Donna Summer | ||||
---|---|---|---|---|
Studio album by | ||||
Released | July 19, 1982 | |||
Recorded | December 1981–April 1982 | |||
Studio | ||||
Genre | ||||
Length | 41:09 | |||
Label | Geffen | |||
Producer | Quincy Jones | |||
Donna Summer chronology | ||||
| ||||
Singles from Donna Summer | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Robert Christgau | C [3] |
Rolling Stone | [4] |
Donna Summer is the tenth studio album by American songwriter Donna Summer, released on July 19, 1982, by Geffen Records. It featured the Top 10, Grammy-nominated "Love Is in Control (Finger on the Trigger)" single. The album itself saw a drop in chart position from her previous album, peaking at No.20, but ultimately outsold it by remaining on the Billboard 200 for 37 weeks - nearly 20 weeks more. Its longevity was aided by follow-up singles "State of Independence" and "The Woman in Me", which charted at 41 and 33 respectively.
The album marked a departure for Summer as it was produced by hit-making producer Quincy Jones, something that the record company had insisted on to ensure success, albeit falling below expectations. The recording proved a less than happy experience for Summer in part because she was pregnant with her daughter Amanda Grace at the time.
On its 40th anniversary in 2022, Donna Summer's estate announced a re-issue of the album with one unreleased track, which was originally a B-side on the lead single.
Having left Casablanca Records, with whom she had had some of the biggest selling and most popular hits of the disco era in the 1970s, Summer had signed to Geffen Records in 1980 and had continued working with Giorgio Moroder and Pete Bellotte, with whom she had written the vast majority of her hits. However, label owner David Geffen had been disappointed with the chart performance of Summer's previous studio album The Wanderer (1980), Summer's debut studio album for Geffen and rather than release the follow-up I'm a Rainbow , which Summer had recorded with Moroder and Bellotte in 1981, Geffen had Summer record a new studio album with Quincy Jones from whom a production credit – given Jones' track record, particularly his work with Michael Jackson – Geffen felt would guarantee a commercial smash. The resultant Donna Summer album was the first time that Summer had worked with a producer other than Moroder and Bellotte since 1974 save for the one-off track "Down Deep Inside" which was produced by John Barry for the film The Deep (1977), and the "No More Tears (Enough Is Enough)" duet with Barbra Streisand which was co-produced by Gary Klein.
Since the disco era, Summer's work had covered a variety of musical genres and this album was no exception. It had quite a strong soul influence, and featured a couple of gospel-styled tracks, namely "(If It) Hurts Just a Little" and a cover version of Jon and Vangelis' "State of Independence", which featured an all-star choir. Rock music was also found in the form of the Bruce Springsteen-penned "Protection"; the track had been planned as a Donna Summer and Bruce Springsteen duet but that concept was abandoned as unworkable. The album concluded with Summer's take on the Billy Strayhorn torch standard "Lush Life". The song "Mystery of Love" used the opening material from Bach's "The Well-Tempered Clavier", Book 1: Prelude and Fugue No. 2 in C minor for the keyboard part in the introduction and verse.
Several very popular songwriters were used on this album. As well as the aforementioned Springsteen, Vangelis and Jon Anderson, Quincy Jones himself contributed to the writing, as did other names such as Rod Temperton, Merria Ross, John Lang, Richard Page, Bill Meyers, Michael Clark, John Bettis, David Foster, Steve Lukather, Michael Sembello, Dan Sembello and David Batteau. This made it the largest number of songwriters ever to contribute to a Donna Summer studio album.
A period of six months elapsed between the first session for the Donna Summer album and the completion of the tracks. Summer has since stated that this was one of the hardest albums ever to record – some of the songs were quite challenging, plus she was pregnant with her daughter Amanda Grace at the time. It has also been reported that she found producer Quincy Jones to be rather boisterous and controlling and soon after the album's release she opened up to the Los Angeles Times : "Sometimes I feel it's a Quincy Jones album that I sang on".
The Donna Summer album was released July 19, 1982, with the advance single: "Love Is in Control (Finger on the Trigger)" having been issued six weeks previous. "Love Is in Control" would peak at No. 10 on the Billboard Hot 100 in September 1982 when the Donna Summer album would reach No. 20 in Billboard ; the album's subsequent single releases: "State of Independence" and "The Woman in Me", which respectively peaked on the Hot 100 at Nos. 41 and 33, kept the album within the Billboard 200.
Ultimately the Donna Summer album would fall short of its goal to restore Summer to the level of stardom she'd enjoyed in the 1970s: "Love Is in Control" would have the lowest Hot 100 peak of a lead single from an album of new material by Summer since 1977 and the No. 20 peak of the Donna Summer album evidenced a further drop in popularity from Summer's debut studio album of the 1980s: The Wanderer, whose No. 13 peak had disappointed David Geffen to the point where he'd suppressed the follow-up album Summer had prepared with Giorgio Moroder and Pete Bellotte instigating the Quincy Jones-produced Donna Summer album project (see I'm a Rainbow ).
"Love Is in Control" did represent a considerable comeback for Summer on the R&B charts with a No. 4 peak affording Summer her fifth Top 5 R&B hit. Summer also reached the UK Top 20 with both "Love Is in Control" and "State of Independence" with these tracks both reaching the Top Ten in the Netherlands – at respectively Nos. 6 and 1 – where "The Woman in Me" reached No. 7.
The aforementioned advance single "Love Is in Control" featured a non-album track on its B-side: "Sometimes Like Butterflies", a song that Summer penned with Bruce Roberts. This song would later be covered by Dusty Springfield, and Summer's original version was included on the CD, A Different Love by Canadian singer, Mark Tara, as a benefit for Canadian Foundation for AIDS Research (CANFAR. Quincy Jones is credited as producer for this song as well, although the minimalistic approach to this song was very different from the tracks included on the Donna Summer album.
French electronic duo Cassius sampled "(If It) Hurts Just a Little" on their 1999 single "Cassius 99 Remix".
On April 23, 2022 “Donna Summer” was re-released as a 40th anniversary picture disc as a Record Store Day exclusive. Only 3500 copies were released.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Love Is in Control (Finger on the Trigger)" |
| 4:18 |
2. | "Mystery of Love" |
| 4:25 |
3. | "The Woman in Me" |
| 3:55 |
4. | "State of Independence" | 5:50 |
No. | Title | Writer(s) | Length |
---|---|---|---|
5. | "Livin' in America" |
| 4:41 |
6. | "Protection" | Bruce Springsteen | 3:35 |
7. | "(If It) Hurts Just a Little" | 3:52 | |
8. | "Love Is Just a Breath Away" |
| 3:55 |
9. | "Lush Life" | Billy Strayhorn | 6:26 |
Total length: | 41:09 |
No. | Title | Writer(s) | Length |
---|---|---|---|
10. | "Sometimes like Butterflies (B-side of "Love Is in Control (Finger on the Trigger)" |
| 4:30 |
11. | "Love Is in Control (Finger on the Trigger)" (7" Version) |
| 3:42 |
12. | "Love Is in Control (Finger on the Trigger)" (Dance Remix) |
| 7:03 |
13. | "Love Is in Control (Finger on the Trigger)" (Instrumental version featuring Ernie Watts on saxophone) |
| 7:03 |
14. | "State of Independence" (7" Version) |
| 4:27 |
15. | "State of Independence" (N.R.G. Mix) |
| 5:38 |
16. | "State of Independence" (New Radio Millennium Mix) |
| 5:03 |
All-Star Choir on "State of Independence"
Choir on "Livin' In America"
Arrangements
Weekly charts
| Year-end charts
|
Year | Single | Chart | Position |
---|---|---|---|
1982 | "Love Is in Control (Finger on the Trigger)" | United Kingdom | 18 |
US Billboard Hot 100 | 10 | ||
Netherlands | 6 | ||
Norway | 3 | ||
Sweden | 13 | ||
"State of Independence" | United Kingdom | 14 | |
US Billboard Hot 100 | 41 | ||
Netherlands | 1 | ||
"The Woman in Me" | Netherlands | 7 | |
1983 | United Kingdom | 62 | |
US Billboard Hot 100 | 33 |
Region | Certification | Certified units/sales |
---|---|---|
Netherlands (NVPI) [21] | Gold | 50,000^ |
United States (RIAA) [22] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Bad Girls is the seventh studio album by American singer-songwriter Donna Summer, released on April 25, 1979, by Casablanca Records. Originally issued as a double album, Bad Girls became the best-selling and most critically acclaimed album of Summer's career. It was also her final studio album for Casablanca Records. In 2003, Universal Music re-issued Bad Girls as a digitally remastered and expanded deluxe edition.
Love to Love You Baby is the second studio album by American singer Donna Summer, released on August 27, 1975, and her first to be released internationally and in the United States. Her previous album Lady of the Night (1974) was released only in the Netherlands. The album was commercially successful, mainly because of the success of its title track, which reached number 2 on the US Pop charts despite some radio stations choosing not to play the song due to its sexually explicit nature.
A Love Trilogy is the third studio album by American singer and songwriter Donna Summer. It was released on March 5, 1976, eight months after her international breakthrough with the single and album of the same name – "Love to Love You Baby". The bold, sexual nature of that particular song had earned Summer the title 'the first lady of love'. By now Summer's work was being distributed in the U.S. by Casablanca Records, and the label encouraged Summer, Moroder and team to continue in this vein. A Love Trilogy uses the first side for one long disco track in three distinct movements 'Try Me', 'I Know', 'We Can Make It', and coalescing into the "love trilogy" of the title – "Try Me, I Know We Can Make It". Side two contained three additional erotic disco songs, including a cover of Barry Manilow's "Could It Be Magic". The album's artwork showed Summer floating light-heartedly through the clouds, again adding to the image of her as a fantasy figure.
The Wanderer is the eighth studio album by American singer-songwriter Donna Summer, released on October 20, 1980. It marks a musical departure for Summer, being an album influenced by rock and new wave whilst previous albums all fell under the disco music category. Her inaugural release of the Geffen Records label, it became a top 20 album in the United States, with the title track reaching No. 3 on the Billboard Hot 100; other singles failed to enter the top ten. However, the record was less successful on the charts than her previous album Bad Girls, which topped the Billboard 200 for five weeks.
Four Seasons of Love is the fourth studio album by American singer-songwriter Donna Summer. Released on October 11, 1976, this concept album became her third consecutive successful album to be certified gold in the US. It peaked at #29 on the Billboard 200. In addition, all the cuts on this album went to number one on the disco chart.
Live and More is the first live album recorded by American singer-songwriter Donna Summer, and it was her second double album, released on August 28, 1978 by Casablanca Records.
She Works Hard for the Money is the eleventh studio album by American singer Donna Summer, released on June 13, 1983, by Mercury Records. It was her most successful studio album of the decade, peaking at No. 9 on the Billboard 200 and its title track became one of the biggest hits of her career and her biggest hit of the decade, peaking at No. 3 on the Billboard Hot 100.
I Remember Yesterday is the fifth studio album by American singer-songwriter Donna Summer. It was released on May 13, 1977, seven months after the release of her previous album. Like her previous three albums, it was a concept album, this time seeing Summer combining the recent disco sound with various sounds of the past. I Remember Yesterday includes the singles "Can't We Just Sit Down ", "I Feel Love", the title track, "Love's Unkind" and "Back in Love Again". "I Feel Love" and "Love's Unkind" proved to be the album's most popular and enduring hits, the former of which came to be one of Summer's signature songs.
All Systems Go is the thirteenth studio album by Donna Summer. It was released on September 15, 1987; it would be her final release on Geffen Records, which had been Summer's label since 1980.
The Donna Summer Anthology is a double CD compilation album by the American singer Donna Summer, released by Polygram Records in 1993. The compilation featured the majority of Summer's best known songs right from the start of her success to the then present day. Summer had originally made her name during the disco era in the 1970s and in the decade that followed had experimented with different styles. Most of the tracks on this compilation are the original album versions of the songs, which were sometimes edited down for their release as a single. Included for the first time are two remixed tracks from her then unreleased album I'm a Rainbow, which had been recorded in 1981 but was shelved by her record company. The album also featured the Giorgio Moroder-penned and produced song "Carry On"', marking the first time Summer and Moroder had worked together since 1981. Summer and Moroder, together with Pete Bellotte had written the vast majority of her 1970s disco hits. Four years later, "Carry On" would be remixed and become a big dance hit. It also won Summer a Grammy for Best Dance Recording, her first win since 1984 and her fifth win in total.
The Dude is a 1981 studio album by the American musician and producer Quincy Jones. Jones used many studio musicians.
Rhythm of the Night is the fourth studio album by DeBarge, released by Gordy Records on March 14, 1985. It reached #19 on the Billboard 200 and #3 on the R&B Album Chart. The album was also certified Gold by the RIAA.
Till I Loved You is the twenty-fifth studio album by American singer Barbra Streisand, released on October 25, 1988, on Columbia Records. The album was notable for both its thematic structure and its high-budget production, with many guest writers, producers, and musicians: Burt Bacharach and Carole Bayer Sager offered three brand new songs to the album, Quincy Jones produced "The Places You Find Love", with Luther Vandross and Dionne Warwick adding backing vocals.
Sergio Mendes is an album by Brazilian keyboardist Sérgio Mendes, released in 1983 on A&M Records. It was his first top 40 album in nearly a decade and a half, his second self-titled album, and was accompanied by his biggest chart single ever, "Never Gonna Let You Go", a song written by Barry Mann and Cynthia Weil and with a lead vocal performed by Joe Pizzulo and Leeza Miller that reached No. 4 on the Billboard Hot 100. The album was released with Spanish-language versions of the songs as Picardía.
20/20 is a studio album by George Benson, released on the Warner Bros. record label in 1985. The lead single by the same name reached #48 on the Billboard Hot 100. The album was certified Gold by the RIAA. "You Are the Love of My Life" is a duet with Roberta Flack. It was one of a number of songs used for Eden Capwell and Cruz Castillo on the American soap opera Santa Barbara. Also included on 20/20 is the original version of the song "Nothing's Gonna Change My Love for You" which would later become a smash hit for Hawaiian singer Glenn Medeiros.
Stay with Me Tonight is the second studio album by American singer Jeffrey Osborne. It was released on July 22, 1983, on A&M Records. Osborne reteamed with frequent collaborator George Duke to work on the album which reached #25 on the US Billboard 200 and #3 on the R&B chart. The title track, "Stay with Me Tonight", was a #4 R&B hit in 1983, while three other singles, "Don't You Get So Mad", "We're Going All the Way", and "Plane Love", entered the top twenty.
Every Home Should Have One is the fourth studio album by American R&B/jazz singer Patti Austin, released on September 28, 1981, by Qwest Records. The album includes the number-one hit duet with James Ingram, "Baby Come to Me", and the title track, "Every Home Should Have One", which peaked at number 62 on the Billboard Hot 100. She also scored with "Do You Love Me?", a #24 R&B & #1 Dance Chart hit.
Merciless is the seventh studio album by American R&B singer Stephanie Mills. It was released in 1983 and Stephanie's second release on Casablanca Records. The album features two Billboard R&B hits in "Pilot Error", a cover version of Prince's "How Come U Don't Call Me Anymore?" as well as "My Body" written by singer Luther Vandross. Merciless received a nomination for Best R&B Vocal Performance, Female at the 26th Grammy Awards in 1984.
Mathematics is the twelfth studio album by singer-songwriter Melissa Manchester, issued in April 1985.
Take No Prisoners is the eleventh studio album by American singer-songwriter Peabo Bryson It was released by Elektra Records in June 1985 in the United States. Produced by Arif Mardin and Tommy LiPuma, the album peaked at number 102 on the US Billboard 200 and number 40 on the US R&B albums chart.
Take Donna Summer's self-titled 1982 album, which is composed of almost the very same ingredients as Thriller. Both are built on a foundation of smooth, L.A. dance-R&B, an uncharacteristic dalliance with the rock idiom ("Protection" for Summer, "Beat It" for Jackson), and a side-one-closing expansive (no, make that cinematic) blockbuster. And of course, both albums are filled with what can be best described as flawless, melodic pop.