High Voltage (1976 album)

This article is about the international album by AC/DC. For the Australian only album, see High Voltage (1975 album).

At that time… we were giving punk music a good name. Because that was the word they used to describe us – punk band. They'd get the wrong idea. We weren't punk, but they'd put us on the same bill as punk bands. And they sure got a shock when they started spitting at us and we spat back. We were never ones for getting slumped under a tag or filed under A, B, or C. We started as a rock and roll band. That's what we play – what we do best. We never claimed to be anything else.

In 2010 Malcolm Young concurred, telling Mojo 's Phil Alexander, "Punk rock was just a fashion. … It didn't change the music; it changed the fashion, and that's basically all it is." In a 1977 interview with ABC's Countdown , Bon Scott insisted, "We're pulling bigger crowds than they are. I mean, we've got our following here. It's not new wave, it's not punk, it's just people who like our band. We honestly thought that the punk and the new wave thing might spoil it a bit for us but it hasn't at all. It was a big fad, just like anything else, a big fad for a while. … The main thing about it is it gave rock music a real kick in the guts."

Recording

"It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" was edited down from an extended jam by producer George Young (older brother of guitarist Malcolm Young and Angus) and the inclusion of the bagpipes was his idea to add an extra dynamic to the track. Singer Bon Scott had played in a pipe band in his teens, so George suggested he play bagpipes on the song, not realizing that Scott had been a drummer, not a piper. Regardless, Scott – who knew how to play the recorder  – learned the instrument and went on to play them on stage with the band for several years. In Murray Engleheart's book AC/DC: Maximum Rock & Roll, former manager Michael Browning states that the bagpipes became the bane of Scott's existence: "I think they probably put more pressure on him than anything I can think of! They invariably never worked. It's a hard instrument to time to guitars, because you're pumping them and they kind of kick in when the bag's full – very difficult to time to guitars." The chanting in "T.N.T." was also George Young's idea, added after he heard Angus ad-libbing the "oi" chant to himself, and suggested he record it. ^[4]

The production team of George Young and Harry Vanda was crucial in the development of AC/DC's sound. Vanda was a bandmate of Young's in The Easybeats and the pair were the main songwriters of The Easybeats' later hits, including their international hit "Friday on My Mind". In the 1994 book Highway to Hell: The Life and Times of AC/DC Legend Bon Scott, Chris Gilbey, who was the promotion man at Albert Productions at the time, recalls to author Clinton Walker, "The great thing George and Harry taught me, as a producer, was that if you got a good rhythm track, you've got the beginnings of a record. If you don't, you've got nothing." In the same memoir Michael Browning confirms, "George and Harry's most important criterion was rhythm, the whole thing had to just feel right. If you listen to those records today, they feel good."

Composition

AC/DC's second album T.N.T. was a breakthrough for the band composition-wise and sound-wise, containing more of the twin-guitar assault that the band would become famous for, and this may explain why only two songs were included from the glam rock  – leaning 1975 debut. "She's Got Balls" (about Scott's ex-wife Irene) was the first song that Scott and the Young brothers put together, while "Little Lover" had been a song Malcolm had been tinkering with since he was about 14 and had been originally titled "Front Row Fantasies" (Scott claimed to have written the song about Angus). ^[4] "Can I Sit Next to You Girl" predated Scott's involvement in the band, having been recorded as a single with former vocalist Dave Evans; it features a different arrangement and slightly different lyrics from the original version. It also runs almost a minute longer. In 1993, Angus Young shared the origins of the title track with Vic Garbarini of Guitar For the Practicing Musician: "I remember sitting home one night before going into the studio and playing around with some chords, and I suddenly thought, let's try playing...A...C...D...C. Sounded good. And then I thought AC/DC...power..."High Voltage"! I sang the chorus part to my brother in the studio and he thought it sounded great." Lyrically, the LP features Bon Scott chronicling both the good and the bad about the rock and roll lifestyle, warning aspiring musicians that "it's harder than it looks" ("It's a Long Way to the Top") but also defiantly telling the moral majority to "stick your moral standards 'cause it's all a dirty lie" ("Rock 'n' Roll Singer"). In 1994 biographer Clifton Walker observed that Scott was "virtually encapsulating his entire life" in both songs. The lyrics of "The Jack" (sometimes titled "(She's Got) The Jack") were developed by Scott who was inspired by a letter Malcolm Young received during a tour of Adelaide. The letter, from a woman in Melbourne, implied that Malcolm had given her a venereal disease, although he claims that when he got tested, he was clean. Scott's original lyrics were far more explicit than those heard on the album, which he deliberately toned down in case the song got played on radio. The bravado-driven "Live Wire", which was also sexually suggestive, would be the band's show-opener for several years.

Releases

The international release of High Voltage also had two different album covers from the original: one featured a picture of Angus Young as he appeared on the cover of the German single for "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)". An alternative cover was used on the international version's European release. ^[5] Most editions of the international album have a version of "It's a Long Way to the Top" that is shorter than the original album version. The full length version is 5:10, while the edited version shortens the last chorus causing the track to fade out early at 5:01. Vinyl editions of the international album contain the edited version. The 1994 remastered CD on Atco Records replaced the edited version of the track with the full length version. The 2003 remastered CD on Epic Records reverted it back to the edited version.

Uses in pop culture

The track "T.N.T." is used in Tony Hawk's Pro Skater 4 .

The High Voltage Arc in the seventh part of JoJo's Bizarre Adventure : Steel Ball Run by Hirohiko Araki is a reference to this album and song.

The album sleeve was used as a prop in a first season episode of The Cosby Show , titled "The Younger Woman". In the story, the fictional musician named with the album is "Clyde", and is described on the album cover as "sticking his tongue out," which is an accurate description of Angus Young's actual expression on the cover, although the album and band's names in the upper left corner are both stylistically covered up.

High Voltage
Studio album by AC/DC
Released	14 May 1976 (1976-05-14)
Recorded	November 1974 [lower-alpha 1] March 1975 [lower-alpha 2] July 1975 [lower-alpha 3]
Studio	Albert (Sydney)
Genre	Hard rock blues rock
Length	44:23
Label	Atlantic ATCO
Producer	Harry Vanda George Young
AC/DC chronology
T.N.T. (1975) High Voltage (1976) Dirty Deeds Done Dirt Cheap (1976)
Alternative cover
Original European cover

Professional ratings

Review scores
Source	Rating
AllMusic	[6]
Blender	[7]
The Encyclopedia of Popular Music	[8]
The Great Rock Discography	8/10 [9]
Sputnikmusic	[10]
Rolling Stone	[11]
Spin Alternative Record Guide	4/10 [12]
"Subjective Sounds"	Favourable [13]
backseatmafia	Favourable [14]
Louder	[15]

The album received mixed reviews when it was released in the United States. Billboard listed it in its "Recommended LPs" column, calling it a cross between Led Zeppelin and the Sensational Alex Harvey Band. However, the album was trashed by Billy Altman in his infamous review for Rolling Stone: "Those concerned with the future of hard rock may take solace in knowing that with the release of the first U.S. album by these Australian gross-out champions, the genre has hit its all-time low. Lead singer Bon Scott spits out his vocals with a truly annoying aggression which, I suppose, is the only way to do it when all you seem to care about is being a star so that you can get laid every night. Stupidity bothers me. Calculated stupidity offends me." Initially they had given the album two stars, but in recent years have warmed up to it and given it three stars out of five, (which means in their terms, "Good: a record of average worth, but one that might possess considerable appeal for fans of a particular style.") ^[16]

Retrospective reviews have been more positive. AllMusic's review by Stephen Thomas Erlewine praised Angus Young's "monster riffs" which appear to be easy but give the music its strength and this allows Scott to be "somebody who never hid the notion that lurking behind the door are some bad, dangerous things, but they're also fun, too." ^[6] Classic Rock magazine meanwhile praises the albums' production as well as the unique usage of bagpipes in a rock song and the quality of Bon's lyricism, hailing it overall as "An international debut to savour." ^[17] and Ultimate Classic Rock praises it in a combined rating of T.N.T. and this international album calling it their coming-of-age album and stating "the core musical signature that would carry and sustain the band’s amazing career rise was set right here." ^[17]

Track listing

All tracks are written by Angus Young, Malcolm Young and Bon Scott except where noted.

Side one

No.	Title	Length
1.	"It's a Long Way to the Top (If You Wanna Rock 'n' Roll)"	5:12
2.	"Rock 'n' Roll Singer"	5:04
3.	"The Jack"	5:53
4.	"Live Wire"	5:50

Side two

No.	Title	Length
5.	"T.N.T."	3:35
6.	"Can I Sit Next to You Girl" (A. Young, M. Young)	4:12
7.	"Little Lover"	5:40
8.	"She's Got Balls"	4:52
9.	"High Voltage"	4:04
Total length:		44:23

Notes

• Published by J. Albert & Son Pty Ltd.

• Tracks 7 & 8 were previously released on the band's first Australian studio album High Voltage in February 1975. The rest were previously released on the band's second Australian studio album T.N.T. in December 1975.

Personnel

AC/DC

• Bon Scott – lead vocals, bagpipes on "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)"
• Angus Young – lead guitar ^[18]
• Malcolm Young – rhythm guitar, lead guitar on "Little Lover", ^[19] backing vocals
• Mark Evans – bass guitar (1–6)
• Phil Rudd – drums (1–6)

Additional personnel

• George Young – bass guitar (7–9)
• Tony Currenti – drums (7–9) ^[20]

Production

• Harry Vanda – producer
• George Young – producer
• Michael Putland – cover art
• Dave Field – cover art (European version)
• Gerard Huerta – cover lettering
• Richard Ford – artwork

Charts

Chart (1981–1982)	Peak position
US Billboard 200 [21]	146

Chart (2015)	Peak position
Australian Albums (ARIA) [22]	13
Spanish Albums (PROMUSICAE) [23]	90
Swedish Albums (Sverigetopplistan) [24]	58
Swiss Albums (Schweizer Hitparade) [25]	67

Chart (2024)	Peak position
German Albums (Offizielle Top 100) [26]	12
Swiss Albums (Schweizer Hitparade) [27]	18
UK Rock & Metal Albums (OCC) [28]	10

Certifications

Region	Certification	Certified units/sales
France (SNEP) [29]	Gold	100,000*
Germany (BVMI) [30]	Platinum	500,000^
Italy (FIMI) [31]	Gold	25,000*
Spain (PROMUSICAE) [32]	Gold	50,000^
Switzerland (IFPI Switzerland) [33]	Platinum	50,000^
United Kingdom (BPI) [34]	Gold	100,000*
United States (RIAA) [35]	3× Platinum	3,000,000^
* Sales figures based on certification alone. ^ Shipments figures based on certification alone.

Notes

1. Tracks 7 and 8
2. Track 9
3. Tracks 1–6

References

1. Strong, Martin Charles (1995). The Great Rock Discography. p. 3. ISBN   978-0-862415419.
2. Altman, Billy (16 December 1976). "AC/DC: High Voltage : Music Reviews". Rolling Stone . No. 228. Wenner Media LLC. Archived from the original on 8 November 2007. Retrieved 6 November 2009.
3. Engleheart, Murray (2003). High Voltage (CD booklet). AC/DC. Epic Records. pp. 7–8. EK 80201.
4. Engleheart, Murray & Durieux, Arnaud (2006). AC/DC: Maximum Rock N Roll. pp. 92–93. ISBN   0-7322-8383-3.
5. Saulnier, Jason (30 September 2011). "Mark Evans Interview". Music Legends. Archived from the original on 7 November 2012. Retrieved 6 May 2013.
6. Erlewine, Stephen Thomas. "High Voltage". AllMusic . Archived from the original on 18 August 2022. Retrieved 29 November 2009.
7. Twist, Carlo. "High Voltage". Blender. Archived from the original on 26 September 2008. Retrieved 29 November 2009.
8. Larkin, Colin (2007). The Encyclopedia of Popular Music (5th Concise ed.). United Kingdom: Omnibus Press. p. 34. ISBN   978-1-84609-856-7.
9. Strong, Martin C. (2004). The Great Rock Discography (7th ed.). Canongate. ISBN   0-679-75574-8. Archived from the original on 4 February 2020. Retrieved 4 February 2020.
10. "AC/DC - High Voltage (album review )". 7 August 2023. Retrieved 18 November 2023.
11. Kot, Greg (25 February 2003). "High Voltage". Rolling Stone. Archived from the original on 26 January 2016. Retrieved 29 November 2009.
12. Weisbard, Eric; Marks, Craig (1995). Spin Alternative Record Guide. Vintage Books. ISBN   1841955515.
13. Greentree, Mark (1 August 2020). "AC/DC – High Voltage (Album Review On Vinyl & Apple Music)" . Retrieved 20 June 2023.
14. Byran, Jon (15 May 2018). "A buyers guide to AC/DC 1975-1981". Backseatmafia. Retrieved 20 June 2023.
15. "AC/DC: High Voltage - Album Of The Week Club review". Louder. 8 August 2023. Retrieved 18 November 2023.
16. Kot, Gret (25 February 2003). "High Voltage". Rolling Stone. Retrieved 12 December 2022.
17. "Every AC/DC album ranked, from worst to best – the ultimate guide". Louder Sound. 26 November 2020. Retrieved 20 June 2023.
18. Engleheart, Murray; Durieux, Arnaud (2006). AC/DC: Maximum Rock N Roll. p. 144. ISBN   0-7322-8383-3.
19. Ariza, Sergio. "Back In Black". Guitars Exchange. Archived from the original on 21 August 2019. Retrieved 16 January 2020.
20. Fink, Jesse (1 November 2013). The Youngs: The Brothers Who Built AC/DC. Ebury Australia. ISBN   978-1-74275-979-1.
21. "AC-DC Chart History (Billboard 200)". Billboard. Retrieved 18 February 2020.
22. "Australiancharts.com – AC/DC – High Voltage". Hung Medien. Retrieved 18 February 2020.
23. "Spanishcharts.com – AC/DC – High Voltage". Hung Medien. Retrieved 18 February 2020.
24. "Swedishcharts.com – AC/DC – High Voltage". Hung Medien. Retrieved 18 February 2020.
25. "Swisscharts.com – AC/DC – High Voltage". Hung Medien. Retrieved 18 February 2020.
26. "Offiziellecharts.de – AC/DC – High Voltage" (in German). GfK Entertainment Charts. Retrieved 22 March 2024.
27. "Swisscharts.com – AC/DC – High Voltage". Hung Medien. Retrieved 24 March 2024.
28. "Official Rock & Metal Albums Chart Top 40". Official Charts Company. Retrieved 22 March 2024.
29. "French album certifications – AC/DC – High Voltage" (in French). Syndicat National de l'Édition Phonographique.
30. "Gold-/Platin-Datenbank (AC/DC; 'High Voltage')" (in German). Bundesverband Musikindustrie . Retrieved 13 July 2022.
31. "Italian album certifications – AC/DC – High Voltage" (in Italian). Federazione Industria Musicale Italiana . Retrieved 13 July 2022. Select "2015" in the "Anno" drop-down menu. Select "High Voltage" in the "Filtra" field. Select "Album e Compilation" under "Sezione".
32. Salaverrie, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (PDF) (in Spanish) (1st ed.). Madrid: Fundación Autor/SGAE. p. 953. ISBN   84-8048-639-2. Archived (PDF) from the original on 29 January 2021. Retrieved 23 August 2019.
33. "The Official Swiss Charts and Music Community: Awards ('High Voltage')". IFPI Switzerland. Hung Medien.
34. "British album certifications – AC/DC – High Voltage". British Phonographic Industry.
35. "American album certifications – AC/DC – High Voltage". Recording Industry Association of America.