I Might Be Wrong: Live Recordings | ||||
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Live album by | ||||
Released | 12 November 2001 | |||
Recorded | May–August 2001 | |||
Genre | ||||
Length | 40:11 | |||
Label | ||||
Radiohead chronology | ||||
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I Might Be Wrong: Live Recordings is a live album by the English rock band Radiohead, released on 12 November 2001 in the UK by Parlophone and a day later in the US by Capitol Records.
I Might Be Wrong comprises performances of songs from Radiohead's albums Kid A (2000) and Amnesiac (2001), recorded during their 2001 tour. It also includes an acoustic performance of "True Love Waits", a song Radiohead did not release until their 2016 album A Moon Shaped Pool . As the songs had been developed through studio experimentation, Radiohead rearranged them for live performance.
I Might Be Wrong received mainly positive reviews. Critics praised the performances and arrangements, but criticised its brevity and lack of earlier Radiohead songs.
I Might Be Wrong comprises performances of songs from Radiohead's albums Kid A (2000) and Amnesiac (2001), recorded during their 2001 tour. [1] It also includes a performance of "True Love Waits", by the singer, Thom Yorke, on acoustic guitar. [2] [3] Radiohead did not release "True Love Waits" until their 2016 album A Moon Shaped Pool . [3]
As Radiohead had developed Kid A and Amnesiac through studio experimentation, [4] they rearranged the songs to perform them live. For example, the electronic track "Like Spinning Plates" was rearranged as a piano ballad. [2] The guitarist Ed O'Brien said: "You couldn't do Kid A live and be true to the record. You would have to do it like an art installation ... When we played live, we put the human element back into it." [5] The drummer, Philip Selway, said Radiohead "found some new life" in the songs when they came to perform them. [5] Yorke said: "Even with electronics, there is an element of spontaneous performance in using them ... It was the tension between what's human and what's coming from the machines. That was stuff we were getting into, as we learned how to play the songs from Kid A and Amnesiac live." [6]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 76/100 [7] |
Review scores | |
Source | Rating |
AllMusic | [8] |
The Encyclopedia of Popular Music | [9] |
Entertainment.ie | [10] |
Entertainment Weekly | B+ [11] |
Mojo | [12] |
NME | [13] |
Pitchfork | 8.0/10 [2] |
Q | [14] |
Rolling Stone | [15] |
Stylus | A− [16] |
At Metacritic, which assigns a normalised rating out of 100 to reviews from critics, I Might Be Wrong has an average score of 76 based on 16 reviews, indicating "generally favourable reviews". [7]
The Entertainment.ie critic Andrew Lynch wrote: "Unlike most live albums, this one captures some of the excitement of actually being there and gives Radiohead back the human dimension they've recently been in danger of losing." [10] Stephen Thompson of The A.V. Club wrote that the album "cast new light" on Kid A and Amnesiac. [17] In Rolling Stone , Jonah Weiner described it as "explosively raw", praising the "twisty, insular" performance of "Idioteque" and Yorke's "beautifully chilling" vocals on "Like Spinning Plates". [18] Matt LeMay of Pitchfork also praised "Like Spinning Plates", saying it showcased Radiohead's "songwriting virtuosity rather than their sonic adventurousness". [2]
LeMay said the performance of "True Love Waits" was "absolutely gorgeous" and that the song "holds its own" against any on Radiohead's 1997 album OK Computer . [2] He felt it justified the release of the live album, along with "Like Spinning Plates". [19] Ted Kessler of NME praised Yorke's vocals on "True Love Waits" as "clear and true". [13] However, the critic Mac Randall felt the performance, with "whiny" vocals, was inferior to a widely shared bootleg version. He wrote: "One gets the feeling that this was a song Radiohead knew they liked and knew audiences liked but the band never came to grips with an arrangement for it; finally they threw up their hands, putting it out as it is." [20]
Several critics felt I Might Be Wrong was too short. Thompson found it "marred by characteristically unrevealing packaging and inexplicable brevity". [17] Randall wrote that its brevity made it "something of a letdown", and that the lack of earlier Radiohead songs meant it did not capture "anywhere near the scope of a real Radiohead concert". [20] LeMay also criticised the lack of older songs, and said the album had the feeling of a "promotional item" for Kid A and Amnesiac. [2] Sam Samuelson of AllMusic suggested it could instead have been packaged with Amnesiac as a complete package from the Kid A sessions, rather than a "couple of thrown-together releases". [8]
Radiohead left EMI after their contract ended in 2003. [21] In 2007, EMI released Radiohead Box Set , a compilation of albums recorded while Radiohead were signed to EMI, including I Might Be Wrong. [21] Radiohead had no input into the reissues and the music was not remastered. [22]
In February 2013, Parlophone was bought by Warner Music Group (WMG). [23] In April 2016, as a result of an agreement with the trade group Impala, WMG transferred Radiohead's back catalogue to XL Recordings. The EMI reissues, released without Radiohead's consent, were removed from streaming services. [24] In May 2016, XL reissued Radiohead's back catalogue on vinyl, including I Might Be Wrong. [25]
All tracks are written by Radiohead, except where noted
No. | Title | Writer(s) | Venue | Length |
---|---|---|---|---|
1. | "The National Anthem" | Vaison-la-Romaine, Provence-Alpes-Côte d'Azur, France 28 May 2001 | 4:57 | |
2. | "I Might Be Wrong" | South Park, Oxford, England 7 July 2001 | 4:52 | |
3. | "Morning Bell" | South Park, Oxford, England 7 July 2001 | 4:14 | |
4. | "Like Spinning Plates" | Blossom Music Center, Cuyahoga Falls, OH, USA 8 August 2001 | 3:47 | |
5. | "Idioteque" | Arthur Kreiger, Paul Lansky, Radiohead | South Park, Oxford, England 7 July 2001 | 4:24 |
6. | "Everything in Its Right Place" | Vaison-la-Romaine, Provence-Alpes-Côte d'Azur, France 28 May 2001 | 7:42 | |
7. | "Dollars and Cents" | South Park, Oxford, England 7 July 2001 | 5:13 | |
8. | "True Love Waits" | Oslo Spektrum, Oslo, Norway 9 September 2001 | 5:02 | |
Total length: | 40:11 |
Adapted from the liner notes. [26]
Radiohead | Production
|
Country | Date | Label | Format | Catalogue number |
---|---|---|---|---|
United Kingdom | 12 November 2001 | Parlophone | LP | 12FHEIT 45104 |
CD | CDFHEIT 45104 | |||
United States | 13 November 2001 | Capitol Records | CDP 7243 5 36616 2 5 |
Radiohead are an English rock band formed in Abingdon, Oxfordshire, in 1985. They comprise Thom Yorke ; brothers Jonny Greenwood and Colin Greenwood (bass); Ed O'Brien ; and Philip Selway. They have worked with the producer Nigel Godrich and the cover artist Stanley Donwood since 1994. Radiohead's experimental approach is credited with advancing the sound of alternative rock.
OK Computer is the third studio album by the English rock band Radiohead, released on 21 May 1997. With their producer, Nigel Godrich, Radiohead recorded most of OK Computer in their rehearsal space in Oxfordshire and the historic mansion of St Catherine's Court in Bath in 1996 and early 1997. They distanced themselves from the guitar-centred, lyrically introspective style of their previous album, The Bends. OK Computer's abstract lyrics, densely layered sound and eclectic influences laid the groundwork for Radiohead's later, more experimental work.
Kid A is the fourth studio album by the English rock band Radiohead, released on 2 October 2000 by Parlophone. It was recorded with their producer, Nigel Godrich, in Paris, Copenhagen, Gloucestershire and Oxfordshire. Departing from their earlier sound, Radiohead incorporated influences from electronic music, krautrock, jazz and 20th-century classical music, with a wider range of instruments and effects. The singer, Thom Yorke, wrote impersonal and abstract lyrics, cutting up phrases and assembling them at random.
Amnesiac is the fifth studio album by the English rock band Radiohead, released on 30 May 2001 by EMI. It was recorded with the producer Nigel Godrich in the same sessions as Radiohead's previous album Kid A (2000). Radiohead split the work in two as they felt it was too dense for a double album. As with Kid A, Amnesiac incorporates influences from electronic music, 20th-century classical music, jazz and krautrock. The final track, "Life in a Glasshouse", is a collaboration with the jazz trumpeter Humphrey Lyttelton and his band.
Pablo Honey is the debut studio album by the English rock band Radiohead, released on 22 February 1993 in the UK by Parlophone and on 20 April 1993 in the US by Capitol Records. It was produced by Sean Slade, Paul Q. Kolderie and Radiohead's co-manager Chris Hufford.
Hail to the Thief is the sixth studio album by the English rock band Radiohead. It was released on 9 June 2003 through Parlophone internationally, and through Capitol Records in the United States on 10 June. It was the last album released under Radiohead's record contract with EMI, the parent company of Parlophone and Capitol.
Airbag / How Am I Driving? is the fifth EP by the English rock band Radiohead, released in April 1998 in North America. It collects most of the B-sides from singles released from Radiohead's third album, OK Computer (1997), plus the OK Computer song "Airbag". All songs from the album appeared on the 2017 reissue OK Computer OKNOTOK 1997 2017.
My Iron Lung is the third EP by the English rock band Radiohead, released on 26 September 1994 by Parlophone Records in the UK and by Capitol Records in the US. It was produced by Radiohead, John Leckie and Nigel Godrich. It marked Radiohead's first collaborations with Godrich and the artist Stanley Donwood, who have worked on every Radiohead release since.
"Knives Out" is a song by the English rock band Radiohead, released as the second single from their fifth album, Amnesiac (2001). It features lyrics about cannibalism and guitars influenced by the Smiths.
"Creep" is the debut single by the English rock band Radiohead, released on 21 September 1992 by EMI. It was included as the second track of Radiohead's debut album, Pablo Honey (1993). It features "blasts" of guitar noise by Jonny Greenwood and lyrics describing an obsessive unrequited attraction.
"Follow Me Around" is a song by the English rock band Radiohead, released on 1 November 2021 as the second single from their compilation album Kid A Mnesia. It features the singer, Thom Yorke, on acoustic guitar, with lyrics expressing paranoia and dread.
"Pyramid Song" is a song by the English rock band Radiohead, released as the lead single from their fifth studio album, Amnesiac (2001), in May 2001. It features piano, strings, an unusual "shuffling" rhythm and lyrics inspired by the Egyptian underworld and ideas of cyclical time.
"Everything in Its Right Place" is a song by the English rock band Radiohead, released as the opening track of their fourth studio album, Kid A (2000). It features synthesiser, digitally manipulated vocals and unusual time signatures. The lyrics were inspired by the stress felt by the singer, Thom Yorke, while promoting Radiohead's album OK Computer (1997).
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"True Love Waits" is a song by the English rock band Radiohead. Radiohead worked on it for over two decades before releasing it on their ninth album, A Moon Shaped Pool (2016).
OK Computer OKNOTOK 1997 2017 is a reissue of the 1997 album OK Computer by the English rock band Radiohead. It was released in June 2017, the album's 20th anniversary, following the 2016 acquisition of Radiohead's back catalogue by XL Recordings from EMI.
Kid A Mnesia is a reissue compiling the albums Kid A (2000) and Amnesiac (2001) by the English rock band Radiohead. It also includes a bonus disc, Kid Amnesiae, comprising previously unreleased material. It was released on 5 November 2021 on XL Recordings.