"Windowlicker" | ||||
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Single by Aphex Twin | ||||
B-side |
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Released | 22 March 1999 [1] | |||
Genre | ||||
Length | 6:07 | |||
Label | Warp | |||
Songwriter(s) | Richard D. James | |||
Producer(s) | Richard D. James | |||
Aphex Twin singles chronology | ||||
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Richard D. James singles chronology | ||||
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"Windowlicker" is a track by the British electronic music artist and producer Aphex Twin. It was released on 22 March 1999 through Warp Records. [1] The artwork for the single was created by Chris Cunningham, with additional work by The Designers Republic. Cunningham also directed the song's music video, which was nominated for the Brit Award for Best British Video. [4]
The song peaked at number 16 on the UK Singles Chart, and was later voted by fans as Warp Records' most popular song for its 2009 Warp20 compilation. Pitchfork included the song at number 12 on their list of the "Top 200 Tracks of the 90s". [5]
"Windowlicker" has been described variously as "uncompromising cyborg R&B", [3] "hip-hop written in the language of glitches", [6] and "eerie lounge-porn music"; [7] the track's "sleazy, erotic ambiance connote[s] images and emotions alien to James's previous compositions." [8] Heavily digitally processed and rhythmically rearranged breakbeats prominently appear in the song's backing track. Gasps, vocal harmonies and moans reminiscent of sexual vocal tones "glide in and out of the production"; it has been speculated that, like in many of James's productions from the late 1990s, the vocals are his own. [9] The track consists of various sections, including a drum'n'bass intro, a "gooey middle section", and an abrasive noise ending, as well as featuring consistent melodic elements throughout. [5]
In 2012 Pitchfork stated that the track's futuristic elements presaged various musical developments, including "Flying Lotus' digital deconstruction, James Blake's bent vocals, [and] the wobble and knock of dubstep". [5] Similarly, Stereogum stated that "the song's mix of unpredictable syncopation, digital-dub alien transformations, errant noises, and bursts of melody would serve as a starting block for much of today's electronic music". [10] Additionally, Daft Punk credited "Windowlicker" as an influence on the direction of their stylistic approach on their 2001 album Discovery . [11]
A spectrogram of "Windowlicker" reveals a spiral at the end of the song. This spiral is more impressive when viewed with an X-Y scatter graph, X and Y being the amplitudes of the L and R channels, which shows expanding and contracting concentric circles and spirals.
The effect was achieved through use of the Mac-based program MetaSynth. [12] This program allows the user to insert a digital image as the spectrogram. MetaSynth will then convert the spectrogram to digital sound and "play" the picture. According to an article on the website Wired News , photographs run through the program tend to produce "a kind of discordant, metallic scratching". [13]
A logarithmic spectrogram of the track entitled "" (commonly known as 'Equation' or 'Formula') reveals a portrait of James' face near the end of the track, grinning. [13]
The "Windowlicker" single contains its title track and two B-sides. Track two, commonly known as "[Formula]", [14] "[Equation]", or, as translated on the Japanese edition, "[Symbol]", due to its actual title being a complex mathematical formula (""), has a very experimental sound.[ citation needed ] Track three, "Nannou", dedicated to his then-girlfriend, is made up of wind-up music box samples.[ citation needed ]
As of 2001 "Windowlicker" had sold over 300,000 copies. [15]
I don't really like it very much because it's me working in a slightly different area. It was fun though because it was just done in the spirit of trying to have a crack, I'm too much of a hip-hop fan to want to take the piss out of hip-hop.
The music video for "Windowlicker" was directed by Chris Cunningham, who had also directed Aphex Twin's previous music video, "Come to Daddy". It is a ten-minute long parody of contemporary American gangsta hip-hop music videos. In the video, two foul-mouthed young men in Los Angeles are window shopping for women; the French term for window shopping is faire du lèche-vitrine, which literally translates to "licking the windows"; "window licker" and "window licking" are pejorative British English terms. [17] They come across two women (referred to in the end credits as "hoochies") who repeatedly turn down their advances. Suddenly, a ridiculously long white limousine (38 windows in length, including the driver's window, which takes 20 seconds to fully display) crashes into the two men's black Mazda Miata NA (MX5) convertible, and a "pimped-out" Richard D. James, displaying a hyperbolic amount of wealth and power, emerges with his signature fixed grin, at which point the song begins. After emerging from the limousine, James begins provocatively dancing with an umbrella bearing the Aphex Twin logo in an attempt to seduce the two women. The women then accompany James and other women in his limousine while their faces morph into James' own likeness. When two women emerge from the limousine's sunroof, the young men try to woo them but fail. The men arrive at an area where James and a group of women bearing his face are dancing together, and they receive leis from two of the women. Their attention is eventually drawn to a dancing woman turned away from them, but she turns around to reveal a horrifically ugly, buck-toothed, deformed face (which was later illustrated in a sketch by Swiss artist H. R. Giger titled "The Windowlickers" [18] ), much to the men's horror. The video ends with James' women dancing on Santa Monica Beach while James pops and sprays a bottle of champagne.
James's faces aren't digitally morphed on the women. Masks and make-up were specifically designed by the production, to achieve the desired morphing effect. The cast for the dialogue intro of the clip are Marcus Morris, Gary Cruz, Marcy Turner and Chiquita Martin. [19] Filming was done in the Los Angeles area. The locations are as follows:
There are 127 uses of profanity in the dialogue segment of the video (which is under 4 minutes), including 44 uses of the word "fuck". [22] This averages to more than one use of profanity every two seconds. The video was released as a VHS single, containing both uncut and censored versions (the latter being referred to as the "Bleep Version"). [14] It was also nominated for the Best Video award at the BRIT Awards 2000, alongside videos by Supergrass, The Chemical Brothers, Fatboy Slim, and eventual winner Robbie Williams. [23]
The full "Windowlicker" video is restricted to being broadcast only during the nighttime on most music television channels. A bleeped-out version of the video exists, and MTV Two even made a daytime version, with all the opening dialogue removed (the censored version starts with the arrival of the limousine), along with some of its more graphic images. In 2008 MTV Networks Europe was fined by the United Kingdom's media regulator Ofcom for several breaches of its broadcasting code, including airing the uncensored version of the "Windowlicker" video on TMF in 2006 before the 9 PM watershed. [24]
Review scores | |
---|---|
Source | Rating |
AllMusic | [7] |
Pitchfork | 8.5/10 [25] |
The Rolling Stone Album Guide | [26] |
"Windowlicker" received positive reviews from critics. AllMusic gave the EP 4/5 stars. [7] The single was named by NME as Single of the Year in its 1999 year-end charts. [27] In September 2010 Pitchfork Media included the song at number 12 on their list of the "Top 200 Tracks of the 90s". [5]
A remix of "Windowlicker" in the acid techno style, entitled "Windowlicker, Acid Edit", is available on the remix compilation 26 Mixes for Cash . Another remix of "Windowlicker", entitled "WINDuckyQuaCKer", appears on V/VM's HelpAphexTwin/1.0 (2001) [28] and HelpAphexTwin 4.0 (2003). [29] A remix entitled "it's a richJAMs World" appears on V/VM's HelpAphexTwin 4.0 (2003). [29] Run Jeremy (an alias of Danish producer Anders Trentemøller) also made his own remix of "Windowlicker". Beardyman performed a live version of "Windowlicker" as part of his Edinburgh show in 2009. [30]
A. G. Cook made a "note-for-note" cover of Windowlicker in 2017 as part of the PC Music compilation Month of Mayhem. [31]
"Windowlicker" is played almost in full in the 2018 Gaspar Noé film Climax although this creates an Anachronism since the film is set in Winter of 1996 while the EP wasn’t released until 4 years later. [32]
"Windowlicker" was used in the 2006 movie Grandma's Boy (2006 film).
All tracks written, produced and engineered by Richard D. James. The original single was released on 12-inch, two separate CDs, a special edition Japanese CD and VHS.
No. | Title | Length |
---|---|---|
1. | "Windowlicker" | 6:07 |
2. | "" (commonly referred to as "[Equation]" or "[Formula]") | 5:43 |
3. | "Nannou" | 4:13 |
Total length: | 16:03 |
No. | Title | Length |
---|---|---|
1. | "Windowlicker" (original demo) | 2:37 |
No. | Title | Length |
---|---|---|
1. | "Windowlicker" | 6:04 |
2. | "" | 5:43 |
3. | "Nannou" | 4:22 |
4. | "Windowlicker" (demo version) | 1:57 |
5. | "Windowlicker" (end-roll version) | 1:07 |
Total length: | 19:13 |
Chart (1999) | Peak position |
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Australia (ARIA) [33] | 70 |
Denmark (Tracklisten) [34] | 15 |
France (SNEP) [35] | 60 |
Netherlands (Single Top 100) [36] | 63 |
New Zealand (Recorded Music NZ) [37] | 33 |
Sweden (Sverigetopplistan) [38] | 53 |
UK Singles (OCC) [39] | 16 |
UK Dance (OCC) [40] | 3 |
UK Indie (OCC) [41] | 4 |
Chris Cunningham is a British video artist and music video director who directed music videos for electronic musicians such as Autechre, Squarepusher, and Aphex Twin and Björk. Early in his career he worked as a comic book artist. He has created art installations and directed short movies. In the mid 2000s, Cunningham began doing music production work, and has also designed album artwork for a variety of musicians. Cunningham worked on a never completed movie adaptation of William Gibson's cyberpunk novel Neuromancer.
Warp Records is a British independent record label founded in Sheffield in 1989 by record store employees Steve Beckett and Rob Mitchell and record producer Robert Gordon. It is currently based in London.
...I Care Because You Do is the third studio album by the British electronic music artist and producer Richard D. James under the alias of Aphex Twin. It was released on 24 April 1995 through Warp Records and contains material recorded between 1990 and 1994. It marked James's return to a beat-driven sound following the mostly ambient album Selected Ambient Works Volume II (1994), and combines abrasive rhythms with symphonic and ambient elements. The cover artwork is a self-portrait of James.
Richard D. James Album is the fourth studio album by the British electronic music artist and producer Richard D. James under the alias of Aphex Twin. It was released on 4 November 1996 through Warp Records. It was composed by James on his Macintosh computer, and took longer to complete than his previous albums. It features fast breakbeats and intricate drum programming which draw from jungle and drum and bass. James' drum loops are paired with lush string arrangements, and ambient melodies reminiscent of his earlier work, as well as modulated vocals from James.
Selected Ambient Works Volume II is the second studio album by the British electronic music artist and producer Richard D. James under the alias of Aphex Twin. It was released on 7 March 1994 through Warp Records. Its title follows James's debut Selected Ambient Works 85–92. Unlike that record, most of the tracks are purely ambient music, without the earlier volume's ambient techno beats. James said the music was inspired through lucid dreaming, and likened it to "standing in a power station on acid."
Drukqs is the fifth studio album by the British electronic music artist and producer Richard D. James under the alias of Aphex Twin. It was released in October 2001 through Warp Records. It is a double album that explores two broad styles: rapid, meticulously programmed beats inspired by drum and bass, and mellower classical-style piano, ambient, and electroacoustic pieces. It features the piano composition "Avril 14th", one of James's best known recordings.
Come to Daddy is an EP/mini-album by the British electronic music artist Aphex Twin. The EP's lead single, and the first track on the EP, "Come to Daddy "—often simply called "Come to Daddy"—is one of Aphex Twin's best-known songs; it peaked at number 36 on the UK Singles Chart.
26 Mixes for Cash is a compilation album of remixes produced by Aphex Twin. Most of the remixes were produced for other artists between 1990 and 2003. It was released on 24 March 2003 by Warp Records.
Surfing on Sine Waves is a studio album by the musician and producer Richard D. James under the alias Polygon Window. It is the only album released under this name; James is better known as Aphex Twin. The record was released on 11 January 1993 through Warp Records. It entered the Dance Albums Chart at No. 2 on 23 January 1993. James' previous album, Selected Ambient Works 85–92, was then at No. 9 on the chart, and James briefly had two records in the Dance Albums Top 10 under different pseudonyms. The 2001 reissue edition includes the previously unreleased tracks "Portreath Harbour" and "Redruth School".
The discography of Richard D. James, a British musician, consists of six studio albums, four compilation albums, 14 extended plays, seven singles, and 12 music videos, all released under his best known alias Aphex Twin. James has also released one studio album under the alias Polygon Window, one studio album under the alias Caustic Window, and one collaborative album with Mike Paradinas. Three compilation albums and 35 extended plays were released under other aliases.
Richard David James, known professionally as Aphex Twin, is a British musician, composer and DJ active in electronic music since 1988. His idiosyncratic work has drawn on many styles, including techno, ambient, acid, and jungle, and he has been described as a pioneering figure in the intelligent dance music (IDM) genre. Journalists from publications including Mixmag, The New York Times, NME, Fact,Clash and The Guardian have called James one of the most influential and important artists in contemporary electronic music.
Selected Ambient Works 85–92 is the debut studio album by the British electronic music artist and producer Richard D. James under the alias of Aphex Twin. It was released on 9 November 1992 through Apollo Records, a subsidiary of the Belgian label R&S Records. The album consists of ambient techno James recorded on cassette as early as 1985, when he was 13–14 years old. It received acclaim and entered the Dance Albums Chart at No. 6 in December 1992.
Syro is the sixth studio album by the British electronic music artist and producer Richard D. James under the alias of Aphex Twin. It was released on 19 September 2014 through Warp Records. It was James's first album under the Aphex Twin name since Drukqs (2001).
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"Come to Daddy" is a track by the British electronic music producer Richard D. James, released under his main pseudonym Aphex Twin. It was released as a single through Warp Records on 6 October 1997, coinciding with the lengthier extended play release of the same name. A music video for the song was released, which ranked at number one on Pitchfork's Top 50 Music Videos of 1990s list. In October 2011, NME placed the song at number 42 on its "150 Best Tracks of the Past 15 Years" list. The song peaked at number 10 on the Danish Singles Chart and number 36 on the UK Singles Chart.
Cheetah is an extended play record by the electronic music artist and producer Aphex Twin. It was released on 8 July 2016 on Warp. The name is a reference to Cheetah Marketing, a British manufacturer of microcomputer peripherals and electronic musical instruments in the 1980s.
Collapse EP is an EP by the British electronic music artist Richard D. James under the pseudonym Aphex Twin. It was released on 14 September 2018 on Warp. The record received universal acclaim from music critics, who praised James for returning to his signature "Aphex Twin" sound.
"Blackbox Life Recorder 21f" is a track by the British electronic music artist and producer Aphex Twin. It was first released as the lead single in promotion of the EP Blackbox Life Recorder 21f / In a Room7 F760, his first new music under the Aphex Twin alias in five years since 2018's Collapse EP. The EP also contains an alternate "Parallax mix" as the final track on the record.
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(help)Aphex Twin, who has been described as "the most inventive and influential figure in contemporary electronic music," appears to have sneaked the digital image of a devilish face into at least one of his songs.