Hollywood accounting

Last updated April 21, 2024

Hollywood accounting (also known as Hollywood bookkeeping) is the opaque or creative set of accounting methods used by the film, video, television and music industry to budget and record profits for creative projects. Expenditures can be inflated to reduce or eliminate the reported profit of the project, thereby reducing the amount which the corporation must pay in taxes and royalties or other profit-sharing agreements, as these are based on net profit.

Hollywood accounting gets its name from its prevalence in the entertainment industry—that is, in the movie studios of Hollywood at a time when most studios were located in Hollywood. Those affected can include writers and actors, but also production companies, producers and investors.^[1]^[2] A number of cases of creative accounting have been successfully pursued in court and have resulted in hundreds of millions of dollars in awarded damages.

Practices

Hollywood accounting can take several forms. In one form, a subsidiary is formed to perform a given activity and the parent entity will extract money out of the film's revenue in the form of charges for certain "services". For example, a film studio has a distribution arm as a sub-entity, which will then charge the studio a "distribution fee"—essentially, the studio charging itself a sum it has total control over and hence controlling the profitability report of a project.^[3]

Another form of Hollywood accounting is a reverse tobashi scheme, in which the studio unjustly cross-collateralizes the accounting of two projects and shifts losses from a flop onto a profitable project by shifting costs involving internal operations. This way, two unprofitable projects are created out of one on paper alone, primarily for the purpose of eliminating net participation liabilities. The specific schemes can range from the simple and obvious to the extremely complex. Generally, Hollywood accounting uses permanent creative accounting practices (such as charging an arbitrary distribution fee from one sub-entity to another) rather than temporary ones (like the Repo 105 scheme) since the measures are meant to permanently distort the bottom line of a film project.

Three main factors in Hollywood accounting reduce the reported profit of a movie, and all have to do with the calculation of overhead:

Production overhead: Studios, on average, calculate production overhead by using a figure around 15% of total production costs.
Distribution overhead: Film distributors typically keep 30% of what they receive from movie theaters ("gross rentals").
Marketing overhead: To determine this number, studios usually choose about 10% of all advertising costs.

All of the above means of calculating overhead are highly controversial, even within the accounting profession. Namely, these percentages are assigned without much regard to how, in reality, these estimates relate to actual overhead costs. In short, this method does not, by any rational standard, attempt to adequately trace overhead costs.

Because of the studio's ability to place arbitrary charges along the value chain, net participation "points" (a percentage of the net income as opposed to a percentage of the gross income of a film) are sometimes referred to as "monkey points". The term is attributed to Eddie Murphy, who is said to have also stated that only a fool would accept net points in their contract.^[4]^[5]

Actress Lynda Carter on The Late Show with Joan Rivers commented "Don't ever settle for net profits. It's called 'creative accounting'."^[6]

Many insist on "gross points" (a percentage of some definition of gross revenue) rather than net profit participation. This practice reduces the likelihood of a project showing a profit, as a production company will claim a portion of the reported box-office revenue was diverted directly to gross point participants. The studios rarely agree to gross participation, generally only when the person has considerable leverage, such as an A-list star, producer, or director whose participation is vital to the project.

Examples

1980s

According to Lucasfilm, Return of the Jedi (1983) "has never gone into profit", despite having earned $475 million at the box office against a budget of $32.5 million.^[7]

Art Buchwald received a settlement from Paramount Pictures after his lawsuit Buchwald v. Paramount (1990). The court found Paramount's actions "unconscionable", noting that it was impossible to believe that Eddie Murphy's 1988 comedy Coming to America , which grossed $288 million, failed to make a profit, especially since the actual production costs were less than a tenth of that. Paramount settled for $900,000,^[8] rather than have its accounting methods closely scrutinized.

Producers Michael Uslan and Benjamin Melniker filed a breach of contract lawsuit in Los Angeles County Superior Court on March 26, 1992. Uslan and Melniker claimed to be "the victims of a sinister campaign of fraud and coercion that has cheated them out of continuing involvement in the production of the 1989 film Batman and its sequels. We were denied proper credits, and deprived of any financial rewards for our indispensable creative contribution to the success of Batman."^[9] A superior court judge rejected the lawsuit. Total revenues of Batman have topped $2 billion, with Uslan claiming to have "not seen a penny more than that since our net profit participation has proved worthless".^[9] Warner Bros. offered the pair an out-of-court pay-off, a sum described by Uslan and Melniker's attorney as "two popcorns and two Cokes".^[10]

1990s

The estate of Jim Garrison sued Warner Bros. for their share of the profits from the film JFK (1991), which was based on Garrison's book On the Trail of the Assassins .^[11] The case was settled in 1999, with Garrison's estate receiving a "very small settlement".^[12]

Winston Groom's price for the screenplay rights to his 1986 novel Forrest Gump included a 3% share of the profits; however, due to Hollywood accounting, the 1994 film's commercial success was converted into a net loss, and Groom received only $350,000 for the rights and an additional $250,000 from Paramount.^[13]

According to screenwriter Ed Solomon, Sony claims Men in Black , a 1997 film he wrote, has never broken even, despite grossing nearly $600 million against a $90 million budget.^[14]

2000s

Gone in 60 Seconds (2000) grossed $240 million at the box office, but The Walt Disney Company declared a $212 million loss, primarily through Hollywood accounting as explained on NPR.^[15] The real figure is likely closer to $90 million.^[16]

Stan Lee, co-creator of the character Spider-Man, had a contract awarding him 10% of the net profits of anything based on his characters. The film Spider-Man (2002) made more than $800 million in revenue, but the producers claim that it did not make any profit as defined in Lee's contract, and Lee received nothing. In 2002 he filed a lawsuit against Marvel Comics.^[17] The case was settled in January 2005, with Marvel paying $10 million to "finance past and future payments claimed by Mr. Lee".^[18]

The 2002 film My Big Fat Greek Wedding was considered hugely successful for an independent film, yet according to the studio, the film lost money.^[19] Accordingly, the cast (with the exception of Nia Vardalos who had a separate deal) sued the studio for their part of the profits. The original producers of the film sued Gold Circle Films in 2007 due to Hollywood accounting practices because the studio has claimed the film, which cost less than $6 million to make and made over $350 million at the box office, lost $20 million.^[20]

Peter Jackson, director of The Lord of the Rings (2001–2003), and his studio WingNut Films, brought a lawsuit in 2007 against New Line Cinema after an audit. Jackson stated this is regarding "certain accounting practices". In response, New Line stated that their rights to a film of The Hobbit were time-limited, and since Jackson would not work with them again until the suit was settled, he would not be asked to direct The Hobbit, as had been anticipated.^[21] Fifteen actors sued New Line Cinema, claiming that they have never received their 5% of revenue from merchandise sold in relation to the movie, which contained their likenesses.^[22] Similarly, the Tolkien estate sued New Line, claiming that their contract entitled them to 7.5% of the gross receipts of the $6 billion hit.^[23] According to New Line's accounts, the trilogy made "horrendous losses" and no profit at all.^[24]

Michael Moore sued Bob and Harvey Weinstein, of Miramax Films, in February 2011, claiming that they had used creative accounting to deprive him of his share of profits for the film Fahrenheit 9/11 (2004). Eventually, Moore reached a settlement with the Weinsteins and the lawsuit was dropped in 2012.^[25]

The 2005 film Sahara grossed $119 million against a production budget of $160 million, resulting in a $105 million loss for Paramount Pictures. However, due to Hollywood accounting tactics, the loss was only reported as $78.3 million.^[26]

2010s

A Warner Bros. receipt was leaked online in 2010, showing that the hugely successful movie Harry Potter and the Order of the Phoenix (2007) ended up with a $167 million loss on paper after grossing nearly $1 billion.^[27] This is especially egregious given that, without inflation adjustment, the Wizarding World film series is one of the highest-grossing film series of all time both domestically and internationally.^[28] The Hollywood accounting in the Harry Potter case included a $60 million interest charge on a $400 million budget over two years – an interest rate far higher than industry standard^[29] – as well as high distribution and advertising fees paid out to Warner Bros. subsidiaries and sister companies.

The Walt Disney Company lost a $270 million lawsuit in 2010 to Celador over accounting tricks used to mask profits on the Who Wants to Be a Millionaire (1999–2007) licensed franchise in the United States: "ABC artificially deflated fees the network should have paid the production company BVT and Disney-owned Valleycrest, which in turn decreased Celador's share of revenue. Loss of merchandising revenue was also claimed."^[30]

Don Johnson won a lawsuit in 2010 against Rysher Entertainment which had attempted to wipe profits for the show Nash Bridges (1996–2001) off the books to reduce Johnson's 50% backend stake to zero; the jury awarded Johnson $23.2 million in damages.^[31]

21st Century Fox was found guilty of using Hollywood accounting practices to defraud the producers and stars of the procedural drama Bones (2005–2017) and ordered to pay $179 million in missing profits, with the arbitration ruling made public in 2019.^[32] Fox subsequently contested the $128 million punitive damages component in Los Angeles County Superior Court, whereas it declared it would pay the $51 million in actual damages awarded by the arbitrator. In September 2019, the lawsuit was settled on confidential terms.^[33]^[34]

Despite grossing $911 million against its $55 million budget, 20th Century Fox wrote down the 2018 Freddie Mercury biopic Bohemian Rhapsody as a $51 million loss.^[35]

Despite grossing $153 million against a $26 million budget, the 2019 romantic comedy Yesterday reportedly lost $87.8 million, according to Universal Pictures accounting sheets.^[36]

2020s

In July 2021, a lawsuit brought by developer and executive producer Frank Darabont along with Creative Artists Agency against AMC Networks over profits from TV series The Walking Dead was settled for $200 million, plus sharing of certain future revenues.^[37] The plaintiffs had alleged that AMC had deliberately set the imputed fees "paid" by the eponymous AMC Networks cable TV channel to AMC Studios – both subsidiaries of AMC Networks – far below fair market value, and thus illegitimately curtailed the payments due to the plaintiffs under their profit-sharing agreements.^[38]

Related Research Articles

<i>Batman</i> (1989 film) Superhero film by Tim Burton

Batman is a 1989 superhero film based on the DC Comics character of the same name, created by Bob Kane and Bill Finger. Directed by Tim Burton, it is the first installment of Warner Bros.' initial Batman film series. The film was produced by Jon Peters and Peter Guber and stars Jack Nicholson, Michael Keaton, Kim Basinger, Robert Wuhl, Pat Hingle, Billy Dee Williams, Michael Gough, and Jack Palance. The film takes place early in the title character's war on crime and depicts his conflict with his archenemy The Joker.

Warner Bros. Entertainment Inc. is an American film and entertainment studio headquartered at the Warner Bros. Studios complex in Burbank, California, and a subsidiary of Warner Bros. Discovery (WBD). Founded in 1923 by four brothers, Harry, Albert, Sam, and Jack Warner, the company established itself as a leader in the American film industry before diversifying into animation, television, and video games, and is one of the "Big Five" major American film studios, as well as a member of the Motion Picture Association (MPA).

<i>Coming to America</i> 1988 film directed by John Landis

Coming to America is a 1988 American romantic comedy film directed by John Landis and based on a story originally created by Eddie Murphy, who also stars in the lead role. The film also co-stars Arsenio Hall, James Earl Jones, Shari Headley, and John Amos. The film was released in the United States on June 29, 1988. Eddie Murphy plays Akeem Joffer, the crown prince of the fictional African nation of Zamunda who travels to the United States in the hopes of finding a woman he can marry and will love him for who he is, not for his status or for having been trained to please him.

<span class="mw-page-title-main">Creative accounting</span> Euphemism referring to unethical accounting practices

Creative accounting is a euphemism referring to accounting practices that may follow the letter of the rules of standard accounting practices, but deviate from the spirit of those rules with questionable accounting ethics—specifically distorting results in favor of the "preparers", or the firm that hired the accountant. They are characterized by excessive complication and the use of novel ways of characterizing income, assets, or liabilities, and the intent to influence readers towards the interpretations desired by the authors. The terms "innovative" or "aggressive" are also sometimes used. Another common synonym is "cooking the books". Creative accounting is oftentimes used in tandem with outright financial fraud, and lines between the two are blurred. Creative accounting practices are known since ancient times and appear world-wide in various forms.

The cinema of the United States, consisting mainly of major film studios along with some independent films, has had a large effect on the global film industry since the early 20th century. The dominant style of American cinema is classical Hollywood cinema, which developed from 1910 to 1962 and is still typical of most films made there to this day. While Frenchmen Auguste and Louis Lumière are generally credited with the birth of modern cinema, American cinema soon came to be a dominant force in the emerging industry. With more than 600 English-language films released on average every year As of 2017, it produced the fourth-largest number of films of any national cinema, after India, Japan, and China. While the national cinemas of the United Kingdom, Canada, Australia, and New Zealand also produce films in the same language, they are not part of the Hollywood system. Because of this, Hollywood has also been considered a transnational cinema, and has produced multiple language versions of some titles, often in Spanish or French. Contemporary Hollywood often outsources production to the United Kingdom, Canada, Australia, and New Zealand. The major film studios of Hollywood are the primary source of the most commercially successful and most ticket-selling movies in the world.

AMC is an American multinational basic cable television channel that is the flagship property of AMC Networks. The channel's programming primarily consists of theatrically released films, along with a limited amount of original programming. The channel's name originally stood for American Movie Classics, but since 2002 the full name has been de-emphasized as a result of a major shift in its programming.

Buchwald vs. Paramount (1990), 1990 Cal. App. LEXIS 634, was a breach of contract lawsuit filed and decided in California in which humorist and writer Art Buchwald alleged that Paramount Pictures stole his script idea and turned it into the 1988 movie Coming to America. Buchwald won the lawsuit and was awarded damages, and then accepted a settlement from Paramount before any appeal took place.

Redbox Automated Retail, LLC is an American video on-demand streaming and video rental company specializing in DVD, Blu-ray, 4K UHD rentals and purchases and formerly video games via automated retail kiosks and TVOD, AVOD, and FAST services via its website, Android and iOS apps, and many consumer electronic devices. Redbox kiosks feature the company's signature red color and are located at convenience stores, fast food restaurants, grocery stores, mass retailers, and pharmacies.

United States v. Paramount Pictures, Inc., 334 U.S. 131 (1948), was a landmark United States Supreme Court antitrust case that decided the fate of film studios owning their own theatres and holding exclusivity rights on which theatres would show their movies. It would also change the way Hollywood movies were produced, distributed, and exhibited. It also opened the door for more foreign and independent films to be shown in U.S. theaters. The Supreme Court affirmed the United States District Court for the Southern District of New York's ruling that the existing distribution scheme was in violation of United States antitrust law, which prohibits certain exclusive dealing arrangements.

A studio system is a method of filmmaking wherein the production and distribution of films is dominated by a small number of large movie studios. It is most often used in reference to Hollywood motion picture studios during the early years of the Golden Age of Hollywood from 1927 to 1948, wherein studios produced films primarily on their own filmmaking lots with creative personnel under often long-term contract, and dominated exhibition through vertical integration, i.e., the ownership or effective control of distributors and exhibition, guaranteeing additional sales of films through manipulative booking techniques such as block booking.

Brad Alan Grey was an American television and film producer. He co-founded Brillstein-Grey Entertainment, and afterwards became the chairman and CEO of Paramount Pictures, a position he held from 2005 until 2017. Grey graduated from the State University of New York at Buffalo School of Management. Under Grey's leadership, Paramount finished No. 1 in global market share in 2011 and No. 2 domestically in 2008, 2009, and 2010, despite releasing significantly fewer films than its competitors. He also produced eight out of Paramount's 10 top-grossing pictures of all time after having succeeded Sherry Lansing in 2005.

Film budgeting refers to the process by which a line producer, unit production manager, or production accountant prepares a budget for a film production. This document, which could be over 130 pages long, is used to secure financing for and lead to pre-production and production of the film. Multiple drafts of the budget may be required to whittle down costs. A budget is typically divided into four sections: above the line, below the line, post-production, and other. The budget excludes film promotion and marketing, which is the responsibility of the film distributor. Film financing can be acquired from a private investor, sponsor, product placement, film studio, entertainment company, and/or out-of-pocket funds.

Film finance is an aspect of film production that occurs during the development stage prior to pre-production, and is concerned with determining the potential value of a proposed film.

Tollin Productions is an American movie and television production company operated by Mike Tollin and Brian Robbins in 1994. Joe Davola was also an unofficial partner in the company and co-produced many of the company's productions along with Robbins and Tollin from 1994–2013 and 2021–present.

David Paul Kirkpatrick is an American film producer, studio executive and writer. He is widely known for his career at Paramount Pictures where he started as a story editor, oversaw the studio's exclusive development deal with Eddie Murphy and eventually became President of the Motion Picture Group.

<i>Tomb Raider</i> (film) 2018 film directed by Roar Uthaug

Tomb Raider is a 2018 action-adventure film directed by Roar Uthaug, with a screenplay by Geneva Robertson-Dworet and Alastair Siddons, from a story by Evan Daugherty and Robertson-Dworet. An American and British co-production, it is based on the 2013 video game of the same name, with some elements of its sequel by Crystal Dynamics, a reboot, and the third installment in the Tomb Raider film series. The film stars Alicia Vikander as Lara Croft, who embarks on a perilous journey to her father's last-known destination, hoping to solve the mystery of his disappearance. Dominic West, Walton Goggins, Daniel Wu, and Kristin Scott Thomas appear in supporting roles.

The Conjuring Universe is an American horror franchise and shared universe centered on a series of supernatural horror films. The franchise is produced by New Line Cinema, Atomic Monster, and the Safran Company, and distributed by Warner Bros. Pictures. The films present a dramatization of the supposed real-life adventures of Ed and Lorraine Warren, paranormal investigators and authors associated with prominent yet controversial cases of haunting. The main series follows their attempts to assist people who find themselves harassed by spirits, while the spin-off films focus on the origins of some of the entities the Warrens have encountered.

VidAngel is an American streaming video company that allows the user to skip objectionable content based on user preferences regarding profanity, nudity, sexual situations, and graphic violence. The company uses customizable filters to automatically cut out scenes or sounds which the viewer does not want to see or hear. The company was launched in 2014 by the Harmon Brothers in Utah. The company used equity crowdfunding to fund its growth, raising $10 million from customer-investors.

The COVID-19 pandemic had a negative effect on certain films in the early 2020s, mirroring its impacts across all arts sectors. Across the world, and to varying degrees, cinemas and movie theaters were closed, festivals were cancelled or postponed, and film releases were moved to future dates or delayed indefinitely. Due to cinemas and movie theaters closing, the global box office dropped by billions of dollars, streaming saw a significant increase in popularity, and the stock of film exhibitors dropped dramatically. Many blockbusters originally scheduled to be released by mid-March 2020 were postponed or canceled around the world, with film productions also being halted. This in turn created openings for independent cinema productions to receive wider exposure.

References

↑ McDougal, Dennis (December 29, 1989). "Judge Must Solve Buchwald-Murphy Whodunit: Lawsuits: Final arguments in multimillion-dollar complaint against Paramount are over. Both sides accuse the other of stealing idea for $300-million movie". Los Angeles Times . Retrieved March 23, 2014.
↑ Vincent, Mal (February 20, 1995). "After 61 films, Connery remains much in demand". The Baltimore Sun . Retrieved March 23, 2014. I hired my own bookkeepers to keep a watch on everything. Hollywood bookkeeping can be very suspect.
↑ Thompson, Derek (September 14, 2011). "How Hollywood Accounting Can Make a $450 Million Movie 'Unprofitable'". The Atlantic . Retrieved March 23, 2014.
↑ McDougal, Dennis (February 4, 1990). "Murphy Movie Made Millions But Stayed in Red, Studio Ledgers Say". Los Angeles Times. Retrieved March 23, 2014.
↑ Leibman, Jordan H. (November 1, 1993). "Fatal Subtraction: The Inside Story of Buchwald v. Paramount". AllBusiness.com . Archived from the original on February 1, 2009. Retrieved March 23, 2014.
"By the way, you called net profit participation points yesterday 'monkey points.' What's the origin of that, do you know?" I asked Eddie [Murphy] as I started to pick up my papers. "Well, it's like 'stupid' points. Stupid to take the points." "Won't be any net profits?" "You sit there with your points going, 'Eeeh, eeh, eeh, eeh, eeh'."
↑ The Late Show with Joan Rivers . Fox Network. Air date: February 9, 1987
↑ Sciretta, Peter (April 5, 2009). "LucasFilm Tells Darth Vader that Return of the Jedi Hasn't Made a Profit!?". Slashfilm. Retrieved July 19, 2013.
↑ "Buchwald, Partner Win $900,000 From Studio". The Los Angeles Times . March 17, 1992.
1 2 Griffin, Nancy; Masters, Kim (1997). "Hit Men". Hit & Run: How Jon Peters and Peter Guber Took Sony For A Ride In Hollywood. Simon & Schuster. pp. 158–174. ISBN 0-684-80931-1.
↑ Richards, Olly (September 1992). "Trouble in Gotham". Empire . pp. 21–23.
↑ Robb, David (June 19, 1996). "Hollywood accounting suffers a blow in court Lawsuit: Movie studios lose first round in potentially crucial court battle as judge upholds class-action". The Baltimore Sun. Retrieved March 23, 2014.
↑ Robb, David (April 12, 1999). "Family settles suit filed over 'JFK' profits". Milwaukee Journal Sentinel . Retrieved March 23, 2014.
↑ Weinraub, Bernard (May 25, 1995). "'Gump,' a Huge Hit, Still Isn't Raking In Huge Profits? Hmm". The New York Times . Retrieved March 23, 2014.
↑ Butler, Tom (December 31, 2019). "1997 hit 'Men In Black' is still yet to make a profit says screenwriter". Yahoo! . Retrieved May 21, 2020.
↑ "We See Angelina's Bottom Line". NPR.org. May 14, 2010. Retrieved September 29, 2019.
↑ Epstein, Edward Jay (May 16, 2005). "Gross Misunderstanding: Forget about the box office". Slate. Retrieved December 30, 2006.
↑ "Lawsuit filed by Spider-Man creator". BBC News . November 13, 2002. Retrieved March 23, 2014.
↑ Ives, Nat (April 29, 2005). "Marvel Settles With a Spider-Man Creator". The New York Times. ISSN 0362-4331 . Retrieved June 5, 2018.
↑ "My Big Fat Greek Wedding: Most Profitable Independent Film in History, With Over $600 Million Worldwide Receipts, Supposedly Loses Over $20 Million". PR Newswire . July 1, 2003. Retrieved March 23, 2014.
↑ Munoz, Lorenza (August 8, 2007). "Hanks sues over profit on 'Greek Wedding'". Los Angeles Times. Retrieved March 23, 2014.
↑ xoanon (November 19, 2006). "Peter Jackson and Fran Walsh Talk THE HOBBIT". The One Ring. Retrieved July 19, 2013.
↑ "15 actors sue New Line Cinema over 'Lord of the Rings' profits". USA Today . June 6, 2007. Retrieved July 19, 2013.
↑ Veiga, Alex (February 12, 2008). "Tolkien Estate Sues New Line Cinema". SFGate. Associated Press. Archived from the original on February 14, 2008.
↑ Scherer, Karyn (December 13, 2010). "The Hollywood shell game". The New Zealand Herald . Auckland. Retrieved July 19, 2013.
↑ Belloni, Matthew (February 15, 2012). "Michael Moore, Harvey Weinstein Settle 'Fahrenheit 9/11' Lawsuit". The Hollywood Reporter . Retrieved March 23, 2014.
↑ Bunting, Glenn (April 15, 2007). "$78 million of red ink?". Los Angeles Times . Retrieved February 10, 2021.
↑ "'Hollywood Accounting' Losing In The Courts". Techdirt. July 8, 2010. Retrieved July 19, 2013.
↑ "The Most Successful Movie Franchises In History". Forbes. Retrieved November 23, 2016.
↑ Fleming, Mike Jr. (July 6, 2010). "STUDIO SHAME! Even Harry Potter Pic Loses Money Because Of Warner Bros' Phony Baloney Net Profit Accounting". Deadline. Retrieved September 29, 2019.
↑ Belloni, Matthew (July 12, 2010). "'Millionaire' verdict! Disney loses big". Esq. The Hollywood Reporter . Archived from the original on July 12, 2010. Retrieved April 22, 2020.
↑ Bond, Paul; Belloni, Matthew (July 15, 2010). "'Nash Bridges' verdict! Now Don Johnson wins big!". Esq. The Hollywood Reporter . Archived from the original on July 15, 2010. Retrieved September 29, 2019.
↑ Gardner, Eriq (February 27, 2019). "Fox Rocked by $179M 'Bones' Ruling: Lying, Cheating and 'Reprehensible' Studio Fraud". The Hollywood Reporter .
↑ Gardner, Eriq (September 11, 2019). "Fox Settles 'Bones' Suit, Ending Profits Case That Stunned Hollywood". The Hollywood Reporter . Retrieved October 22, 2022.
↑ Patten, Dominic (September 11, 2019). "'Bones' Profit Battle Ends As Fox & Disney Settle With Stars Emily Deschanel, David Boreanaz & EPs". Deadline Hollywood . Retrieved October 22, 2022.
↑ Fleming, Mike Jr.; Patten, Dominic (November 17, 2021). "'Bohemian Rhapsody's Anthony McCarten Sues Queen Biopic Producers Over Profits; Claim The Blockbuster Is $51M In The Red Will Rock Hollywood". Deadline Hollywood . Retrieved November 18, 2021.
↑ D'Alessandro, Anthony (May 5, 2020). "'Yesterday' Net Profit Statement Shows It's The Same Old Song On Hollywood Accounting". Deadline Hollywood . Retrieved May 5, 2020.
↑ Patten, Dominic (July 16, 2021). "'Walking Dead' Lawsuit Settled For $200M Between Frank Darabont, CAA & AMC". Deadline Hollywood . Retrieved October 22, 2022.
↑ Gardner, Eriq (December 10, 2018). "'Walking Dead' Co-Creator Frank Darabont's $280M Suit Against AMC Headed to Trial". The Hollywood Reporter . Retrieved October 22, 2022.