Flack influenced the subgenre of contemporary R&B called quiet storm, and interpreted songs by songwriters such as Leonard Cohen and members of the Beatles.[4]
Flack was the first artist to win the Grammy Award for Record of the Year in two consecutive years: "The First Time Ever I Saw Your Face" won in 1973 and "Killing Me Softly with His Song" won in 1974.
Early life and education
Flack was born on February 10, 1937, in Black Mountain, North Carolina, to parents Laron Flack, a Veterans Administration draftsman,[5] and Irene (née Council)[6] Flack[7] a church organist[8][9][3][2] (some sources have cited 1939 but the 1940 Census gives Roberta's age as 3 years old).[10][11] She grew up in Arlington, Virginia.[12]
Growing up in a large, musical family, she often accompanied the choir of Lomax African Methodist Episcopal Zion Church by playing hymns and spirituals on piano, but she also enjoyed going to the "Baptist church down the street" to listen to contemporary gospel music including songs performed by Mahalia Jackson and Sam Cooke.[13]
When Flack was nine, she started taking an interest in playing the piano.[7] During her early teens, Flack excelled at classical piano and Howard University awarded her a full music scholarship.[14]
By age 15, she entered Howard University in Washington, D.C., making her one of the youngest students ever to enroll there. She eventually changed her major from piano to voice and became an assistant conductor of the university choir. Her direction of a production of Aida received a standing ovation from the Howard University faculty.
Before becoming a professional singer-songwriter, Flack returned to Washington, D.C., and taught at Banneker, Browne, and Rabaut Junior High Schools. She also taught private piano lessons out of her home on Euclid Street, NW in the city. During that time, her music career began to take shape on evenings and weekends in Washington metropolitan area night spots.
At the Tivoli Club, she accompanied opera singers at the piano. During intermissions, she would sing blues, folk, and pop standards in a back room, accompanying herself on the piano. Later she performed several nights a week at the 1520 Club, again providing her own piano accompaniment. About this time her voice teacher, Frederick "Wilkie" Wilkerson, told her that he saw a brighter future for her in pop music than in the classics. Flack modified her repertoire accordingly and her reputation spread. In 1968 she began singing professionally when she was hired to perform regularly at Mr. Henry's Restaurant, which is on Capitol Hill in Washington, D.C.[16][17]
1970s
Flack in 1971Flack on the cover of Cash Box, April 22, 1972
Les McCann discovered Flack singing and playing jazz in a Washington, D.C. nightclub.[7] He later said on the liner notes of what would be her first album First Take noted below, "Her voice touched, tapped, trapped, and kicked every emotion I've ever known. I laughed, cried, and screamed for more... she alone had the voice." Very quickly he arranged an audition for her with Atlantic Records, during which she played 42 songs in 3 hours for producer Joel Dorn. In November 1968, she recorded 39 song demos in less than 10 hours. Three months later, Atlantic reportedly recorded Flack's debut album, First Take, in a mere 10 hours.[12]
Flack's cover version of "Will You Love Me Tomorrow" hit number 76 on the Billboard Hot 100 in 1972. Her Atlantic recordings did not sell particularly well, until actor/director Clint Eastwood chose a song from First Take, "The First Time Ever I Saw Your Face" written by Ewan MacColl, for the sound track of his directorial debut Play Misty for Me; it became the biggest hit of the year for 1972, spending six consecutive weeks at No. 1 and earning Flack a million-selling Gold disc.[20] It finished the year as Billboard's top song of 1972. The First Take album also went to No. 1 and eventually sold 1.9million copies in the United States. Eastwood, who paid $2,000 for the use of the song in the film,[21] has remained an admirer and friend of Flack's ever since. It was awarded the Grammy Award for Record of the Year in 1973. In 1983, she recorded the end music to the Dirty Harry film Sudden Impact at Eastwood's request.[12]
In 1972, Flack began recording regularly with Donny Hathaway, scoring hits such as the Grammy-winning "Where Is the Love" (1972) and later "The Closer I Get to You" (1978), both million-selling gold singles.[20] Flack and Hathaway recorded several duets together, including two LPs, until Hathaway's 1979 death.
In 1986, Flack sang the theme song entitled "Together Through the Years" for the NBC television series Valerie, later known as The Hogan Family. The song was used throughout the show's six seasons. In 1987, Flack supplied the voice of Michael Jackson's mother in the 18-minute short film for "Bad".[23]Oasis was released in 1988 and failed to make an impact with pop audiences, though the title track reached No. 1 on the R&B chart and a remix of "Uh-Uh Ooh-Ooh Look Out (Here It Comes)" topped the dance chart in 1989. In 1991, Flack found herself again in the US Top 10 with a cover of the Diane Warren-penned song "Set the Night to Music", performed as a duet with Maxi Priest that peaked at No. 6 on the Billboard Hot 100 charts and No. 2 AC.
Later career
Flack performing in 2013
In 1999, a star with Flack's name was placed on the Hollywood Walk of Fame.[14] In the same year, she gave a concert tour in South Africa; the final performance was attended by President Nelson Mandela. In 2010, she appeared on the 52nd Annual Grammy Awards, singing a duet of "Where Is The Love" with Maxwell.
In February 2012, Flack released Let It Be Roberta, an album of Beatles covers including "Hey Jude" and "Let It Be". It was her first recording in over eight years.[24] Flack knew John Lennon and Yoko Ono, as both lived in The Dakota apartment building in New York City and had apartments next door to each other. Flack has said that she has been asked to do a second album of Beatles covers.[25] In 2013, she was reported to be involved in an interpretative album of the Beatles' classics.[26]
In 1971, Village Voice critic Robert Christgau reported that "Flack is generally regarded as the most significant new black woman singer since Aretha Franklin, and at moments she sounds kind, intelligent, and very likable. But she often exhibits the gratuitous gentility you'd expect of someone who says 'between you and I'." Reviewing her body of work from the 1970s, he later argued that the singer "has nothing whatsoever to do with rock and roll or rhythm and blues and almost nothing to do with soul", comparing her middle-of-the-road aesthetic to Barry Manilow but with better taste, which he believed does not necessarily guarantee more enduring music: "In the long run, pop lies are improved by vulgarity."[13]
Writer and music critic Ann Powers argued in a 2020 piece for NPR that "Flack's presence looms over both R&B and indie "bedroom" pop as if she were one of the astral beings in Ava DuVernay's version of A Wrinkle In Time."[4] Jason King argued that she occupies a complex place in popular music, as "the nature of her power as a performer—to generate rapturous, spellbinding mood music and to plumb the depths of soulful heaviness by way of classically-informed technique—is not too easy to claim or make sense with the limited tools that we have in music criticism."[4]
Flack's minimalist, classically trained approach to her songs was seen by a number of critics as lacking in grit and uncharacteristic of soul music. According to music scholar Jason King, her work was regularly described with the adjectives "boring", "depressing", "lifeless", "studied", and "calculated";[13] in contrast, AllMusic's Steve Huey said it has been called "classy, urbane, reserved, smooth, and sophisticated".[28]
Personal life
Flack is a member of the Artist Empowerment Coalition, which advocates for artists to have the right to control their creative properties. She is also a spokeswoman for the American Society for the Prevention of Cruelty to Animals; her appearance in commercials for the ASPCA featured "The First Time Ever I Saw Your Face". The Hyde Leadership Charter School in the Bronx, NYC, runs an after-school music program called "The Roberta Flack School of Music" to provide free music education to underprivileged students in partnership with Flack, who founded the school.[29]
From 1966 to 1972, she was married to Steve Novosel. Flack is the aunt of professional ice skater Rory Flack.[30][31] She is also the godmother of musician Bernard Wright, who died in an accident on May 19, 2022.
According to DNA analysis, she is of Cameroonian descent.[32]
Health
On April 20, 2018, Flack was appearing onstage at the Apollo Theater at a benefit for the Jazz Foundation of America. She became ill, left the stage, and was rushed to the Harlem Hospital Center.[33] In a statement, her manager announced that Flack had had a stroke a few years prior and still was not feeling well, but was "doing fine" and being kept overnight for medical observation.[34]
On November 14, 2022, it was announced by a spokesperson that Flack had been diagnosed with ALS and had retired from performing,[35] due to the disease making it "impossible to sing".[36]
Accolades
On May 11, 2017, Roberta Flack received an honorary Doctorate degree in the Arts from Long Island University.[37]
On March 12, 2022, Flack was honored with the DAR Women in American History Award and a restored fire callbox in the Capitol Hill neighborhood of Washington DC commemorating her early-career connection to nearby Mr. Henry's neighborhood bar.[40]
On 24 January 2023, the PBS series American Masters opened its 37th season with an hour-long look at her career.[41]
On May 13, 2023, Flack received an honorary doctorate from Berklee College of Music.[42]
↑ "Roberta Flack". Grammy. Archived from the original on March 14, 2022. Retrieved November 11, 2012.
General and cited references
Bryan, Sarah; Beverly Patterson (2013). "Roberta Flack". African American Trails of Eastern North Carolina. North Carolina Arts Council. p.92. ISBN978-1469610795.
McGilligan, Patrick (1999). Clint: The Life and Legend. Harper Collins. ISBN0-00-638354-8.
The 15th Annual Grammy Awards were held on March 3, 1973, at the Tennessee Theatre in Nashville, Tennessee. The event was the first Grammy ceremony not to be held in either New York City or Los Angeles. The 15th Grammys were also the first to be broadcast live on CBS, which has carried every Grammy telecast since.
Luther Ronzoni Vandross Jr. was an American soul and R&B singer, songwriter, and record producer. Throughout his career, he achieved eleven consecutive RIAA-certified platinum albums and sold over 40 million records worldwide. Known as the "Velvet Voice", Vandross has been recognized as one of the 200 greatest singers of all time (2023) by Rolling Stone, as well as one of the greatest R&B artists by Billboard. NPR additionally named him one of the 50 Great Voices. He was the recipient of eight Grammy Awards, including Song of the Year in 2004 for a track recorded shortly before his death, "Dance with My Father". In 2021, he was posthumously inducted into the National Rhythm & Blues Hall of Fame.
Donny Edward Hathaway was an American soul singer, keyboardist, songwriter, backing vocalist, and arranger who Rolling Stone described as a "soul legend". His most popular songs include "The Ghetto", "This Christmas", "Someday We'll All Be Free", and "Little Ghetto Boy". Hathaway is also renowned for his renditions of "A Song for You", "For All We Know", and "I Love You More Than You'll Ever Know", along with "Where Is the Love" and "The Closer I Get to You", two of many collaborations with Roberta Flack. He has been inducted into the St. Louis Walk of Fame and won one Grammy Award from four nominations. Hathaway was also posthumously honored with a Grammy Lifetime Achievement Award in 2019. Dutch director David Kleijwegt made a documentary called Mister Soul – A Story About Donny Hathaway, which premiered at the International Film Festival Rotterdam on January 28, 2020.
Robert Peapo "Peabo" Bryson is an American singer and songwriter. He is known for singing soul ballads including the hit singles "Tonight, I Celebrate My Love", "You're Looking Like Love To Me" and "As Long As There's Christmas" with Roberta Flack, "A Whole New World" with Regina Belle, and "Beauty and the Beast" with Canadian singer Celine Dion. Bryson has contributed to two Disney animated feature soundtracks. Bryson is a winner of two Grammy Awards.
"You've Got a Friend" is a 1971 song by American singer-songwriter Carole King. It was first recorded by King and included on her second studio album, Tapestry (1971). Another well-known version by James Taylor appears on his album Mud Slide Slim and the Blue Horizon. His was released as a single in 1971, reaching number one on the Billboard Hot 100 and number four on the UK Singles Chart. The two versions were recorded simultaneously in 1971 with shared musicians.
June Deniece Williams is an American singer. She has been described as "one of the great soul voices" by the BBC.
Eulaulah Donyll "Lalah" Hathaway is an American singer-songwriter. She is the daughter of musician and soul singer Donny Hathaway.
"Killing Me Softly with His Song" is a song composed by Charles Fox with lyrics by Norman Gimbel. The lyrics were written in collaboration with Lori Lieberman after she was inspired by a Don McLean performance in late 1971. Denied writing credit by Fox and Gimbel, Lieberman released her version of the song in 1972, but it did not chart. The song has been covered by many other artists.
Killing Me Softly is a studio album by American singer-songwriter Roberta Flack, released on August 1, 1973, by Atlantic Records. She recorded the album with producer Joel Dorn for 18 months. The album was dedicated to Rahsaan Roland Kirk.
"You've Lost That Lovin' Feelin'" is a song by Phil Spector, Barry Mann, and Cynthia Weil, first recorded in 1964 by the American vocal duo the Righteous Brothers. This version, produced by Spector, is cited by some music critics as the ultimate expression and illustration of his Wall of Sound recording technique. The record was a critical and commercial success on its release, reaching number one in early February 1965 in both the United States and the United Kingdom. The single ranked No. 5 in Billboard's year-end Top 100 of 1965 Hot 100 hits – based on combined airplay and sales, and not including three charted weeks in December 1964 – and has entered the UK Top Ten on three occasions.
"The First Time Ever I Saw Your Face" is a 1957 folk song written by British political singer-songwriter Ewan MacColl for Peggy Seeger, who later became his third wife. At the time, the couple were lovers, although MacColl was still married to his second wife, Jean Newlove. Seeger sang the song when the duo performed in folk clubs around Britain. During the 1960s, it was recorded by various folk singers and became a major international hit for Roberta Flack in 1972, winning Grammy Awards for Record of the Year and Song of the Year. Billboard ranked it as the number-one Hot 100 single of the year for 1972.
"Tonight, I Celebrate My Love" is a romantic ballad written by lyricist Gerry Goffin with Michael Masser and recorded by Peabo Bryson and Roberta Flack for their 1983 album of duets, Born to Love, issued as the lead single. The track—produced by Masser—became a million-selling international hit.
"The Closer I Get to You" is a romantic ballad performed by singer-songwriter Roberta Flack and soul musician Donny Hathaway. The song was written by James Mtume and Reggie Lucas, two former members of Miles Davis's band, who were members of Flack's band at the time. Produced by Atlantic Records, the song was released on Flack's 1977 album Blue Lights in the Basement, and as a single in 1978. It became a major crossover hit, becoming Flack's biggest commercial hit after her success with her 1973 solo single, "Killing Me Softly with His Song". Originally set as a solo single, Flack's manager, David Franklin, suggested a duet with Hathaway, which resulted in the finished work.
"Feel Like Makin' Love" is a song composed by singer-songwriter and producer Eugene McDaniels, and recorded originally by soul singer-songwriter Roberta Flack. The song has been covered by R&B and jazz artists including D’Angelo, Roy Ayers, Gladys Knight & the Pips, Lou Rawls, Isaac Hays, George Benson, Jeffrey Osborne, Larry Coryell, Johnny Mathis, and Marlena Shaw.
"Where Is the Love" is a popular song written by Ralph MacDonald and William Salter, and recorded by Roberta Flack and Donny Hathaway. Released in 1972 from their album, Roberta Flack & Donny Hathaway. It peaked at number five on the Billboard Hot 100 singles chart and spent a week each at number one on the Billboard Easy Listening chart and R&B chart. Billboard ranked it as the No. 58 song for 1972. The song won a Grammy Award for Best Pop Performance by a Duo or Group with Vocals.
The 1972 Atlantic release Roberta Flack & Donny Hathaway is a million-selling duet album by Roberta Flack and Donny Hathaway produced by Joel Dorn and Arif Mardin.
Roberta Flack Featuring Donny Hathaway is the ninth studio album by American singer-songwriter Roberta Flack. Released via Atlantic in March 1980, the album features posthumous vocals by close friend and collaborator Donny Hathaway, who had died in 1979. At the 23rd Grammy Awards in 1981, the album was nominated for a Grammy Award for Best Female R&B Vocal Performance. The award, however, went to Stephanie Mills for "Never Knew Love Like This Before."
"Danny's Song" is a song written by American singer-songwriter Kenny Loggins, as a gift for his brother Danny for the birth of his son, Colin. It first appeared on an album by Gator Creek and a year later on the album Sittin' In, the debut album by Loggins and Messina. The song is well remembered for both the Loggins and Messina original, as well as for Anne Murray's 1972 top-ten-charting cover.
Alone Again (Naturally) is the thirtieth studio album by American pop singer Andy Williams, released in September 1972 by Columbia Records and mainly consisting of songs originated by other artists. For its release in the UK, the album was titled The First Time Ever (I Saw Your Face), and three of the songs were replaced with the 7-inch single tracks "Who Was It?" and "Marmalade, Molasses & Honey" and a recording that was not released on vinyl in the U.S., "If You're Gonna Break Another Heart".
"Making Love" is a 1982 song written by Burt Bacharach, Bruce Roberts, and Carole Bayer Sager to serve as the theme song for the film of the same name in which, as recorded by Roberta Flack with Bacharach and Bayer Sager producing, it played under the closing credits: a Top 20 hit single for Flack, "Making Love" was included on the singer's 1982 album release I'm the One.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
