"Paranoid Android" charted at number three on the UK Singles Chart, Radiohead's highest-charting position in the UK to date. It received acclaim, with critics comparing it to the songs "Happiness Is a Warm Gun" by the Beatles and "Bohemian Rhapsody" by Queen. It has appeared regularly on lists of the best songs of all time, including NME's and Rolling Stone's respective 500 Greatest Songs of All Time lists. Its animated music video, directed by Magnus Carlsson, was placed on heavy rotation on MTV, although the network censored portions containing nudity in the US. At the 1998 Brit Awards, the song was nominated for Best British Single. The track has been covered by artists in a variety of genres. It was included in the 2008 Radiohead: The Best Of.
The first version was over 14minutes long and included a long Hammond organ outro performed by Jonny Greenwood.[5][6] The guitarist Ed O'Brien said: "We'd be pissing ourselves while we played. We'd bring out the glockenspiel and it would be really, really funny."[6] The singer, Thom Yorke, sarcastically referred to this version as "a Pink Floyd cover".[7] Greenwood said later that the organ solo was "hard to listen to without clutching the sofa for support".[2] Godrich said: "Nothing really happened with the outro. It just spun and spun and it got very Deep Purple and went off."[2] An early extended version was included on the 2019 compilation MiniDiscs [Hacked].[8]
Influenced by the editing of the Beatles' Magical Mystery Tour, Radiohead shortened the song to six and a half minutes,[9] with the organ solo replaced with a shorter guitar outro.[10] The bassist, Colin Greenwood, said the band "felt like irresponsible schoolboys ... Nobody does a six-and-a-half-minute song with all these changes. It's ridiculous."[11] For the ending, Yorke recorded himself shouting gibberish into a Dictaphone.[12] Godrich edited the parts together with tape. He said: "It’s a very hard thing to explain, but it’s all on 24-track and it runs through ... I was very pleased with myself. I sort of stood there and said, 'You guys have no idea what I’ve just done.' It was pretty clever."[2]
The title is taken from Marvin the Paranoid Android from the science fiction series The Hitchhiker's Guide to the Galaxy. Yorke said the title was a joke: "It was like, 'Oh, I'm so depressed.' And I just thought, that's great. That's how people would like me to be ... The rest of the song is not personal at all."[13]
The opening is played in the key of G minor[22] with a tempo of 82 beats per minute (BPM),[23] and begins with a mid-tempo acoustic guitar backed by shakenpercussion before layered with electric guitar and Yorke's vocals.[24] The melody of the opening vocal lines spans an octave and a third.[25] The final chord progression in this section uses C dorian and C mixolydian.
The second section is written in the key of A minor[22] and begins about two minutes into the song. Although the second section retains the tempo of the first, it differs rhythmically.[26] Ending the second section is a distorted guitar solo by Jonny Greenwood, which lasts from 2:43 to 3:33.[24]
The third section was written by Jonny Greenwood,[27] and reduces the tempo to 62 BPM.[23] The harmonies form a looped chord progression resembling a Baroquepassacaglia, with the tonality split between C minor and D minor.[28] This section uses multi-tracked, choral vocal arrangement[24] and according to Dai Griffiths, a "chord sequence [that ordinarily] would sound seedy, rather like something by the band Portishead".[29]
The fourth and final section, which begins at 5:35, is a brief instrumental reprise of the second movement that serves as a coda.[24] After a second solo, a brief guitar riff is introduced, which Jonny Greenwood says "was something I had floating around for a while and the song needed a certain burn. It happened to be the right key and the right speed and it fit right in."[30] Jonny Greenwood's guitar tone during the solo is achieved by playing through a Mutator effect pedal. The song ends, as does the second section, with a short chromatically descending guitar motif.[31]
"Paranoid Android" is categorised by three distinct moods written in what Yorke referred to as three different states of mind.[9] The lyrics tie in with a number of themes common in OK Computer, including insanity, violence, slogans, and political objection to capitalism.[36] Yorke's lyrics were based on an unpleasant experience at a Los Angeles bar during which he was surrounded by strangers who were high on cocaine. Yorke was frightened by a woman who became violent after someone spilled a drink on her. He characterised the woman as "inhuman", and said "There was a look in this woman's eyes that I'd never seen before anywhere.... Couldn't sleep that night because of it." The woman inspired the line "kicking squealing Gucci little piggy" in the song's second section.[37] Yorke, referring to the line "With your opinion, which is of no consequence at all", said that "Again, that's just a joke. It's actually the other way around– it's actually my opinion that is of no consequence at all."[13] During the first section of the song, a robotic voice, similar to that heard on the track "Fitter Happier" is heard saying: "I may be paranoid, but not an android."
Music video
Yorke said that many people suggested Radiohead make another "moody and black and dark" music video for "Paranoid Android", similar to the video for their single "Street Spirit". However, Radiohead wanted an entertaining and "sick" video instead. Yorke said: "We had really good fun doing this song, so the video should make you laugh."[13]
Radiohead commissioned the Swedish animator Magnus Carlsson to make the video. Radiohead were fans of his animated series Robin. Jonny Greenwood described Robin as "affectionate" and "vulnerable", while Yorke said he found Robin "quite the vulnerable character, but he's also violently cynical and quite tough and would always get up again".[13] At first, Carlsson sought to work on a video for "No Surprises" and was uncertain as to how to approach "Paranoid Android". To conceive the video, he locked himself in his office for over 12 hours to stare out of the window, listen to the song on repeat and jot down visual ideas.[38] According to Yorke, the band did not send Magnus the lyrics as they did not want the video to be too literal.[13] The concept for the video was based entirely on the song's sound.[39]
Summary
The video's protagonist, Robin.
Like Robin, the "Paranoid Android" video is drawn in a simplistic style that emphasises bold colours and clear, strong lines.[39] It features Robin and his friend Benjamin venturing into the world, running into miserable EU representatives, bullying pub patrons, a prostitute, kissing leathermen, a drug addict, deranged businessmen, mermaids and an angel who plays table tennis with Robin.
The band appears in cameo at a bar, where they drink while watching a man with a head coming out of his belly dancing on their table.[40] However, in this cameo only the versions of Yorke and Jonny Greenwood resemble themselves;[39] O'Brien said "If you freeze-frame it on the video, the guy with the five strands of hair slicked back, that's Colin. It looks nothing like him."[41] Colin Greenwood said "there was no way that we could appear in it to perform in it because that would be so Spinal Tap" and that having animations that did not resemble the band members allowed the video to be "twisted and colourful which is how the song is anyway".[42]
Reception
Yorke was pleased with the video, saying that it "is really about the violence around [Robin], which is exactly like the song. Not the same specific violence as in the lyrics, but everything going on around him is deeply troubling and violent, but he's just drinking himself into oblivion. He's there, but he's not there. That's why it works. And that's why it does my head in every time I see it."[13]
While the single did not receive significant radio play in the US, MTV placed its video on high rotation. The version most often shown was edited to remove the mermaids' bare breasts. Greenwood[which?] said, "We would've understood if they had a problem with some guy chopping his arms and legs off, but I mean, a woman's breasts! And mermaids as well! It's fucked up."[38]MTV Europe played the video uncut for two weeks because the channel's official censor was ill and unable to work. After that time the channel ran the cut version of the video.[13] A later US version of the video has the mermaids wearing bathing suits.[38]
Evan Sawdey of PopMatters described the video as "bizarre yet fitting",[43] and Melody Maker said it represented a stunning "psycho-cartoon".[44] Adrian Glover of Circus called the animation incredible and the video "really cool".[42] The MTV vice president of music Lewis Largent told Spin: "You can watch 'Paranoid Android' a hundred times and not figure it all out."[45]
Artwork
The back of the CD2 release of "Paranoid Android" illustrates the release's use of images from the OK Computer artwork, the change in tint from the CD1 release, and the "cathedral of white" message.
Stanley Donwood worked with Yorke to design the artwork for most of the "Paranoid Android" releases,[46] although both the images and design were ultimately credited to "dumb computers".[47][48] The cover illustration accompanying the single depicts a hand-drawn dome that contains the phrase "God loves his children, yeah!", the last line of the song, written above on the uppermost plane. Images from the OK Computer artwork reappear, including a pig and two human figures shaking hands. Writer Tim Footman suggested that these images are borrowed from Pink Floyd, respectively corresponding to the Pink Floyd pigs and Wish You Were Here cover.[49]
The two versions of the single have different messages on the reverse. Both the CD1 and Japanese releases state:
To kill a demon made of wet sawdust. This sort of demon is almost impossible to kill the only way to do it is to cover its face with wet bread and karate chop its head off otherwise you are in trouble and so is the neighbourhood. Wet sawdust demons like to terrorise. N.B. pressing its face into wet bread that is on the ground works best though you can get a result just by throwing the bread at its face.[47][50]
Written on the back of the CD2 single is:
A cathedral of white in a suburban shanty town two up two down houses with just the asbestos and the skeletons left.[48]
Release
Each time I'd hear it, I'd keep thinking about people doing intricate jobs in factories– working on industrial lathes– getting injured from the shock of being exposed to it.
While Colin Greenwood said the song was "hardly the radio-friendly, breakthrough, buzz bin unit shifter [radio stations] have been expecting",[52] Capitol supported Radiohead's choice for "Paranoid Android" as the lead single from OK Computer.[53] Radiohead chose it to prepare listeners for the musical direction of the album.[54]
"Paranoid Android" was premiered on the BBC Radio 1 programme The Evening Session in April 1997, nearly a month before its release as a single.[55] It was released on 26 May 1997.[54] Despite an initial lack of radio play, "Paranoid Android" charted at number three on the UK Singles Chart, giving Radiohead their highest singles chart position.[56] As the song's popularity grew, Radio 1 played it up to 12 times a day.[57] Yorke described its appearance on Radio 1 as one of his proudest moments of the OK Computer era.[51] It also spent two weeks on Australia's ARIA Singles Chart, where it reached number 29.[58]
Each release of "Paranoid Android" included one or more B-sides. "Polyethylene (Parts 1 & 2)", included on the CD1, 7-inch vinyl, and Japanese releases of the single, were a multi-section piece formatted much like "Paranoid Android" itself. The first part of the song consists of Yorke's vocals over acoustic guitar; the second part contains distorted guitar and organ and uses complex time signature changes. "Pearly*", featured on the CD1 and Japanese releases of the single, was described by Yorke as a "dirty song for people who use sex for dirty things".[59] "A Reminder", which appears on the CD2 release, features fuzzed guitar, thumping drums, and electric piano. According to Yorke, this song was inspired by "this idea of someone writing a song, sending it to someone, and saying: 'If I ever lose it, you just pick up the phone and play this song back to remind me.'"[60] "Melatonin", also on the CD2 release, is a synthesiser-based song with lyrics similar to that of a lullaby, but with an undercurrent of menace in lines like "Death to all who stand in your way".[61] The OK Computer track "Let Down" is also included on the Japanese single.
The anime Ergo Proxy uses Paranoid Android as the main theme. The song is featured in the credits.[62] When Radiohead were asked about it being featured as the theme, they originally declined, but after being shown a preview of the anime they obliged and allowed it to be used. [63][64]
Reception
"Paranoid Android" received acclaim. NME chose it as its "Single of the Week", and the journalist Simon Williams described how the song "sprawls out like a plump man on a small sofa, featuring all manner of crypto-flamenco shufflings, medieval wailings, furiously wrenched guitars and ravishingly over-ambitious ideas. Possesses one of the most unorthodox 'axe' solos known to mankind."[35] Simon Williams of NME described the song as "not unlike 'Bohemian Rhapsody' being played backwards by a bunch of Vietnam vets high on Kings Cross-quality crack".[35] Kemp praised the mix of acoustic and electronic instrumentation to produce "complex tempo changes, touches of dissonance, ancient choral music and a King Crimson-like melodic structure".[32] Browne wrote of "celestial call-and-response vocal passages, dynamically varied sections, and Thom Yorke's high-voiced bleat".[33]The A.V. Club called the song unforgettable and an "amazing epic single".[65]
Several reviewers noted the song's ambition. Slant Magazine described the song's lyrics as a "multipart anti-yuppie anthem whose ambition is anything but ugly",[66] and Andy Gill wrote in The Independent that "Paranoid Android" could be the most ambitious single since Jimmy Webb's "MacArthur Park".[67] Craig McLean of The Sydney Morning Herald described "Paranoid Android" as "a titanic guitar opera in three movements and 6 [and a half] minutes".[68]PopMatters' Evan Sawdey called the song OK Computer's "sweeping, multi-tiered centerpiece",[43] Peter and Jonathan Buckley wrote in The Rough Guide to Rock that it was the album's "breathtaking high point".[69]Allmusic's Stephen Thomas Erlewine called "Paranoid Android" "complex, multi-segmented... tight, melodic, and muscular", and said it displayed Radiohead at their most adventurous.[70] Browne admitted that, partially because of "Paranoid Android", OK Computer was significantly more expansive than The Bends.[33]Rolling Stone placed the song at number 256 on its list of "The 500 Greatest Songs of All Time",[71] and Pitchfork included the song at number 4 on their Top 200 Tracks of the 90s.[72] In 2019, American Songwriter ranked the song number three on their list of the 20 greatest Radiohead songs,[73] and in 2020, The Guardian ranked the song number one on their list of the 40 greatest Radiohead songs.[74]
Numerous Radiohead tribute albums include a version of "Paranoid Android", including Rockabye Baby! Lullaby Renditions of Radiohead and Plastic Mutations: The Electronic Tribute to Radiohead.
The reggae group Easy Star All-Stars covered OK Computer in its entirety for Radiodread (2006).[96] Producer Michael G noted that "Paranoid Android" was particularly difficult to arrange for reggae, saying "There are songs like 'Paranoid Android', which flips between 4/4 time and 7/8 time about 13 times, and I also had to think about other ways to reinterpret those parts with horns, melodica, organ... it was a great challenge."[97]
Los Angeles string quartet the Section recorded the song for Strung Out on OK Computer: The String Quartet Tribute to Radiohead (2001);[98] half of this quartet went on to form the Section Quartet, who performed "Paranoid Android" and the rest of OK Computer during two concerts in October 2006.[99]
Weezer covered "Paranoid Android" in both a live studio version released as a YouTube video and in concerts during their 2011 summer tour.[100]Pitchfork's Tom Breihan called the Weezer cover "a fucking weird experience",[101] and Jenny Eliscu of Rolling Stone criticised the song as "mainly boring" for not venturing far enough from Weezer's traditional sound.[102]
A piano cover was featured in an episode of the HBO television series Westworld in 2016.[103]
The Montreal duo Stick&Bow recorded a 6:14 cover of "Paranoid Android" on their 2019 album Resonance, arranged for the cello and marimba.[104]
On 23 October 2020, Australian indie rock band Ball Park Music performed a cover of the song live for Triple J's Like a Version segment, alongside a performance of their track "Cherub".[105]Music Feeds thought the cover "play[ed] it fairly safe", additionally stating the cover had been "execute[d] with such finesse",[106] whilst Junkee felt it was "performed with energy and enthusiasm, by a bunch of committed and attentive musicians."[107]
↑ Paranoid Android (UK CD2 liner notes). Radiohead. Parlophone. 1997. CDNODATA 01.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ Paranoid Android (UK 7-inch single vinyl disc). Radiohead. Parlophone. 1997. NODATA 01.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ Paranoid Android (Japanese CD single liner notes). Radiohead. Parlophone. 1997. TOCP-40038.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
Radiohead are an English rock band formed in Abingdon, Oxfordshire, in 1985. They comprise Thom Yorke ; brothers Jonny Greenwood and Colin Greenwood (bass); Ed O'Brien ; and Philip Selway. They have worked with the producer Nigel Godrich and the cover artist Stanley Donwood since 1994. Radiohead's experimental approach is credited with advancing the sound of alternative rock.
OK Computer is the third studio album by the English rock band Radiohead, released on 21 May 1997. With their producer, Nigel Godrich, Radiohead recorded most of OK Computer in their rehearsal space in Oxfordshire and the historic mansion of St Catherine's Court in Bath in 1996 and early 1997. They distanced themselves from the guitar-centred, lyrically introspective style of their previous album, The Bends. OK Computer's abstract lyrics, densely layered sound and eclectic influences laid the groundwork for Radiohead's later, more experimental work.
The Bends is the second studio album by the English rock band Radiohead, released on 13 March 1995 by Parlophone. It was produced by John Leckie, with extra production by Radiohead, Nigel Godrich and Jim Warren. The Bends combines guitar songs and ballads, with more restrained arrangements and cryptic lyrics than Radiohead's debut album, Pablo Honey (1993).
Pablo Honey is the debut studio album by the English rock band Radiohead, released on 22 February 1993 in the UK by Parlophone and on 20 April 1993 in the US by Capitol Records. It was produced by Sean Slade, Paul Q. Kolderie and Radiohead's co-manager Chris Hufford.
Jonathan Richard Guy Greenwood is an English musician. He is the lead guitarist and keyboardist of the rock band Radiohead, and has composed numerous film scores. He has been named one of the greatest guitarists by numerous publications, including Rolling Stone.
My Iron Lung is the third EP by the English rock band Radiohead, released on 26 September 1994 by Parlophone Records in the UK and by Capitol Records in the US. It was produced by Radiohead, John Leckie and Nigel Godrich. It marked Radiohead's first collaborations with Godrich and the artist Stanley Donwood, who have worked on every Radiohead release since.
"Creep" is the debut single by the English rock band Radiohead, released on 21 September 1992. It was included on Radiohead's debut album, Pablo Honey (1993). It features "blasts" of guitar noise by Jonny Greenwood and lyrics describing an obsessive unrequited attraction.
"Karma Police" is a song by the English rock band Radiohead, released on 25 August 1997, as the second single from their third studio album, OK Computer (1997). It reached number one in Iceland and number eight on the UK Singles Chart. In the US, it reached number 14 on the US Modern Rock Tracks chart. It was included on Radiohead: The Best Of (2008).
"The National Anthem" is a song by the English rock band Radiohead, released on their fourth album, Kid A (2000). The song is set to a repeating bassline, and features horns influenced by jazz.
"Let Down" is a song by the English rock band Radiohead, from their third studio album OK Computer (1997). It was released as a promotional single in September 1997, and reached number 29 on the US Modern Rock Tracks chart. It was included on Radiohead: The Best Of (2008).
"No Surprises" is a song by the English rock band Radiohead, released as the fourth and final single from their third studio album, OK Computer (1997), in 1998. It was also released as a mini-album in Japan, titled No Surprises / Running from Demons. It features glockenspiel and a "childlike" sound inspired by the 1966 Beach Boys album Pet Sounds. The song reached number four on the UK Singles Chart. In 2011, NME named "No Surprises" the 107th-best track of the previous 15 years.
"Just" is a song by the English rock band Radiohead, included on their second album, The Bends (1995). It was released as a single on 21 August 1995 and reached number 19 on the UK Singles Chart.
"How to Disappear Completely" is a song by the English rock band Radiohead from their fourth studio album, Kid A (2000). It was produced by the band with their producer, Nigel Godrich, and was released as a promotional single in the US, Poland and Belgium.
"The Bends" is a song by the English rock band Radiohead from their second studio album, The Bends (1995). In Ireland, it was released by Parlophone on 26 July 1996 as the album's sixth and final single, and reached number 26 on the Irish Singles Chart.
Radiodread is a 2006 tribute album by the Easy Star All-Stars that covers Radiohead's 1997 album OK Computer in reggae, ska and dub styles.
"Lift" is a song by the English rock band Radiohead released in 2017. It was first performed in 1996; bootleg recordings were widely circulated, and it became a fan favourite. Radiohead recorded versions of "Lift" during the sessions for their third album, OK Computer (1997), but abandoned it. Members of Radiohead said they had felt pressured by its commercial potential, and that it did not represent what they wanted to say at the time.
"Lucky" is a song by the English rock band Radiohead, first released on The Help Album, a 1995 charity compilation organised by the charity War Child. "Lucky" was recorded in five hours with the producer Nigel Godrich. Radiohead included it on their third studio album, OK Computer (1997), and released it as a single in France in December 1997.
OK Computer OKNOTOK 1997 2017 is a reissue of the 1997 album OK Computer by the English rock band Radiohead. It was released in June 2017, the album's 20th anniversary, following the 2016 acquisition of Radiohead's back catalogue by XL Recordings from EMI.
"Man of War" is a song by the English rock band Radiohead, released in June 2017 on the compilation OK Computer OKNOTOK 1997 2017.
MiniDiscs [Hacked] is a compilation of recordings made by the English rock band Radiohead while they were working on their 1997 album OK Computer. It comprises more than 16 hours of demos, rehearsals, live performances and other material.
Neary, Clara (February 2019). "'Please Could You Stop the Noise': The Grammar of Multimodal Meaning-Making in Radiohead's 'Paranoid Android.'". Language and Literature. 28 (1): 41–60. doi:10.1177/0963947019827073. hdl:10034/622492. S2CID150770537.
Osborn, Brad (2010). Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Experimental Rock Music. PhD Dissertation, University of Washington. ISBN978-1244582774.
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