Ricky Martin (1999 album)

Last updated

Ricky Martin
Ricky Martin 1999.png
Studio album by
ReleasedMay 11, 1999 (1999-05-11)
StudioVarious (see recording locations)
Genre
Length59:16
Language
  • English
  • Spanish
Label Columbia
Producer
Ricky Martin chronology
Vuelve
(1998)
Ricky Martin
(1999)
Sound Loaded
(2000)
Singles from Ricky Martin
  1. "Livin' la Vida Loca"
    Released: March 23, 1999
  2. "She's All I Ever Had"
    Released: June 15, 1999
  3. "Shake Your Bon-Bon"
    Released: October 12, 1999
  4. "Private Emotion"
    Released: February 8, 2000

Ricky Martin is the fifth studio album and first English album by Puerto Rican singer Ricky Martin. It was released on May 11, 1999, by Columbia Records. Following the release of four Spanish-language albums, and the huge success of his fourth studio album, Vuelve (1998), Martin announced the recording of his first English language album. He worked with producers KC Porter, Robi Rosa, and Desmond Child to create the album. Musically, Ricky Martin consists of dance-pop tracks, power ballads, mid-tempo pop songs, and rock numbers. After the album's release, Martin embarked on the worldwide Livin' la Vida Loca Tour, which was the highest-grossing tour of 2000 by a Latin artist.

Contents

The album was supported by four singles. The lead single "Livin' la Vida Loca" topped the charts in more than 20 countries and is considered to be Martin's biggest hit and one of the best-selling singles of all time. It topped the Billboard Hot 100 chart for five consecutive weeks, becoming Martin's first number one single on the chart. Follow-up singles "She's All I Ever Had", "Shake Your Bon-Bon", and "Private Emotion" became number one and top 10 hits around the world. Ricky Martin received generally favorable reviews from music critics, who complimented its various genres and styles. Paste ranked the album as one of the "10 Best Solo Albums by Former Boy Band Members" in 2020. It was nominated for Best Pop Album at the 42nd Annual Grammy Awards.

The album was a commercial success. It debuted atop the US Billboard 200 with first-week sales of 661,000 copies, becoming the largest sales week by any album in 1999 and breaking the record as the largest first-week sales for any pop or Latin artist in history. Additionally, it made Martin the first male Latin act in history to debut at number one on Billboard 200. Ricky Martin also topped the charts in Australia, Canada, and Spain, among others. The album has received several certifications, including 7× platinum in the United States, and diamond in Canada. Only within three months, it became the best-selling album ever by a Latin artist. It is generally seen as the album that began the "Latin explosion" and paved the way for a large number of other Latin artists such as Jennifer Lopez, Shakira, Christina Aguilera, Marc Anthony, Santana, and Enrique Iglesias.

Background and recording

Diane Warren (pictured) wrote two songs for the album. Diane Warren 03 b.jpg
Diane Warren (pictured) wrote two songs for the album.

In 1998, Ricky Martin released his fourth studio album, Vuelve . [2] The album experienced both critical and commercial success, spending 26 weeks atop the US Billboard Top Latin Albums chart. [3] [4] "La Copa de la Vida" was released as the second single from the album, and became the official song of the 1998 FIFA World Cup in France. [5] It topped the charts in more than 30 countries, [6] and Martin performed it at the 41st Annual Grammy Awards, which was greeted with a massive standing ovation and met with acclaim from music critics. [7] [8] [9] On October 22, 1998, CNN confirmed that Martin had started working on his first English language album, following the huge success of Vuelve. [10] On March 6, 1999, almost two weeks after his Grammy performance, it was announced that the album had been set for release in May. While the album was still untitled at the time, American musician Diane Warren revealed that she contributed two songs to the album, which was produced by KC Porter, Robi Rosa, and Desmond Child. [11] During an interview with the Orlando Sentinel , Martin told the newspaper that this album has Asian influences:

I spent half the year in Asia last year, and at the same time I was recording my album. I went back to the studio and told them how I was affected by these beautiful sounds. [12]

On April 24, 1999, Billboard revealed the album's title as eponymous in an article, mentioning that it was initially set for retail on May 25, 1999. However, the huge interest in the disc encouraged Columbia Records to decide to rush the album to release two weeks ahead of schedule, on May 11. Tom Corson, the senior vice president of marketing at Columbia explained: "Quite simply, the market has demanded it. People have been wanting this record for a while, and it's now reached the point where we have to get it out there immediately." Tim Devin, the general manager of Tower Records in New York added about Martin: "He's always been one of our strongest Latin artists, but interest in him has picked up considerably since that performance." [13] In an interview with MTV, Martin told the channel about the album's title: "I cannot wear a mask to go on stage. Those are my influences. This is Ricky Martin. That's why the album is called Ricky Martin. As simple is that. We want to keep it simple. Like Einstein said, 'Let's make it simple, but not simpler than what it is.' And this is me." [14]

Music and lyrics

Ricky Martin is a primarily English language album composed of 14 songs, consisting dance-pop tracks, power ballads, mid-tempo pop songs, and "straight-ahead" rock numbers. [15] [16] Ed Morales from Democrat and Chronicle stated that the album "runs the gamut from ska and rock' n' roll to Latin pop". [17] "Livin' la Vida Loca" (transl."Livin' the Crazy Life") is a rock-etched up-tempo pop song that features Latin percussion rhythms and horn riffs mixed with surf rock-inspired guitar riffs. [13] [18] [19] It has salsa-rock fusion influences, [20] and is about an irresistible, particularly sinister wild woman who lives on the edge, seducing others into her crazy world. [18] [21] The album also contains a Spanish-language version of "Livin' la Vida Loca", which was recorded under the same title. [22]

In "Spanish Eyes", Martin refers to sultriness, tango, and dance over salsa descarga and up-tempo beats. The ballad "She's All I Ever Had" uses an Indian guitar and lyrically, is the tale of a man missing his woman, as he continues to live and breathe for her. It also has a Spanish version titled "Bella" (transl."Beautiful"). Martin dedicated the track to his grandmother who died a year earlier. [23] [24] [25] "Shake Your Bon-Bon" is a salsa party track and features a mix of pop, R&B, Middle Eastern riffs, and Latin horns, as well as a fusion of Latin percussion with retro organ. [24] [26] [27] A Spanglish guitar-based down-tempo duet along with Madonna, "Be Careful (Cuidado con mi corazón)" mixes acoustic and electronic elements. [24] [26] [28]

"I Am Made of You" is a "metal-type" ballad and uses electric guitar and drums that create a theme of "nostalgia and rock", while "Love You for a Day" is a "high-energy" Latin funk track featuring Latin elements, such as lengthy descargas, piano tumbaos, Latin percussion, and horns. [24] [28] The ballad "Private Emotion", which features a guest appearance by Swedish singer Meja is a cover version of a song under the same title by the Hooters for their fifth studio album Out of Body (1993). [24] [29] "You Stay With Me" is a slow ballad with "heart-wrenching" lyrics, and "I Count the Minutes" is a homage to the 1980s. [24] Ricky Martin also features the Spanglish radio edit versions of "La Copa de la Vida" and "María", [22] which were released as singles for Martin's previous albums. This version of "María" is remixed by Puerto Rican DJ Pablo Flores, who upped the tempo and the sex appeal of the song, turning the slow-burn flamenco laced track into an up-tempo samba tune in a house bassline. [30] [31] [32] "La Copa de la Vida" is a samba-rooted Latin pop song, [33] [34] and features elements of batucada, salsa, dance, mambo, and Europop. [32] [35] [36] Throughout the song, Martin carries a "soccer-heavy" message with fully positive lyrics. [34] [37]

Singles

Columbia Records released "Livin' la Vida Loca" to radio stations on March 23, 1999, as the lead single from the album. [38] [39] The song topped the charts in more than 20 countries and is considered to be Martin's biggest hit, [40] [41] and one of the best-selling singles of all time. [20] [42] [43] In the United States, it topped the Billboard Hot 100 chart for five consecutive weeks, becoming Martin's first number one single on the chart. [44] [45] Additionally, it broke several records on Billboard charts. [46] [47] It also spent eight consecutive weeks atop the Canada Top Singles chart and topped the country's year-end chart. [48] [49] In the United Kingdom, it debuted at number one and stayed there for three weeks, making Martin the first Puerto Rican artist in history to hit number one. [50] [51] The track was ranked as the best '90s pop song by Elle , and was listed among the Best Latin Songs of All Time by Billboard. [52] [53] It was nominated for four categories at the 42nd Annual Grammy Awards, including Record of the Year and Song of the Year. [54] [55] [56] Its Spanish version reached the summit of the Billboard Hot Latin Tracks chart in the United States, [57] [58] and was nominated for Record of the Year at the 2000 Latin Grammy Awards. [59]

"She's All I Ever Had" was released as the second single from the album on June 15, 1999. [60] It peaked at numbers two and three on the US Billboard Hot 100 and Canada Top Singles charts, respectively. [61] [62] The Spanish version, "Bella" topped the charts in Costa Rica, [63] El Salvador, [64] Guatemala, [65] Mexico, [66] and Panama, [64] as well as Billboard's Hot Latin Tracks chart. [67] It also peaked at number two in Honduras, [63] Nicaragua, [64] and Puerto Rico. [65] The third single from Ricky Martin, "Shake Your Bon-Bon" was released on October 12, 1999; [68] it reached the top 10 in Canada, [69] Finland, [70] and New Zealand, [71] as well as the top 15 in Spain, [68] Scotland, [72] and the United Kingdom. [73] In the United States, it peaked at number 22 on the Hot 100. [61] The album's final single, "Private Emotion", was launched on February 8, 2000. [74] It reached number one in the Czech Republic, [75] and was a top 10 hit in Finland, [76] Norway, [77] Scotland, [78] Sweden, [79] Switzerland, [80] and the United Kingdom. [73] Music videos were filmed for both English and Spanish versions of "Livin' la Vida Loca", "She's All I Ever Had", "Bella", "Shake Your Bon-Bon", and "Private Emotion". [81]

Marketing

Release

Ricky Martin was released worldwide by Columbia Records on May 11, 1999. [13] [82] The European edition of Ricky Martin includes the Spanish version of "Spanish Eyes", titled "La Diosa Del Carnaval" (transl."The Goddess of Carnival"), as well as a new track "I'm On My Way", while the Spanglish radio edit versions of "La Copa de la Vida" and "María" are not featured. [83] This track list has been also used for the African, [84] Asian, [85] [86] and Latin American editions. [87] [88] [89] The Chinese edition contains both "La Copa de la Vida" and "María" in addition to the standard Asian track list. [90] The Spanish release uses the same track list as the European, but "Por Arriba, Por Abajo" (transl."Upwards, Downwards") from Martin's previous album, Vuelve, has been added as a hidden track as well. [91] According to The Wall Street Journal , Martin succeeded Leonardo DiCaprio as "the reigning king of heartthrobs" to become the most popular male celebrity on the American shopping website eBay in 1999, following the album's release. Many Martin products and items were on sale at the time, such as his posters, autographs, Pepsi cans, wall clocks, plastic dolls, autographed Ricky Martin CDs, and "Livin' la Vida Loca" sheet musics. [92]

Live performances

Martin performing "Spanish Eyes" on the worldwide Livin' la Vida Loca Tour. Ricky Martin Livin la Vida Loca Tour.jpg
Martin performing "Spanish Eyes" on the worldwide Livin' la Vida Loca Tour.

To further promote Ricky Martin, he embarked on the worldwide Livin' la Vida Loca Tour. [93] The tour began on October 21, 1999, at the Miami Arena in Miami, Florida, [94] and concluded on October 25, 2000, at the Colonial Stadium in Melbourne, [95] with concerts throughout North America, [93] Europe, [96] Oceania, [95] and Asia. [97] In the United States, the Livin' la Vida Loca Tour was the highest-grossing tour of 2000 by a Latin artist, earning over $36.3 million with 44 dates and drawing 617,488 fans. [98] According to Billboard Boxscore, the tour grossed $51.3 million in Canada, Mexico, and the United States, with 60 shows and drawing an audience of 875,151. International dates were not reported to Boxscore and would push the tour's grosses higher. [93] In addition to his tour, Martin performed singles from Ricky Martin on many television programs and award shows. He performed "Livin' la Vida Loca" at the 1999 World Music Awards, [99] the 1999 Blockbuster Entertainment Awards, [100] Saturday Night Live , [101] The Rosie O'Donnell Show , [102] The Tonight Show with Jay Leno , [103] and Bingolotto TV Show. [104] [105] At the 1999 MTV Video Music Awards, he performed "She's All I Ever Had" and "Livin' la Vida Loca", accompanied by a group of impressive women dressed in glitter. [106] To promote the album's material in the United Kingdom, Martin delivered performances of "Livin' la Vida Loca" and "Shake Your Bon-Bon" on the BBC's Top of the Pops on August 6, 1999, and November 19, 1999, respectively. [107] [108]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [15]
The Atlanta Journal-Constitution B [109]
Billboard Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [110] [111]
Daily News B [112]
The Indianapolis Star Star full.svgStar full.svgStar full.svgStar half.svg [113]
The News Journal Star full.svgStar full.svgStar full.svgStar empty.svg [114]
Orlando Sentinel Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [115]
Rolling Stone Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [116]
Spin 7/10 [117]
The Times Star full.svgStar full.svgStar full.svgStar empty.svg [118]

Ricky Martin has been met with generally favorable reviews from music critics. In a retrospective review for AllMusic, senior editor Stephen Thomas Erlewine gave the album four out of five stars and said that despite moments of filler and outdated production, its songs are balanced well between various genres and styles on "a big, bold album with something to please everyone, from his longtime Latin fans to housewives with a weakness for dramatic ballads". He noted that all tracks have been constructed carefully on their own, and complimented Martin's "fine voice and undeniable charisma" that bring all tracks "alive", calling him "a true star". [15] Rolling Stone 's James Hunter felt it lacks the excitement of Martin's 1998 album Vuelve because of its remixes and Warren-penned songs. However, he said that Martin's take on Latin pop is made interesting enough by highlights such as "Livin' la Vida Loca", "Shake Your Bon-Bon", and the "perfectly constructed ballad" sung with Madonna. [116]

The News Journal critic Jena Montgomery complimented Ricky Martin for alternating between "infectious tunes" and "somber, seductive ballads", stating that his "upbeat pop tunes will undoubtedly catch your ear and stay in your head" and the ballads "are strikingly well-written and performed". She added that Martin "sings with such passion and tenderness" that "keeps you hanging on, begging for more". [114] Steve Dollar from The Atlanta Journal-Constitution described the album as "shockingly irresistible", [109] and Jim Farber from Daily News thought it is "certainly an improvement over Martin's four Spanish records". [119] The Indianapolis Star reviewer Diana Penner gave it three out of four stars, describing Martin's pop tunes as "melodic and eminently listenable". She also highlighted "Livin' la Vida Loca", confessing that she does not know any "more happy-snappy catchy melody" than that. [120] Another author of The Indianapolis Star praised Martin for mixing styles well from pop to funk, and noted the album tracks' Latin rhythms that make "Martin automatically separate himself from the rest of "popular male artists". [121]

The Times staff assured Martin would be a "household name" before the end of the summer, and described the project as "cheesy, breezy, mass-appeal pop". The staff also called the duet with Madonna "superb" and celebrated Martin's "sincerely" singing with Meja. [118] In a retrospective review for Billboard, Leila Cobo described Ricky Martin as "an album that went from percussion-filled dance tracks" to "smooth, unabashedly romantic ballads". She ranked "Livin' la Vida Loca" as the best track on the album and praised most of the other tracks of the record, naming "Private Emotion" the "under-appreciated jewel" of the album and calling it a "gorgeous ballad". She noted "immediately hummable melodies, traces of nostalgia and rock" in "I Am Made of You", labeling the track "a beauty". [24] In another article, she described Ricky Martin as dazzling. [16] Coinciding with the album's 20th anniversary, Celia San Miguel of Tidal Magazine gave it a positive review, highlighting "Livin' la Vida Loca" for its "clever fusion of ska, rock, mambo, swing and pop sounds", and "She's All I Ever Had" for Martin's "charismatic heartthrob and his passionate and emotive vocals". She stated that "in 1999, Martin's star power became undeniable". [122] In 2020, Daniella Boik from Paste acknowledged the album as Martin's most influential album since starting his solo career. [43]

Accolades

In 2019, Stacker ranked Ricky Martin as the 18th best album by an LGBTQ musician. [123] In 2020, Paste ranked it at number eight on the list of "Best Solo Albums by Former Boy Band Members". [43] The album has received a number of awards and nominations. It was nominated for Best Pop Album at the 42nd Annual Grammy Awards, [54] but lost to Brand New Day by Sting. [124]

Awards and nominations for Ricky Martin
OrganizationYearAwardResultRef.
Pop Corn Music Awards 1999Best Foreign AlbumWon [125]
Premios GloboBest Pop/Ballad AlbumWon [126]
ACE Awards2000Male Album of the YearWon [127]
Blockbuster Entertainment Awards Favorite CDNominated [128]
Favorite Male Artist, PopWon [129]
Gardel AwardsBest Male AlbumNominated [130]
Grammy Awards Best Pop Album Nominated [54]
Japan Gold Disc Award Pop Album of the Year, InternationalWon [131]
Juno Awards Best Selling Album (Foreign or Domestic) Nominated [132]
Premio Lo Nuestro Pop Album of the Year Nominated [133]

Commercial performance

Ricky Martin debuted atop the US Billboard 200 with first-week sales of 661,000 copies, according to data compiled by Nielsen SoundScan for the chart dated May 29, 1999. It became the largest sales week by any album in 1999, surpassing I Am... by Nas, which had sold 471,000 copies in its first week. [134] [135] [136] It also broke the record as the largest first-week sales for any pop or Latin artist in history, [137] as well as any Columbia Records artist during the SoundScan era. [134] With this album, Martin became the first male Latin act in history to debut at number one on the US Billboard 200 chart. [16] Additionally, he became the first artist to simultaneously top the Billboard 200, Hot Latin Tracks, Hot Dance Music/Club Play, Hot Dance Music/Maxi-Singles Sales, Top 40 Tracks, and the Billboard Hot 100. [47] The following week, the album sold 471,000 copies, while Millennium by Backstreet Boys debuted at number one on Billboard 200 with first-week sales of 1.13 million copies, breaking Ricky Martin's record as the largest sales week by an album in 1999. [138]

Ricky Martin sold a total of six million copies in the United States in 1999 and was the third best-selling album of the year in the country, only behind Millennium, and ...Baby One More Time by Britney Spears. [139] In January 2000, Ricky Martin was certified 7× platinum by the Recording Industry Association of America (RIAA), denoting shipments of over seven million copies in the US and breaking the record as the best-selling album by a Latin artist in the country. [140] [141] As of January 2011, the album has sold over 6,958,000 copies in the country, according to Nielsen SoundScan, with an additional 987,000 sold at BMG Music Clubs, making it Martin's best-selling album in the US. [142] [143] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s. [144]

The album debuted at number one in Australia, on the chart issue dated May 23, 1999. [145] It was later certified triple platinum by the Australian Recording Industry Association (ARIA), denoting shipments of over 210,000 copies in the country. [146] In Canada, it peaked at number one on both the RPM 's Top 100 CDs chart and the Billboard's Canadian Albums Chart, and was certified diamond by the Canadian Recording Industry Association (CRIA), denoting shipments of over one million units in the region. [147] [148] [149] The album also reached number one in Spain, [150] where it was certified triple platinum by the Productores de Música de España (Promusicae), denoting shipments of over 300,000 copies. [151] Additionally, Ricky Martin peaked at number one in Europe, [152] Finland, [153] New Zealand, [154] and Norway, [155] as well as the top five in many countries, such as Germany, [156] Japan, [157] and the United Kingdom. [158] In Japan, it was certified million by the Recording Industry Association of Japan (RIAJ), denoting shipments of over one million units. [159] Only within three months, Ricky Martin became the best-selling album ever by a Latin artist. [160] According to different sources, the album has sold over 15 million copies or even 17 million copies worldwide. [161] [162]

Legacy and influence

"Twenty-one years ago Puerto Rican heartthrob Ricky Martin led the Latin explosion with the release of his English-language self-titled album."

Billboard 's Lucas Villa in 2020. [163]

Martin is regarded by the media as the "Original Latin Crossover King". [164] Angie Romero from Billboard wrote: "If you look up 'crossover' in the dictionary, there should be a photo of Ricky shaking his bon bon and/or 'Livin' la Vida Loca'." [165] Following his performance of "The Cup of Life" at the Grammys, and the success of "Livin' la Vida Loca" and Ricky Martin (1999), he opened the gates for many Latin artists such as Jennifer Lopez, Shakira, Christina Aguilera, Marc Anthony, Santana, and Enrique Iglesias who released their crossover albums and followed him onto the top of the charts. [24] [166] [167] Jim Farber from Daily News noted that Ricky Martin "provides a textbook example of how to mix Latin beats with pop tunes and rock intonations". [119] Lucas Villa from Spin wrote about Martin's global success in 1999: "When the world went loca for Ricky, he led the way for other Latin music superstars like Spain's Enrique Iglesias, Colombia's Shakira and Nuyoricans like Jennifer Lopez and Marc Anthony to make their marks beyond the Spanish-speaking crowds." [168] St. Louis Post-Dispatch critic Kevin C. Johnson described Martin as Latin music's "pretty-faced poster boy" who is "taking the music to places Jon Secada, Selena and Santana never could". He also mentioned that even "Gloria Estefan at her peak, failed to muster up the kind of hype and hoopla surrounding Martin". [160]

GLAAD 2014 - Jennifer Lopez - Casper-37 (cropped).jpg
Shakira2009.jpg
Martin opened the doors for many Latin artists, such as Jennifer Lopez (left) and Shakira (right) to top the charts beyond the Spanish-speaking markets.

Celia San Miguel of Tidal Magazine stated that Martin "highlighted the public's thirst for a different kind of pop" in 1999, noting the album's "fusion-heavy" and "hip-shaking rhythms associated with Latin music". She mentioned that the album "spawned 1999's Latin music boom", emphasizing the fact that Martin created the "spark" of the "Latin Pop Explosion", which was followed by 1999 albums, On the 6 by Lopez, Enrique by Iglesias, and Anthony's eponymous album. She continued crediting "Martin and the paths he created" responsible for the Latin music and Spanish and Spanglish lyrics being "a commonplace phenomenon on English-language radio" in 2019. [122] In her review for Grammy.com, Ana Monroy Yglesias said Martin led a "major music moment in 1999" with Ricky Martin, and along with him, "the first major boom of Spanish-language artists", such as Shakira and Lopez, came into the "U.S. pop landscape". [169] Geoff Mayfield from Billboard stated: "Martin's triumph isn't just a big win for Latin music or the Sony camp but a big day for the entire music industry." [134]

According to Pitchfork , the music industry took in revenues of $23.7 billion in 1999, making it the peak year of the business in history. It was also a significant growth in compare with 1998. The website highlighted ...Baby One More Time, Ricky Martin, and Millennium as examples of "blockbuster albums" which produced the result. [170] Also, Rolling Stone's Rob Sheffield described 1999 as "the year music exploded", mentioning Spears, Aguilera, Martin, NSYNC, and the Backstreet Boys as "a new breed of stars" who got born. [171] Additionally, Jason Lipshutz from Billboard labeled 1999 "[the] Best Musical Year of the '90s". [172]

Track listing

Ricky Martin – Australian, North American, and UK edition [1] [173] [174]
No.TitleWriter(s)Producer(s)Length
1."Livin' la Vida Loca"Desmond Child4:03
2."Spanish Eyes"
  • Desmond Child
  • Rosa
Desmond Child4:05
3."She's All I Ever Had"4:55
4."Shake Your Bon-Bon"
Noriega3:12
5."Be Careful (Cuidado Con Mi Corazón)" (duet with Madonna)
  • Orbit
  • Madonna
4:02
6."I Am Made of You"
  • Desmond Child
  • Rosa
Desmond Child4:39
7."Love You for a Day"
  • Randall Barlow
  • Rosa
  • Desmond Child
Barlow3:45
8."Private Emotion" (duet with Meja)Desmond Child4:01
9."The Cup of Life" (Pablo Flores Spanglish Radio Edit) (The Official Song of the World Cup, France '98)
  • Rosa
  • Luis Gómez Escolar
  • Desmond Child
  • Desmond Child
  • Rosa
4:37
10."You Stay with Me" Diane Warren Desmond Child4:12
11."Livin' la Vida Loca" (Spanish Version)
  • Desmond Child
  • Escolar
  • Rosa
Desmond Child4:03
12."I Count the Minutes"WarrenAfanasieff4:17
13."Bella" (She's All I Ever Had)
  • Escolar
  • Noriega
  • Secada
  • Rosa
  • Secada
  • Afanasieff
  • Noriega
4:54
14."María" (Spanglish Radio Edit)
4:31
Total length:59:16
Ricky Martin – Asian, European, and Latin American edition [83] [86] [89]
No.TitleWriter(s)Producer(s)Length
6."Love You for a Day"
  • Barlow
  • Rosa
  • Desmond Child
Barlow3:43
7."Private Emotion" (Ricky Martin & Meja)
  • Bazilian
  • Hyman
Desmond Child4:01
8."I'm on My Way"
  • Child
  • Rosa
  • Juan Vicente Zambrano
Zambrano4:36
9."I Am Made of You"
  • Desmond Child
  • Rosa
Desmond Child4:32
10."La Diosa del Carnaval" (Spanish Eyes)
  • Escolar
  • Child
  • Rosa
  • Child
  • Rosa
3:58
11."You Stay With Me"WarrenDesmond Child4:14
12."Livin' la Vida Loca" (Spanish Version)
  • Desmond Child
  • Escolar
  • Rosa
Desmond Child4:03
13."Bella" (She's All I Ever Had)
  • Escolar
  • Noriega
  • Secada
  • Rosa
  • Secada
  • Afanasieff
  • Noriega
4:55
14."I Count the Minutes"WarrenAfanasieff4:17
Spanish hidden bonus track
No.TitleWriter(s)Producer(s)Length
15."Por Arriba, Por Abajo" (Remix)
  • Escolar
  • Rosa
  • Cesar Lemos
  • Karla Aponte
  • Porter
  • Rosa
4:17

Personnel

Credits for Ricky Martin adapted from AllMusic and the album liner notes. [1] [175]

Recording and mixing locations

Musicians and technical

  • Ricky Martin  performer, primary artist, vocals, background vocals
  • KC Porter  composer, producer
  • Robi Rosa  composer, guest artist, acoustic guitar, producer, background vocals
  • Desmond Child  composer, producer
  • Ethel Abelson  violin
  • Murray Adler  violin
  • Walter Afanasieff  drum programming, producer
  • Martin Agee  violin
  • Donna Allen  background vocals
  • Lamar Alsop  violin
  • Richard Altenbach  violin
  • Rusty Anderson  guitar
  • Tommy Anthony  acoustic guitar, electric guitar
  • Jonathan Antin  hair stylist
  • Iris Aponte  production coordination
  • Chris Apostle  project coordinator
  • Kenny Aronoff  drums, guest artist
  • Vaje Ayrikian  cello
  • Julien Barber  viola
  • Randall Barlow  composer, engineer, guitar, programming, string arrangements, trumpet
  • Eric Bazilian  composer, 12 string acoustic guitar, electric guitar
  • Jennifer Bellusci  performer
  • Brian Benning  violin
  • Robert Berg  viola
  • Ian Blake  composer, producer
  • Gustavo Bonnet  assistant engineer
  • Alfred Brown  viola
  • Ruth Bruegger  violin
  • Denyse Buffum  viola
  • Olbin Burgos  percussion, shaker
  • Kenneth Burward-Hoy  viola
  • Eve Butler  violin
  • Jorge Calandrelli  conductor, string arrangements
  • David Campbell  conductor, orchestra contractor
  • Darius Campo  violin
  • Scott Canto  engineer
  • Randy Cantor  arranger, keyboards, programming
  • Sue Ann Carwell  background vocals
  • Jorge Casas  performer
  • Susan Chatman  violin
  • Robert Chausow  violin
  • Rob Chiarelli  engineer
  • Joe Chiccarelli  engineer
  • Brian Coleman  production coordination
  • Tony Concepcion  flugelhorn, trumpet
  • Roberta Cooper  cello
  • Larry Corbett  cello
  • Paulinho Da Costa  percussion
  • Brian Dembow  viola
  • Joel Derouin  violin
  • John Dexter  viola
  • Thomas Diener  viola
  • Assa Drori  violin
  • Bruce Dukov  concert master, violin
  • Charles Dye  engineer, mixing
  • Max Ellen  violin
  • Mark Endert  engineer
  • Luis Enrique  guest artist, percussion
  • Jerry Epstein  viola
  • Stephen Erdody  cello
  • Luis Gómez Escolar  composer
  • Emilio Estefan Jr.  executive producer
  • David Ewart  violin
  • Mary Helen Ewing  viola
  • Benny Faccone  engineer
  • Henry Ferber  violin
  • Michael Ferril  violin
  • Stefanie Fife  cello
  • Alfred Figueroa  assistant engineer
  • Pablo Flores  producer
  • Dave Frazier  engineer
  • Virginia Frazier  violin
  • Tod French  cello
  • Erik Friedlander  cello
  • Matthew Funes  viola
  • Armen Garabedian  violin
  • Berj Garabedian  violin
  • Hector Garrido  conductor, horn arrangements, string arrangements
  • Javier Garza  engineer
  • David Gleeson  engineer
  • Harris Goldman  violin
  • Jules Gondar  engineer
  • Diva Goodfriend-Koven  alto flute
  • Erwin Gorostiza  art direction, design
  • Endre Granat  violin
  • Lynn Grants  viola
  • Maurice Grants  cello
  • Julie Green  viloncello
  • Jeff Gregory  assistant engineer
  • Henry Gronnier  violin
  • Alan Grunfeld  violin
  • Mick Guzauski  mixing
  • Gyan  guest artist
  • Juliet Haffner  viola
  • Don Hahn  engineer
  • Clayton Haslop  violin
  • John Hayhurst  viola
  • Paquito Hechavarria  piano
  • David Heiss  viloncello
  • Leo Herrera  assistant engineer
  • Al Hershberger  violin
  • Gerry Hilera  violin
  • Tiffany Yi Hu  violin
  • Rob Hyman  composer, organ
  • Joanna Ifrah  A&R
  • Ted Jensen  mastering
  • Skyler Jett  performer, background vocals
  • Lisa Johnson  violin
  • Pat Johnson  violin
  • Pat Johnson  violin
  • Karen Karlsrud  violin
  • Dennis Karmazyn  cello
  • Suzie Katayama  cello
  • Khris Kellow  programming
  • Aimee Kreston  violin
  • John Kricker  trombone
  • Sebastián Krys  engineer
  • Janet Lakatos  viola
  • Michael Landau  electric guitar
  • Regis Landiorio  violin
  • Ann Leathers  violin
  • Damian leGassick  keyboards, programming
  • Brian Leonard  violin
  • Lee Levin  drums
  • Elizabeth Lim  violin
  • Richard Locker  cello
  • Daniel Lopez  percussion
  • Manny López  guitar
  • Craig Lozowick  assistant engineer, engineer
  • Madonna  composer, guest artist, performer, primary artist, producer
  • Nathan Malki  assistant engineer, engineer
  • Tony Mardini  assistant engineer
  • Mark Markman  violin
  • Peter McCabe  engineer
  • Patrick McCarthy  engineer, mixing
  • Hugh McDonald  bass
  • Ángelo Medina  executive producer
  • Meja  duet, guest artist, primary artist
  • Lester Mendez  programming
  • Steve Menezes  assistant engineer
  • Vicky Miscolczy  viola
  • Dennis Molchan  violin
  • Conesha Monet  background vocals
  • Jorge Moraga  viola
  • Horia Moroaica  violin
  • Herman "Teddy" Mulet  horn
  • Jennifer Munday  violin
  • Dan Neufeld  viola
  • George Noriega  bass, bazouki, composer, nylon string guitar, organ, producer, sitar
  • Laura Oatts  violin
  • William Orbit  composer, Guest Artist, guitar, keyboards, producer
  • Germán Ortiz  assistant engineer
  • Rik Pekkonen  engineer
  • Archie Pena  percussion
  • Bob Peterson  violin
  • Freddy Piñero Jr.  engineer
  • Barbara Porter  violin
  • Jim Porto  assistant engineer
  • Anthony Posk  violin
  • Sue Pray  viola
  • Rachel Purkin  violin
  • Rita Quintero  background vocals
  • Matthew Raimondi  violin
  • Dave Reitzas  engineer
  • Steve Richards  cello
  • Claytoven Richardson  background vocals
  • Karen Ritscher  viola
  • Gil Romero  violin
  • Anatoly Rosinsky  violin
  • Elliot Rosoff  violin
  • Danita Ruiz  project coordinator
  • Eddie Salkin  alto flute
  • Bob Sanov  violin
  • Sheldon Sanov  violin
  • Elliot Scheiner  engineer
  • Laura Seaton  violin
  • Jon Secada  composer, guest artist, background vocals
  • Dan Shea  keyboards, programming
  • Mark Orrin Shuman  cello
  • David Siegel  clarinet
  • Daniel Smith  cello
  • Rafael Solano  percussion
  • Eve Sprecher  violin
  • Rudy Stein  cello
  • David Stenske  viola
  • Dale Stuckenbruck  violin
  • Ricardo Suarez  bass
  • Marti Sweet  violin
  • Gerald Tarack  violin
  • Dana Teboe  trombone
  • Richard Treat  cello
  • Mari Tsumura  violin
  • Diego Uchitel  photography
  • Robert Valdez  engineer
  • Jose Luis Vega  image construction
  • John Walz  cello
  • Dan Warner  acoustic guitar
  • Diane Warren  composer
  • Miwako Watanabe  violin
  • Belinda Whitney-Barratt  violin
  • Chris Wiggins  assistant engineer
  • Ed Williams  assistant engineer
  • Elizabeth Wilson  violin
  • John Wittenberg  violin
  • Ming Yeh  violin
  • Ken Yerke  violin
  • Juan Vincente Zambrano  arranger, keyboards
  • Mihail Zinovyev  viola
  • Shari Zippert  violin
  • Wassim Zreik  assistant engineer

Charts

Certifications and sales

Certifications and sales for Ricky Martin
RegionCertification Certified units/sales
Argentina (CAPIF) [213] Platinum60,000^
Australia (ARIA) [146] 3× Platinum210,000^
Austria (IFPI Austria) [214] Gold25,000*
Brazil (Pro-Música Brasil) [215] Gold100,000*
Canada (Music Canada) [149] Diamond1,000,000^
Denmark18,315 [216]
Finland (Musiikkituottajat) [217] Gold39,664 [217]
France (SNEP) [218] Gold100,000*
Germany (BVMI) [219] Gold250,000^
Italy270,000 [220]
Japan (RIAJ) [159] Million1,000,000^
Mexico (AMPROFON) [221] Platinum+Gold225,000^
Netherlands (NVPI) [222] Platinum100,000^
New Zealand (RMNZ) [223] 8× Platinum120,000^
Norway (IFPI Norway) [224] Platinum50,000*
Philippines (PARI) [225] Gold20,000*
Poland (ZPAV) [226] Platinum100,000*
South Korea (RIAK)260,220 [227]
Spain (PROMUSICAE) [151] 3× Platinum300,000^
Sweden (GLF) [228] Platinum80,000^
Switzerland (IFPI Switzerland) [229] Platinum50,000^
United Kingdom (BPI) [230] Platinum475,000 [231]
United States (RIAA) [140] 7× Platinum7,945,000 [lower-alpha 1]
Summaries
Europe (IFPI) [232] 2× Platinum2,000,000*

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

Release history

Release dates and formats for Ricky Martin
RegionDateFormat(s)Label(s)Ref.
TaiwanMay 7, 1999 CD Columbia Records [233]
CanadaMay 11, 1999 [234]
Hong Kong [235]
JapanJune 19, 1999 Epic Records [86]

See also

Notes

  1. As of January 2011, Ricky Martin has sold 6,958,000 copies in the United States according to Nielsen SoundScan, [142] with an additional 987,000 sold at BMG Music Clubs. [143] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s. [144]

Related Research Articles

<span class="mw-page-title-main">Ricky Martin</span> Puerto Rican singer (born 1971)

Enrique "Ricky" Martín Morales is a Puerto Rican singer and songwriter. He is known for his musical versatility, with his discography incorporating a wide variety of many elements, such as Latin pop, dance, reggaeton, salsa, and other genres. Born in San Juan, Martin began appearing in television commercials at age nine and began his musical career at twelve, as a member of Puerto Rican boy band Menudo. He began his solo career in 1991 while in Sony Music Mexico, gaining recognition in Latin America with the release of his first two studio albums, Ricky Martin (1991) and Me Amaras (1993), both of which were focused on ballads.

<span class="mw-page-title-main">She Bangs</span> 2000 single by Ricky Martin

"She Bangs" is a song recorded by Puerto Rican singer Ricky Martin for his sixth studio album, Sound Loaded (2000). The song was written by Desmond Child, Walter Afanasieff, and Draco Rosa, while the production was handled by Afanasieff and Rosa. It was released to radio stations by Columbia Records as the lead single from the album on September 22, 2000. A dance track with Latin and salsa music influences, its lyrics see Martin wanting to hold on to a woman, and the song is a "metaphor for the universe". The song received widely positive reviews from music critics, who often noted similarities with Martin's 1999 single "Livin' la Vida Loca", and received a nomination for Best Male Pop Vocal Performance at the 2001 Grammy Awards. "She Bangs" was commercially successful, reaching number one in seven countries, including Italy and Sweden, as well as the top five in Australia, Canada, the United Kingdom, and several other countries.

<span class="mw-page-title-main">Desmond Child</span> American songwriter and producer

John Charles Barrett, known professionally as Desmond Child, is an American songwriter and producer. He was inducted into the Songwriters Hall of Fame in 2008.

<i>Sound Loaded</i> 2000 studio album by Ricky Martin

Sound Loaded is the sixth studio album by Puerto Rican singer Ricky Martin. It was released on November 14, 2000, by Columbia Records. Following the huge success of his first English album, Ricky Martin (1999), Martin returned to the studio to record its follow-up English album. He worked with producers Walter Afanasieff, Emilio Estefan, Draco Rosa, and Desmond Child to create the album. Musically, Sound Loaded consists of dance club tracks, pop songs, adult contemporary ballads, and mid-tempo Latin numbers. After the album's release, Martin embarked on a North American promotional tour.

<i>Vuelve</i> (album) 1998 studio album by Ricky Martin

Vuelve is the fourth studio album by Puerto Rican singer Ricky Martin. Sony Discos and Columbia Records released it on February 12, 1998. Martin worked with producers KC Porter, Robi Draco Rosa, and Desmond Child to create the album. Following the worldwide success of the song "María" from his previous album, A Medio Vivir (1995), Martin returned to the studio and began recording material while on tour. Vuelve is a Latin record with Latin dance numbers and pop ballads. "María" caught the attention of FIFA, who asked Martin to write an anthem for the 1998 FIFA World Cup being held in France. Martin subsequently recorded "La Copa de la Vida", composed by Porter, Rosa, and Desmond Child for the World Cup.

<span class="mw-page-title-main">Bailamos</span> 1999 single by Enrique Iglesias

"Bailamos" is a single by Spanish singer Enrique Iglesias sung in Spanglish. The song was released in 1999 as part of the soundtrack to the film Wild Wild West (1999) and later included on Iglesias's fourth and debut English-language album, Enrique (1999). "Bailamos" reached number one on the Spanish Singles Chart and on the US Billboard Hot 100, and it became a top-three hit in Canada, Hungary, New Zealand, Norway, and Sweden. In both New Zealand and Spain, it was the second-most-successful single of 1999.

<span class="mw-page-title-main">María (Ricky Martin song)</span> 1995 single by Ricky Martin

"María" is a song recorded by Puerto Rican singer Ricky Martin for his third studio album, A Medio Vivir (1995). The song was written by Ian Blake, Luis Gómez Escolar, and KC Porter, while the production was handled by Porter, Tom Vickers, and Steve Berkowitz. It was released by Sony Music Mexico as the second single from the album on November 21, 1995. A Spanish language flamenco, dance, and salsa song, it is about an attractive but dangerous woman called "María". Local DJ Pablo Flores remixed the song, turning it into an up-tempo samba tune in a house bassline. The remix version became more popular than the original one.

<span class="mw-page-title-main">Livin' la Vida Loca</span> 1999 Ricky Martin song

"Livin' la Vida Loca" is a song recorded by Puerto Rican singer Ricky Martin for his fifth studio album and English-language debut, Ricky Martin (1999). The song was written by Draco Rosa and Desmond Child, while the production was handled by the latter. It was released to radio stations by Columbia Records as the lead single from the album on March 27, 1999. A Latin pop and dance song with elements of salsa, surf, and ska, it is about an irresistible, particularly sinister, wild woman who lives on the edge, seducing others into her crazy world. The song received acclaim from music critics, who complimented its lyrics and danceable rhythm. It was ranked as the best 1990s pop song by Elle, and was listed among the Best Latin Songs of All Time by Billboard.

<span class="mw-page-title-main">The Cup of Life</span> 1998 Ricky Martin song

"The Cup of Life" is a song recorded by Puerto Rican singer Ricky Martin for his fourth studio album, Vuelve (1998). Martin created the song after FIFA requested of him an anthem. The song was written by Luis Gómez Escolar, Desmond Child, and Draco Rosa, while the production was handled by the latter two. It was released by Columbia Records on March 9, 1998, as the second single from the album, and became the official song of the 1998 FIFA World Cup held in France. A primarily Spanish language samba-rooted Latin pop song, it carries a soccer-heavy message with fully positive lyrics.

<i>MTV Unplugged</i> (Ricky Martin album) 2006 live album by Ricky Martin

MTV Unplugged is the name of the first live album by Puerto Rican singer Ricky Martin. It was released to the market in CD and DVD formats by Sony BMG Norte on November 7, 2006. It has been certified platinum and gold worldwide.

<span class="mw-page-title-main">Private Emotion</span> 1993 single by the Hooters

"Private Emotion" is a song recorded by American band The Hooters for their fifth studio album, Out of Body (1993). The song was written by Eric Bazilian and Rob Hyman, while the production was handled by Bazilian, Joe Hardy, and Hyman. It was released by MCA Records as the third single from the album in 1993. A ballad, using mandolin and Hammond organ, it is a love song that expresses a fresh emotion through an extreme desire to share love. The song received widely positive reviews from music critics, who complimented its use of instruments and Bazilian's vocal. A German-language version of the song, entitled "Heimliche Sehnsucht" was released in Germany in 1994.

<span class="mw-page-title-main">She's All I Ever Had</span> 1999 single by Ricky Martin

"She's All I Ever Had" is a song recorded by Puerto Rican singer Ricky Martin for his fifth studio album and English-language debut, Ricky Martin (1999). The song was written by Jon Secada, Robi Rosa, and George Noriega, while the production was handled by Secada, Walter Afanasieff, and Noriega, with co-production from Rosa. It was released by Columbia Records as the second single from the album on June 15, 1999. A slow-tempo pop and rock ballad, it is a romantic love song, narrating the story of a man who misses his woman, while continuing to live and breathe for her. The song received widely positive reviews from music critics, who complimented the production and Martin's vocals. It was ranked as the third-best song from the Latin explosion of 1999 by Latina.

<span class="mw-page-title-main">Shake Your Bon-Bon</span> 1999 single by Ricky Martin

"Shake Your Bon-Bon" is the third single taken from the second self-titled album by Ricky Martin. It was released on October 12, 1999. It was later sent to radio stations in the United States on November 1, 1999.

<i>17</i> (Ricky Martin album) 2008 greatest hits album by Ricky Martin

17 is a greatest hits album by Puerto Rican singer Ricky Martin, released on CD and DVD by Sony BMG Norte in the United States and Latin America on November 18, 2008. The CD includes seventeen songs from seventeen years of Martin's music career. It contains thirteen Spanish-language hits, two English-language songs and two Spanglish tracks. 17 does not include any new material, however, some songs are featured in remixed versions. The DVD track listing varies from the CD and contains a few other hits.

<span class="mw-page-title-main">Tal Vez</span> 2003 single by Ricky Martin

"Tal Vez" (transl. "Perhaps") is a song recorded by Puerto Rican singer Ricky Martin for his seventh studio album, Almas del Silencio (2003). The song was written by Venezuelan singer-songwriter Franco De Vita, while the production was handled by Tommy Torres. It was released to radio stations by Sony Discos as the lead single from the album on March 25, 2003. A Spanish language rock ballad, it is a romantic song about regret, lost opportunities, and last chances. The song received widely positive reviews from music critics, who complimented its melody, lyrics, and Martin's vocals. It was ranked as one of the Top Latin Songs of the Century by Latin Times.

<span class="mw-page-title-main">La Bomba (Ricky Martin song)</span> 1998 single by Ricky Martin

"La Bomba" is a song recorded by Puerto Rican singer Ricky Martin for his fourth studio album, Vuelve (1998). The song was written by Luis Gómez Escolar, K. C. Porter, and Draco Rosa, while the production was handled by the latter two. It was released by Columbia Records as the third single from the album on June 16, 1998. A Spanish-language salsa, dance, samba, bomba, and pop song, it is a metaphor in which Martin compares the music that makes the listener high from the rhythm of the dance to an alcoholic drink. The song received widely positive reviews from music critics, who complimented the danceable rhythm and highlighted it as one of the album's best tracks.

The Livin' La Vida Loco World Tour was the first major world concert tour by Puerto Rican singer Ricky Martin to support his first English-language album Ricky Martin. The tour started in October 1999 and continued until October 2000.

<i>Billboard</i> Hot Latin Songs Year-End Chart

The year-end charts for the Hot Latin Songs chart are published in the last issue of Billboard magazine every year. Initially, the chart was based on information provided by Nielsen Broadcast Data Systems, which collected airplay information from Latin radio stations in the United States. On the week ending October 20, 2012, the methodology was changed to track the best-performing Spanish-language songs based on digital downloads, streaming activity, and airplay from all radio stations in the country. The Year-End charts represent aggregated numbers from the weekly charts that were compiled for each artist, song and record company.

<span class="mw-page-title-main">Vuelve (Ricky Martin song)</span> 1998 single by Ricky Martin

"Vuelve" is a song recorded by Puerto Rican singer Ricky Martin for his fourth studio album, Vuelve (1998). The song was written by Franco De Vita, while the production was handled by K. C. Porter and Draco Rosa. It was released to radio stations by Sony Discos as the lead single from the album on January 26, 1998. A Spanish language power ballad and Latin pop song with elements of rock and gospel, it is about the singer's true love, who gives the meaning of his life. It received generally positive reviews from music critics, who complimented its romantic lyrics and Martin's vocal.

<span class="mw-page-title-main">Adiós (Ricky Martin song)</span> Ricky Martin song

"Adiós" (transl. "Goodbye") is a song recorded by Puerto Rican singer Ricky Martin for his tenth studio album, A Quien Quiera Escuchar (2015). The song was written by Antonio Rayo Gibo, Martin, and Yotuel Romero, while the production was handled by Romero, Jesse Shatkin, and Rayo. It was released for digital download and streaming by Sony Music Latin on September 23, 2014, as the lead single from the album. The single contained Spanish/French, English, and English/French versions, and was accompanied by numerous remixes. An uptempo world music-flavored EDM song with elements of cumbia, tango, baile funk, Middle Eastern, Latin, and Caribbean, amongst others. it is about "how difficult it is to say sorry, to betray an oath, an anniversary without promises, without even a single kiss".

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