The following is a list of the most expensive albums made with a recorded sum of over $1 million, sorted by the most money spent in promotional campaigns and album covers. The recording process traditionally requires an investment in studio time and skilled record production labor, and the process can be expensive. [1]
In the late 1950s, the cost of producing pop albums ran from $3,000 to $7,000. [2] The average cost of producing an album climbed to $15,000 in the 1960s. [3] Early examples of record-breaking expensive albums include Sgt. Pepper's Lonely Hearts Club Band (1967) with a reported sum of £25,000, [4] [a] alongside Tommy (1969) and Pet Sounds (1966) each with a cost of $70,000, [6] [7] as well as unfinished album Smile whose single "Good Vibrations" (1966) alone had a budget between $50,000 and $75,000, [b] more than most entire albums cost in those days. [9] Multiple albums were budgeted with a cost between $350,000 and $500,000 by late 1970s, [10] whereas popular rock albums had an average of $100,000 and as high as $500,000 by the midpoint of the decade. [11] [c] Some albums were produced on a $1 million budget by 1981. [10] Accountant John McClain gave an estimated cost of $2.5 million for a Michael Jackson record in 1987. [14] Nowadays, according to IFPI, production costs for popular albums are "generally budgeted for at least $200,000, and if much studio time is used, costs can soar well past $350,000". [1] Some artist's sponsorships covered the cost of producing the album, most notoriously Mariah Carey between the Bahamas Board of Tourism with her album Memoirs of an Imperfect Angel (2009). [15] [16]
The first album to cost over $1 million is believed to be Tusk (1979) by Fleetwood Mac. [17] Chinese Democracy (2008) by Guns N' Roses, once included as the most expensive record in the Guinness World Records , probably cost over $1 million per year during its recording sessions from 1998 to 2006. [18] With a cost between $30 and $40 million, Michael Jackson's Invincible (2001) remains the most expensive album ever produced. [19] [20] [21] Both Michael Jackson and Kanye West have multiple appearances, with at least four each.
Released | Album | Artist | Recorded | Approx cost | Adjusted cost (in 2023 dollars) | Ref. |
---|---|---|---|---|---|---|
2001 | Invincible [d] | Michael Jackson | 1997–2001 | $30–40 million | $51,621,876/$68,829,167 | [19] [21] [20] |
2008 | Chinese Democracy | Guns N' Roses | 1998–2007 | $13 million | $18,396,909 | [23] |
1995 | HIStory: Past, Present and Future, Book I | Michael Jackson | 1979–1995 | $10 million | $19,995,632 | [24] |
1991 | Dangerous | Michael Jackson | 1989–1991 | $8–10 million | $17,895,920/$22,369,900 | [25] [26] [27] |
2001 | Victoria Beckham | Victoria Beckham | 1999–2001 | £5 million | £10,444,883 | [28] |
1987 | Hysteria | Def Leppard | 1984–1987 | $4.5–5 million | $13,409,490/$12,068,541 | [29] [30] [31] |
1999 | The Life of Chris Gaines [e] | Garth Brooks | — | $5 million | $9,145,026 | [31] [33] |
2009 | Memoirs of an Imperfect Angel | Mariah Carey | 2009 | £4 million | £6,776,930 | [15] |
2002 | Untouchables | Korn | 2001 | $4 million [f] | $6,775,948 | [35] |
1988 | Non Stop | Julio Iglesias | — | $3 million | $7,728,756 | [36] |
2010 | My Beautiful Dark Twisted Fantasy | Kanye West | 2009–2010 | $3 million | $4,191,668 | [37] |
2015 | Once Upon a Time in Shaolin | Wu-Tang Clan | 2007–2013 | $3 million | $3,856,240 | [38] |
2003 | Deftones | Deftones | 2002 | $2.5 million | $4,140,738 | [39] |
1987 | Bad | Michael Jackson | 1985–1987 | $2 million | $5,363,796 | [40] |
2005 | Late Registration | Kanye West | 2004–2005 | $2 million | $3,120,123 | [41] |
2010 | Superficial | Heidi Montag | 2007–2009 | $2 million | $2,794,445 | [42] |
1982 | Rock in a Hard Place | Aerosmith | 1981–1982 | $1.5 million | $4,735,862 | [43] |
1990 | Charmed Life | Billy Idol | 1989–1990 | $1.5 million | $3,498,217 | [44] |
1993 | Aries | Luis Miguel | 1992–1993 | $1.5 million | $3,163,787 | [45] |
2011 | Watch the Throne | Kanye West Jay-Z | 2010–2011 | $1.5 million | $2,031,657 | [46] |
2013 | Yeezus | Kanye West | 2012–2013 | $1.5 million | $1,962,000 | [46] |
1979 | Tusk | Fleetwood Mac | 1978–1979 | $1.4 million | $5,877,304 | [47] [48] |
2012 | Cruel Summer | GOOD Music | 2010 | $1.3 million | $1,725,294 | [46] |
1979 | The Long Run | Eagles | 1978–1979 | $1 million | $4,198,074 | [49] |
1981 | For Those About to Rock We Salute You | AC/DC | 1981 | $1 million | $3,351,391 | [50] |
1982 | Donna Summer | Donna Summer | 1981–1982 | $1 million | $3,157,241 | [51] |
1988 | Brian Wilson | Brian Wilson | 1987–1988 | $1 million [g] | $2,576,252 | [52] [53] [54] |
1989 | The Seeds of Love | Tears for Fears | 1986–1989 | $1 million | $2,457,987 | [55] |
1991 | Metallica | Metallica | 1990–1991 | $1 million | $2,236,990 | [56] |
1995 | The Woman in Me | Shania Twain | 1994–1995 | $1 million [h] | $1,999,563 | [57] |
1998 | He Got Game | Public Enemy | 1997–1998 | $1 million | $2,576,252 | [59] |
1999 | Ricky Martin | Ricky Martin | — | $1 million | $1,829,005 | [60] |
2002 | One by One | Foo Fighters | 2002 | $1 million | $1,693,987 | [61] |
2005 | One Way Ticket to Hell... and Back | The Darkness | 2005 | $1 million | $1,560,061 | [62] |
Released | Album | Artist | Record label | Budget, expenditure | Adjusted cost (in 2023 dollars) | Ref. |
---|---|---|---|---|---|---|
1995 | HIStory: Past, Present and Future, Book I | Michael Jackson | Sony / Epic Records | $30,000,000 | $59,986,897 | [63] [64] |
2001 | Invincible [d] | Michael Jackson | Sony / Epic Records | $25,000,000 | $43,018,230 | [19] [20] [65] |
2013 | Artpop | Lady Gaga | Interscope Records | $25,000,000 | $32,700,000 | [66] |
1999 | Brand New Day | Sting | A&M Records | $18,900,000 | $34,568,198 | [67] |
1999 | The Life of Chris Gaines [e] | Garth Brooks | Capitol Records | $15,000,000 | $27,435,078 | [31] [33] |
2000 | 1 | The Beatles | Apple Records / EMI | $15,068,493 | $26,660,313 | [68] |
2002 | ELV1S: 30 No. 1 Hits | Elvis Presley | RCA Records | $10,000,000 | $16,939,870 | [69] |
Michael Jackson's HIStory (1995) has the most extensive marketing campaign in popular music history, [70] spent by a record label. Up to that point, a label might spent an average of $2 million in promotional campaigns for artists such as the Rolling Stones, Aerosmith and Madonna, per release. [24] The lattermost, had the biggest Warner Records promotional campaign for an album up to the release of Like a Prayer (1989) with $2 million. [71] In contrast, according to Hank Bordowitz in Dirty Little Secrets of the Record Business (2007), mounting a successful promotional campaign for radio stations can cost between $250,000 and $1 million per song. [72]
Examples of associated campaigns outside record label's efforts include Born This Way (2011) by Lady Gaga, with a reported sum of $3 million provided by Amazon, [73] and Rihanna's sponsorship with Samsung for $25 million which covered the release of her album Anti (2016) and its tour. [74]
This is a list of record-breaking historical expensive album covers or CD packaging.
The Beatles were an English rock band formed in Liverpool in 1960. The core lineup of the band comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are widely regarded as the most influential band in Western popular music and were integral to the development of 1960s counterculture and the recognition of popular music as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways. The band also explored music styles ranging from folk and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements.
Janet Damita Jo Jackson is an American singer, songwriter, actress, and dancer. She is noted for her innovative, socially conscious and sexually provocative records, as well as elaborate stage shows. Her sound and choreography became a catalyst in the growth of MTV, enabling her to rise to prominence while breaking gender and racial barriers in the process. Lyrical content that focused on social issues and lived experiences set her reputation as a role model for youth.
With the Beatles is the second studio album by the English rock band the Beatles. It was released in the United Kingdom on 22 November 1963 on Parlophone, eight months after the release of the band's debut album, Please Please Me. Produced by George Martin, the album features eight original compositions and six covers. The sessions also yielded the non-album single, "I Want to Hold Your Hand" backed by "This Boy". The cover photograph was taken by the fashion photographer Robert Freeman and has since been mimicked by several music groups. A different cover was used for the Australian release of the album, which the Beatles were displeased with.
Rubber Soul is the sixth studio album by the English rock band the Beatles. It was released on 3 December 1965 in the United Kingdom on EMI's Parlophone label, accompanied by the non-album double A-side single "We Can Work It Out" / "Day Tripper". The original North American release, issued by Capitol Records, contains ten of the fourteen songs and two tracks withheld from the band's Help! (1965) album. Rubber Soul was described as an important artistic achievement by the band, meeting a highly favourable critical response and topping sales charts in Britain and the United States for several weeks.
A music video is a video that integrates a song or an album with imagery that is produced for promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of music recordings. These videos are typically shown on music television and on streaming video sites like YouTube, or more rarely shown theatrically. They can be commercially issued on home video, either as video albums or video singles. The format has been described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip", "video clip", or simply "video".
Let It Be is the twelfth and final studio album by the English rock band the Beatles. It was released on 8 May 1970, nearly a month after the official announcement of the group's public break-up, in tandem with the documentary of the same name. Concerned about recent friction within the band, Paul McCartney had conceived the project as an attempt to reinvigorate the group by returning to simpler rock 'n' roll configurations. Its rehearsals started at Twickenham Film Studios on 2 January 1969 as part of a planned television documentary showcasing the Beatles' return to live performance.
Thriller is the sixth studio album by the American singer and songwriter Michael Jackson, released on November 29, 1982, by Epic Records. It was produced by Quincy Jones, who previously worked with Jackson on his album Off the Wall (1979). Jackson wanted to create an album where "every song was a killer". With the ongoing backlash against disco music at the time, he moved in a new musical direction, resulting in a mix of pop, post-disco, rock, funk, synth-pop, and R&B sounds, and darker themes. Paul McCartney is the first credited appearance of a featured artist on a Jackson album. Recording took place from April to November 1982 at Westlake Recording Studios in Los Angeles, California, with a budget of $750,000.
Bad is the seventh studio album by the American singer-songwriter Michael Jackson. It was released on August 31, 1987, by Epic Records. Written and recorded between 1985 and 1987, Bad was Jackson's third and final collaboration with the producer Quincy Jones. Primarily featuring pop, dance, and R&B, as well as elements of funk, soul, jazz, rock, and hard rock, Bad incorporated new recording technology, including digital synthesizers. Jackson co-produced and composed all but two tracks, and the lyrical themes include self-improvement, romance, world peace, media bias, paranoia, and racial profiling. The album features appearances from Siedah Garrett and Stevie Wonder.
Abbey Road is the eleventh studio album by the English rock band the Beatles, released on 26 September 1969, by Apple Records. It is the last album the group recorded, although Let It Be (1970) was the last album completed before the band's break-up in April 1970. It was mostly recorded in April, July, and August 1969, and topped the record charts in both the United States and the United Kingdom. A double A-side single from the album, "Something" / "Come Together", was released in October, which also topped the charts in the US.
"Come Together" is a song by the British rock band The Beatles, written by John Lennon and credited to Lennon–McCartney. The song is the opening track on the band's 1969 album Abbey Road. It was also a double A-side single in the United Kingdom with "Something", reaching No. 4 in the UK charts.
Northern Songs Ltd was a limited company founded in 1963, by music publisher Dick James, artist manager Brian Epstein, and songwriters John Lennon and Paul McCartney of the Beatles, to publish songs written by Lennon and McCartney. In 1965, it was decided to make Northern Songs a public company, to reduce their income tax burden.
"P.Y.T. " is a song by American singer, songwriter and dancer Michael Jackson, released as the sixth single from his sixth album, Thriller (1982). The song was written by James Ingram and Quincy Jones.
Sir James Paul McCartney is an English singer, songwriter and musician who gained worldwide fame with the Beatles, for whom he played bass guitar and the piano, and shared primary songwriting and lead vocal duties with John Lennon. One of the most successful composers and performers of all time, McCartney is known for his melodic approach to bass-playing, versatile and wide tenor vocal range, and musical eclecticism, exploring genres ranging from pre-rock and roll pop to classical, ballads, and electronica. His songwriting partnership with Lennon is the most successful in modern music history.
Michael Joseph Jackson was an American singer, songwriter, dancer, and philanthropist. Dubbed the "King of Pop", he is regarded as one of the most significant cultural figures ever. Over a four-decade career, his world record music achievements and publicized personal life made him a global figure. Through songs, stages, and fashion, he proliferated visual performance for singers in pop music, and popularized street dance moves including the moonwalk, the robot, and the anti-gravity lean. Jackson has an extensive fandom, which includes impersonators around the world.
American singer Michael Jackson (1958–2009) debuted on the professional music scene at age five as a member of the American family music group The Jackson 5 and began a solo career in 1971 while still part of the group. Jackson promoted seven of his solo albums with music videos or, as he would refer to them, "short films". Some of them drew criticism for their violent and sexual elements while others were lauded by critics and awarded Guinness World Records for their length, success, and cost.
"Say Say Say" is a song by Paul McCartney and Michael Jackson, released in October 1983 as the lead single from McCartney's 1983 album Pipes of Peace. Produced by George Martin, it was recorded during production of McCartney's 1982 Tug of War album, about a year before the release of "The Girl Is Mine", the pair's first duet from Jackson's album Thriller (1982).
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(help)Sony advanced Jackson approximately $40 million to make it. In addition, Sony spent $25 million to market it
Michael Jackson and Rodney Jerkins At $ 65 million , Invincible is the most expensive album ever made
A representative " crossover " production was CBS's Julio Iglesias - Stevie Wonder LP " Non - Stop " ( 1988 ) , which , costing over three million dollars to produce , was one of the most expensive LPs ever made
we spent $ 1.4 million making Tusk
a Donna Summer album done with Quincy Jones a few years ago took a year to record and cost over a million dollars to produce
the album had cost more than a million dollars to produce , but Sony believed they would make back ten times that much or more
The adverts are part of an £ 11 million Beatles 1 promotional budget , paid for by EMI