Bad Girls is the seventh studio album by American singer-songwriter Donna Summer. It was released on April 25, 1979, by Casablanca Records. Originally issued as a double album, Bad Girls became the best-selling and most critically acclaimed album of Summer's career. It was also her final studio album for Casablanca Records. In 2003, Universal Music re-issued Bad Girls as a digitally remastered and expanded deluxe edition.
Love to Love You Baby is the second studio album by American singer Donna Summer, released on August 27, 1975, and her first to be released internationally and in the United States. Her previous album Lady of the Night (1974) was released only in the Netherlands. The album was commercially successful, mainly because of the success of its title track, which reached number 2 on the US Pop charts despite some radio stations choosing not to play the song due to its sexually explicit nature.
A Love Trilogy is the third studio album by American singer and songwriter Donna Summer. It was released on March 5, 1976, eight months after her international breakthrough with the single and album of the same name – "Love to Love You Baby". The bold, sexual nature of that particular song had earned Summer the title 'the first lady of love'. By now Summer's work was being distributed in the U.S. by Casablanca Records, and the label encouraged Summer, Moroder and team to continue in this vein. A Love Trilogy uses the first side for one long disco track in three distinct movements 'Try Me', 'I Know', 'We Can Make It', and coalescing into the "love trilogy" of the title – "Try Me, I Know We Can Make It". Side two contained three additional erotic disco songs, including a cover of Barry Manilow's "Could It Be Magic". The album's artwork showed Summer floating light-heartedly through the clouds, again adding to the image of her as a fantasy figure.
The Wanderer is the eighth studio album by American singer-songwriter Donna Summer, released on October 20, 1980. It marks a musical departure for Summer, being an album influenced by rock and new wave whilst previous albums all fell under the disco music category. Her inaugural release of the Geffen Records label, it became a top 20 album in the United States, with the title track reaching No. 3 on the Billboard Hot 100; other singles failed to enter the top ten. However, the record was more unsuccessful on the charts than her previous album Bad Girls, which topped the Billboard 200 for five weeks.
Four Seasons of Love is the fourth studio album by American singer-songwriter Donna Summer. Released on October 11, 1976, this concept album became her third consecutive successful album to be certified gold in the US. It peaked at #29 on the Billboard 200. In addition, all the cuts on this album went to number one on the disco chart.
Live and More is the first live album recorded by American singer-songwriter Donna Summer, and it was her second double album, released on August 28, 1978 by Casablanca Records. The live concert featured on the first three sides of this double album was recorded in the Universal Amphitheater, Los Angeles, California in 1978.
She Works Hard for the Money is the eleventh studio album by American singer Donna Summer, released on June 13, 1983, by Mercury Records. It was her most successful studio album of the decade, peaking at No. 9 on the Billboard 200 and its title track became one of the biggest hits of her career and her biggest hit of the decade, peaking at No. 3 on the Billboard Hot 100.
I Remember Yesterday is the fifth studio album by American singer-songwriter Donna Summer. It was released on May 13, 1977, seven months after the release of her previous album. Like her previous three albums, it was a concept album, this time seeing Summer combining the recent disco sound with various sounds of the past. I Remember Yesterday includes the singles "Can't We Just Sit Down ", "I Feel Love", the title track, "Love's Unkind" and "Back in Love Again". "I Feel Love" and "Love's Unkind" proved to be the album's most popular and enduring hits, the former of which came to be one of Summer's signature songs.
All Systems Go is the thirteenth studio album by Donna Summer. It was released on September 15, 1987; it would be her final release on Geffen Records, which had been Summer's label since 1980. There were two singles released in the US, "Dinner with Gershwin" and "Only the Fool Survives", although both failed to reach the top 40 of the Hot 100. The title cut, "All Systems Go" was released as single in the UK. The album peaked at number 122 on the US Billboard 200, becoming her lowest charting studio album to date.
The Donna Summer Anthology is a double compilation album by the American singer Donna Summer, released by Polygram Records in 1993. The compilation featured the majority of Summer's best known songs right from the start of her success to the present day. Summer had originally made her name during the disco era in the 1970s and in the decade that followed had experimented with different styles. Most of the tracks on this compilation are the original album versions of the songs, which were sometimes edited down for their release as a single. Included for the first time are two remixed tracks from her then unreleased album I'm a Rainbow, which had been recorded in 1981 but was shelved by her record company. The album also featured the Giorgio Moroder-penned and produced song "Carry On"', marking the first time Summer and Moroder had worked together since 1981. Summer and Moroder, together with Pete Bellotte had written the vast majority of her 1970s disco hits. Four years later, "Carry On" would be remixed and become a big dance hit. It also won Summer a Grammy for Best Dance Recording, her first win since 1984 and her fifth win in total.
The Dude is a 1981 studio album by the American musician and producer Quincy Jones. Jones used many studio musicians.
Rhythm of the Night is the fourth studio album by DeBarge, released by Gordy Records on March 14, 1985. It reached #19 on the Billboard 200 and #3 on the R&B Album Chart. The album was also certified Gold by the RIAA.
Till I Loved You is the twenty-fifth studio album by American singer Barbra Streisand, released on October 25, 1988, on Columbia Records. The album was notable for both its thematic structure and its high-budget production, with many guest writers, producers, and musicians: Burt Bacharach and Carole Bayer Sager offered three brand new songs to the album, Quincy Jones produced "The Places You Find Love", with Luther Vandross and Dionne Warwick adding backing vocals.
Stand (In the Light) is the fifth and final album by singer-songwriter James Ingram. It was released on an independent label, Intering Records, fifteen years after his last record, "Always You".
Sergio Mendes is an album by Brazilian keyboardist Sérgio Mendes, released in 1983 on A&M Records. It was his first top 40 album in nearly a decade and a half, his second self-titled album, and was accompanied by his biggest chart single ever, "Never Gonna Let You Go", a song written by Barry Mann and Cynthia Weil and with a lead vocal performed by Joe Pizzulo and Leeza Miller that reached No. 4 on the Billboard Hot 100. The album was released with Spanish-language versions of the songs as Picardía.
20/20 is a studio album by George Benson, released on the Warner Bros. record label in 1985. The lead single by the same name reached #48 on the Billboard Hot 100. The album was certified Gold by the RIAA. "You Are the Love of My Life" is a duet with Roberta Flack; it was one of numerous songs used for Eden Capwell and Cruz Castillo on the American soap opera Santa Barbara. Also included on 20/20 is the original version of the song "Nothing's Gonna Change My Love for You" which would later become a smash hit for Hawaiian singer Glenn Medeiros.
Stay with Me Tonight is the second studio album by American singer Jeffrey Osborne. It was released on July 22, 1983, on A&M Records. Osborne reteamed with frequent collaborator George Duke to work on the album which reached #25 on the US Billboard 200 and #3 on the R&B chart. The title track, "Stay with Me Tonight", was a #4 R&B hit in 1983, while three other singles, "Don't You Get So Mad", "We're Going All the Way", and "Plane Love", entered the top twenty.
Every Home Should Have One is the fourth studio album by American R&B/jazz singer Patti Austin, released on September 28, 1981, by Qwest Records. The album includes the number-one hit duet with James Ingram, "Baby Come to Me", and the title track, "Every Home Should Have One", which peaked at number 62 on the Billboard Hot 100. She also scored with "Do You Love Me?", a #24 R&B & #1 Dance Chart hit.
Merciless is the seventh studio album by American R&B singer Stephanie Mills. It was released in 1983 and Stephanie's second release on Casablanca Records. The album features two Billboard R&B hits in "Pilot Error", a cover version of Prince's "How Come U Don't Call Me Anymore?" as well as "My Body" written by singer Luther Vandross. Merciless received a nomination for Best R&B Vocal Performance, Female at the 26th Grammy Awards in 1984.
Mathematics is the twelfth studio album by singer-songwriter Melissa Manchester, issued in April 1985.
