commercial success, entering the UK Albums Chart at number one and winning the 1996 Mercury Music Prize. It has been certified four times platinum, and had sold over 1.3 million copies in the United Kingdom as of 2018. In 2013, NME ranked the album at number six in its list of the 500 greatest albums of all time.
Sleeper are an English rock band formed in London in 1992. The group had eight UK Top 40 hit singles and three UK Top 10 albums during the 1990s. Their music was also featured in the soundtrack of the pop cultural hit movie Trainspotting. The band split up in 1998 but reunited in 2017.
Grebo was a short-lived subgenre of alternative rock that incorporated influences from punk rock, electronic dance music, hip hop and psychedelia. The scene occupied the period in the late 1980s and early 1990s in the United Kingdom before the popularisation of Britpop and grunge.
Sounds was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was produced by Spotlight Publications, which was set up by Jack Hutton and Peter Wilkinson, who left Melody Maker to start their own company. Sounds was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing Melody Maker". Sounds was intended to be a weekly rival to titles such as Melody Maker and New Musical Express (NME). It was well known for giving away posters in the centre of the paper and later for covering heavy metal and Oi! music in its late 1970s–early 1980s heyday.
The NME Originals is a collection of articles and reviews from the NME and Melody Maker magazines about one band or genre. The first issue was about the Beatles, published on 3 April 2002. Many issues in the series were produced by NME editorial director Steve Sutherland, but some of the later titles, such as those on the former Beatles' solo years and Mod, were under the editorship of Chris Hunt.
Uncut magazine, trademarked as UNCUT, is a monthly publication based in London. It is available across the English-speaking world, and focuses on music, but also includes film and books sections. A DVD magazine under the Uncut brand was published quarterly from 2005 to 2006.
Change Giver is the debut album by British rock band Shed Seven, released via Polydor Records on 5 September 1994. It was produced by Jessica Corcoran and was issued during the formative year of the britpop movement—a scene that dominated British alternative music in the mid-1990s.
Credit to the Nation are an English hip hop group, who had chart success in the 1990s and are best known for their Nirvana-sampling single "Call It What You Want". The band is fronted by Matty Hanson and was initially noted for fusing a conscious hip hop style with political elements taken from the British left-wing and anarchist movements. Following their initial split in 1998, the band reformed in 2011.
A music magazine is a magazine dedicated to music and music culture. Such magazines typically include music news, interviews, photo shoots, essays, record reviews, concert reviews and occasionally have a covermount with recorded music.
Blow Up is a club night that was founded in the early 1990s by promoter and DJ Paul Tunkin at a North London pub called "The Laurel Tree". The night quickly became the centre of the emerging Britpop scene in Camden attracting long queues of people eager to gain entry to the tiny venue. Early regulars included members of Blur, Pulp, Elastica, Suede, The Buzzcocks, Huggy Bear and The Jesus and Mary Chain, leading to the club being referred to as the place where "Britpop was born".
60 Ft. Dolls were a British rock trio active in the 1990s, known as the Cool Cymru era.
Hopper were an English indie rock band formed in 1992.
|Wikimedia Commons has media related to NME (magazine) .|