For Those About to Rock (We Salute You) | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 20 November 1981 [1] | |||
Recorded | July – September 1981 | |||
Studio |
| |||
Genre | Hard rock | |||
Length | 40:10 | |||
Label | ||||
Producer | Robert John "Mutt" Lange | |||
AC/DC chronology | ||||
| ||||
Singles from For Those About to Rock We Salute You | ||||
|
For Those About to Rock (We Salute You) (shortened to For Those About to Rock on its cover) is the eighth studio album by Australian hard rock band AC/DC. It was released on 20 November 1981 in the US and on 27 November 1981 in the UK. [3]
The album is a follow-up to their album Back in Black . It has sold over four million copies in the US. It would be AC/DC's first and only number one album in the US until the release of Black Ice in October 2008. In their original 1981 review, Rolling Stone magazine declared it to be their best album. In Australia, the album peaked at number three on the Kent Music Report Albums Chart. [4]
The album, recorded in Paris, was the third and final AC/DC collaboration with producer Robert John "Mutt" Lange. It was re-released in 2003 as part of the AC/DC Remasters series.
After taking a few months' break following the Back in Black Tour , the band reconvened in Paris for a week of rehearsals in June 1981 for the new album; most - if not, all - of the songs had been written by this point. [5] Recording originally began on 6 July 1981 EMI's Pathé Marconi Studios in Paris with Lange producing; however, they decided to abandon the sessions after 10 days as Lange could not get the sounds he wanted. After two weeks of searching for another recording studio, they ended up recording in a rehearsal room, H.I.S. Studio, in Paris by late July using the Mobile One recording truck hired from London. [5]
To add to the recording delays, the band also interrupted sessions to perform at the Monsters of Rock festival at Castle Donington on 22 August; this did not go down well for them, partly due to poor weather and lack of time to prepare. [5] The band were also growing impatient with Lange's perfectionism and relentless tinkering in the studio, which led to them parting ways after the completion of the album. [5]
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Blender | ![]() ![]() ![]() ![]() ![]() |
Christgau's Record Guide | C [8] |
Collector's Guide to Heavy Metal | 8/10 [9] |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
Metal Storm | 8/10 [11] |
Mojo | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
Ultimate Guitar | 9.3/10 [14] |
Uncut | 7/10 [15] |
For Those About to Rock became the first AC/DC album to ever hit number one in the US on the Billboard chart and stayed on the top for three weeks. In the US it has achieved four million sales. In the UK, the album's two singles, "Let's Get It Up" and "For Those About to Rock (We Salute You)", made it to number 13 and number 15, respectively. The album has sold an estimated seven million copies worldwide, making it one of the highest sold AC/DC albums worldwide.[ citation needed ] However it marks a major drop-off in sales in the United States, only selling four million as follow-up to the 25× platinum Back in Black. In a 2008 Rolling Stone cover story, David Fricke singled out the title track for praise, noting its "unusual stop-start effect that hooks you just as hard as their usual railroad drive."[ citation needed ] Robert Christgau stated: "Brian Johnson takes over, defining an anthemic grandiosity more suitable to their precious-metal status than Bon Scott's old-fashioned raunch. Also dumber. 'Let's Get It Up' is a limited sentiment in any case. But I'd appreciate some indication that Johnson knows the difference between his dick and the light tower." [16]
All tracks are written by Angus Young, Malcolm Young and Brian Johnson.
No. | Title | Length |
---|---|---|
1. | "For Those About to Rock (We Salute You)" | 5:43 |
2. | "Put the Finger on You" | 3:25 |
3. | "Let's Get It Up" | 3:53 |
4. | "Inject the Venom" | 3:31 |
5. | "Snowballed" | 3:23 |
No. | Title | Length |
---|---|---|
6. | "Evil Walks" | 4:23 |
7. | "C.O.D." | 3:19 |
8. | "Breaking the Rules" | 4:23 |
9. | "Night of the Long Knives" | 3:25 |
10. | "Spellbound" | 4:28 |
Total length: | 40:10 |
AC/DC
Production
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [35] | 5× Platinum | 350,000^ |
Austria (IFPI Austria) [36] | Gold | 25,000* |
Canada (Music Canada) [37] | Platinum | 100,000‡ |
Denmark (IFPI Danmark) [38] | Gold | 50,000^ |
France (SNEP) [39] | Platinum | 400,000* |
Germany (BVMI) [40] | Platinum | 500,000^ |
Italy (FIMI) [41] sales since 2009 | Gold | 25,000‡ |
Japan (RIAJ) [42] | Gold | 100,000^ |
Spain (PROMUSICAE) [43] | Gold | 50,000^ |
Switzerland (IFPI Switzerland) [44] | Platinum | 50,000^ |
United Kingdom (BPI) [45] | Gold | 100,000* |
United States (RIAA) [46] | 4× Platinum | 4,000,000^ |
* Sales figures based on certification alone. |