Side A of the U.S. single
|Single by Eagles|
|from the album Hotel California|
|B-side||"Pretty Maids All in a Row"|
|Released||February 22, 1977|
|Songwriter(s)||Don Felder, Don Henley, Glenn Frey|
|Eagles singles chronology|
Eagles – "Hotel California"
"Hotel California" is the title track from the Eagles' album of the same name and was released as a single in February 1977.Writing credits for the song are shared by Don Felder (music), Don Henley, and Glenn Frey (lyrics). The Eagles' original recording of the song features Henley singing the lead vocals and concludes with an extended section of electric guitar interplay between Felder and Joe Walsh.
The Eagles are an American rock band formed in Los Angeles in 1971. The founding members were Glenn Frey, Don Henley, Bernie Leadon and Randy Meisner. With five number-one singles, six Grammy Awards, five American Music Awards, and six number-one albums, the Eagles were one of the most successful musical acts of the 1970s. At the end of the 20th century, two of their albums, Their Greatest Hits (1971–1975) and Hotel California, were ranked among the 20 best-selling albums in the United States according to the Recording Industry Association of America. By 2006, both albums were among the top three best-selling albums in the United States. Hotel California is ranked 37th in Rolling Stone's list of "The 500 Greatest Albums of All Time" and the band was ranked number 75 on the magazine's 2004 list of the 100 Greatest Artists of All Time.
Hotel California is the fifth studio album by American rock band the Eagles, and is one of the best-selling albums of all time. Three singles were released from the album, each reaching high in the Billboard Hot 100: "New Kid in Town", "Hotel California", and "Life in the Fast Lane". The album became the band's best-selling album after Their Greatest Hits (1971–1975). It has been certified 26× Platinum in the U.S., and has sold over 42 million copies sold worldwide. The album was ranked number 37 on Rolling Stone's list of "The 500 Greatest Albums of All Time".
Donald William Felder is an American musician and songwriter, best known for his work as a lead guitarist of the Eagles from 1974 until his departure in 2001.
The song is considered the most famous recording by the band, and its long guitar coda has been voted the best guitar solo of all time by readers of Guitarist in 1998.The song was awarded the Grammy Award for Record of the Year in 1978. The lyrics of the song have been given various interpretations by fans and critics alike, the Eagles themselves described the song as their "interpretation of the high life in Los Angeles". In the 2013 documentary History of the Eagles , Henley said that the song was about "a journey from innocence to experience... that's all..."
Guitarist is a British monthly music making magazine published by Future plc. It is the longest-established European guitar magazine, and is currently the biggest-selling guitar magazine in the UK. The magazine's current editor is Jamie Dickson, who has been in charge since late-2013. Each issue covers three areas: reviews, interview and technique. This may include reviews of newly released guitars, amplifiers and other equipment; interviews with famous and up-and-coming guitar players; and features on the guitar industry, news articles, playing technique with tablature. Guitarist's slogan was previously "The Guitar Player's Bible", before changing in 2012 to "The Guitar Magazine". In the June 2014 edition, Guitarist celebrated its 30th Anniversary.
The Grammy Award for Record of the Year is presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to sales or chart position." The Record of the Year award is one of the four most prestigious categories at the awards presented annually since the 1st Grammy Awards in 1959. According to the 54th Grammy Awards description guide, the award is presented:
for commercially released singles or tracks of new vocal or instrumental recordings. Tracks from a previous year's album may be entered provided the track was not entered the previous year and provided the album did not win a Grammy. Award to the artist(s), producer(s), recording engineer(s) and/or mixer(s) if other than the artist.
The 20th Annual Grammy Awards were held February 23, 1978, and were broadcast live on American television. They were hosted by folk music legend John Denver, and recognized accomplishments by musicians from the year 1977.
Since its release, "Hotel California" has been covered by a number of artists and has become a part of international popular culture. Julia Phillips proposed adapting the song into a film, but the members of the Eagles disliked the idea and it never came to fruition. Commercially, "Hotel California" reached the number one position on the Billboard Hot 100 and reached the top ten of several international charts.
Julia Phillips was an American film producer and author. She co-produced with her husband, Michael, three prominent films of the 1970s — The Sting, Taxi Driver, and Close Encounters of the Third Kind — and was the first female producer to win an Academy Award for Best Picture, for The Sting.
The Billboard Hot 100 is the music industry standard record chart in the United States for songs, published weekly by Billboard magazine. Chart rankings are based on sales, radio play, and online streaming in the United States.
The melody of the song was composed by Don Felder in a rented house on Malibu Beach. He recorded the basic tracks with a Rhythm Ace drum machine and added a 12 string guitar on a four-track recording deck in his spare bedroom, then mixed in a bassline, and gave Don Henley and Glenn Frey each a copy of the recording.Felder, who met the Eagles through his high school bandmate Bernie Leadon, said that Leadon advised him to make tapes of songs he wrote for the band so that other band members like Henley, whose forte is in writing lyrics, might work with him on finishing the songs they like. The demos he made were always instrumental, and on every album project he would submit 15 or 16 ideas. The demo he made for "Hotel California" showed influences from Latin and reggae music, and it grabbed the attention of Henley who said he liked the song that "sounds like a Mexican reggae or Bolero", which gave the song its first working title, "Mexican Reggae".
A bassline is the term used in many styles of music, such as jazz, blues, funk, dub and electronic, traditional music, or classical music for the low-pitched instrumental part or line played by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard. In unaccompanied solo performance, basslines may simply be played in the lower register of any instrument such as guitar or piano while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes.
Donald Hugh Henley is an American musician, singer, songwriter, record producer and founding member of the Eagles. He was the drummer and co-lead vocalist for the Eagles from 1971 to 1980, when the band broke up, and from 1994 to 2016, when they reunited. Following a year-long break due to Eagles founder Glenn Frey's death, Henley reformed the band in summer 2017 for the Classic West and Classic East rock festivals, hiring Vince Gill and Deacon Frey to replace Glenn. Henley has been the only constant member of the band since its formation. Henley sang the lead vocals on Eagles hits such as "Witchy Woman", "Desperado", "Best of My Love", "One of These Nights", "Hotel California", "Life in the Fast Lane", "The Long Run" and "Get Over It".
Glenn Lewis Frey was an American singer, songwriter, actor and founding member of the rock band the Eagles. Frey was the lead singer and frontman for the Eagles, roles he came to share with fellow member Don Henley, with whom he wrote most of the Eagles' material. Frey played guitar and keyboards as well as singing lead vocals on songs such as "Take It Easy", "Peaceful Easy Feeling", "Tequila Sunrise", "Already Gone", "James Dean", "Lyin' Eyes", "New Kid in Town", and "Heartache Tonight".
Frey and Henley were both interested in the tune after hearing the demo, and discussed the concept for the lyrics. In 2008, Felder described the writing of the lyrics:
Don Henley and Glenn wrote most of the words. All of us kind of drove into L.A. at night. Nobody was from California, and if you drive into L.A. at night... you can just see this glow on the horizon of lights, and the images that start running through your head of Hollywood and all the dreams that you have, and so it was kind of about that... what we started writing the song about.
Henley decided on the theme of "Hotel California", noting how The Beverly Hills Hotel had become a literal and symbolic focal point of their lives at that time.Henley said of their personal and professional experience in LA: "We were getting an extensive education, in life, in love, in business. Beverly Hills was still a mythical place to us. In that sense it became something of a symbol, and the 'Hotel' the locus of all that LA had come to mean for us. In a sentence, I'd sum it up as the end of the innocence, round one."
The Beverly Hills Hotel, also called The Beverly Hills Hotel and Bungalows, is located on Sunset Boulevard in Beverly Hills, California. One of the world's best-known hotels, it is closely associated with Hollywood film stars, rock stars and celebrities. The hotel has 210 guest rooms and suites, and 23 bungalows, each designed in the signature pink and green colors which are a trademark of the hotel.
Frey came up with a cinematic scenario of a person who, tired from driving a long distance in a desert, saw a place for a rest and pulled in for the night, but entered "a weird world peopled by freaky characters", and became "quickly spooked by the claustrophobic feeling of being caught in a disturbing web from which he may never escape."In an interview with Cameron Crowe, Frey said that he and Henley wanted the song "to open like an episode of the Twilight Zone ", and added: "We take this guy and make him like a character in The Magus , where every time he walks through a door there’s a new version of reality. We wanted to write a song just like it was a movie." Frey described the song in an interview with NBC's Bob Costas as a cinematic montage "just one shot to the next ... a picture of a guy on the highway, a picture of the hotel, the guy walks in, the door opens, strange people." Frey continued: "We decided to create something strange, just to see if we could do it." Henley then wrote most of the lyrics based on Frey's idea, and sought inspiration for the writing by driving out into the desert as well as from films and theater.
Part of the lyrics, such as "Her mind is Tiffany twisted, she got the Mercedes bends / She got a lot of pretty pretty boys she calls friends", are based on Henley's break-up with his girlfriend Loree Rodkin.According to Glenn Frey's liner notes for The Very Best Of , the use of the word "steely" in the lyric, "They stab it with their steely knives, but they just can't kill the beast," was a playful nod to the band Steely Dan, who had included the lyric "Turn up the Eagles, the neighbors are listening" in their song "Everything You Did". Frey had also said that the writing of the song was inspired by the boldness of Steely Dan's lyrics and its willingness to go "out there", and thought that the song they wrote had "achieved perfect ambiguity."
The Eagles recorded the track with Don Henley on lead vocal three different times, twice at the Record Plant in Los Angeles and finally at the Criteria Studios in Miami.They first recorded a riff, but when it came to recording the vocal, it was found to be in too high a key for Henley's voice, so Felder progressively lowered the key from E minor, eventually settling on B minor. The second recording however was judged too fast. In Miami, the band fine-tuned the instrumentation and the lyrics and recorded numerous takes. Five or six best ones were selected, and the best parts were then spliced together to create the released version. According to the producer Bill Szymczyk, there were 33 edits on the two‑inch master. The final section features a guitar battle between Joe Walsh (who had replaced Bernie Leadon after Leadon's departure from the band in 1975) and Felder, which took the two of them sitting together working for around three days to achieve the necessary precision. Walsh and Felder initially started improvising but Henley insisted that the recording should follow the music as first recorded in Felder's demo.
Henley decided that the song should be a single, although Felder had doubts and the record company was reluctant to release it because, at over six minutes, its duration far exceeded that of the songs generally played by radio stations.The band took a stand and refused the label's request to shorten the song. The song was released as the second single from the album after "New Kid in Town". The front cover art for some overseas editions of the 45rpm single released was a reworked version of the Hotel California LP cover art, which used a photograph of the Beverly Hills Hotel by David Alexander, with design and art direction by Kosh.
As "Hotel California" became one of the group's most popular songs and a concert staple for the band,live recordings of the song have therefore also been released. The first live recording of the song appeared on the Eagles' 1980 live album, and an acoustic version with an extended intro is a track in the 1994 Hell Freezes Over reunion concert CD and video release. The Hell Freezes Over version is performed using eight guitars and has a decidedly Spanish sound, with Don Felder's flamenco-inspired arrangement and intro.
"Hotel California" first entered the Billboard Hot 100 chart dated February 26, 1977,and topped the Hot 100 singles chart for one week in May 1977, the band's fourth song to reach No. 1 on that chart. It peaked at number 10 on the Easy Listening chart in April 1977. Billboard ranked it number 19 on its 1977 Pop Singles year-end chart. Three months after its first release, the single was certified Gold by the Recording Industry Association of America (RIAA), representing one million copies shipped. In 2009, the song was further certified Platinum (Digital Sales Award) by the RIAA for sales of one million digital downloads, and has since sold over 3 million downloads.
The Eagles won the 1977 Grammy Award for Record of the Year for "Hotel California" at the 20th Grammy Awards in 1978.
The song is rated highly in many rock music lists and polls; Rolling Stone magazine ranked it number 49 on its list of "The 500 Greatest Songs of All Time".It was named one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. At the induction of the Eagles into the Rock and Roll Hall of Fame in 1998, all seven former and present members of the band reunited to perform "Hotel California".
The song's guitar solo was voted the best solo of all time by readers of Guitarist magazine in 1998, 's Top 100 Guitar Solos. The song was also included in the music video game Guitar Hero World Tour . It was ranked the number 1 in the list of the best 12-string guitar songs of all times by Guitar World magazine in 2015.and was ranked 8th on Guitar Magazine
Glenn Frey said that originally "We decided to create something strange, just to see if we could do it," and that the song was meant to mimic the imagery of the 1965 novel The Magus by John Fowles, about a man in an unfamiliar rural setting who is unsure about what he is experiencing.
Don Henley has given a number of explanations about the song, ranging from "a journey from innocence to experience"to "a sociopolitical statement". In an interview with Rolling Stone , Henley said that the song was meant to be "more of a symbolic piece about America in general", and added: "Lyrically, the song deals with traditional or classical themes of conflict: darkness and light, good and evil, youth and age, the spiritual versus the secular. I guess you could say it's a song about loss of innocence."
The song has been described as being "all about American decadence and burnout, too much money, corruption, drugs and arrogance; too little humility and heart."It has also been interpreted as an allegory about hedonism, self-destruction, and greed in the music industry of the late 1970s. Don Henley called it "our interpretation of the high life in Los Angeles", and later said: "It's basically a song about the dark underbelly of the American dream and about excess in America, which is something we knew a lot about." In the 2013 documentary, History of the Eagles , Henley reiterated:
On just about every album we made, there was some kind of commentary on the music business, and on American culture in general. The hotel itself could be taken as a metaphor not only for the myth-making of Southern California, but for the myth-making that is the American Dream, because it is a fine line between the American Dream, and the American nightmare.
In a 2009 interview, The Plain Dealer music critic John Soeder asked Don Henley if he regretted writing the lines "So I called up the captain / 'Please bring me my wine' / He said, 'We haven't had that spirit here since 1969'" because wines are fermented while spirits are distilled. Henley responded:
Thanks for the tutorial and, no, you're not the first to bring this to my attention — and you're not the first to completely misinterpret the lyric and miss the metaphor. Believe me, I've consumed enough alcoholic beverages in my time to know how they are made and what the proper nomenclature is. But that line in the song has little or nothing to do with alcoholic beverages. It's a sociopolitical statement. My only regret would be having to explain it in detail to you, which would defeat the purpose of using literary devices in songwriting and lower the discussion to some silly and irrelevant argument about chemical processes.
In his Encyclopedia of Great Popular Song Recordings, Volume 1, Steve Sullivan theorizes that the "spirit" that the Hotel California hasn't had since 1969 refers to the spirit of social activism of the 1960s, and how disco and the related pop music of the mid-1970s had turned away from it.
The metaphorical character of the story related in the lyrics has inspired a number of conjectural interpretations by listeners. In the 1980s the Rev. Paul Risley of Cornerstone Church in Burlington, Wisconsin alleged that "Hotel California" referred to a San Francisco hotel that was purchased by Anton LaVey and converted into his Church of Satan.Other rumors suggested that the Hotel California was the Camarillo State Mental Hospital.
The term "colitas" in the first stanza ("warm smell of colitas, rising up through the air") has been interpreted as a sexual slang or a reference to marijuana."Colitas" means "little tails" in Spanish; in Mexican slang it refers to buds of the cannabis (marijuana) plant. According to Glenn Frey, the "warm smell" is "colitas... it means little tails, the very top of the plant." The Eagles' manager Irving Azoff appears to lend support to the marijuana hypothesis, however, Felder said: "The colitas is a plant that grows in the desert that blooms at night, and it has this kind of pungent, almost funky smell. Don Henley came up with a lot of the lyrics for that song, and he came up with colitas."
Other interpretations of the songs include heroin addiction and cannibalism.On the various interpretations, Henley said: "Some of the wilder interpretations of that song have been amazing. It was really about the excesses of American culture and certain girls we knew. But it was also about the uneasy balance between art and commerce."
The intro and verses' chord pattern counts eight measures, each one assigned to a single chord. Seven different chords are used in the eight measures. As the song opens, it is not until the eighth measure that a chord is repeated. The song is initially in the key of B-minor.The presence of E major gives a hint of B Dorian.
The chords are played as follows:
The eight-measure sequence is repeated in the intro, for each verse and in the outro, providing the harmonic framework for the entire extended dual guitar solo at the end of the song.One explanation of the progression is that it is a common flamenco chord progression called the "Spanish progression" (i–VII–VI–V in a phrygian context) that is interspersed with consecutive fifths. With its descending ostinato pattern, it could be considered a fandango, a forerunner of the Baroque chaconne form.
This chord sequence is not commonly used, and Ian Anderson of Jethro Tull has pointed out its similarity to his song "We Used to Know" from their 1969 album Stand Up , suggesting the Eagles heard it when they toured together.While the Eagles did open for Jethro Tull in June 1972, Don Felder, who wrote the music, did not join the band until 1974 and would not have been in the audience or backstage. Felder has said that he had never heard "We Used to Know", and that he was unfamiliar with Jethro Tull apart from the fact the frontman plays a flute.
The chorus, or refrain, uses five of the song's seven chords, structured with the melody in a way that shifts the key from B-minor to its relative major of D:
Al B. Sure! recorded his rendition for his album, Private Times...and the Whole 9! (1990).Gipsy Kings recorded a flamenco version sung in Spanish. The Orb, under the name of Jam On The Mutha, produced a version that charted at No. 62 in the UK in 1990. Mike Piranha recorded "Hotel Honolulu" in 1998, satirizing overdevelopment, crime, and other issues on Oahu; the song became a local hit in Hawaii. The Romanian band Vama Veche recorded its version with different lyrics entitled "Hotel Cişmigiu", sung in its native language. Alabama 3 covered the song for the album, La Peste (2000). Nancy Sinatra recorded a cover version for her 2002 album California Girl, an album of songs about California. The Cat Empire recorded a version sung in French entitled "L'hotel de Californie" for Triple J's Like a Version segment, and is included in its 2005 compilation album as well as the band's 2003 live album On the Attack . Vocal Sampling have performed an a cappella version, which is included in their 2008 album Akapelleando. The Killers and Rhythms del Mundo collaborated their version with Afro-Cuban music for the 2009 Artists' Project Earth charity, and it appeared on the album Rhythms del Mundo Classics .
Frank Ocean released a song that samples the entire instrumental track of "Hotel California" on his mixtape Nostalgia, Ultra (2011), entitled "American Wedding".Don Henley threatened a lawsuit for copyright infringement.
"Hotel California" and its lyrics have become absorbed into the wider culture around the world, and have been used by various writers and commentators to reflect on issues ranging from politics to social media and welfare,or as an observation on a particular situation. The lines "We are programmed to receive / You can check out any time you like / But you can never leave!" were used by an economist to refer to how the appeal of an attractive "Hotel California"-type host country to foreign investors may be countered by the cost of exit on leaving the country. A term "The Hotel California Effect" was then used to refer to the negative effect of financial regulations on investment, and the problems foreign investors faced when getting their money out of China. It has also applied to other ideas such as leaving a service provider or social media network. The same analogy has been used by various commentators considering scenarios for Brexit, with the term "Hotel California Brexit".
A book titled Operation Hotel California: The Clandestine War Inside Iraq was written about the clandestine operation named after the song title by CIA–US Special Forces teams in Iraqi Kurdistan in the lead-up to the Iraq War.
Although the Eagles were noted for their reluctance to license their songs for use in shows,the song has been used in a number of films and television shows, such as The Big Lebowski (performed by the Gipsy Kings), Absolutely Fabulous , and The Sopranos . More recently it was used during the final scenes of the premiere episode of American Horror Story: Hotel in October 2015.
According to Rolling Stone , Julia Phillips, the producer of films like Taxi Driver and Close Encounters of the Third Kind, was interested in shooting a movie based on the song's story. The band members and Phillips met to discuss the project. In her memoir You'll Never Eat Lunch in This Town Again , Phillips wrote that the band members were difficult to deal with and arrogant. Henley said that Phillips offered the band members cocaine and was "nonplussed" when they turned it down. Tension between the two parties ended the pre-development deal for the film. Rolling Stone reported that the band was not upset at this development, as they were not particularly enamored with the idea of "Hotel California" being adapted into a film. This was because Henley feared that he would lack control over the project.
The Long Run is the sixth studio album by American rock group the Eagles. It was released in 1979, on Asylum in the United States and in the United Kingdom. This was the first Eagles album to feature Timothy B. Schmit, who had replaced founding member Randy Meisner and the last full studio album to feature Don Felder before his termination from the band in 2001.
Hell Freezes Over is the second live album by the Eagles, released in 1994. The album is the first to be released after the Eagles had reformed following a fourteen-year-long break up. The band's lineup was that of the Long Run era: Glenn Frey, Don Henley, Don Felder, Joe Walsh, and Timothy B. Schmit. It contains four new studio tracks and eleven tracks recorded live in April 1994 for an MTV special. Two Top 40 Mainstream singles, "Get Over It" and "Love Will Keep Us Alive", were released from the album. It also features an acoustic version of "Hotel California". The four new studio recordings are the last to feature Don Felder, who was terminated from the band in 2001.
On the Border is the third studio album by American rock group the Eagles, released in 1974. Apart from two songs produced by Glyn Johns, it was produced by Bill Szymczyk because the group wanted a more rock‑oriented sound instead of the country-rock feel of the first two albums. It is the first Eagles album to feature guitarist Don Felder. On the Border reached number 17 on the Billboard album chart and has sold two million copies.
One of These Nights is the fourth studio album by the Eagles, released in 1975. The record would become the Eagles' first number one album on Billboard's album chart in July that year, and yielded three Top 10 singles, "One of These Nights", "Lyin' Eyes" and "Take It to the Limit". Its title song is the group's second number one single on the Billboard Hot 100. The album sold four million copies and was nominated for Grammy Album of the Year. A single from the album, "Lyin' Eyes", was also nominated for Record of the Year, and won the Eagles' first Grammy for Best Pop Performance by a Duo or Group with Vocals.
"I Can't Tell You Why" is a song by the American rock band Eagles, which appeared on their 1979 album The Long Run. The song was written by band members Timothy B. Schmit, Glenn Frey, and Don Henley. Recorded in March 1978, it was the first song finished for the album and the first Eagles song to feature Schmit on lead vocals. The studio version became a Billboard Top 10 hit in April 1980, reaching number 8 on the Billboard Hot 100 and number 3 on the Adult Contemporary chart. It is their last Top Ten hit on the Hot 100.
"One of These Nights" is a song written by Don Henley and Glenn Frey and recorded by the American rock band Eagles. The title track from their One of These Nights album, the song became their second single to top the Billboard Hot 100 chart after "Best of My Love" and also helped propel the album to number one. The single version was shortened from the album version of the song, removing most of the song's intro and most of its fade-out, as well. Henley is lead vocalist on the verses, while Randy Meisner sings high harmony on the refrain. The song features a guitar solo by Don Felder that is "composed of blues-based licks and sustained string bends using an unusually meaty distortion tone."
"New Kid in Town" is a song by the Eagles from their 1976 studio album Hotel California. It was written by Don Henley, Glenn Frey and J.D. Souther. Released as the first single from the album, the song became a number-one hit in the US, and number 20 in the UK. The single version has an earlier fade-out than the album version. The song features Glenn Frey singing the lead vocals, with Don Henley singing main harmony vocals. Randy Meisner plays the guitarrón mexicano, Don Felder plays electric guitars, and Joe Walsh plays the electric piano and organ parts. The song won the Grammy Award for Best Vocal Arrangement for Two or More Voices.
"Heartache Tonight" is a song written by Don Henley, Glenn Frey, Bob Seger and J. D. Souther, and recorded by the Eagles. The track was included on their album The Long Run and released as a single in 1979. It reached No. 1 on the U.S. Billboard Hot 100 in November of that year and was certified Gold by the Recording Industry Association of America representing one million copies sold. It was the Eagles' final chart-topping song on the Hot 100.
"Take It Easy" is a song written by Jackson Browne and Glenn Frey, and recorded by the Eagles with Frey singing lead vocals. It was the band's first single, released on May 1, 1972. It peaked at No. 12 on the July 22, 1972 Billboard Hot 100 chart. It also was the opening track on the band's debut album Eagles and it has become one of their signature songs, included on all of their live and compilation albums. It is listed as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
"Lyin' Eyes" is a song written by Don Henley and Glenn Frey and recorded in 1975 by the American rock band the Eagles, with Frey singing lead vocals. It was the second single from their album One of These Nights, reaching No. 2 on the Billboard Hot 100 chart and No. 8 on the Billboard Country chart. It remained their only top 40 country hit until "How Long" in 2007–2008.
"James Dean" is a song written by Don Henley, Glenn Frey, Jackson Browne, and J. D. Souther, and recorded by the American rock band Eagles for their 1974 album On the Border. It was the second single released from this album, reaching number 77 on the U.S. pop singles chart.
"Take It to the Limit" is a song by the Eagles from their fourth album One of These Nights from which it was issued as the third single on November 15, 1975. It reached No. 4 on the U.S. Billboard Hot 100 and was also the Eagles' greatest success to that point in the UK, going to No. 12 on the charts. Billboard ranked it as the No. 25 song for 1976.
"Life in the Fast Lane" is a song written by Joe Walsh, Glenn Frey and Don Henley and recorded by the American rock band the Eagles on their 1976 studio album Hotel California. It was the third single released from this album, and peaked at No. 11 on the Billboard Hot 100.
"Tequila Sunrise" is a 1973 song written by Don Henley and Glenn Frey, and recorded by the Eagles. It was the first single from the band's second album Desperado. The song peaked at number 64 on the Billboard Hot 100.
"The Long Run" is a song written by Don Henley and Glenn Frey and recorded by the Eagles. The sound of the song is viewed as a tribute to the Stax / Memphis rhythm and blues sound. It was the title track of their album The Long Run and was released as a single in November 1979. It reached No. 8 on the U.S. Billboard Hot 100 in early 1980. It was the second of three singles released from The Long Run album, preceded by "Heartache Tonight," which reached No. 1 on the Billboard Hot 100 in November 1979, and followed by "I Can't Tell You Why," which also reached No. 8 on the Billboard Hot 100, in the spring of 1980.
"Already Gone" is a song recorded by the American rock band the Eagles for their 1974 album On the Border. It was written by Jack Tempchin and Robb Strandlund and produced by Bill Szymczyk.