Daft Punk

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Daft Punk
Daftpunklapremiere2010.jpg
Daft Punk at the premiere of Tron: Legacy in 2010. From left: Thomas Bangalter and Guy-Manuel de Homem-Christo
Background information
OriginParis, France
Genres
Years active1993 (1993)–present [4]
Labels
Associated acts
Website daftpunk.com
Members

Daft Punk is a French electronic music duo formed in Paris in 1993 by Guy-Manuel de Homem-Christo and Thomas Bangalter [5] [6] [7] [8] (born January 3, 1975) [9] They achieved popularity in the late 1990s as part of the French house movement; they also had success in the years following, combining elements of house music with funk, techno, disco, rock and synthpop. [2] [6] [7] [10] They have worn ornate helmets and gloves to assume robot personas in most public appearances since 1999 [11] and rarely grant interviews or appear on television. The duo were managed from 1996 to 2008 by Pedro Winter (also known as Busy P), the head of Ed Banger Records.

Electronic music is music that employs electronic musical instruments, digital instruments and circuitry-based music technology. In general, a distinction can be made between sound produced using electromechanical means, and that produced using electronics only. Electromechanical instruments include mechanical elements, such as strings, hammers, and so on, and electric elements, such as magnetic pickups, power amplifiers and loudspeakers. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, and the electric guitar, which are typically made loud enough for performers and audiences to hear with an instrument amplifier and speaker cabinet. Pure electronic instruments do not have vibrating strings, hammers, or other sound-producing mechanisms. Devices such as the theremin, synthesizer, and computer can produce electronic sounds.

Guy-Manuel de Homem-Christo French musician

Guillaume Emmanuel "Guy-Manuel" de Homem-Christo is a French musician, record producer, singer, songwriter, DJ, and film director. He is one half of the French house music duo Daft Punk, along with Thomas Bangalter. He has also produced several works from his record label Crydamoure with label co-owner Éric Chedeville.

Thomas Bangalter French musician

Thomas Bangalter is a French musician, record producer, DJ and composer. He is best known as one half of the French house music duo Daft Punk, alongside Guy-Manuel de Homem-Christo. He has recorded and released music as a member of the trio Stardust, the duo Together, and as a solo artist including compositions for films such as Irréversible. Bangalter's work has influenced a wide range of artists, many of whom are involved in different genres.

Contents

After Bangalter and Homem-Christo's indie rock band Darlin' disbanded, they began experimenting with drum machines and synthesisers. Their debut studio album Homework was released by Virgin Records in 1997 to positive reviews, backed by singles "Around the World" and "Da Funk". Their second album, Discovery, had further success, supported by hit singles "One More Time", "Digital Love" and "Harder, Better, Faster, Stronger". In March 2005, Daft Punk released their third album, Human After All, to mixed reviews, though the singles "Robot Rock" and "Technologic" achieved success in the United Kingdom. Daft Punk toured throughout 2006 and 2007 and released the live album Alive 2007 , which won a Grammy Award for Best Electronic/Dance Album. They composed the score for the film Tron: Legacy , which was released in 2010 alongside its soundtrack album.

Indie rock is a genre of rock music that originated in the United States and United Kingdom in the 1970s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock. As grunge and punk revival bands in the US and Britpop bands in the UK broke into the mainstream in the 1990s, it came to be used to identify those acts that retained an outsider and underground perspective. In the 2000s, as a result of changes in the music industry and the growing importance of the Internet, some indie rock acts began to enjoy commercial success, leading to questions about its meaningfulness as a term.

Darlin (French band)

Darlin' were a French rock band formed in 1992 by Laurent Brancowitz, Thomas Bangalter and Guy-Manuel de Homem-Christo. Their name was taken from the Beach Boys song of the same name.

A drum machine is an electronic musical instrument that creates percussion. Drum machines may imitate drum kits or other percussion instruments, or produce unique sounds. Most modern drum machines allow users to program their own rhythms. Drum machines may create sounds using analog synthesis or play prerecorded samples.

In 2013, Daft Punk left Virgin for Columbia Records, and released their fourth album, Random Access Memories, to acclaim; lead single "Get Lucky" reached the top 10 in the charts of 32 countries. Random Access Memories won five Grammy Awards in 2014, including Album of the Year and Record of the Year for "Get Lucky". In 2016, Daft Punk gained their first number one on the Billboard Hot 100 with the song "Starboy", a collaboration with The Weeknd. As of 2015, Daft Punk had sold over 12 million albums worldwide.

Columbia Records American record label; currently owned by Sony Music Entertainment

Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese conglomerate Sony. It was founded in 1887, evolving from the American Graphophone Company, the successor to the Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1990, Columbia recordings were released outside North America under the name CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records.

<i>Random Access Memories</i> 2013 studio album by Daft Punk

Random Access Memories is the fourth studio album by French electronic music duo Daft Punk, released on 17 May 2013 by Daft Life and Columbia Records. The album pays tribute to late 1970s and early 1980s American music, particularly from Los Angeles. This theme is reflected in the album's packaging, as well as its promotional campaign, which included billboards, television advertisements, and a web series.

Get Lucky (Daft Punk song) 2013 song by Daft Punk featuring Pharrell Williams

"Get Lucky" is a song by French house music duo Daft Punk, featuring vocals by Pharrell Williams and co-written by the duo, Williams, and Nile Rodgers. It is the lead single from Daft Punk's fourth studio album, Random Access Memories. Before its release as a single, "Get Lucky" was featured in television advertisements broadcast during Saturday Night Live, after which Rodgers and Williams announced their involvement in the track. Small excerpts also appear throughout the promotional video series The Collaborators.

History

1987–1992: Early career

Daft Punk wordmark Daft Punk Logo RAM 2013 by Alvaranstrong.png
Daft Punk wordmark

Guy-Manuel de Homem-Christo and Thomas Bangalter met in 1987 while attending the Lycée Carnot secondary school in Paris. [8] [12] The two became friends and recorded demos with others from the school. This led to the formation of a guitar-based group called Darlin' with Laurent Brancowitz in 1992. Bangalter and Homem-Christo played bass and guitar, respectively, while Brancowitz was brought on board after the two sought an additional guitarist. [13] [14] The trio had branded themselves after The Beach Boys song of the same name, which they covered along with an original composition. Both tracks were released on a multi-artist EP under Duophonic Records, a label owned by the London-based band Stereolab, who invited the trio to open for stage shows in the United Kingdom. [15] Bangalter felt that "The rock n' roll thing we did was pretty average, I think. It was so brief, maybe six months, four songs and two gigs and that was it." [16] A negative review in Melody Maker by Dave Jennings [17] subsequently dubbed the music "a daft punky thrash." [18] Instead of dismissing the review, they found it amusing. [12] As Homem-Christo stated, "We struggled so long to find [the name] Darlin', and this happened so quickly." [19] Darlin' soon disbanded, leaving Brancowitz to pursue other efforts with Phoenix. Bangalter and Homem-Christo formed Daft Punk and experimented with drum machines and synthesisers.

The Lycée Carnot is a public secondary and higher education school located at 145 Boulevard Malesherbes in the 17th arrondissement, Paris, France. Recognized as one of the most prestigious high schools in France, it is also ranked as one of the best classe préparatoire aux écoles de commerce. Some of its former students have been among the most influential personalities in the country, including Jacques Chirac, the former French President, and Pascal Lamy, the former president of the World Trade Organization since (2005–2013). Daft Punk musicians Thomas Bangalter and Guy-Manuel de Homem-Christo met there in 1987. The poet Louis Aragon also attended Carnot.

Laurent Brancowitz French musician

Laurent Brancowitz is a musician best known for being one of the guitarists from the French alternative rock band Phoenix.

The Beach Boys Rock band from Hawthorne, California

The Beach Boys are an American rock band formed in Hawthorne, California in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and their friend Al Jardine. Distinguished by their vocal harmonies and early surf songs, they are one of the most influential acts of the rock era. The band drew on the music of jazz-based vocal groups, 1950s rock and roll, and black R&B to create their unique sound, and with Brian as composer, arranger, producer, and de facto leader, they often incorporated classical elements and unconventional recording techniques in innovative ways.

1993–1999: Homework

Muzik magazine cover feature in February 1997 Muzik (magazine).jpg
Muzik magazine cover feature in February 1997

In September 1993, Daft Punk attended a rave at EuroDisney, where they met Stuart Macmillan of Slam, co-founder of the label Soma Quality Recordings. [12] The demo tape given to Macmillan at the rave formed the basis for Daft Punk's debut single, "The New Wave", a limited release in 1994. [16] The single also contained the final mix of "The New Wave" called "Alive", which was to be featured on Daft Punk's first album.

Rave Dance party

A rave is an organized dance party at a nightclub, outdoor festival, warehouse, or other private property typically featuring performances by DJs, playing a seamless flow of electronic dance music. DJs at rave events play electronic dance music on vinyl, CDs and digital audio from a wide range of genres, including techno, hardcore, house,, bassline, dubstep, New Beat and post-industrial. Occasionally live performers have been known to perform, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.

Soma Quality Recordings record label

Soma Quality Recordings is a Scottish techno and house label co-founded in 1991 by the electronic music duo Slam. The label is known for releasing the original vinyl version of Daft Punk's track "Da Funk".

Daft Punk returned to the studio in May 1995 to record "Da Funk". It became the duo's first commercially successful single the same year. After the success of "Da Funk", Daft Punk looked to find a manager. The duo eventually settled on Pedro Winter, who regularly promoted them and other artists at his Hype night clubs. [14] The band signed with Virgin Records in September 1996 and made a deal through which the duo licensed its tracks to the major label through its production company, Daft Trax. [8] [14] Bangalter stated that while the duo received numerous offers from record labels, they wanted to wait and ensure that Daft Punk did not lose creative control. He ultimately considered the deal with Virgin to be more akin to a partnership. [20]

Da Funk 1995 song by Daft Punk

"Da Funk" is an instrumental track by Daft Punk initially released as a single in 1995 and later included on their debut album Homework. "Da Funk" and its accompanying video directed by Spike Jonze are considered classics of 1990s house music. A reversed clip of "Da Funk" was also released on Homework as "Funk Ad", which is the final track on the album.

Pedro Winter French musician

Pedro Winter, also known by the stage name Busy P, is a French DJ, music producer, record label owner, and artist manager. Winter managed Daft Punk from 1996 to 2008 and currently manages Cassius and artists on Ed Banger Records, a label that he owns and runs.

Virgin Records UK record company

Virgin Records Ltd. is a British record label founded by entrepreneurs Richard Branson, Simon Draper, Nik Powell, and musician Tom Newman in 1972. It grew to be a worldwide phenomenon over time, with the success of platinum performers such as Aaliyah, George Michael, Paula Abdul, Janet Jackson, Roy Orbison, Devo, Tangerine Dream, Genesis, Keith Richards, the Human League, Culture Club, Simple Minds, Lenny Kravitz, dc Talk, the Smashing Pumpkins, Mike Oldfield, Gorillaz, Lewis Capaldi and Spice Girls, among others.

In the mid-to-late nineties, Daft Punk performed live without costumes in many places including the United States. In 1996, the duo were featured at an Even Furthur event in Wisconsin, their first public performance in the U.S. [21] In addition to live original performances, they performed in various clubs using vinyl records from their collection. They were known for incorporating various styles of music into their DJ sets at that time. [22]

"Da Funk" and "Alive" were later included on Daft Punk's 1997 debut album Homework . In February of that year, the UK dance magazine Muzik published a Daft Punk cover feature and described Homework as "one of the most hyped debut albums in a long long time." [23] According to The Village Voice , the album revived house music and departed from the Eurodance formula. [24] As noted by critic Alex Rayner, Homework brought together established club styles and the "burgeoning eclecticism" of big beat. [25] In 1997 Daft Punk also launched their Daftendirektour to promote Homework in several cities throughout the world. For this tour the duo used their home studio equipment for the live stage. [16] As Bangalter stated, "Everything was synched up—the drum machines, the bass lines. The sequencer was just sending out the tempos and controlling the beats and bars. On top of this structure we built all these layers of samples and various parts that we could bring in whenever we wanted to." [15] 25 May 1997 saw them perform at the Tribal Gathering festival at Luton Hoo, England, headlining with Orbital and Kraftwerk. [26]

The most successful single from Homework was "Around the World", which is known for the repeating chant of the song's title. "Da Funk" was also included on The Saint film soundtrack. Daft Punk produced a series of music videos for Homework directed by Spike Jonze, Michel Gondry, Roman Coppola and Seb Janiak. The collection of videos was released in 1999 and titled D.A.F.T.: A Story About Dogs, Androids, Firemen and Tomatoes .

1999–2003: Discovery

By 1999, the duo was well into the recording sessions for its second album, which had begun a year earlier. [27] [28] The 2001 release of Discovery took on a slicker and distinctly synthpop-oriented style, initially stunning fans of Daft Punk's previous material in Homework. The group states that the album was conceived as an attempt to reconnect with a playful, open-minded attitude associated with the discovery phase of childhood. [15] This accounts for the heavy use of themes and samples from the late '70s to early '80s era on the album. The album reached No. 2 in the United Kingdom, and its single, "One More Time", was a major club and mainstream hit that nearly topped the UK Singles Chart. The song is well known for being heavily autotuned and compressed. [15] The song and album created a new generation of fans mainly familiar with the second Daft Punk release. The singles "Digital Love" and "Harder, Better, Faster, Stronger" were also very successful in the UK and on the United States dance chart. "Digital Love" was subsequently covered by the bands Kodaline and Hellogoodbye. The song "Face to Face" hit No. 1 on the USA club play charts. A 45-minute excerpt from a Daftendirektour performance recorded at Birmingham, UK in 1997 was also released in 2001, titled Alive 1997 . [29]

The year 2003 saw the release of the feature-length animated film, Interstella 5555: The 5tory of the 5ecret 5tar 5ystem . Daft Punk produced the film under the supervision of Leiji Matsumoto, who is their childhood hero. [30] The album Daft Club was also released to promote the film. It features a collection of remixes previously made available through an online membership service of the same name.

2004–2007: Human After All

Daft Punk performing in Berkeley, California on 27 July 2007 Daft Punk 2007.jpg
Daft Punk performing in Berkeley, California on 27 July 2007

In March 2005, Daft Punk released their third album, Human After All, the result of six weeks of writing and recording. [31] Reviews were mixed, with criticism for its repetition and seemingly hasty recording. The singles were "Robot Rock", "Technologic", "Human After All", and "The Prime Time of Your Life". A Daft Punk anthology CD/DVD, Musique Vol. 1 1993–2005, was released on 4 April 2006. It contains music videos for "Robot Rock (Maximum Overdrive)" and "The Prime Time of Your Life" directed by Daft Punk and Tony Gardner, respectively. Daft Punk also released a remix album, Human After All: Remixes .

On 21 May 2006, Daft Punk premiered their first directed film, Daft Punk's Electroma , at the Cannes Film Festival sidebar Director's Fortnight. [32] The film does not include Daft Punk's music. Midnight screenings of the film were held in Paris theaters starting from the end of March 2007. [33] Initial public comments have since been positive. [34]

The Alive 2006/2007 tour began with a sole United States performance at the Coachella Festival in Indio, California in April 2006. [35] Several festival appearances in Europe followed throughout the summer. Two consecutive performances also took place at the Summer Sonic Festival in Japan, held in Osaka and Chiba City respectively. Daft Punk's final performance of the year occurred in the autumn, when they visited South America and played their second U.S. performance at the Bang! Music Festival in Miami, Florida.

In June 2007, the duo resumed touring, beginning with an appearance at the RockNess music festival in the United Kingdom. After further shows and festival performances in Europe, the act returned to North America for a full-fledged eight date tour. This reached many markets for the first time on the trek and included a headline festival slot at Lollapalooza in Chicago. A second leg of shows in October followed, consisting of an appearance at the Vegoose music festival in Las Vegas, Nevada and three shows in Mexico. Daft Punk also mixed and composed much of the music for the Louis Vuitton Spring/Summer 2008 Womenswear Full Show on 7 October 2007. [36] In December 2007, the duo returned to Japan to play a trio of dates. This was followed by a series of special shows in Australia, dubbed "Never Ever Land". The dates featured regular tour stalwarts SebastiAn and Kavinsky and were ultimately the fastest selling Daft Punk-related events to date. [37] The tour eventually culminated in Sydney at the Showground Main Arena.

Daft Punk released its second live album titled Alive 2007 on 19 November 2007. It contains the duo's performance in Paris from the Alive 2007 tour. [38] The live version of "Harder, Better, Faster, Stronger" from Alive 2007 was released as a single. [39] Olivier Gondry directed a music video for the single that features footage shot by 250 audience members at Daft Punk's Brooklyn appearance at KeySpan Park, Coney Island. [40]

2008–2011: Tron: Legacy

Daft Punk in DJ Hero Djhero1.jpg
Daft Punk in DJ Hero

Following the Alive 2007 tour, the duo focused on other projects. Daft Punk made a surprise appearance at the 50th Grammy Awards on 10 February 2008. The duo appeared with Kanye West to perform a reworked version of "Stronger" on stage at the Staples Center in Los Angeles. [41] For the appearance, Daft Punk used four JazzMutant Lemur controllers. [42] A press release specified that this was the first televised live performance by the duo in their career. [41] Bangalter's wife Élodie Bouchez also attended the event. [43] Daft Punk later stated in an EMI-sponsored live webchat that there would be no tour performances for 2008, and that they would instead focus on new projects. [44]

A 2008 interview with Pedro Winter revealed that Daft Punk returned to its Paris studio to work on new material. Winter also stepped down from managing the duo to focus attention on his Ed Banger Records label and his work as Busy P. [45] He stated in a later interview that Daft Punk is working with an unspecified management company in Los Angeles. The duo held its Daft Arts production office at the Jim Henson Studios complex in Hollywood. [46] In 2008, Daft Punk placed 38th in a worldwide official poll of DJ Mag after debuting at position 71 in the year before. [47] On 8 February 2009, Daft Punk won Grammy Awards for Alive 2007 and its single "Harder, Better, Faster, Stronger".

Later in February 2009, a website stated that a "hidden" tour had been set for 2009. An event for 13 February 2009 in Shanghai, China was mentioned in the website. It was later revealed to be a hoax. [48] [49] Representatives of the band announced that Daft Punk had no tour plans for 2009, but stated that the duo was looking forward to performing in China during their next world tour "in 2010 or 2011". [50] The announcement also stated that all of Daft Punk's shows are and would be posted on their official MySpace page, and that the page can therefore be used to verify validity. [50]

Daft Punk provided eleven new mixes featuring its music for the video game DJ Hero . The duo also appears in the game as a pair of playable characters, along with a unique venue. The duo appears wearing its Discovery-era helmets and Human After All-era leather attire. Daft Punk's playable likenesses are absent from the sequel DJ Hero 2 , which includes a remixed version of the song "Human After All".

At the 2009 San Diego Comic-Con, it was announced that the duo composed 24 tracks for the film Tron: Legacy . [51] Daft Punk's score was arranged and orchestrated by Joseph Trapanese. [52] The band collaborated with him for two years on the score, from pre-production to completion. The score features an 85-piece orchestra, recorded at AIR Lyndhurst Studios in London. [53] Joseph Kosinski, director of the film, referred to the score as being a mixture of orchestral and electronic elements. [54] The members of Daft Punk also make a cameo appearance as disc jockey programs wearing their trademark robot helmets within the film's virtual world. [55] The soundtrack album of the film was released on 6 December 2010. [56] A deluxe 2-disc edition of the album was also released that includes a poster of the duo from the film. Additional bonus tracks are also available through various online vendors. An official music video for "Derezzed", with a running time of less than two minutes, also premiered on the MTV Networks on the same day the album was released. [57] The video, which features Olivia Wilde as the character Quorra in specially-shot footage, along with images of Daft Punk in Flynn's Arcade, was later made available for purchase from the iTunes Store and included in the DVD and Blu-ray releases of the film. Walt Disney Records released a remix album of the score titled Tron: Legacy Reconfigured on 5 April 2011. [58]

In 2010, Daft Punk were admitted into the Ordre des Arts et des Lettres, an order of merit of France. Bangalter and Homem-Christo were individually awarded the rank of Chevalier (knight). [59] On October of that year, Daft Punk made a surprise guest appearance during the encore of Phoenix's show at Madison Square Garden in New York City. They played a medley of "Harder, Better, Faster, Stronger" and "Around the World" before the song segued into Phoenix's song "1901". The duo also included elements of their tracks "Rock'n Roll", "Human After All", as well as one of Bangalter's side projects, "Together". [60]

2011–2015: Random Access Memories

Billboard in New York City promoting Random Access Memories in March 2013 RAMbillboard.jpg
Billboard in New York City promoting Random Access Memories in March 2013

Soma Records released a previously unpublished Daft Punk track called "Drive" that was made while the duo was still with Soma Records and recording "Rollin' and Scratchin'" and "Da Funk". The track was included in a twentieth anniversary multi-artist compilation of the Soma label. [61] In October 2011, Daft Punk placed 28th in a "top-100 DJs of 2011" list by DJ Magazine after appearing at position 44 in the year before. [62] On 19 January 2012, Daft Punk ranked No. 2 on Mixmag's Greatest Dance Acts of All Time, with The Prodigy at No. 1 by just a few points. [63]

In October 2012, Daft Punk provided a fifteen-minute mix of songs by blues musician Junior Kimbrough for Hedi Slimane's Yves Saint Laurent fashion show. [64] The duo also placed 44th in DJ Magazine's annual Top 100 DJs list. [65]

Daft Punk worked on their fourth studio album, Random Access Memories, with musicians including Paul Williams, Chic frontman Nile Rodgers, and Giorgio Moroder. [66] [67] [68] [69] [70] [71] In January 2013, Homem-Christo revealed that Daft Punk was in the process of signing with Sony Music Entertainment through the Columbia Records label, and that the album would have a spring release. [72] A gradual promotional rollout was later launched featuring billboards and television spots, [73] leading to the reveal of the album title and the release date of 21 May 2013. [74] On 3 April, the official Random Access Memories website launched The Collaborators, a series of documentary videos about the album. [75] Later that month, a video preview for the song "Get Lucky" featuring Rodgers and Pharrell Williams was played at the 2013 Coachella Valley Music and Arts Festival. [76] The radio edit of the song was released as a digital download single one week later on 19 April 2013. [77] [78] "Get Lucky" became Daft Punk's first UK No. 1 single on 28 April 2013 remaining at number one for 4 weeks [79] (as of 24 May) and the Spotify music streaming website reported that the song is the most-streamed new song in the service's history. [80] At the 2013 MTV Video Music Awards , Daft Punk debuted a trailer for their single "Lose Yourself to Dance," and presented the award for "Best Female Video" alongside Rodgers and Pharrell. [81]

For the 56th Annual Grammy Awards, Random Access Memories was awarded the Grammy for Best Dance/Electronica Album, Album of the Year and Best Engineered Album, Non-Classical, while "Get Lucky" received the Grammy for Best Pop Duo/Group Performance and the Record of the Year. Daft Punk performed at the ceremony with Stevie Wonder, Rodgers, Pharrell Williams as well as Random Access Memories rhythm section players Nathan East, Omar Hakim, Paul Jackson, Jr. and Chris Caswell. The ensemble performed "Get Lucky" before moving into a medley consisting of Chic's "Le Freak" and Stevie Wonder's "Another Star" as well as elements of Daft Punk's "Harder, Better, Faster, Stronger", "Lose Yourself to Dance", and "Around the World". [82] The stage backdrop used for the performance was designed by Daft Arts to resemble a recording studio, incorporating a functioning mixing console operated by Daft Punk. [83] Pharrell later released his second studio album G I R L , in which Daft Punk performed additional vocals for the song "Gust of Wind". [84] On 10 March 2014, an unreleased Daft Punk song called "Computerized" surfaced on the Internet. The song features Jay Z and appears to contain elements of "The Son of Flynn" from the Tron: Legacy soundtrack. [85]

In April 2015, Daft Punk appeared in a short tribute to Rodgers as part of a documentary on his life titled Nile Rodgers: From Disco to Daft Punk. In the short clip, the two send a "transmission" to Rodgers with the message: "Dear Nile, We are sending you this transmission to thank you for all your amazing songs. Your music continues to inspire the world... With love, Daft Punk". [86] Later in 2015, a documentary, Daft Punk Unchained, was released. The film covers Daft Punk's music career from the 1990s up to and including their 2014 Grammy appearance. The documentary features interviews with Rodgers, Kanye West, Pharrell Williams, and others.

2016–present: Recent projects

Light-up outfits worn at the encore of the Alive 2007 tour performances, later on display at a pop-up shop for a limited time DaftPunk NeverEverLand Sydney 2007.JPG
Light-up outfits worn at the encore of the Alive 2007 tour performances, later on display at a pop-up shop for a limited time

On 22 September 2016, Canadian R&B singer The Weeknd released a track, "Starboy", featuring Daft Punk. The song later hit No. 1 on the Billboard Hot 100, becoming Daft Punk's first number-one song in the U.S. On 17 November, The Weeknd released "I Feel It Coming" which also features Daft Punk, peaking at number four. Both songs appeared on The Weeknd's album Starboy .

Throughout the end of 2016, rumors began to surface of a Daft Punk Alive 2017 tour. In September 2016, the rumors led to Pitchfork reporting that Daft Punk had no plans for a future tour. [87] A website that first appeared on 27 October 2016 featured a blank page with text reading Alive in plain text. Within the website coding were geo-coordinates based in Paris, Los Angeles, London, New York, Tokyo, São Paulo, Ibiza and Indio, the last being the location of Coachella. [88] The website has since been taken down.

In February 2017, Daft Punk launched a pop-up shop in Hollywood, California featuring memorabilia, artwork, and a display of the various costumes the duo has worn over the years. [89] The duo also performed with The Weeknd at the 59th Annual Grammy Awards on 12 February 2017. [90] On 21 June 2017, the Australian band Parcels released the song "Overnight", produced and co-written by Daft Punk. [91] In February 2019, it was announced that Daft Punk will launch an electronic art exhibition at the Philharmonie de Paris featuring various costumes, guitars, and other fixtures based on the theme of the duo's song "Technologic". [92]

Influences

Bangalter and Homem-Christo have credited many sources that influenced their musical style. Bangalter recalled that the records motivated him to learn English as a second language, since he wanted to understand the lyrics. [93] The duo's mutual admiration for rock bands led to the founding of their own indie group called Darlin'. Bangalter explained: "It was still maybe more a teenage thing at that time. It's like, you know, everybody wants to be in a band." [16] They also drew inspiration from the rock and acid house in the United Kingdom during the early 1990s. Homem-Christo referred to Screamadelica by Primal Scream as the record that "put everything together" in terms of genre". [10]

The liner notes of Homework pay tribute to a large number of musical artists and contain a quote from Brian Wilson. Bangalter stated: "In Brian Wilson's music you could really feel the beauty—it was very spiritual. Like Bob Marley, too." [16] When questioned on the success of Daft Punk's debut album and the rising popularity of their associated musical genre, Bangalter responded, "before us you had Frankie Knuckles or Juan Atkins and so on. The least you can do is pay respect to those who are not known and who have influenced people." [16] The Daft Punk track "Teachers", from Homework, refers to several influences, such as Romanthony and Todd Edwards. Homem-Christo stated: "Their music had a big effect on us. The sound of their productions—the compression, the sound of the kick drum and Romanthony's voice, the emotion and soul—is part of how we sound today." [15] A 2011 Bodytonic podcast featured tracks from all of the artists named in "Teachers", the Brian Wilson speech quoted in the liner notes of Homework, and a Kraftwerk-like 1983 track produced by Daniel Vangarde, father of Bangalter. [94]

Romanthony and Edwards later collaborated with Daft Punk on tracks for Discovery. For the album, Daft Punk focused on new styles of electronic music. A major inspiration was the Aphex Twin single "Windowlicker", which was "neither a purely club track nor a very chilled-out, down-tempo relaxation track", according to Bangalter. [28] The duo also used vintage equipment to recreate the sound of an artist from a previous era. As stated by Homem-Christo, "On 'Digital Love' you get this Supertramp vibe on the bridge," which was generated through an in-studio Wurlitzer piano. [95] During a later interview, Homem-Christo clarified that "we didn't make a list of artists we like and copy their songs." [96] Daft Punk would collaborate with Edwards again on the song "Fragments of Time", featured on the 2013 album Random Access Memories.

During a 2009 interview, Bangalter named Andy Warhol as one of Daft Punk's early artistic influences. [97] For the Tron: Legacy soundtrack, the duo drew inspiration from Wendy Carlos, the composer of the original Tron film, as well as Max Steiner, Bernard Herrmann, John Carpenter, Vangelis, Philip Glass and Maurice Jarre. [98] [99] Daft Punk later sought a "west coast vibe" during the production of Random Access Memories, referencing such bands as Fleetwood Mac, The Doobie Brothers and the Eagles. [100] They also highlighted the influence of Jean Michel Jarre in an interview following the album's release. [101] In January 2017, London-based music publication FACTmag featured a 1000 track playlist of Daft Punk's influences to mark the 20th anniversary of the release of Homework. [102]

Visual components and image

Thomas Bangalter performing in Miami, Florida in 2006 ThomasBangalter028.jpg
Thomas Bangalter performing in Miami, Florida in 2006
Guy-Manuel de Homem-Christo performing in Turin, Italy in 2007 Guy-Manuel028.jpg
Guy-Manuel de Homem-Christo performing in Turin, Italy in 2007

Daft Punk are well known for their use of visual components associated with their musical productions. The music videos for their singles from Homework featured distinctive characters and placed emphasis on storytelling instead of musical performance. [103] The album Discovery subsequently became the soundtrack to Interstella 5555.

Their outward personas have also changed over time. In one of the duo's earliest magazine appearances, Homem-Christo stated in a Jockey Slut interview that, "We don't want to be photographed. [...] We don't especially want to be in magazines. We have a responsibility." Although they allowed a camera crew to film them for a French television arts program at the time, Daft Punk did not wish to speak on screen "because it is dangerous." [104]

During their Homework years, the duo would usually wear a variety of masks to hide their appearance. [16] Bangalter noted that "the foundation for a lot of what we’re about artistically" is the 1974 film Phantom of the Paradise , in which the title character prominently wears a mask. [105] Daft Punk were also fans of the 1970s band Space, known for wearing space suits with helmets that hid the performers' appearance. [106] In 1998, the Bangalter side project Stardust experimented with the band wearing reflective costumes in their music video. [107] When not wearing disguises, Daft Punk occasionally preferred to be replaced by animation (as they appeared in The Work of Director Michel Gondry DVD) or have their faces digitally obscured for press kits. Few official photos of the duo's faces exist, including a blurry one found in the Homework liner notes.

In their more visible Discovery years, Daft Punk appeared wearing robotic headgear and metallic gloves for publicity photo shoots, interviews, live shows and music videos. The helmets were produced by Paul Hahn of Daft Arts and the French directors Alex and Martin, the duo who also designed them. [108] With engineering by Tony Gardner and Alterian, Inc., they are capable of various LED effects. [109] Wigs were originally attached to both helmets, but the duo removed them just before the outfits were publicly unveiled in 2001. [110] Daft Punk introduced the costumes to many U.S. television viewers in an advertisement during a special presentation of the music videos from the Discovery album during Cartoon Network's Toonami block. [111] Bangalter once stated, "We did not choose to become robots. There was an accident in our studio. We were working on our sampler, and at exactly 9:09 am on September 9, 1999, it exploded. When we regained consciousness, we discovered that we had become robots." [15]

Daft Punk have said that they donned their robot outfits to easily merge the characteristics of humans and machines. [112] Bangalter later stated that the costumes were initially the result of shyness. "But then it became exciting from the audience's point of view. It's the idea of being an average guy with some kind of superpower." [10] When asked whether the duo expressed themselves differently within the robotic suits, Bangalter stated "No, we don't need to. It's not about having inhibitions. It's more like an advanced version of glam, where it's definitely not you." [10] With the release of Human After All, the musical duo's outfits became slightly less complicated by consisting of black leather jacket and pants and simplified versions of the Discovery headgear. The attire was designed by Hedi Slimane. [10] Bangalter stated that, "We never like to do the same thing twice. It's more fun and entertaining for us to do something different, whether it's wearing masks or developing a persona that merges fiction and reality. We're happy to give back to the masses". [15]

According to Bangalter, the duo has a "general rule about not appearing in videos." Although Daft Punk rarely grants interviews, Bangalter is cited as being the more talkative and opinionated one of the duo. With regard to fame and stardom, he said:

In the same interview, he was also asked a question if stardom can be avoided.

Daft Punk being interviewed on the Icelandic television show Kastljos on Sjonvarpid Daftpunkkastljos.jpg
Daft Punk being interviewed on the Icelandic television show Kastljós on Sjónvarpið

During the filming and promotion of Daft Punk's Electroma, the duo went to great lengths to avoid showing their faces. While on the set of the film, the duo chose to be interviewed with their backs turned. As reported in October 2006, the band went as far as to wear black cloths over their heads during a televised interview. [113] During this interview they noted that the use of cloth bags in particular had been a spontaneous decision, reflecting their willingness to experiment with their perceived image in the media. [114]

It is believed that the mystery of their identity and the elaborate nature of their disguises have added to their popularity. [10] The iconic status of the robotic costumes has been compared to the makeup of KISS and the leather jacket worn by Iggy Pop. [115] Bangalter has noted, "The mask gets very hot, but after wearing it as long as I have, I am used to it." [115] He later stated that the helmets in their current iteration are fitted with ventilators to prevent overheating. [93]

Daft Punk continued to wear the robot costumes in their live performances at the 2008, 2014 and 2017 Grammy Awards, with variations in clothing. During the 2014 ceremony, they also accepted their awards on stage in the outfits, with Pharrell and Paul Williams speaking on the duo's behalf. The decision to stay in costume drew criticism from viewers on Twitter, including future White House Press Secretary Sean Spicer, who misspelled the duo's name as "Daft Funk". [116] [117] [90] In both their appearance at the 2017 Grammy Awards [118] and in the Weeknd's "I Feel It Coming" music video, [119] the duo wore long black capes and chrome-plated gloves along with their customary helmets.

Appearances in media

Daft Punk's cameo appearance in Interstella 5555 Daftpunkanimated.jpg
Daft Punk's cameo appearance in Interstella 5555

Daft Punk's popularity has been partially attributed to their appearances in mainstream media. [10] The duo appeared with Juliette Lewis in an advertisement for The Gap, featuring the single "Digital Love", and were contractually obliged to appear only in Gap clothing. In the summer of 2001, Daft Punk appeared in an advertisement on Cartoon Network's Toonami timeslot, promoting the official Toonami website and the duo's animated music videos for their album Discovery . [111] The music videos later appeared as scenes in the feature-length film Interstella 5555: The 5tory of the 5ecret 5tar 5ystem , in which Daft Punk make a cameo appearance as their robot alter-egos. The duo later appeared in a television advertisement wearing their Discovery-era headgear to promote Sony Ericsson's Premini mobile phone. Their robotic costumes also make an appearance in the "Masterclass" section on Chilly Gonzales' 2006 DVD release From Major to Minor. In 2010, Daft Punk appeared in Adidas advertisements promoting a Star Wars -themed clothing line.

Daft Punk has also produced music for other artists. They produced the Teriyaki Boyz's debut single "HeartBreaker" on the album Beef or Chicken? . The song contains a sample of "Human After All". Daft Punk later produced N.E.R.D's song "Hypnotize U". [120] Daft Punk are featured on the cover of the December 2010 issue of British publication Dazed & Confused to promote the film Tron: Legacy , for which the duo composed the score. They also made a cameo appearance within the film as masked DJs at the "End of Line" nightclub.

In 2011, Coca-Cola distributed limited edition bottles designed by Daft Punk, called Daft Coke. They were only sold in France. A newer version of these themed bottles now exist as collectors items, some parts of the bottles such as the cap and Coke logo being plated in gold. Daft Punk, along with Courtney Love were photographed for the "Music Project" of fashion house Yves Saint Laurent. The duo appear in their new sequined suits custom made by Hedi Slimane, holding and playing their new instruments with bodies made of lucite. [121] In 2013, Bandai Tamashii released a S.H. Figuarts (SHF) action figure for Daft Punk coinciding with the release of Random Access Memories in Japan. [122] Following a series a teaser trailers, Daft Punk made a rare public appearance at the 2013 Monaco Grand Prix in May on behalf of the Lotus F1 Team, who supported the duo by racing in specially-branded cars emblazoned with the band's logo. [123] [124]

Daft Punk were scheduled to appear on the episode of The Colbert Report on 6 August 2013 to promote Random Access Memories, but were unable to do so because of contractual obligations regarding the duo's later appearance at the 2013 MTV Video Music Awards. According to Stephen Colbert, Daft Punk were unaware of any exclusivity agreement and were halted by MTV executives the morning prior to the taping. [125] In 2015, Daft Punk appeared alongside several other musicians to announce their co-ownership of the music service Tidal at its relaunch. [126]

Tributes

The duo has been acknowledged in works by other artists. In "Losing My Edge", the first single by LCD Soundsystem, lead singer James Murphy sarcastically bragged about being the first to "play Daft Punk to the rock kids." LCD Soundsystem also recorded the song "Daft Punk Is Playing at My House", which reached No. 29 in the UK and was nominated for the 2006 Grammy Award for Best Dance Recording. The Soulwax remix of the song also contains samples of many Daft Punk tracks as well as tracks by Thomas Bangalter. The song "Number 1 Girl" by the Dutch music project Le Le mentions the names Thomas Bangalter and Guy-Manuel de Homem-Christo among other producers and artists. In the Flight of the Conchords episode "Sally", a music video for the Flight of the Conchords song "Robots" is shot with homemade robot costumes fashioned by the band's manager, Murray. Jemaine comments, "It doesn't look like Daft Punk. We wanted ones like Daft Punk."

Daft Punk tracks have been sampled or covered by other artists. "Technologic" was sampled by Swizz Beatz for the Busta Rhymes song "Touch It". In a later remix of "Touch It" the line "touch it, bring it, pay it, watch it, turn it, leave it, start, format it" from "Technologic" was sung by R&B and rap artist Missy Elliott. Kanye West's 2007 song "Stronger" from the album Graduation borrows the melody and features a vocal sample of Daft Punk's "Harder, Better, Faster, Stronger". Daft Punk's robotic costumes make an appearance in the music video for "Stronger". [39] The track "Daftendirekt" from Daft Punk's album Homework was sampled for the Janet Jackson song "So Much Betta" from her 2008 album Discipline . [127] The track "Aerodynamic" was sampled for Wiley's 2008 single "Summertime". [128] "Veridis Quo" from the album Discovery was sampled for the Jazmine Sullivan song "Dream Big" from her 2008 album Fearless . [129] DJs Marc Mysterio and Téo Moss released a cover version of "One More Time" featuring the vocals of Yardi Don. [130] Daft Punk's "Around the World" was sampled for JoJo's 2009 song "You Take Me (Around the World)". The song "Cowboy George" by The Fall contains a clip of "Harder, Better, Faster, Stronger". [131] A cappella group Pentatonix performed a medley of Daft Punk songs, released as a YouTube video. [132] As of August 2019, the video had been viewed over 311 million times. The medley won for Best Arrangement, Instrumental or a Cappella of the 57th Grammy Awards. [133]

In a December 2012 episode of The Simpsons titled "The Day the Earth Stood Cool", recurring character Disco Stu wears an outfit which is very similar in design to Bangalter's. [134] The online role-playing game World of Warcraft references the musicians with non-player characters Guyo Crystalgear [135] and Tivilix Bangalter, [136] which wear distinctive diving suits and helmets based on the duo's signature appearance. In the 2014 animated film My Little Pony: Equestria Girls - Rainbow Rocks , the character Rarity briefly dons an outfit with a helmet similar to that of Homem-Christo's.

The 2014 French drama film Eden includes appearances by two actors who portray Daft Punk at various points in their career. [137] An hour long documentary named Daft Punk Unchained was televised on 24 June 2015 in France and on 9 February 2016 in the UK. [138] It uses prexisting Daft Punk footage along with new interviews of their colleagues to document the rise to fame and the lives of the duo and their pioneering influence on the electronic music scene.

The duo was satirized in a 2015 episode of Family Guy . [139] In the 2016 reboot of The Powerpuff Girls , two ghosts shaped like both elements of Daft Punk appear in the episode "Puffdora's Box". Daft Punk was later referenced and parodied by the pigs in The Angry Birds Movie as "Daft Piggy", along with Steve Aoki (as "Steve Aoinki") in the movie. [140]

A medley of Daft Punk songs was played at the 2017 Bastille Day parade by a French military band, in front of French President Emmanuel Macron and his many guests, including U.S. President Donald Trump. [141] [142] In the DuckTales reboot episode "McMystery at McDuck McManor!", Dewey Duck adopts the persona of "DJ Daft Duck" and wears a helmet modeled after de Homem-Christo's.

Baicalellia daftpunka , a species of flatworm, was named after Daft Punk because part of the organism resembles a helmet. [143]

Discography

Studio albums

Concert tours

Awards and nominations

Related Research Articles

<i>Homework</i> (Daft Punk album) 1997 studio album by Daft Punk

Homework is the debut studio album by the French electronic music duo Daft Punk, released on 20 January 1997 by Virgin Records and Soma Quality Recordings. The duo produced the tracks without plans to release an album. After working on projects that were intended to be separate singles over five months, they considered the material good enough for an album.

<i>Discovery</i> (Daft Punk album) 2001 studio album by Daft Punk

Discovery is the second studio album by French electronic music duo Daft Punk, released on 26 February 2001 by Virgin Records. It marks a shift from the Chicago house sound prevalent on their first studio record, Homework (1997), to a house style more heavily inspired by disco, post-disco, garage house, and R&B. Comparing their stylistic approach to their previous album, band member Thomas Bangalter described Discovery as an exploration of song structures and musical forms whereas Homework was "raw" electronic music. He also described Discovery as a reflection of the duo's childhood memories, when they listened to music with a more playful and innocent viewpoint.

Technologic 2005 song by Daft Punk

"Technologic" is a song by French duo Daft Punk from the album Human After All. It was released as the second single on 14 June 2005. The music video for "Technologic" was directed by Daft Punk.

<i>Human After All</i> 2005 album by Daft Punk

Human After All is the third studio album by French electronic music duo Daft Punk, released on 14 March 2005 by Virgin Records. Unlike their previous album Discovery (2001), whose sound was inspired by disco and garage house, Human After All was more minimalistic and improvisational with a mixture of guitars and electronics.

Harder, Better, Faster, Stronger 2001 song by Daft Punk

"Harder, Better, Faster, Stronger" is a song by French duo Daft Punk. The single was first released on 13 October 2001. A live version of "Harder, Better, Faster, Stronger" was released as a single from the album Alive 2007 on 15 October 2007. This version won a Grammy Award for Best Dance Recording in 2009. In October 2011, NME placed it at number 132 on its list "150 Best Tracks of the Past 15 Years".

Robot Rock (song) 2005 song by Daft Punk

"Robot Rock" is the lead single from Daft Punk's third studio album Human After All. The single was released initially on 11 April 2005 with a music video, directed by and featuring the duo, preceding the single's release. While the single reached a moderately high chart position, many critics found the song overly repetitive when compared to songs from their other studio albums at the time. It features sampled portions of "Release the Beast" performed by Breakwater.

Burnin (instrumental) 1997 song by Daft Punk

"Burnin'" is an instrumental track from the Daft Punk album Homework. It was the fourth single from the album, released in 1997. The music video for the track was directed by Seb Janiak. The song later had a remix entitled "Extravaganza", created by Korean band BanYa for the dance video game Pump It Up. Elements of "Burnin'" were combined with the song "Too Long" in Daft Punk's live album Alive 2007.

The New Wave (instrumental) 1994 single by Daft Punk

"The New Wave" is an instrumental track by Daft Punk, released as their first single in 1994 on the Soma Recordings label. It was later released the same year on the UMM label under license from Soma Recordings. Though it was originally a standalone single, the track "The New Wave" eventually evolved into "Alive", which appeared on their debut studio album Homework (1997).

<i>Musique Vol. 1 1993–2005</i> 2006 compilation album by Daft Punk

Musique Vol. 1 1993–2005 is an anthology by Daft Punk released in Japan on 29 March 2006, in the United Kingdom on 3 April 2006, and in the United States on 4 April 2006. A special edition includes a bonus DVD with 12 music videos—two of which are new, "The Prime Time of Your Life" and "Robot Rock ". Due to time constraints on the audio CD, some of the tracks are shorter edits. The song "Digital Love" appears only in the digital release and Japan edition. The DVD edition was rated 15 by the BBFC, due to the content of "The Prime Time of Your Life" video.

<i>Daft Punks Electroma</i> 2006 film by Guy-Manuel de Homem-Christo, Thomas Bangalter

Daft Punk's Electroma is a 2006 science fiction film directed by the French electronic music duo Daft Punk. The story revolves around the quest of two robots to become human.

<i>Alive 2007</i> 2007 live album by Daft Punk

Alive 2007 is the second live album by the French electronic music duo Daft Punk, released on 19 November 2007 by Virgin Records. It features the duo's performance at the Palais omnisports de Paris-Bercy arena in Paris on 14 June 2007. The set features an assortment of music from Daft Punk's discography, incorporated with on-stage synthesizers, mixers, and live effects.

Together is a French house duo consisting of DJ Falcon and one member of Daft Punk, Thomas Bangalter. They released several singles on Bangalter's own record label, Roulé. The duo released two songs: "So Much Love to Give" and "Together".

Alive 2006/2007 2006–2007 concert tour by Daft Punk

Alive 2006/2007 was a concert tour by French electronic music duo Daft Punk, their first tour as a duo since 1997. While the 2006 concerts were not given a formal title, the 2007 performances were advertised as "Alive 2007". The 2006 performances and 2007 tour as a whole was later retroactively named "Alive 2006/2007".

<i>Tron: Legacy</i> (soundtrack) 2010 soundtrack album by Daft Punk

Tron: Legacy is the soundtrack album to the 2010 film of the same name, released by Walt Disney Records on December 3, 2010. It is the first film score by French music duo Daft Punk.

Derezzed 2010 song by Daft Punk

"Derezzed" is an instrumental song written, produced and performed by Daft Punk for the soundtrack of the motion picture Tron: Legacy, available on the album of the same name. As a pre-order bonus for the album on the iTunes Store, "Derezzed" was released by Walt Disney Records as a single on December 8, 2010. It was remixed by The Glitch Mob and Avicii for the remix albums Tron: Legacy Reconfigured and Dconstructed. "Derezzed" was also included on a 4-track vinyl EP titled Translucence, released by Walt Disney Records.

"Contact" is a song by French electronic music duo Daft Punk. It is the thirteenth and final track from the duo's fourth studio album Random Access Memories, released on 17 May 2013. The track was written and produced by the duo, with additional writing and co-production by DJ Falcon. Daryl Braithwaite, Tony Mitchell, and Garth Porter are also credited as writers due to the song containing a sample of "We Ride Tonight" by Australian rock band The Sherbs. The song includes audio from the Apollo 17 mission, courtesy of NASA and Captain Eugene Cernan. Due to digital downloads of Random Access Memories, the song charted at number 46 on the French Singles Chart and at number 24 on the Billboard Dance/Electronic Songs chart.

<i>Daft Punk Unchained</i> 2015 film by Hervé Martin-Delpierre

Daft Punk Unchained is an Anglo-French documentary that was televised on 24 June 2015 in France and on 9 February 2016 in the UK. It documents the rise to fame and the lives of Daft Punk members Guy-Manuel de Homem-Christo and Thomas Bangalter and their pioneering influence on the electronic music scene.

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