Music box

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Music box by Polyphon-Musikwerke in Leipzig, Germany Polyphon Spieldose (1).jpg
Music box by Polyphon-Musikwerke in Leipzig, Germany
A music box Baud museum mg 8548.jpg
A music box
Interior of a large music box at the Museu de la Musica de Barcelona in Catalonia Orgue de maneta de Diego Evans, MDMB 65.jpg
Interior of a large music box at the Museu de la Música de Barcelona in Catalonia

A music box (American English) or musical box (British English) is an automatic musical instrument in a box that produces musical notes by using a set of pins placed on a revolving cylinder or disc to pluck the tuned teeth (or lamellae) of a steel comb. The popular device best known today as a "music box" developed from musical snuff boxes of the 18th century and were originally called carillons à musique (French for "chimes of music"). Some of the more complex boxes also contain a tiny drum and/or bells in addition to the metal comb.

Contents

History

Typical table music box, with six interchangeable cylinders Baud museum mg 8543.jpg
Typical table music box, with six interchangeable cylinders

The Symphonium company started business in 1885 as the first manufacturers of disc-playing music boxes. Two of the founders of the company, Gustave Brachhausen and Paul Riessner, left to set up a new firm, Polyphon, in direct competition with their original business and their third partner, Oscar Paul Lochmann. Following the establishment of the Original Musikwerke Paul Lochmann in 1900, the founding Symphonion business continued until 1909. [1]

According to the Victoria Museums in Australia, "The Symphonion is notable for the enormous diversity of types, styles, and models produced... No other disc-playing musical box exists in so many varieties. The company also pioneered the use of electric motors... the first model fitted with an electric motor being advertised in 1900. The company moved into the piano-orchestrion business and made both disc-operated and barrel-playing models, player-pianos, and phonographs." [1]

Meanwhile, Polyphon expanded to America, where Brachhausen established the Regina Company. Regina was a spectacular success. It eventually reinvented itself as a maker of vacuums and steam cleaners.[ citation needed ]

In the heyday of the music box, some variations were as tall as a grandfather clock and all used interchangeable large disks to play different sets of tunes. These were spring-wound and driven and both had a bell-like sound. The machines were often made in England, Italy, and the US, with additional disks made in Switzerland, Austria, and Prussia. Early "juke-box" pay versions of them existed in public places. Marsh's free Museum and curio shop in Long Beach, Washington (US) has several still-working versions of them on public display. The Musical Museum, Brentford, London has a number of machines. [2] The Morris Museum in Morristown, New Jersey, USA has a notable collection, including interactive exhibits. In addition to video and audio footage of each piece, the actual instruments are demonstrated for the public daily on a rotational basis. [3]

Timeline

9th century: In Baghdad, the Banū Mūsā brothers, a trio of Persian inventors, produced "the earliest known mechanical musical instrument", in this case a hydropowered organ which played interchangeable cylinders automatically, which they described in their Book of Ingenious Devices . According to Charles B. Fowler, this "cylinder with raised pins on the surface remained the basic device to produce and reproduce music mechanically until the second half of the nineteenth century." [4]

Early 13th century: In Flanders, an ingenious bell ringer invents a cylinder with pins which operates cams, which then hit the bells. [4]

1598: Flemish clockmaker Nicholas Vallin produces a wall-mounted clock which has a pinned barrel playing on multiple tuned bells mounted in the superstructure. The barrel can be programmed, as the pins can be separately placed in the holes provided on the surface of the barrel. [5]

1665: Ahasuerus Fromanteel in London makes a table clock which has quarter striking and musical work on multiple bells operated by a pinned barrel. These barrels can be changed for those playing different tunes. [6]

1772: A watch is made by one Ransonet at Nancy, France which has a pinned drum playing music not on bells but on tuned steel prongs arranged vertically. [7]

1796: Antoine Favre-Salomon, a clockmaker from Geneva replaces the stack of bells by a comb with multiple pre-tuned metallic notes in order to reduce space. Together with a horizontally placed pinned barrel, this produces more varied and complex sounds. One of these first music boxes is now displayed at the Shanghai Gallery of Antique Music Boxes and Automata in Pudong's Oriental Art Center. [8]

1877: Thomas Edison invents the phonograph, which has important consequences for the musical-box industry, especially around the end of the century. [9] [10]

Pocket watch with musical movements Baud museum mg 8521.jpg
Pocket watch with musical movements
Muro Box, the first app-controlled music box Muro Box.jpg
Muro Box, the first app-controlled music box
a Corgi Ice Cream Van music box toy car with the hand crank musical chime

In 2010 American jazz guitarist Pat Metheny released the album Orchestrion on which he performed alongside a variety of custom-designed and built acoustic and electromechanical orchestrions which comprised the rest of the "band", playing music in real-time through the MIDI file format. [11]

In March 2016, the band Wintergatan released a video of their homemade Marble Machine which took 14 months to make and played in any key using a 3,000-piece wooden construction fueled by 2,000 marbles. Band member Martin Molin used a hand crank to mobilize the marbles, which then created various noises on a vibraphone and other installed musical elements. [12]

In 2019, Tevofy Technology Ltd., based in Taiwan, released the first app-controlled mechanical music box called the Muro Box, an abbreviation of "Music Robot in a Box". Unlike traditional music boxes, people do not need to punch holes to compose songs on a paper-strip music box, and there is no minimum order for making customized music box movement to play a selected song. [13]

Repertoire

In 1974–1975, German composer Karlheinz Stockhausen composed Tierkreis , a set of twelve pieces on the signs of the zodiac, for twelve music boxes. [14] [15] [16] [17] [18] [19] [20] [21]

See also

Related Research Articles

<span class="mw-page-title-main">Karlheinz Stockhausen</span> German composer (1928–2007)

Karlheinz Stockhausen was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, having been called the "father of electronic music", for introducing controlled chance into serial composition, and for musical spatialization.

<span class="mw-page-title-main">Barrel organ</span> Mechanical musical instrument

A barrel organ is a French mechanical musical instrument consisting of bellows and one or more ranks of pipes housed in a case, usually of wood, and often highly decorated. The basic principle is the same as a traditional pipe organ, but rather than being played by an organist, the barrel organ is activated either by a person turning a crank, or by clockwork driven by weights or springs. The pieces of music are encoded onto wooden barrels, which are analogous to the keyboard of the traditional pipe organ. A person who plays a barrel organ is known as an organ grinder.

<span class="mw-page-title-main">Orchestrion</span> Generic name for a machine that plays music and is designed to sound like an orchestra or band

Orchestrion is a generic name for a machine that plays music and is designed to sound like an orchestra or band. Orchestrions may be operated by means of a large pinned cylinder or by a music roll and less commonly book music. The sound is usually produced by pipes, though they will be voiced differently from those found in a pipe organ, as well as percussion instruments. Many orchestrions contain a piano as well. At the Musical Museum in Brentford, examples may be seen and heard of several of the instrument types described below.

<span class="mw-page-title-main">Welte-Mignon</span>

M. Welte & Sons, Freiburg and New York was a manufacturer of orchestrions, organs and reproducing pianos, established in Vöhrenbach by Michael Welte (1807–1880) in 1832.

<span class="mw-page-title-main">Barrel piano</span>

A barrel piano is a forerunner of the modern player piano. Unlike the pneumatic player piano, a barrel piano is usually powered by turning a hand crank, though coin-operated models powered by clockwork were used to provide music in establishments such as pubs and cafés. Barrel pianos were popular with street musicians, who sought novel instruments that were also highly portable. They are frequently confused with barrel organs, but are quite different instruments.

<span class="mw-page-title-main">Fairground organ</span> Pneumatic musical organ originating from France

A fairground organ is a musical organ covering the wind and percussive sections of an orchestra. Originated in Paris, France, it was designed for use in commercial fairground settings to provide loud music to accompany rides and attractions, mostly merry-go-rounds. Unlike organs for indoor use, they are designed to produce a large volume of sound to be heard above the noises of crowds and fairground machinery.

<span class="mw-page-title-main">DeBence Antique Music World</span> Music museum in Pennsylvania, USA

DeBence Antique Music World is a museum in Franklin, Pennsylvania whose collection contains more than 100 antique mechanical musical instruments, including music boxes, band organs, player pianos, a nickelodeon piano, as well as a number of other antiques. Many of the collection's mechanical instruments are rare; a number are among only a few manufactured, and a few are among the last in existence. Although the collection's value cannot be measured, an offer for a sum of multiple millions of dollars was once rejected.

<i>Tierkreis</i> (Stockhausen)

Tierkreis (1974–75) is a musical composition by the German composer Karlheinz Stockhausen. The title is the German word for Zodiac, and the composition consists of twelve melodies, each representing one sign of the zodiac.

<span class="mw-page-title-main">Street organ</span> Portable, automatic mechanical pneumatic musical instrument

A street organ played by an organ grinder is a French automatic mechanical pneumatic organ designed to be mobile enough to play its music in the street. The two most commonly seen types are the smaller German and the larger Dutch street organ.

<span class="mw-page-title-main">Mechanical organ</span>

A mechanical organ is an organ that is self-playing, rather than played by a musician. For example, the barrel organ is activated either by a person turning a crank, or by clockwork driven by weights or springs.

Gavioli & Cie were a Franco–Italian organ builder company that manufactured fairground organs in both Italy and later France.

Sirius: eight-channel electronic music and trumpet, soprano, bass clarinet, and bass is a music-theatre composition by Karlheinz Stockhausen, composed between 1975 and 1977. It is Nr. 43 in the composer's catalogue of works, and lasts 96 minutes in performance.

The Automatic Musical Instruments Collectors' Association (AMICA) was formed in 1963 by a group of collectors in the San Francisco area, committed to the preservation, restoration and enjoyment of vintage mechanical musical instruments that play by themselves, focusing on those made from 1885–1935. Typical examples include player pianos, reproducing pianos, player reed organs, player pipe organs, orchestrions, music boxes, fairground organs, etc. Music media includes paper music rolls, folding continuous cardboard music, pinned cylinders, and pinned discs, etc. The scope of interest embraces not only the instruments themselves, but also their music media and published literature of the whole of the industry throughout this era.

<span class="mw-page-title-main">Suzanne Stephens</span> American clarinetist and basset horn player

Suzanne Stephens is an American clarinetist, resident in Germany, described as "an outstanding performer and tireless promoter of the clarinet and basset horn".

<i>Jubiläum</i> Orchestral composition by Karlheinz Stockhausen

Jubiläum (Jubilee) is an orchestral composition by Karlheinz Stockhausen, work-number 45 in the composer's catalogue of works.

<i>Kurzwellen</i> Composition by Karlheinz Stockhausen

Kurzwellen, for six players with shortwave radio receivers and live electronics, is a composition by Karlheinz Stockhausen, written in 1968. It is Number 25 in the catalog of the composer's works.

<i>Musik im Bauch</i> Piece of music composed by Karlheinz Stockhausen

Musik im Bauch is a piece of scenic music for six percussionists and music boxes composed by Karlheinz Stockhausen in 1975, and is Number 41 in his catalog of works. The world premiere was presented on 28 March 1975 as part of the Royan Festival. The performance was given by Les Percussions de Strasbourg in the haras in the town of Saintes, near to Royan. Its duration is roughly 38 minutes.

<i>Spiral</i> (Stockhausen)

Spiral, for a soloist with a shortwave receiver, is a composition by Karlheinz Stockhausen, written in 1968. It is Number 27 in the catalogue of the composer's works.

<span class="mw-page-title-main">Regina Company</span>

The Regina Company was a manufacturer of mechanical musical instruments before it became a major vacuum maker.

<i>Für kommende Zeiten</i>

Für kommende Zeiten is a collection of seventeen text compositions by Karlheinz Stockhausen, composed between August 1968 and July 1970. It is a successor to the similar collection titled Aus den sieben Tagen, written in 1968. These compositions are characterized as "Intuitive music"—music produced primarily from the intuition rather than the intellect of the performer(s). It is work number 33 in Stockhausen's catalog of works, and the collection is dedicated to the composer's son Markus.

References

  1. 1 2 "A Brief History of the Symphonion Company". Museums Victoria Collections.
  2. "Origins of Automatic Music". Archived from the original on 2011-04-26. Retrieved 2011-05-02.
  3. "morrismuseum.org".
  4. 1 2 Fowler, Charles B. (October 1967), "The Museum of Music: A History of Mechanical Instruments", Music Educators Journal, 54 (2), MENC_ The National Association for Music Education: 45–49, doi:10.2307/3391092, JSTOR   3391092, S2CID   190524140 . Citation on p. 45.
  5. In the Collections of the British Museum (M.L. Antiquities Dept. Ilbert collection)
  6. Horological Masterworks Exhibition AHS 2003 Catalogue No.14
  7. Sotheby's Auction Masterpieces from the Time Museum June 19, 2002 Lot 73
  8. en.shoac.com.cn, "Antique Music Box Gallery", accessed 18 Dec 2014.
  9. "History of the Cylinder Phonograph". Library of Congress . Retrieved June 1, 2022.
  10. Stross, Randall (June 23, 2010). "The Incredible Talking Machine". Time . Retrieved June 1, 2022.
  11. https://www.allmusic.com/album/orchestrion-mw0001950634
  12. Ashraf, Anatole (2016-03-03). "Wintergatan Marble Machine Is Astonishing". Indie Band Guru. Retrieved 2023-02-11.
  13. "The Product Development Journey of Muro Box, the World's First App-Controlled Mechanical Music Box". Muro Box. Retrieved 2023-02-11.
  14. Peter Andraschke, "Kompositorische Tendenzen bei Karlheinz Stockhausen seit 1965", in Zur Neuen Einfachheit in der Musik, Studien zur Wertungsforschung 14, edited by Otto Kolleritsch, 126–43 (Vienna and Graz: Universal Edition [for the Institut für Wertungsforschung an der Hochschule für Musik und darstellende Kunst in Graz], 1981). ISBN   3-7024-0153-9.
  15. Giuliano d'Angiolini, "Tierkreis, oeuvre pour instrument mélodique et/ou harmonique: un tournant dans le parcours musical de Stockhausen", Analyse Musicale (1989, 1er trimestre): 68–73.
  16. Hermann Conen, Formel-Komposition: Zu Karlheinz Stockhausens Musik der siebziger Jahre, Kölner Schriften zur Neuen Musik 1, edited by Johannes Fritsch and Dietrich Kämper. (Mainz: Schott's Söhne, 1991). ISBN   3-7957-1890-2.
  17. Wilfried Gruhn, "'Neue Einfachheit'? Zu Karlheinz Stockhausens Melodien des Tierkreis", in Reflexionen uber Musik heute: Texte und Analysen, edited by Wilfried Gruhn, 185–202 (Mainz, London, New York, and Tokyo: B. Schott's Söhne, 1981. ISBN   3-7957-2648-4.
  18. Jerome Kohl, "The Evolution of Macro- and Micro-Time Relations in Stockhausen’s Recent Music", Perspectives of New Music 22 (1983–84): 147–85, citation on 148.
  19. Michael Kurtz, Stockhausen: A Biography, translated by Richard Toop (London and Boston: Faber and Faber, 1992). ISBN   0-571-14323-7 (cloth) ISBN   0-571-17146-X (pbk).
  20. Gallus Oberholzer, "Karlheinz Stockhausen komponierte 12 Melodien speziell für Spieldosen", Das mechanische Musikinstrument: Journal der Gesellschaft für selbstspielende Musikinstrumente 12, no. 46 (December 1988): 49.
  21. Christel Stockhausen, "Stockhausens Tierkreis: Einführung und Hinweise zur praktischen Aufführung" Melos 45 / Neue Zeitschrift für Musik 139 (July–August 1978): 283–87.

Further reading

Videos

Audio of historical music boxes