This article possibly contains original research .(July 2011) |
A vocal coach, also known as a voice coach (though this term often applies to those working with speech and communication rather than singing), is a music teacher, usually a piano accompanist, who helps singers prepare for a performance, often also helping them to improve their singing technique and take care of and develop their voice, but is not the same as a singing teacher (also called a "voice teacher"). Vocal coaches may give private music lessons or group workshops or masterclasses to singers. They may also coach singers who are rehearsing on stage, or who are singing during a recording session. Vocal coaches are used in both classical music and in popular music styles such as rock and gospel. While some vocal coaches provide a range of instruction on singing techniques, others specialize in areas such as breathing techniques or diction and pronunciation.
A vocal coach is sometimes responsible for writing and producing vocal arrangements for four-part harmony for backup vocalists, or helping to develop counter melodies for a secondary vocalist. Some vocal coaches may also advise singers or bands on lyric-writing for a music production. Some critics allege that in some cases where popular music recordings credit a singer for work as a vocal coach during a recording, this may be a subtle way of acknowledging a ghostwriting role, in which the coach writes lyrics for a singer-songwriter or rapper.
In the 2000s, the increasing use of recording software which contains vocal processing algorithms and digital pitch correction devices is replacing some of the roles of the vocal coach. In the 1970s, if a producer wanted to record a single with a popular sports star with few vocal skills, the celebrity would need weeks of vocal coaching to learn their song and improve their tone and diction. In the 2000s, the vocals are often processed through pitch correction software instead, and rhythm can be corrected within digital audio workstations. This enables 2000s-era producers and audio engineers to in order to make an untrained performer's singing sound closer to that of a trained vocalist.
The training and education of vocal coaches vary widely. Many vocal coaches are former or current professional singers. Some vocal coaches have extensive formal training, such as a Bachelor of Music, a Master of Music, a conservatory diploma, or degrees in related areas such as foreign languages or diplomas in human kinetics, posture techniques, or breathing methods. On the other hand, some vocal coaches may have little formal training, and so they rely on their extensive experience as a performer. For example, a native German language speaker who moves to the US may begin providing German diction coaching to amateur vocal students, and over several decades, this vocal coach may develop a broad range of on-the-job experience in coaching German-language singing styles such as lieder and Wagnerian opera.
Vocal coaches may also come to their profession through other routes, such as related musical professions or from other fields. Some vocal coaches, for example, are rehearsal pianists with decades of experience accompanying singers, or former or current choral, music theater, or symphony conductors. More rarely, vocal coaches may come to the profession from a nonmusical route. For example, a specialist in Alexander Technique, yoga, or medical aspects of the throat and vocal cords may begin to specialize in coaching and training singers.
The vocal coaching field is competitive, especially at the highest professional levels. Salaries vary greatly, as do the conditions of work. While a small number of top vocal coaches can command very high hourly or daily rates, most vocal coaches, like most other music and arts professionals, tend to have salaries which are below the average for other professions which require a similar amount of education and experience, such as economists or bank managers. The work conditions vary widely, from part-time or occasional freelance work for individual singers, opera companies, or record companies, to full-time contracts or multi-year jobs for universities (coaching vocal performance students and students in opera courses) or music theater companies.
While vocal coaches use many different techniques to teach singing, they will usually instruct students in one or more of the following methods:
Within the community of voice teachers, there has been some debate about the terms "vocal coach" and "voice teacher".
While many believe the terms are synonymous, some professionals in the music community hold that the terms have slightly different meanings.
The terms "voice teacher" and "singing teacher" are most often used to refer to a teacher that has been educated and instructs vocal pedagogy, while a vocal coach may not possess the same education level.
In universities, for example, it would be rare to have a professor of voice refer to themselves as a vocal coach, even though they may teach private lessons.
Additionally, the term "voice teacher" or "singing teacher" normally refers to an instructor whose main role is developing the singing voice. The term "vocal coach", on the other hand, may be appropriated by someone who works on stage performance, vocal style or a host of other subjects that are related to voice, but not necessarily teach singing. [1]
Music lessons are a type of formal instruction in playing a musical instrument or singing. Typically, a student taking music lessons meets a music teacher for one-to-one training sessions ranging from 30 minutes to one hour in length over a period of weeks or years. Depending on lessons to be taught, students learn different skills relevant to the instruments used. Music teachers also assign technical exercises, musical pieces, and other activities to help the students improve their musical skills. While most music lessons are one-on-one (private), some teachers also teach groups of two to four students, and, for very basic instruction, some instruments are taught in large group lessons, such as piano and acoustic guitar. Since the widespread availability of high speed. low latency Internet, private lessons can also take place through live video chat using webcams, microphones and videotelephony online.
A song is a musical composition performed by the human voice. The voice often carries the melody using patterns of sound and silence. Songs have a structure to them, such as the common ABA form, and are usually made of sections that are repeated or performed with variation later. A song without instruments is said to be a cappella.
Vibrato is a musical effect consisting of a regular, pulsating change of pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterized in terms of two factors: the amount of pitch variation and the speed with which the pitch is varied.
Coaching is a form of development in which an experienced person, called a coach, supports a learner or client in achieving a specific personal or professional goal by providing training and guidance. The learner is sometimes called a coachee. Occasionally, coaching may mean an informal relationship between two people, of whom one has more experience and expertise than the other and offers advice and guidance as the latter learns; but coaching differs from mentoring by focusing on specific tasks or objectives, as opposed to more general goals or overall development.
Singing is the act of creating musical sounds with the voice. A person whose profession is singing is called a singer, artist or vocalist. Singers perform music that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Greek music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music.
A recording studio is a specialized facility for recording and mixing of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians. Ideally, both the recording and monitoring spaces are specially designed by an acoustician or audio engineer to achieve optimum acoustic properties.
Multitrack recording (MTR), also known as multitracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete tracks on the same reel-to-reel tape was developed. A track was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized.
Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of study within linguistics, phonetics, and speech-language pathology, particularly in relation to the study of tonal languages and certain types of vocal disorders, although it has little practical application in terms of speech.
Lip sync or lip synch, short for lip synchronization, is a technical term for matching a speaking or singing person's lip movements with sung or spoken vocals.
A backing vocalist is a singer who provides vocal harmony with the lead vocalist or other backing vocalists. A backing vocalist may also sing alone as a lead-in to the main vocalist's entry or to sing a counter-melody. Backing vocalists are used in a broad range of popular music, traditional music, and world music styles.
Collegiate a cappella ensembles are college-affiliated singing groups, primarily in the United States, and, increasingly, the United Kingdom and Ireland, that perform entirely without musical instruments. The groups are typically composed of, operated by, and directed by students. In the context of collegiate a cappella, the term a cappella typically also refers to the music genre performed by pop-centric student singing groups. Consequently, an ensemble that sings unaccompanied classical music may not be considered an a cappella group, even though technically it is performing a cappella.
Overdubbing is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers.
Pitch correction is an electronic effects unit or audio software that changes the intonation of an audio signal so that all pitches will be notes from the equally tempered system. Pitch correction devices do this without affecting other aspects of its sound. Pitch correction first detects the pitch of an audio signal, then calculates the desired change and modifies the audio signal accordingly. The widest use of pitch corrector devices is in Western popular music on vocal lines.
A vocal warm-up is a series of exercises meant to prepare the voice for singing, acting, or other use.
A dialect coach is a technical advisor who supports actors as they craft voice and speech patterns for characters in the context of productions be it in an on-camera setting, stage setting, or voiceover setting.
Vocal pedagogy is the study of the art and science of voice instruction. It is used in the teaching of singing and assists in defining what singing is, how singing works, and how proper singing technique is accomplished.
A voice teacher or singing teacher is a musical instructor who assists adults and children in the development of their abilities in singing.
An audition is a sample performance by an actor, singer, musician, dancer or other performer. It typically involves the performer displaying their talent through a previously memorized and rehearsed solo piece or by performing a work or piece given to the performer at the audition or shortly before. In some cases, such as with a model or acrobat, the individual may be asked to demonstrate a range of professional skills. Actors may be asked to present a monologue. Singers will perform a song in a popular music context or an aria in a Classical context. A dancer will present a routine in a specific style, such as ballet, tap dance or hip-hop, or show his or her ability to quickly learn a choreographed dance piece.
John Douglas was an American conductor, voice teacher, vocal coach, and accompanist.
A diction coach or diction instructor is a professional specialized in teaching proper pronunciation and articulation of spoken language and sung lyrics. They focus on voice modulation, accent reduction, clarity, and effective verbal expression. The primary goal of a diction teacher is to enhance an individual's verbal communication, ensuring that their voice is clear, understandable, and suitable for specific contexts.