 | The examples and perspective in this article may not represent a worldwide view of the subject.(January 2020) |
Airplay is how frequently a song is being played through broadcasting on radio stations. A song which is being played several times every day (spins) would have a significant amount of airplay. [1] [2] Music which became very popular on jukeboxes, in nightclubs and at discotheques between the 1940s and 1960s would also have airplay.
For commercial broadcasting, airplay is usually the result of being placed into rotation, also called adding it to the station's playlist by the music director, possibly as the result of a Pay for Play sponsored by the record label. [3] [4] For student radio and other community radio or indie radio stations, it is often the selection by each disc jockey, usually at the suggestion of a music director.[ citation needed ]
Most countries have at least one radio airplay chart in existence, although larger countries such as Canada, the United States, [5] the United Kingdom, Germany, Australia, [1] Japan, and Brazil have several, to cover different genres and areas of the country. [6] [7] [8]
A song which was successful in the airplay charts but weak in sales was commonly known as a "turntable hit" when radio stations played only vinyl singles. [9] Airplay can be a crucial element in securing a singer's 'hit', and alongside social networking websites it is an effective method that artists use to make their name known. [5] [10]
Aaliyah's "Try Again" (2000) was the first song ever to reach number one on the Billboard Hot 100 based solely on the strength of its radio airplay. [11]
Radio airplay is monitored through audio fingerprinting technology with the help of automatic content recognition service. World recognizable video airplay service providers are Radiomonitor, ACRCloud, BMAT, and Soundcharts.[ citation needed ]
There is a symbiotic relationship between the airplay of records and sales. The record industry utilises airplay on the radio to promote artists and records to radio listeners. [12] Airplay can stimulate the purchase of music, merchandise and concert tickets to its listening audience. The record industry profits from the exposure provided by radio airplay. [12] The amount of airplay a record receives may significantly impact other factors, including age, race, geographical location, and income. [12] The effect of airplay on sales revenue can range between $1.5 to $2.4 billion annually. [12] A significant portion of album and track sales are impacted by radio airplay, with a minimum of 14% and a high of 23%. [12] Performing artists and record labels indirectly profit from airplay as it promotes, distributes and sells records. Airplay's impact on music sales links to the mere-exposure effect. The term describes a preference for familiar things. [13] The mere-exposure effect is noticed when radio and airplay act as an advertising medium by allowing listeners to try out newly released music. This exposure typically links to an increase in sales. [13]
The popularity of the Dixie Chicks was impacted by radio airplay in America. In March 2003, the Dixie Chicks were number one on the Country and Adult Contemporary radio airplay charts, as published in the 'Radio and Records' trade journal. [14] However, the band's presence on the charts dropped rapidly when lead singer Natalie Maines told the audience of a London nightclub, "Just so you know, we're ashamed the president of the United States is from Texas". [15] Following this, the Associated Press noted that radio stations had begun blacklisting the Dixie Chicks in response to the comment. As a result, the Dixie Chicks' total airplay across America dropped to one-fifth of what it was before the controversy, with their album no longer appearing on the charts. [14] The radio response to the statement was accused of corporate censorship, attributing the blacklisting as evidence of politically mobilising right-wing social movements. [14] The controversy and response demonstrate the impact of airplay on an artist's popularity.
Record companies and artists can pay for airplay from radio stations. Pay-to-play is a common practice utilised by the record industry to pass money or goods to influence airplay. [16] The transactions are directed through intermediaries ("indies") who are independent promoters for the record labels or artists. Relationships are formed by promoters with radio stations to enable pay-to-play transactions, which may not include the direct transfer of funds or goods to conceal the nature of the deal. [16] After developing a relationship, a promoter may engage in calls with the radio station to request their record is treated favourably. Requesting a record to be played is an unlikely favour to ask without an established relationship. [17] Informal relationships are formed between indies and stations to avoid payola, which is the illegal practice in U.S. law of paying a radio station for airplay without the station disclosing this information. [18] Paying radio stations for airplay is a historical phenomenon. In the 1960s, it was a common practice for record companies to bribe radio station employees to increase a song's airplay. In 1934, U.S. Congress passed the Communications Act, which forbids radio stations from taking payment to air certain content unless the broadcast was commercial. [17] However, the act did not restrict independent disc jockeys from taking payments in exchange for airplay. As a result, record labels would approach disc jockeys instead of directly contacting the radio stations. [17] In 1960, the U.S. Congress amended the act to include the provision of illegal bribes for airplay, which became known as payola. In this pay-to-play model, airplay becomes similar to advertising and can be subject to scandal. [19]
Airplay is measured by the number of spins and detections. The Broadcast Data Systems (BDS, also known as Nielsen BDS) is a U.S. broadcasting service that measures airplay according to these two attributes. [20] In addition, airplay is tracked using a patented digital pattern recognition technology. [20] The service, a unit of MRC Data, contributes to the publishing of songs on the Billboard Charts, the most used music chart in America. [21] The recognition technology implemented by Nielsen monitors airplay in radio stations in more than 140 markets across the United States. [21] The charts determine the position of a single based on airplay data, sales, and streaming data. Since the service debuted in 1992, it has become a universal standard for measuring airplay due to its accuracy in detecting, tracking and monitoring songs and has provided the Billboard charts with data on sales, downloads and streams. [22]
There is a distinction between sales charts and airplay charts. When a record label has a number one single, it earns that designation based on its position on a sales chart. If that record is number one on the radio station, it reaches that position based on its airplay, location of the radio station, and how many singles it sold. Billboard has the most widely used airplay charts and includes every significant music genre. [17] Billboard has 25 airplay charts that detect airplay across 140 radio markets. To compile the airplay charts, Billboard monitors 140 radio markets, over 1,600 radio stations to see over 100 million songs each year. To ensure airplay detection, label marketers must register their recorded music with the Broadcast Data Systems (BDS), the technology provider of Billboard. [17] Billboard's weekly airplay charts rank singles according to the amount of airplay they receive on monitored radio stations and the resulting size of the combined audience that heard the song being played. [17]
Payola, in the music industry, is the illegal practice of paying a commercial radio station to play a song without the station disclosing the payment. Under U.S. law, a radio station must disclose songs they were paid to play on the air as sponsored airtime. The number of times the songs are played can influence the perceived popularity of a song, and payola may be used to influence these meters. The Federal Communications Commission (FCC) treats payola as a violation of the Sponsorship Identification Rules, which requires any broadcast of paid material to include a disclosure.
The Billboard Hot 100 is the music industry standard record chart in the United States for songs, published weekly by Billboard magazine. Chart rankings are based on sales, online streaming, and radio airplay in the U.S.
Home is the sixth studio album by American country music band Dixie Chicks, released on August 27, 2002, through Monument and Columbia Records. It is notable for its acoustic bluegrass sound, which stands in contrast with their previous two country pop albums.
The Billboard charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in Billboard magazine. Billboard biz, the online extension of the Billboard charts, provides additional weekly charts, as well as year-end charts. The two most important charts are the Billboard Hot 100 for songs and Billboard 200 for albums, and other charts may be dedicated to a specific genre such as R&B, country, or rock, or they may cover all genres. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot 100 song chart, all three data are used to compile the charts. For the Billboard 200 album chart, streams and track sales are included in addition to album sales.
A record chart, in the music industry, also called a music chart, is a ranking of recorded music according to certain criteria during a given period. Many different criteria are used in worldwide charts, often in combination. These include record sales, the amount of radio airplay, the number of downloads, and the amount of streaming activity.
The Radio Songs chart is released weekly by Billboard magazine and measures the airplay of songs being played on radio stations throughout the United States across all musical genres. It is one of the three components, along with sales and streaming activity, that determine the chart positions of songs on the Billboard Hot 100.
Dance/Mix Show Airplay is a monitored electronic dance music radio chart that is published weekly by Billboard magazine.
The Adult Contemporary chart is published weekly by Billboard magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to Billboard by stations that are members of the Adult Contemporary radio panel. The chart debuted in Billboard magazine on July 17, 1961. Over the years, the chart has gone under a series of name changes, being called Easy Listening(1961–1962; 1965–1979), Middle-Road Singles(1962–1964), Pop-Standard Singles(1964–1965), Hot Adult Contemporary Tracks(1979–1982) and Adult Contemporary(1983–present) The current number-one song on the chart is "Cruel Summer" by Taylor Swift.
Hot Country Songs is a chart published weekly by Billboard magazine in the United States.
Billboard Radio Monitor was a weekly music trade publication that followed the radio industry and tracked the monitoring of current songs by format, station and audience cumes. The magazine was a spinoff of Billboard magazine and was mostly available through subscription to people who work in the radio industry as well as music chart enthusiasts. It was developed in Columbia, Maryland, initially by Alan Smith and Jonas Cash, principals of the music company called AIR. AIR created music listening competitions for radio programmers in five different musical genres and were looking for a "qualifier" for the contests. The contests involved testing new songs' potential by having radio programmers listen to and respond to each song's hit potential using a national chart as the qualifier. After using Radio and Records chart for the first 10 years of the competition, AIR developed the BAM, and went into partnership with Billboard Magazine to produce and market the magazine. As members of the Board of Directors, the AIR principals continued to improve its features over the next eight years under the new name of Billboard Radio Monitor.
Broadcast Data Systems is a service that tracks radio, television and internet airplay of songs. The service, which is a unit of MRC Data, is a contributing factor to North American charts published by co-owned magazine Billboard, including the Billboard Hot 100 and Canadian Hot 100, when combined with sales and streaming data from Soundscan.
"Landslide" is a song by British-American rock band Fleetwood Mac, written and performed by singer Stevie Nicks. The song was first featured on the band's self-titled album Fleetwood Mac (1975). The original recording also appears on the compilation albums 25 Years – The Chain (1992), The Very Best of Fleetwood Mac (2002) and 50 Years – Don't Stop (2018), while a live version was released as a single 23 years later from the live reunion album The Dance (1997). "Landslide" reached No. 51 on the US Billboard Hot 100 chart and No. 10 on the Adult Contemporary chart. "Landslide" was certified gold in October 2009 for sales of over 500,000 copies in the United States. According to Nielsen Soundscan, "Landslide" sold 2,093,186 copies in the United States as of 2017.
"Not Ready to Make Nice" is a song co-written and performed by American country music trio Dixie Chicks. It was released in March 20, 2006 as the first single from the band's seventh studio album, Taking the Long Way. The Dixie Chicks wrote the song in response to the backlash they experienced in 2003 after criticizing President George W. Bush.
The Chicks are an American country band from Dallas, Texas. Since 1995, the band has consisted of Natalie Maines and sisters Martie Maguire and Emily Strayer. Maguire and Strayer, both née Erwin, founded the band in 1989 in Dallas, Texas, with bassist Laura Lynch and vocalist and guitarist Robin Lynn Macy. They performed bluegrass and country music, busking and touring the bluegrass festival circuits and small venues for six years without attracting a major label. In 1992, Macy left and Lynch became the lead vocalist.
Pop Airplay is a 40-song music chart published weekly by Billboard Magazine that ranks the most popular songs of pop music being played on a panel of Top 40 radio stations in the United States. The rankings are based on radio airplay detections as measured by Nielsen Broadcast Data Systems, a subsidiary of the U.S.' leading marketing research company. Consumer researchers, Nielsen Audio, refers to the format as contemporary hit radio (CHR). The current number-one song on the chart is "Is It Over Now?" by Taylor Swift.
Country Airplay is a chart published weekly by Billboard magazine in the United States since October 20, 2012, although the magazine also retrospectively recognizes the Hot Country Songs charts from January 20, 1990, through October 13, 2012, as part of the history of the Country Airplay listing. The chart lists the 60 most-listened-to records played on 150 mainstream country radio stations across the country as monitored by Nielsen BDS, weighted to each station's Nielsen ratings.
Radiomonitor is a British music company that tracks the worldwide airplay of songs, with the information given to record labels and radio stations. They have established partnerships with several international companies located in Ireland, Australia and South Africa, and compiled several airplay charts in the United Kingdom in contrast to the Official Charts Company's physical sales-based UK Singles Chart.
Consequently, what we ended up with was a turntable hit (so called because it received lots of play on disk jockeys' record turntables).[ permanent dead link ]
