"On the Radio" | ||||
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Single by Donna Summer | ||||
from the album On the Radio: Greatest Hits Volumes I & II and Foxes (soundtrack) | ||||
B-side | "There Will Always Be a You" | |||
Released | November 23, 1979
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Recorded | 1979 | |||
Genre | ||||
Length | 4:05 | |||
Label | Casablanca | |||
Songwriter(s) | ||||
Producer(s) | Giorgio Moroder | |||
Donna Summer singles chronology | ||||
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"On the Radio" is a song by American singer-songwriter Donna Summer, produced by Italian musician Giorgio Moroder, and released in late 1979 on the Casablanca record label. It was written for the soundtrack to the film Foxes and included on Summer's first international compilation album On the Radio: Greatest Hits Volumes I & II .
The song was released in three formats: the radio 45rpm single; the 5+ minute version included on Summer's Greatest Hits double album package, and a DJ Promo 7+ minute version released on 12" single (and included on the Foxes film soundtrack album). [1] This last version was later released on the Bad Girls CD digipack double CD release. The Foxes soundtrack also includes an instrumental version of the song in a ballad tempo and crediting Moroder as a solo artist. In the film, the ballad tempo and the disco version are both heard with Donna Summer's vocals. Donna Summer performed "On the Radio" on many television shows such as American Bandstand .
The instrumental parts of this song were occasionally heard on the US version of The Price Is Right in the early 1980s when they displayed jukeboxes and stereos as prizes. While the first two versions included all written lyrics, the DJ Promo omitted the final verse, opting instead to repeat the third. Only the first "short" version ended with the famous "on the radio – adio – adio" echo vocal effect. For the second consecutive year, Summer placed at least three singles in the Billboard Year-End charts in 1980.
"On the Radio" was released as a single and became, in February 1980, her tenth top-ten hit in the U.S. as well as her eighth and final consecutive top-five single. "On the Radio" peaked at number five on the Billboard Hot 100 and number nine on the soul chart. [2] The song was also Summer's 14th entry on the Billboard Disco chart, where it peaked at number eight. [3] In Canada, it peaked at number two. [4]
Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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United States (RIAA) [28] | Platinum | 2,000,000^ |
^ Shipments figures based on certification alone. |
"On the Radio" | ||||
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Single by Martine McCutcheon | ||||
from the album Wishing | ||||
B-side | "It's All Over Again" | |||
Released | January 22, 2001 [29] | |||
Length | 3:49 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) | John Poppo | |||
Martine McCutcheon singles chronology | ||||
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English actress Martine McCutcheon covered "On the Radio" and released it as the second single from her second album, Wishing (2000), on January 22, 2001. Her version was produced by John Poppo. Although it became McCutcheon's fifth consecutive top-10 hit on the UK Singles Chart, peaking at number seven, it was her last single to appear within the top 100, and it would remain her last single release until 2017's "Say I'm Not Alone". In Ireland, "On the Radio" reached number 18, matching the peak of the original.
UK CD1 [30]
UK CD2 [31]
UK cassette single [32]
"MacArthur Park" is a song written by American singer-songwriter Jimmy Webb that was recorded first in 1967 by Irish actor and singer Richard Harris. Harris's version peaked at number two on the Billboard Hot 100 chart and number four on the UK Singles Chart. "MacArthur Park" was subsequently covered by numerous artists, including a 1970 Grammy-winning version by country singer Waylon Jennings and a number one Billboard Hot 100 disco version by Donna Summer in 1978. Webb won the 1969 Grammy Award for Best Arrangement Accompanying Vocalist(s) for the Harris version.
"Together Again" is a song by American singer Janet Jackson from her sixth studio album, The Velvet Rope (1997). It was written and produced by Jackson and Jimmy Jam and Terry Lewis, with additional writing by Jackson's then-husband René Elizondo Jr. It was released as the second single from the album in December 1997 by Virgin Records. Originally written as a ballad, the track was rearranged as an uptempo dance song. Jackson was inspired to write the song by her own private discovery of losing a friend to AIDS, as well as by a piece of fan mail she received from a young boy in England who had lost his father.
"Lucky Man" is a song by English rock band the Verve. It was written by singer Richard Ashcroft. The song was released as the third single from the band's third studio album, Urban Hymns. It was released on 24 November 1997, charting at number seven on the UK Singles Chart. The song was the band's second top-20 hit on the Billboard Modern Rock Tracks chart in the United States, climbing to number 16. In Canada, "Lucky Man" peaked at number 25 on the RPM 100 Hit Tracks chart. It also reached the top 40 in Finland, Iceland, Ireland, and New Zealand.
"What I Am" is a song written by Edie Brickell and Kenny Withrow and recorded by Edie Brickell & New Bohemians for their debut album, Shooting Rubberbands at the Stars (1988). The song is highlighted by a guitar solo that notably features an envelope filter. It peaked at number seven on the US Billboard Hot 100, topped the Canadian RPM 100 Singles chart, and became a top-20 hit in Australia and New Zealand. "What I Am" was ranked number 23 on VH1's list of the "100 Greatest One-Hit Wonders of the 80s".
"Pepper" is a song by American alternative rock band Butthole Surfers from their seventh studio album, Electriclarryland (1996). Released on April 11, 1996, the track reached number one on the Billboard Modern Rock Tracks chart and number 29 on the Billboard Hot 100 Airplay chart, becoming the top-ranked song of 1996 on the former listing. In Australia, the song peaked at number 15 on the ARIA Singles Chart and was ranked number four on Triple J's Hottest 100 of 1996. It also reached number two on the Canadian RPM Alternative 30 and number 32 in New Zealand.
"Starting Over Again" is a song recorded by American entertainer Dolly Parton. The song was written by Donna Summer and her husband Bruce Sudano. Parton's recording was performed as a slow tempo ballad, gradually building to a dramatic crescendo. It was released in March 1980 as the first single from her album Dolly, Dolly, Dolly. "Starting Over Again" made the U.S. pop top forty, peaking at number 36, and reached number 1 on the U.S. country charts on May 24, 1980, becoming Parton's 12th number one. Dolly’s recording would also make Donna Summer the first black female to co-write a number 1 country hit.
"Too Close" is a song by American R&B group Next featuring uncredited vocals from Vee of Koffee Brown. It contains a sample of "Christmas Rappin" by Kurtis Blow and was released on January 27, 1998, as the second single from their debut album, Rated Next (1997). The song reached number one on the US Hot 100 and R&B charts, topping the former for five non-consecutive weeks, and has gone platinum, making it their biggest and best-known hit.
"Bad Girls" is a song by American singer and songwriter Donna Summer from her 1979 seventh studio album of the same name. Casablanca Records released it as the album's second single on June 23, 1979. The song was produced by Summer's regular collaborators Giorgio Moroder and Pete Bellotte, and co-written by Summer and the members of Brooklyn Dreams, Bruce Sudano, Joe "Bean" Esposito and Edward "Eddie" Hokenson.
"No More Tears (Enough Is Enough)" is a 1979 song recorded by American singers Barbra Streisand and Donna Summer. It was written by Paul Jabara and Bruce Roberts, and produced by Giorgio Moroder and Gary Klein. The song was recorded for Streisand's Wet album and also as a new track for Summer's compilation double album On the Radio: Greatest Hits Volumes I & II. The full-length version was found on Streisand's album, while a longer 11-minute edit (the 12" version) was featured on Summer's album. The longer 12" version features additional production by frequent collaborator Harold Faltermeyer, and incorporates a harder rock edge.
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