"Knives Out" | ||||
---|---|---|---|---|
Single by Radiohead | ||||
from the album Amnesiac | ||||
Released | 6 August 2001 | |||
Recorded | 10 March 1999 – 17 March 2000 [1] | |||
Genre | Post-rock [2] | |||
Length | 4:17 | |||
Label |
| |||
Songwriter(s) | Radiohead | |||
Producer(s) |
| |||
Radiohead singles chronology | ||||
|
"Knives Out" is a song by the English rock band Radiohead, released as the second single from their fifth album, Amnesiac (2001). It features lyrics about cannibalism and guitars influenced by the Smiths.
Critics described "Knives Out" as one of the more conventional tracks on Amnesiac. It received positive reviews and reached number 13 on the UK singles chart and number one on the Canadian Singles Chart. The music video was directed by Michel Gondry. It has been covered by the Flaming Lips, Christopher O'Riley and Brad Mehldau.
Radiohead recorded "Knives Out" during the sessions for their albums Kid A and Amnesiac, which were recorded simultaneously in 1999 and 2000. [3] Although the albums moved away from Radiohead's earlier guitar-led sound, the singer, Thom Yorke, said "Knives Out" was "no departure at all" and "survived because it was too good to miss". [4]
According to a studio diary kept by the guitarist Ed O'Brien, "Knives Out" took 373 days to complete. [5] He wrote that it was "probably the most straight-ahead thing we've done in years ... and that might explain why we took so long on it". [5] He felt that successful bands often over-embellish their music, especially songs written on acoustic guitar, but that Radiohead had captured the song's essence. [5] In November 1999, Radiohead performed "Knives Out" during a webcast from their studio. [6]
"Knives Out" was influenced by the British rock band the Smiths. Before its release, O'Brien played it for the Smiths guitarist Johnny Marr, who said: "I was beyond flattered and quite speechless – which takes some doing. He explained to me that with that song they'd tried to take a snapshot of the way I'd done things in the Smiths – and I guess you can hear that in it." [3] In another interview, he said: "The music did touch me the same way the Smiths did, and it was a wonderful feeling ... that sort of emotional quality and that sort of melodicism." [7]
According to Drowned in Sound, "Knives Out" is the most conventional song on Amnesiac. [8] It features "chiming" [8] and "drifting" guitar lines, "driving" percussion, a "wandering" bassline, "haunting" vocals and "eerie" lyrics. [9] Yorke said the lyrics were about cannibalism, the "idea of the businessman walking out on his wife and kids and never coming back", and the "thousand-yard stare when you look at someone close to you and you know they're gonna die". [9]
The "Knives Out" music video was directed by Michel Gondry. Gondry was going through a breakup at the time, and expressed his feelings in the video concept, which has Yorke grieving in a hospital room. Gondry described the collaboration as a "terrible experience", and said: "I showed [Yorke] a storyboard and every single detail: he was completely excited and happy for it – and then, it turned out, they all criticise me for being selfish and putting my own views on it and my own introspection ... It did not go smoothly, but if it went smoothly, it would be mediocre." [10]
In the UK, "Knives Out" was released on 6 August 2001 as the second Amnesiac single in three formats: two CD singles and a 12-inch vinyl single. [11] It reached number 13 on the UK singles chart. [12] "Knives Out" was covered by the Flaming Lips on their 2003 EP Fight Test, [13] the pianist Christopher O'Riley on his 2003 album True Love Waits , [14] and the jazz pianist Brad Mehldau on his 2005 album Day is Done . [15] The 2019 film Knives Out takes its name from the song. The director, Rian Johnson, a Radiohead fan, said the film was unrelated but that "Knives Out" was a good title for a murder mystery. [16]
David Merryweather of Drowned in Sound gave the "Knives Out" single nine out of ten, saying Jonny Greenwood's "chiming" guitar captured the "romantic disappointment" and "wistful ache" of the Smiths. [8] Reviewing Amnesiac for Pitchfork , Ryan Schreiber felt the guitar line was too similar to Radiohead's 1997 song "Paranoid Android", writing: "Great melody. However, they've fucking used it before." [17]
In 2010, Consequence of Sound praised "Knives Out" as one of Radiohead's "creepiest" songs: "It's one of many tracks from the English quintet that tickles the bones rather than warms them. But that's what makes Radiohead so unique." [9] In 2020, the Guardian named it the 13th-best Radiohead song, writing: "The impenetrable Amnesiac debunked industry rumours that Radiohead were primed for a bankable comeback – but amid that album lay this meat-and-potatoes rocker, its scurrying riffs, mystic ambience and cannibalistic lyrics qualifying as glorious light relief." [18]
UK CD1 and 12-inch single (CDFHEIS 45103; 12FHEIT 45103) [19] [20]
UK CD2 (CDFHEIT 45103) [21]
European maxi-CD and Australasian CD single (7243 8 79760 2 3) [22]
| US enhanced maxi-CD single (C2 7243 8 77668 0 8) [23]
Japanese CD single (TOCP-65871) [24]
|
Weekly charts
| Year-end charts
|
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United States | 2 July 2001 | Triple A radio | Capitol | [36] |
3 July 2001 | Alternative radio | [36] | ||
United Kingdom | 6 August 2001 |
| Parlophone | [11] |
Australia | 27 August 2001 | CD | [37] | |
Japan | 7 September 2001 |
| [38] |
Amnesiac is the fifth studio album by the English rock band Radiohead, released on 30 May 2001 by EMI. It was recorded with the producer Nigel Godrich in the same sessions as Radiohead's previous album Kid A (2000). Radiohead split the work in two as they felt it was too dense for a double album. As with Kid A, Amnesiac incorporates influences from electronic music, 20th-century classical music, jazz and krautrock. The final track, "Life in a Glasshouse", is a collaboration with the jazz trumpeter Humphrey Lyttelton and his band.
"Come into My World" is a song recorded by Australian singer Kylie Minogue for her eighth studio album Fever (2001). Written and produced by Cathy Dennis and Rob Davis, it is a dance-pop song in which the singer pleads to her lover to come into her "world". "Come into My World" was released as the fourth and final single from Fever on 21 October 2002, by Festival Mushroom, Parlophone and Capitol Records.
"Creep" is the debut single by the English rock band Radiohead, released on 21 September 1992 by EMI. It was included as the second track of Radiohead's debut album, Pablo Honey (1993). It features "blasts" of guitar noise by Jonny Greenwood and lyrics describing an obsessive unrequited attraction.
"Fake Plastic Trees" is a song by the English rock band Radiohead, released on their second album, The Bends (1995). It was the third single from The Bends in the UK, and the first in the US. It reached the top 50 on the UK Singles Chart, the New Zealand Singles Chart, the US Modern Rock Tracks chart and the Canadian Rock/Alternative chart.
"Karma Police" is a song by the English rock band Radiohead, released on 25 August 1997 as the second single from their third studio album, OK Computer (1997). It reached number one in Iceland and number eight on the UK Singles Chart. In the US, it reached number 14 on the US Modern Rock Tracks chart. It was included on Radiohead: The Best Of (2008).
"19-2000", sometimes written "19/2000", is a song from the British virtual band Gorillaz' self-titled debut album Gorillaz. It was the second single from the album, released on 25 June 2001 in the United Kingdom. "19-2000" reached number six on the UK Singles Chart and number 34 on the US Billboard Mainstream Top 40 chart. It was particularly successful in New Zealand, where it reached number one for a week in September 2001.
"Pyramid Song" is a song by the English rock band Radiohead, released as the lead single from their fifth studio album, Amnesiac (2001), in May 2001. It features piano, strings, an unusual "shuffling" rhythm and lyrics inspired by the Egyptian underworld and ideas of cyclical time.
"Girls & Boys" is a song by English Britpop band Blur, released in March 1994 by Food Records as the lead single from the group's third studio album, Parklife (1994). The frontman of Blur, Damon Albarn wrote the song's lyrics with bandmembers Graham Coxon, Alex James and Dave Rowntree, while Stephen Street produced it.
"Just" is a song by the English rock band Radiohead, included on their second album, The Bends (1995). It features an angular guitar riff played by Jonny Greenwood, inspired by the band Magazine. It was released as a single on 21 August 1995 and reached number 19 on the UK singles chart. In 2008, "Just" was included in Radiohead: The Best Of. The English producer Mark Ronson released a cover version on his 2008 album Version.
"The Universal" is a song by English alternative rock band Blur and is featured on their fourth studio album, The Great Escape (1995). It was released on 13 November 1995 by Food and Parlophone as the second single from that album, charting at number five on the UK Singles Chart and number 12 in both Iceland and Ireland.
"Stereotypes" is a song by English alternative rock band Blur and is the opening track to their fourth studio album, The Great Escape (1995). It was released on 12 February 1996 as the third single from that album, charting at number seven on the UK Singles Chart. It also charted in Australia, peaking at number 95 on the ARIA Singles Chart in June 1996. The accompanying UK B-sides—"The Man Who Left Himself", "Tame" and "Ludwig"—demonstrated a dramatic change in style for Blur, being stark and raw, foreshadowing the stylistic shift that would realize itself on their eponymous follow-up album.
"Charmless Man" is a song by English alternative rock band Blur and is the fourth track on their fourth studio album, The Great Escape (1995). It was released on 29 April 1996 in the United Kingdom as the fourth and final single from that album, reaching number five on the UK Singles Chart and also charting in Australia, France, Iceland, and Ireland.
"There There" is a song by the English rock band Radiohead. It was released as the lead single from their sixth album, Hail to the Thief (2003), on 21 May 2003. It reached number four on the UK Singles Chart, number one in Canada and Portugal, and number 14 on the US Billboard Modern Rock Tracks chart. The song appears on Radiohead: The Best Of (2008).
"How to Disappear Completely" is a song by the English rock band Radiohead from their fourth studio album, Kid A (2000). It was produced by the band with their producer, Nigel Godrich, and was released as a promotional single in the US, Poland and Belgium.
"The Bends" is a song by the English rock band Radiohead from their second studio album, The Bends (1995). In Ireland, it was released by Parlophone on 26 July 1996 as the album's sixth and final single, and reached number 26 on the Irish Singles Chart.
"Going Out" is the first single from English rock band Supergrass's second studio album, In It for the Money (1997). It was released on 26 February 1996 by Parlophone, more than a year before the album, and reached five on the UK Singles Chart and number 20 on the Irish Singles Chart. The song was apparently originally written in the key of E because the engine of Supergrass' tour bus would tick at that same musical pitch.
"Se a vida é " is a song by English synth-pop duo Pet Shop Boys, released on 12 August 1996 as the second single from their sixth studio album, Bilingual (1996). The song is based on "Estrada Da Paixão" by African-Brazilian band Olodum, which Pet Shop Boys heard during the South American leg of their Discovery tour in 1994. The band shares songwriting credits with Pet Shop Boys.
"Before" is a song by English synth-pop duo Pet Shop Boys, released on 22 April 1996 as the lead single from their sixth studio album, Bilingual (1996). Upon its release, the single peaked at number seven on the UK Singles Chart, number four in Finland, and number one in Hungary. In the United States, it topped the Billboard Hot Dance Club Play chart.
"New York City Boy" is a song by English synth-pop duo Pet Shop Boys, released on 22 September 1999 as the second single from their seventh studio album, Nightlife (1999). In the UK, the single peaked at number 14 on the UK Singles Chart. It also reached the charts in numerous European countries, peaking at number three in Spain, and number four in Finland and Hungary. In the US, the song hit number one on the Billboard Hot Dance Club Play chart and number 53 on the Billboard Hot Singles Sales chart.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)