Jukebox

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A Wurlitzer Zodiac 3500 jukebox
(1971)
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The jukebox when opened
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The jukebox's internal workings

A jukebox is a partially automated music-playing device, usually a coin-operated machine, that plays a patron's selection from self-contained media. The classic jukebox has buttons with letters and numbers on them, which are used to select specific records. Some may use compact discs instead. Disc changers are similar devices for home use; they are small enough to fit on a shelf and can hold up to hundreds of discs, allowing them to be easily removed, replaced, or inserted by the user.

Contents

History

Coin-operated music boxes and player pianos were the first forms of automated coin-operated musical devices. These devices used paper rolls, metal disks, or metal cylinders to play a musical selection on an actual instrument, or on several actual instruments, enclosed within the device.

In the 1890s, these devices were joined by machines which used recordings instead of actual physical instruments. [1] [2]

In 1889, Louis Glass and William S. Arnold invented the nickel-in-the-slot phonograph, in San Francisco. [3] This was an Edison Class M Electric Phonograph retrofitted with a device patented under the name of 'Coin Actuated Attachment for Phonograph'. The music was heard via one of four listening tubes. [4]

In 1928, Justus P. Seeburg, who was manufacturing player pianos, combined an electrostatic loudspeaker with a record player that was coin-operated. [5] This 'Audiophone' machine was wide and bulky because it had eight separate turntables mounted on a rotating Ferris wheel-like device, allowing patrons to select from eight different 10" 78rpm records.

Also in 1928, Homer E. Capehart and some backers founded the Capehart Automatic Phonograph Company, which brought out the Orchestrope. It was a device in which the tone arm slipped between each record in a vertical stack, playing that record on which the needle fell. [6]

A similar system to Seeburg's Audiophone was employed by the Mills Novelty Company in their 1935 Dancemaster Automatic Phonograph. The Seeburg Symphonola "Trashcan" jukebox of 1938 holds 20 10" 78rpm records each in a shallow centreless drawer so that when the selected record's drawer opens, the turntable can rise through the open centre of the drawer to lift the record up to meet the pickup arm at the top of the mechanism, where it plays. Working examples of both these instruments may be seen and heard at the Musical Museum, Brentford, England. [7]

Later versions of the jukebox included Seeburg's Selectophone with 10 turntables mounted vertically on a spindle. By maneuvering the tone arm up and down, the customer could select from 10 different records. [4]

The word "jukebox" came into use in the United States beginning in 1940, apparently derived from the familiar usage "juke joint", derived from the Gullah word juke, which means "bawdy". [8] Manufacturers of jukeboxes tried to avoid using the term, associated with unreputable places, for many years. [9]

Tableside juke box 01.jpg
Seeburg Wall-o-Matic tableside extension

Wallboxes were an important, and profitable, part of any jukebox installation. Serving as a remote control, they enabled patrons to select tunes from their table or booth. One example is the Seeburg 3W1, introduced in 1949 as companion to the 100-selection Model M100A jukebox. Stereo sound became popular in the early 1960s, and wallboxes of the era were designed with built-in speakers to provide patrons a sample of this latest technology.

Jukeboxes were most popular from the 1940s through the mid-1960s, particularly during the 1950s. By the middle of the 1940s, three-quarters of the records produced in America went into jukeboxes. [10] Billboard published a record chart measuring jukebox play during the 1950s, which briefly became a component of the Hot 100; by 1959, the jukebox's popularity had waned to the point where Billboard ceased publishing the chart and stopped collecting jukebox play data. [11]

Orpheau - Sunflower Jukebox for 12" records Jukebox Mimosa Rouge Orpheau.jpg
Orphéau – Sunflower Jukebox for 12" records

As of 2016, at least two companies still manufacture classically styled jukeboxes: Rockola, based in California, and Sound Leisure, based in Leeds in the UK. Both companies manufacture jukeboxes based on a CD playing mechanism. However, in April 2016, Sound Leisure showed a prototype of a "Vinyl Rocket" at the UK Classic Car Show. It stated that it would start production of the 140 7" vinyl selector (70 records) in summer of the same year. [12] [13]

Since 2018, Orphéau, based in Brittany in France manufactures the original styled "Sunflower" Jukebox with the first 12" vinyl record selector (20 records), on both sides. [14]

Notable models

Decline

Traditional jukeboxes once were an important source of income for record publishers. Jukeboxes received the newest recordings first. They became an important market-testing device for new music, since they tallied the number of plays for each title. They let listeners control the music outside of their home, before audio technology became portable. They played music on demand without commercials. They also offered high fidelity listening before home high fidelity equipment became affordable. [4]

In 1995, the United States Postal Service issued a 25-cent stamp commemorating the jukebox. [17]

Modern derivatives

Jukebox digital music players

iRiver H300, a type of player that was described as a "jukebox" Piqsels.com-id-zyxzh.jpg
iRiver H300, a type of player that was described as a "jukebox"

The term "jukebox" was used to describe high-capacity, hard disk based digital audio play due to their amount of digital space allowing a great number of music to be stored and played. [18] [19] The term was popularised following the introduction of the Creative NOMAD Jukebox in 2000, which could store as many as 150 CDs of music on its six gigabyte hard drive. [20] In later years, the "classic" iPod would become the most popular product in this category. [18]

Digital jukebox and apps

While the number of traditional jukeboxes declined, digital jukeboxes, also called "social jukebox", have been introduced. [21]

See also

Related Research Articles

<span class="mw-page-title-main">Disc jockey</span> Person who plays recorded music for an audience

A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience. Types of DJs include radio DJs, club DJs, mobile DJs, and turntablists. Originally, the "disc" in "disc jockey" referred to shellac and later vinyl records, but nowadays DJ is used as an all-encompassing term to also describe persons who mix music from other recording media such as cassettes, CDs or digital audio files on a CDJ, controller, or even a laptop. DJs may adopt the title "DJ" in front of their real names, adopted pseudonyms, or stage names.

<span class="mw-page-title-main">Phonograph</span> Device for analogue recording of sound

A phonograph, later called a gramophone, and since the 1940s a record player, or more recently a turntable, is a device for the mechanical and analogue reproduction of recorded sound. The sound vibration waveforms are recorded as corresponding physical deviations of a spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm that produced sound waves coupled to the open air through a flaring horn, or directly to the listener's ears through stethoscope-type earphones.

<span class="mw-page-title-main">Drum machine</span> Electronic musical instrument that creates percussion sounds

A drum machine is an electronic musical instrument that creates percussion sounds, drum beats, and patterns. Drum machines may imitate drum kits or other percussion instruments, or produce unique sounds, such as synthesized electronic tones. A drum machine often has pre-programmed beats and patterns for popular genres and styles, such as pop music, rock music, and dance music. Most modern drum machines made in the 2010s and 2020s also allow users to program their own rhythms and beats. Drum machines may create sounds using analog synthesis or play prerecorded samples.

<span class="mw-page-title-main">Phonograph record</span> Disc-shaped analog sound storage medium

A phonograph record, a vinyl record, or simply a record or vinyl is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the outside edge and ends near the center of the disc. The stored sound information is made audible by playing the record on a phonograph.

<span class="mw-page-title-main">Monaural sound</span> Sound intended to be heard as if it were emanating from one position

Monaural sound or monophonic sound is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or stereo, which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. In mono, only one loudspeaker is necessary, but, when played through multiple loudspeakers or headphones, identical audio signals are fed to each speaker, resulting in the perception of one-channel sound "imaging" in one sonic space between the speakers. Monaural recordings, like stereo ones, typically use multiple microphones fed into multiple channels on a recording console, but each channel is "panned" to the center. In the final stage, the various center-panned signal paths are usually mixed down to two identical tracks, which, because they are identical, are perceived upon playback as representing a single unified signal at a single place in the soundstage. In some cases, multitrack sources are mixed to a one-track tape, thus becoming one signal. In the mastering stage, particularly in the days of mono records, the one- or two-track mono master tape was then transferred to a one-track lathe used to produce a master disc intended to be used in the pressing of a monophonic record. Today, however, monaural recordings are usually mastered to be played on stereo and multi-track formats, yet retain their center-panned mono soundstage characteristics.

<span class="mw-page-title-main">Laser turntable</span> Turntable that plays records using laser beams

A laser turntable is a phonograph that plays standard LP records using laser beams as the pickup instead of using a stylus as in conventional turntables. Although these turntables use laser pickups, the same as Compact Disc players, the signal remains in the analog realm and is never digitized.

<span class="mw-page-title-main">Unusual types of gramophone records</span> Gramophone records with non standard features

The overwhelming majority of records manufactured have been of certain sizes, playback speeds, and appearance. However, since the commercial adoption of the gramophone record, a wide variety of records have also been produced that do not fall into these categories, and they have served a variety of purposes.

A record changer or autochanger is a device that plays several phonograph records in sequence without user intervention. Record changers first appeared in the late 1920s, and were common until the 1980s.

<span class="mw-page-title-main">Wurlitzer</span> American company of music boxes and instruments

The Rudolph Wurlitzer Company, usually referred to as simply Wurlitzer, is an American company started in Cincinnati in 1853 by German immigrant (Franz) Rudolph Wurlitzer. The company initially imported stringed, woodwind and brass instruments from Germany for resale in the United States. Wurlitzer enjoyed initial success, largely due to defense contracts to provide musical instruments to the U.S. military. In 1880, the company began manufacturing pianos and eventually relocated to North Tonawanda, New York. It quickly expanded to make band organs, orchestrions, player pianos and pipe or theatre organs popular in theatres during the days of silent movies.

<span class="mw-page-title-main">Record collecting</span> Hobby of collecting sound recordings

Record collecting is the hobby of collecting sound recordings, usually of music, but sometimes poetry, reading, historical speeches, and ambient noises. Although the typical focus is on vinyl records, all formats of recorded music can be collected.

<span class="mw-page-title-main">Vinyl emulation</span> Ability to physically manipulate audio playback with turntables

Vinyl emulation allows a user to physically manipulate the playback of digital audio files on a computer using the turntables as an interface, thus preserving the hands-on control and feel of DJing with vinyl. This has the added advantage of using turntables to play back audio recordings not available in phonograph form. This method allows DJs to scratch, beatmatch, and perform other turntablism that would be impossible with a conventional keyboard-and-mouse computer interface or less tactile control devices.

Seeburg was an American design and manufacturing company of automated musical equipment, such as orchestrions, jukeboxes, and vending equipment. Founded in 1902, its first products were Orchestrions and automatic pianos but after the arrival of gramophone records, the company developed a series of "coin-operated phonographs."

<span class="mw-page-title-main">Rock-Ola</span> American manufacturer of coin-operated machines such as jukeboxes

The Rock-Ola Manufacturing Corporation is an American developer and manufacturer of juke boxes and related machinery. It was founded in 1927 by Coin-Op pioneer David Cullen Rockola to manufacture slot machines, scales, and pinball machines. The firm later produced parking meters, furniture, arcade video games, and firearms, but became best known for its jukeboxes.

<span class="mw-page-title-main">LP record</span> Vinyl analog sound storage discs

The LP is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of 33+13 rpm; a 12- or 10-inch diameter; use of the "microgroove" groove specification; and a vinyl composition disk. Introduced by Columbia Records in 1948, it was soon adopted as a new standard by the entire US record industry and, apart from a few relatively minor refinements and the important later addition of stereophonic sound in 1957, it remained the standard format for record albums during a period in popular music known as the album era. LP was originally a trademark of Columbia and competed against the smaller 7-inch sized "45" or "single" format by RCA Victor, eventually ending up on top. Today in the vinyl revival era, a large majority of records are based on the LP format and hence the LP name continues to be in use today to refer to new records.

Aleksander Kolkowski is a British musician and composer whose work combines instruments and machines from the pioneering era of sound recording and reproduction to make live mechanical-acoustic music. He lives and works in London, England.

<span class="mw-page-title-main">Home audio</span> Audio electronics for home entertainment

Home audio refer to audio consumer electronics designed for home entertainment, such as integrated systems like shelf stereos, as well as individual components like loudspeakers and surround sound receivers.

Sound Leisure Ltd (SL) is a design and manufacturing company based in Leeds, United Kingdom. The company has several divisions and product ranges but is known most commonly for their production of jukeboxes

The Seeburg 1000 Background Music System is a phonograph designed and built by the Seeburg Corporation to play background music from special 1623 RPM vinyl records in offices, restaurants, retail businesses, factories and similar locations. Seeburg provided a service similar to that of Muzak.

<span class="mw-page-title-main">Turntable anti-skating</span>

Turntable anti-skating is a feature used in phonograph turntables to prevent skating of the tonearm.

<span class="mw-page-title-main">Music technology (electric)</span> Musical instruments and recording devices that use electrical circuits

Electric music technology refers to musical instruments and recording devices that use electrical circuits, which are often combined with mechanical technologies. Examples of electric musical instruments include the electro-mechanical electric piano, the electric guitar, the electro-mechanical Hammond organ and the electric bass. All of these electric instruments do not produce a sound that is audible by the performer or audience in a performance setting unless they are connected to instrument amplifiers and loudspeaker cabinets, which made them sound loud enough for performers and the audience to hear. Amplifiers and loudspeakers are separate from the instrument in the case of the electric guitar, electric bass and some electric organs and most electric pianos. Some electric organs and electric pianos include the amplifier and speaker cabinet within the main housing for the instrument.

References

  1. Athitakis, Mark (1 December 1999). "Riff Raff: Jukebox hero and Gordon Dorsey". SF Weekly. Archived from the original on 21 February 2015. Retrieved 28 May 2009.
  2. Great Geek Manual – Glass/Arnold patents
  3. "How the Era of the Jukebox Came and Went".
  4. 1 2 3 4 5 6 7 8 9 10 11 Weiss, Brett (15 October 2010). "Rock on with vintage jukeboxes". Antique Week.[ permanent dead link ]
  5. Carlisle, Rodney (2004). Scientific American Inventions and Discoveries . Hoboken, NJ: Wiley. ISBN   0-471-24410-4.
  6. Pierce, Charles P. (12 October 1982). "Crusin' for tunes". The Boston Phoenix. Retrieved 26 September 2024.
  7. "MMCatalogue (All)". The Musical Museum. Retrieved 8 August 2024.
  8. "Juke house". Dictionary.com. Archived from the original on 30 March 2016. Retrieved 18 April 2022.
  9. Elijah Wald (3 August 2010). The Blues: A Very Short Introduction. Oxford University Press. p. 43. ISBN   978-0-19-975079-5. OCLC   1014220088.
  10. Cowen, Tyler (2000). In Praise of Commercial Culture. Harvard University Press. pp. 164, 166. ISBN   0-674-00188-5.
  11. Molanphy, Chris (1 August 2013). "How the Hot 100 Became America's Hit Barometer". All Things Considered. NPR. Retrieved 14 March 2018.
  12. Miller, Norman (11 May 2016). "Why fans of vintage vinyl love this brand-new machine". BBC Capital.
  13. "Classic Jukeboxes". Sound Leisure.
  14. "Matthieu Defoly invente le jukebox nouvelle génération – Le Journal des Entreprises – Ille-et-Vilaine". Le Journal des Entreprises (in French). Retrieved 18 November 2020.
  15. "Wurlitzer 1015". Picollecta. Archived from the original on 14 January 2015. Retrieved 14 January 2015.
  16. Durox, Par Solenne; à 11h55, correspondante en BretagneLe 24 décembre 2019 (24 December 2019). "Bretagne : le jukebox remis au goût du jour par un Rennais". leparisien.fr (in French). Retrieved 18 November 2020.{{cite web}}: CS1 maint: numeric names: authors list (link)
  17. "Stamp Series". United States Postal Service. Archived from the original on 10 August 2013. Retrieved 2 September 2013.
  18. 1 2 "The iPod wars". TheGuardian.com . November 2003.
  19. Biersdorfer, J. d. (19 June 2003). "NEWS WATCH: PORTABLE AUDIO; Music Lasts Longer on a Hybrid Player". The New York Times.
  20. "New Nomad Jukebox Digital Music Player Really Turns up the Volume". Los Angeles Times . 14 September 2000.
  21. France, Jasmine. "Create jukebox playlists before hitting the town". cnet. Retrieved 3 August 2016.

Further reading