"Idioteque" | |
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Promotional single by Radiohead | |
from the album Kid A | |
Released | 2 October 2000 |
Recorded | 31 January [1] –April 2000 |
Genre | |
Length | 5:09 |
Label | |
Songwriter(s) |
|
Producer(s) |
"Idioteque" is a song by the English rock band Radiohead, released on their fourth album, Kid A (2000). Radiohead developed it while experimenting with modular synthesisers. It contains samples of two 1970s computer music compositions.
"Idioteque" was named one of the best songs of the decade by Pitchfork and Rolling Stone . In 2021, Rolling Stone ranked it number 48 on their list of the "500 Greatest Songs of All Time".
A live version appears on the 2001 live album I Might Be Wrong: Live Recordings . "Idioteque" was included on Radiohead: The Best Of (2008).
The Radiohead singer, Thom Yorke, described "Idioteque" as "an attempt to capture that exploding beat sound where you're at the club and the PA's so loud, you know it's doing damage". [5]
The song began with an electronic rhythm created by Jonny Greenwood. [6] Greenwood attempted to create a drum machine using synthesiser modules similar to those available in the 1970s, using components such as filters to create and shape sounds. [6] Feeling the rhythm "needed chaos", he experimented with found sounds and sampling. [6] He recorded 50 minutes of improvisation and gave it to Yorke, who took a short sequence and used it to write the song. [7] Yorke said: "Some of it was just 'what?', but then there was this section of about 40 seconds long in the middle of it that was absolute genius, and I just cut that up." [7]
As with other songs on Kid A, Yorke created lyrics by cutting up phrases and drawing them from a hat. [8] In the second chorus, Yorke's vocals are rearranged so that he seems to say "the first of the children" in 5/4, creating a grouping dissonance against the original 4/4 chorus. [9]
Greenwood could not remember where the four-chord synthesiser phrase had come from, and assumed he had played it himself. He later realised he had sampled it from mild und leise, a computer music piece by the American composer Paul Lansky. Lansky wrote mild und leise in 1973 at Princeton University on an IBM mainframe computer using FM synthesis. It was released on the 1975 compilation First Recordings – Electronic Music Winners, which Greenwood discovered in a second-hand record shop while Radiohead were touring the US. [10]
Lansky allowed Radiohead to use the sample after Greenwood wrote to him with a copy of "Idioteque". [6] In an essay about the experience, Lansky wrote that he found Radiohead's use of the sample "imaginative and inventive" and that he had himself "sampled" the chord progression by using the Tristan chord. [10] "Idioteque" also samples another composition from Electronic Music Winners, "Short Piece", by Arthur Kreiger, who became a professor of music at Connecticut College. [11]
In his review of Kid A for Spin , Simon Reynolds wrote that "Idioteque" "does for the modern dance what PiL and Joy Division's 'She's Lost Control' did for disco. Call it bleak house or glum 'n' bass, but the track works through the contrast between Yorke's tremulous hyperemotionality and the rigid grid of rhythm." [12] In Uncut , Reynolds wrote that the track is powered by a "jacknifing two-step beat" that, despite its overt influence from contemporary dance music, "leeches the joy out а la PiL's 'Memories' or Joy Division's 'She's Lost Control" – call it Death Garage." [13] In The Wire , he said it "sounds like two-step Garage with a PiL/'Death Disco' twist". [5] [14] Keith Cameron of NME wrote that despite its "naff" title and "gauche" attempt at creating "garage-noir", the track is "a nonetheless brilliantly persuasive two-step litany of paranoia, fear and unease. Yorke sings it like he means it". [15]
Tom Ewing of Freaky Trigger dismissed "Idioteque" as "plain awful, a piss-poor tilt at Aphex Twin's 'Windowlicker' with Yorke yammering excruciatingly over the top." [16] However, Rock's Backpages reviewer Barney Hoskyns wrote that while "Idioteque" – and the album's title track – arguably draw "a little too transparently from the Aphex Twin vaults," they nonetheless contribute "something irresistibly powerful to the Richard James template". [17] Brent DiCrescenzo of Pitchfork also commented on its perceived influence from Warp Records, adding that the track "clicks and thuds like Aphex Twin and Bjork's Homogenic , revealing brilliant new frontiers for the 'band.'" [18] Q reviewer Stuart Maconie described "Idioteque" as the album's "much-mooted dance track," but noted that listeners expecting a "cheesy ATB-style trance anthem" would be disappointed by the track's "whiny, metallic attack" and anxious refrain, resulting in a song that is "about as uplifting as Mandrax." [19]
"Idioteque" was named the eighth-best song of the decade by Pitchfork [20] and the 56th-best by Rolling Stone . [21] In 2018, Rolling Stone ranked it the 33rd-greatest song of the century so far. [22] In 2021 and 2024, Rolling Stone ranked "Idioteque" number 48 on its lists of the "500 Greatest Songs of All Time", describing it as "the foreboding, spellbinding centrepiece of Kid A". [23] [24]
In July 2010, Amanda Palmer released a cover of "Idioteque" as the first single from her Radiohead covers album; [25] her cover was National Public Radio's Song of the Day for January 11, 2011. [26] In 2010, Yoav used a loop pedal to build a layered acoustic version. [27]
Radiohead are an English rock band formed in Abingdon, Oxfordshire, in 1985. They comprise Thom Yorke ; brothers Jonny Greenwood and Colin Greenwood (bass); Ed O'Brien ; and Philip Selway. They have worked with the producer Nigel Godrich and the cover artist Stanley Donwood since 1994. Radiohead's experimental approach is credited with advancing the sound of alternative rock.
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Thomas Edward Yorke is an English musician who is the main vocalist and songwriter of the rock band Radiohead. He plays guitar, bass, keyboards and other instruments, and is noted for his falsetto. Rolling Stone described Yorke as one of the greatest and most influential singers of his generation.
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For a long while during the Kid A sessions, he was totally uninterested in melody, just into exploring texture and rhythm. The result was tracks like Kid A's "Idioteque", which sounds like two-step Garage with a PiL/'Death Disco' twist, but is actually "an attempt to capture that exploding beat sound where you're at the club and the PA's so loud, you know it's doing damage".